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    heatherlew
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    “This is one of the most thrilling albums the Grateful Dead ever produced, mixing portions of live recordings from the first six months of Mickey's tenure with the band, along with studio experimentations that would hint at where the Dead would go when they started recording to 16-track tape the following year. The 1971 remix, produced in order to make the album more accessible to the newer fans who were brought on board with WORKINGMAN'S DEAD and AMERICAN BEAUTY, has been the most commonly heard version for the past 45+ years. However, having this side-by-side with the original 1968 mix demonstrates countless differences, with the original mix being more primal, psychedelic, and experimental. Add to this the first extant live recording featuring Mickey as a member of the Grateful Dead, and you have a very special release in every way.” - David Lemieux

    We're continuing our 50th anniversary reissue series with ANTHEM OF THE SUN: 50th ANNIVERSARY DELUXE EDITION, due July 13th. Released 50 years after its anniversary date, this two-disc deluxe version features a double dose of the original album - one fully remastered from the original 1968 mix and the other remastered from the more well-known 1971 mix - as well as a bonus disc of a previously unreleased complete live show recorded on October 22, 1967 at Winterland in San Francisco, CA. Newly remastered by Jeffrey Norman, this is the first known recording of the Grateful Dead with Mickey Hart, who joined the band in September 1967. The first run will come with a special lenticular of the cover.

    Looking for something more byte-sized? For the first time ever, you can pre-order the high-def digital download of ANTHEM on Dead.net.

    Do not stop on tracks, grab a copy while you can!

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  • Gary Farseer
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    Hey Now IceCream
    Rush Signals. It was an excellent tour. We also saw them earlier on that tour in Nashville at the old Municipal Auditorium. Probably still my favorite single venue that I have been too. Saw many concerts there starting in the late 70's. It is a round coliseum like Madison Square or Oakland with no internal columns, all supported by steel girders overhead. Sound in that arena is spectacular. Plus since Broon's Bane was still around (i.e. Terry Brown - engineer) their live sound was spectacular. They seem to go down hill after he left. The last time I saw Rush was 1997 in Charlotte when I was in grad school. It was still very good. But the early years smoked. I saw them about 12-15 times between 79 and 97. Saw Yes on the 90210 (or is that the tv show) and the Big Generator tour in that Nashville Coliseum. Dozin oh so well. By the Big Generator tour, we were hooked into the folks that got us pure mothers milk. My freaky friend prepared us some cubes. He said one of the 7 is a double. Turned out they were all doubles but one was a triple. Zowie. So back to that old coliseum. Jeff Beck plays there this fall. I am trying to figure out if I am healthy enough to go. First, to see Beck, but also to be in that old coliseum where so many memories have been made. Man, look at all those dates. Wow Geddy could still do it.
  • icecrmcnkd
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    Gary
    https://www.rush.com/tour/signals/ Nice setlist, although it was the same for the entire tour.
  • Gary Farseer
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    Sportatorium
    I spent years wondering where Pembroke Pines was. As it never says sportatorium on it. Then I realized it was the old hollywood sportatorium. My freaky friend and I saw Rush there on the Signals tour. Did some research, seems that it was not called Pembroke Pines until the early 90's, I think, as that area north of Miami expanded. The fact that Dick's 3 sounds so good is a testament to Betty's skills and the fact that Bear figured out long before of an up channel split for her own mix. That place was a wild place back then, but was a dump. We were 17 and on a school trip. We snuck out to buy the tickets several days before the show. The day of the show, we took a city bus probably 10 miles north out of Miami. We then got a cab to take us further north. As we got close to the sporto, traffic backed up, and I mean for miles. There was only one way in from the south so all Rush heads in Miami were in that jam. We were poor as Shite. So the cab fair got to be too expensive. We jump out and start to walk/hitch hike. Fortunately some other freaks picked us up and were heading to the venue. They were also nice enough to burn a few and sell a few. We got up close so sound was decent. Wehn the show ended we were 20 miles north of our hotel with only a little bit of money. We got a ride that got us about 10 miles out from the hotel. Then walked close enough to where we could make it by cab. We got a cab made it to with a half a mile of the hotel. Paid the cabie out last bit of money. Got to bed around 4, had to wake up at 7 to eat breakfast and get on the school bus back home. We were truly young and stupid but the memory lives fresh. Very glad we did it, and were successful. http://www.hollywoodsportatorium.com/
  • marye
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    stolzfus et al with ordering issues
    Please send me a PM so we can get things just exactly perfect, or at least a little closer!
  • MadDoc
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    Again?
    I went through at least two copies of the LP because the pop and click infiltrated not to mention skips. I bought a copy of the tape for my car before I had a tape deck to copy the LP. Bought the CD when it was first available. Got another CD in one of the GD box sets with some bonus tracks. Do I get it again? Of course! Buying the flacs because I have enough stuff in my life. Best GD "studio" album ever IMHO.
  • wilfredtjones
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    Sportatorium - November 26, 1980
    http://www.dead.net/show/november-26-1980
  • wilfredtjones
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    great job
    Dead.net, I'm in... What about Pembroke Pines?
  • Vguy72
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    I'm a sucker for these mashups....
    https://youtu.be/UBmEkqoPQbkThis one is really good....
  • rrot
    Joined:
    Old copy
    Guess the old copy’s jun... wait a tic... Oh no you don’t!! There’s no way I’m buying Two From The Vault again, haha!
  • simonrob
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    More...
    My "original" remixed versions have the old olive green WB label and the Warner/Reprise beige inner sleeve with a picture of Burbank on it. The Anthem cover has a colour picture on the back.
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“This is one of the most thrilling albums the Grateful Dead ever produced, mixing portions of live recordings from the first six months of Mickey's tenure with the band, along with studio experimentations that would hint at where the Dead would go when they started recording to 16-track tape the following year. The 1971 remix, produced in order to make the album more accessible to the newer fans who were brought on board with WORKINGMAN'S DEAD and AMERICAN BEAUTY, has been the most commonly heard version for the past 45+ years. However, having this side-by-side with the original 1968 mix demonstrates countless differences, with the original mix being more primal, psychedelic, and experimental. Add to this the first extant live recording featuring Mickey as a member of the Grateful Dead, and you have a very special release in every way.” - David Lemieux

We're continuing our 50th anniversary reissue series with ANTHEM OF THE SUN: 50th ANNIVERSARY DELUXE EDITION, due July 13th. Released 50 years after its anniversary date, this two-disc deluxe version features a double dose of the original album - one fully remastered from the original 1968 mix and the other remastered from the more well-known 1971 mix - as well as a bonus disc of a previously unreleased complete live show recorded on October 22, 1967 at Winterland in San Francisco, CA. Newly remastered by Jeffrey Norman, this is the first known recording of the Grateful Dead with Mickey Hart, who joined the band in September 1967. The first run will come with a special lenticular of the cover.

Looking for something more byte-sized? For the first time ever, you can pre-order the high-def digital download of ANTHEM on Dead.net.

Do not stop on tracks, grab a copy while you can!

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Under both discs theres a picture of hand written studio notations including instruments or channels as well as numbers and L,R,M. Can anyone shine some light into whose notes they are and what these notations mean?? Love the '68 mix, greatest Quadlibet ever. That name still kills me!!! Wheres Kayak??
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I just tried to order this -- as I have always loved Anthem. And it's out of stock! Does anyone know if it will be restocked? This is not a limited release, is it? Because I really would like to have it. So I ordered the tee shirt, instead. Funny how it costs more than the music. But at least I'll look really cool in purple. Edit: After reading Boblopes affirmation that Amazon is shipping with the lenticular cover, i just ordered mine because I simply cannot wait. I am sometimes hesitant to order from them because i did not get what i bargained for with the Sunshine Daydream release, but this sounds legit. I can't wait to see it with the headphones on. I'm totally stoked.
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17 years 4 months
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I ordered it form Amazon to save the $7 and shipping. You will not be disappointed. Lenticular cover is awesome! Rock on
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17 years 4 months
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My copy arrived here in Holland today. I have to agree that the cover is awesome. I was already well aware of what lenticular pictures are but this cover exceeds all my expectations. Now to crank up the hi-fi!
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...is not the correct term in the musical context Quodlibet? Misprint? Always wondered about that since I read about the musical form of Quodlibet. My guess is the title or concept came from Phil and/or TC.
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was the Winterland live disc. The first song was all over the place, particularly the mix, but after that it was just amazing. I still consider the "Magnificent Seven" lineup from this period to be their best and most musically adventurous, certainly when it came to live performances, but then I'm a sucker for that primal Dead sound.
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I can accept sound quality that’s not quite exactly perfect. Just glad to have a recording from 1967.
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15 years 9 months
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the HD Flac download is more than the hard copy 2 CD set, because.....?
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Gorgeous ! The front of the case celebrating the 50th anniversary of the release of Anthem Of The Sun is covered with lenticular film. The illusion of relief is striking, giving the image five different levels of depth. The cover represents a kind of mandala: inside a circle of fire, masks - the faces of the musicians (except Tom Constanten, who was not part of the group when the image was designed) - appear at the end articulated arms that meet at the center of the circle. This drawing (a true work of art that fascinated me already when I was not yet 20 years old) is perfect for a relief image. And the process reinforces the impression of mystery or magic that emerges from this cover. In one of the last dreams of the past night, I saw a package trailing in front of the keeper's lodge and noticed with emotion that the package had an image of the Grateful Dead - which woke me up. During breakfast, I flipped through a magazine devoted to French May-68. Then, on his return from shopping, my husband brought me this package that was waiting for me in the mailbox. Anthem was made in 1968. This is a double CD. The first contains two versions of Anthem Of The Sun: first the original mix (from 1968) then the remix (1971, wiser, and without the presence of Tom Constanten). The second one gratifies us of the concert given on October 22, 1967 to the Winterland of San Francisco, a very short concert (about 55 minutes) of which I have the most titles for ten years. The first time I bought Anthem, I had to be 18 or 19; it had to be remixing. When I bought Anthem in 2001, I got the first mix; since, it is this one that I listen to. I can not wait to compare the two. Tonight will be a beautiful evening!
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Nice to read your response to Anthem, and hope you enjoyed it last night. A truly great re-issue in every respect. One thing though-Tom Constanten's contributions are surely included in the 1971 remix. He didn't perform at the live concert from 1967, though.
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17 years 4 months
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I was wrong, Tom Constanten's contributions are surely included in the 1971 remix. It will be tonight (in a few hours in France) that I will listen to these two beautiful records.
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9 years
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Because it’s 192/24. 44.1/16 is less than the CD
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14 years 9 months
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I prefer the remix. probably because that's what I heard first years ago. the original had too many things faded, it sounds. either will do. having BOTH on one disc is appreciated and awesome and tremendous.
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I've listened to both of these enough times now to have an opinion. I like the remix just slightly better too. The remix seems, to me, to be more focused on the music, where the original has some parts where it seems like they were just fiddling with knobs in the studio while they were tripping. It's an amazing work, regardless. Nobody else was doing stuff like this back then. I haven't even listened to the live disc yet. I've been too enthralled with comparing the two Anthems.
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First of all, I'll state that Anthem has been, is still, and will always be my all-time favourite album ! When I play it, I have to play all the way through ...That's why I have so many versions of it, from when I first purchased it at 18 ('68 mix on vinyl). Then came the remix, which I'll admit I had reservations about, at the time. Then all the CD reissues .... some better than others. Then the DL's, including the vinyl remix. And so, I now have the 50th Anniversary Edition on CD, and HD DL, and love both mixes (even the shorter 'caution' on the '71) and they've made a great job of it .... listen to Alligator loud !
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No other band has even come close to the work/play of these recordings. I don't even think the Dead topped Anthem as for being cutting edge. Expect many more new listeners well into the future on this one. Anthem is one for the ages. And the cover art of Anthem will always be visionary. Rick Griffin did not even top this one. But that's just my Un centivos worth of opinion.
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7 years 11 months
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i tried to read this but it confused me so much that i have absolute no clue at all. i do dig the cover tho the 3 d is amazing and the fisheye lens photo on the back.wish the back cover for aoxomoxoa was in color instead of black and white.
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this would be a top contender in my tape collection had i had this say 20 years ago.
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13 years 11 months
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This is a very high quality anniversary release. Upon first listen to both versions, me and my girlfriend liked the remix better. Sounds warmer and more full and complete. Hard to find words to describe. Steve Silberman's liner notes are interesting, also. I love the second disc. Great Bear recording.
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14 years 8 months
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Couldn't agree more on this incarnation being my favorite, too! I hope they release everything they have from 1967-1968 in a box, warts and all, no complete shows necessary. Two From the Vault and that Shrine release blow my freakin' mind every time, in a way that even the juiciest 1972 and 1978 shows do not.
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7 years 11 months
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since it seems that public opinions are not liked by some here i will stop posting .no need to be bashed.see above
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7 years 3 months
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They BETTER pick a good show?? Whatcha gonna do if they don't?? Sheesh.
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7 years 11 months
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hi all, does anyone have or know of a list of the available live shows from oct 67 to dec 67. any help we be appreciated.
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If you like the vinyl record, the LP, album, whatever you called it in the past or now in the present, here's a novel way to play them. Unfortunately, this model is long out of production. Bring this model back into production and upgrade to a direct-drive platter, better cartridges, better electronics and I think you've got a winner. https://www.youtube.com/watch?v=GgAUxJmh5uE
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I'm old. I've been listening to Anthem since it came out, I was just a kid. Wore out I don't know how many LPs. Anthem, IMHO, is one of the most amazing albums and still lights up the noggin' to this day. The 71 mix just sounds off to me. Bleached of the detail. I guess it's hard to hear with new ears as time marches on. I'm happy people enjoy the 71 mix. If it puts a smile on your face, it's good stuff.
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Another Bear recording awesome so many years ago. Jerry sure did play fast and Phil was a locomotive! Cool recording to release. Vocals are a little low,heck I'm just grateful he recorded this rumbling early show.
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15 years 7 months
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I would LOVE to purchase the FLAC of Anthem's 50th, but why would I when I purchased the FLAC of American Beauty's 50th and can get no customer assistance for the problem I have had with it since day 1?
I have not been able to play the FLAC in any form besides one song at a time, which would drive anyone nuts--and which I did not pay for.
I have kindly requested help from gratefuldead@gnarlywoodstore.com and I am ignored.
I even got the automatic reply for a ticket having been created (March 12th, 10:09 A.M.), but have heard nothing but crickets.
I'm sure they are busy, but this is ridiculous.
Anyone else have any of these problems?
Is this kind behavior? Is this what we elderly people used to call "Dead Etiquette"? I don't think so...

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