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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • unkle sam
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    9-2-83
    Just had a listen to this show yesterday. I like the way Wang Dang Doodle starts and slowly builds to start off the show, makes you think something really cool is about to happen. A lack luster first set except for the opener and that great Deal at the end. Second set not so hot either, the pre drums is kinda muddy, the drums is short and goes no where, the space is nice, but really doesn't build to anything either, the post drums with a "new song" delivered like a single, Throwing Stones gets so much better in the late 80's and into the 90's. All in all, I give this show a C average and certainly not the "stunner" it is advertised as. Sure hope the next pick is better than this one. I don't know if any of you were around in the 40's, I wasn't. But I think you can trace Rock and Roll all the way back to then, or even the 30's, or maybe the roaring 20's, hard to say. Of course, back then it was "Heathen" music, "Black" music and a thing that you kept your young children away from, "no son/daughter of mine is going to listen to some muggle smoking darkie music". Segregation was in full swing back then and Rock and Roll was a thing to be feared. It was, after all, youthful rebellion which happens in every generation, that put rock and roll on the map, back then, if our parents hated it, we loved it. There were a lot of us in the 60's and music meant something back then, it was our call to arms, our mantra, we actually thought that music and love could change the world. I'm not a historian nor do I know exactly when rock and roll got it "birth". Glad it did tho, sure was an uptight world full of lies and hate back then, wow, I just got a feeling like I've been here before. I think someone said that they had been following history for X years or some thing like that, gee, they should know ;) But can you believe them? Most that were around then are gone or are so old that they just can't remember, and I can relate to that, memories are very subjective and history books can be distorted, or rewritten. I have had a conversation or two with my 93 year old mother-in-law who was a music teacher all thru the late 50's, 60's and 70's. When she is able to, she remembers rock and roll as a bad thing, one that was openly discouraged and frowned upon, until that "nice gospel singing hill billy" came around. He was "so nice, and good looking too". But that was rock just finally being accepted, not the birth of.
  • daverock
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    Mr Heartbreak
    Thanks for the film clip of Bruce Cockburn. Some beautiful guitar playing-in fact the whole band is good. I've never heard Bob Dylan play like that!
  • garciaddicted
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    Rock 'N' Roll
    "I’ve stolen every lick he ever played", Keith Richards on Chuck Berry "The Shakespeare of rock 'n' roll", Bob Dylan on Chuck Berry "No group, be it Beatles, Dylan or Stones, have ever improved on 'Whole Lotta Shakin'' for my money.” John Lennon
  • frosted
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    Everybody knows who created rock and roll
    Hey hey with the Monkees! What I find odd though is that I cut my teeth on R&R in the late 60s and into the 70s. Back then, we called the 50s the oldies. Elvis, Jerry Lee, Fats Domino, Bill Haley, Buddy Holley, Chuck Berry, Little Richard, Eddie Cochrane, all those guys seemed ancient to us. Thinking about 30s and 40s music back then? Fuggettaboutit. What was that even? Musicians wearing suits with skinny ties, and huge brass bands with our grandparents swirling around the dance floors all dressed up? What gets me is that now the 60s and 70s are more than twice as long ago for today's kids as the 50s were for me, and that seemed pretty far back at the time. So the circle squares, and now I listen to more jazz from the 30s-60s than I do rock and roll from any era, the GOGD being one of the few exceptions. Get off of my lawn!
  • simonrob
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    This is not the place
    for intellectual discussions between non-intellectuals.
  • kyleharmon
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    you all need more Unicorn
    you all need more Unicorn Jesus in your lives and less of this Devil rock music.
  • Angry Jack Straw
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    Good Lord
    Such nonsense. My cat can cut and paste. Stop it. Dave. You disappoint. No knowledge of Bruce? I posted about him during the worthless doors/who tripe.
  • Angry Jack Straw
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    Good Lord
    Such nonsense. My cat can cut and paste. Stop it. Dave. You disappoint. No knowledge of Bruce? I posted about him during the worthless doors/who tripe.
  • Oroborous
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    Dear Butch, DS and Keithfan
    Sorry, I thought we were having a intellectual discussion about opposing theories, not trying to insult one another. So since I now feel insulted. I also feel I have to defend my self..... Please find Butch’s comments in quotes.... “Nobody even said the Beatles invented Rock n roll or coined the term, only that they brought it to life in front of the world. “ So the millions of folks for all the years before the Beatles did not enjoy RR, because it hadn’t yet been brought to life? Even though they did have some success; album sales, performances and quite a bit of airplay, RELETIVELY speaking? Because your statements could be interpreted that RR was such an underground, insignificant thing that not until the Beatles did it become well known? or “given birth” To me that’s an insult to all the men and women who actually made RR, long before the Beatles came along.... “The bottom line is that our generation DID witness the birth of rock and roll, and yes you can use the concept of birth, it's an appropriate form of symbolic language called personification. It's laughable that THAT part of the dicussion even came into question.” As I’ve politely stated, I agree with most of KF’s fine, articulate essay, just not this part. I’m imho, based on reading dozens of RR biographies, the only thing wrong with this is you could say all the same things about Chuck, only on a smaller scale...due to technological and cultural circumstances he had no control over. i understand your point just fine. You don’t need to insult me. Sorry to all you folks if this seems like I’m being snarky etc. Not trying to be, actually having a bit of fun participating in a verbal chess match, mental gymnastics, intellectual discourse etc. Used to stay up and party hard and do this sort of thing about authors, music, movies etc when I went back to collage in my thirties..... “The biggest reasons the Beatles gave birth to it, is 1)they were original,” And Chuck wasn’t? “2)they brought their brand to way more more people, WAY more people,(70 million people, come on now)” Never debated that, if you actually read my post, I ponder whether album sales and/or popularity alone is really a true distinction of what makes one relevant or not. I don’t believe album sales alone is. And comparing album sales from completely different technological and cultural times is like comparing apples to oranges....I’m sorry i obviously did not articulate my point well.. I don’t think that’s a fair, objective measure. “3)they influenced most of the bands that followed after (as well as the popular culture at large).” I have openly agreed with this statement throughout....? “Nobody else went on Ed Sullivan 1st and ushered in a movement in rock pop music. None of their predecessors did that.” Unfortunately I don’t know that much about the show, but I don’t believe in the fifties, a black man, with subversive lyrics was going to get a fair shot at a show of that prominence? I do think I recall reading that they did not want RR, but they felt they needed to make the show more current, to generate ratings, and because RR was already so prevalent in society, they needed to get with the times.....but please don’t quote me on that.....my memory is deteriorating rapidly... I also believe part of the reason Chuck received the airplay he did get, was many didn’t know he was black by his “sound” Another way for the suits to take “race music” and make it popuar with whites, so they could cash in. “They took what was out there, made it their own and in doing so TRANSFORMED rock and popular music. The bands that came after helped continue the movement,” Again, I’ve only supported this sentiment. But I also believe you could say the same, in a different way, about Berry et el... “but there's no question the Beatles brand came first.” This is where we disagree. Again, it’s an insult to all those who were oppressed and struggled through the early years of RR, so that eventually it was legitimized enough so the Beatles could explode and change the world! Kinda like the big brother or sister who breaks in the parents, so the younger siblings have an easier time.... “Millions of people latched on to to the Beatles, not Haley or Berry. “ So again, numbers are your criteria? Apples to Oranges.... “It was their mold that came first and endured” Not unless they had a time machine....sorry, that was snarky. I apologize! “Chuck Berry still hugely important and I love him to death, but he didn't do what the Beatles did” Never said he did. I repeatedly acknowledge that the Beatles were perhaps the greatest band of all time, influentially at least, if not more.... “that wasn't his role. His role may have been even better in the history of rock and roll as he influenced so many. That's not what this discussion was ever about. This discussion was about whether or not our generation was here to witness the birth of rock and roll.” Again, I understand perfectly what this is about. I’m sorry that because we disagree you feel I don’t understand your point, so much so that you have to insult my intelligence.... “The one excellent point I agree with is that Bob Dylan brought a brand that was equally important, but I don't think you could credit him with heralding in the rock movement.” No, not in and of itself, but one could argue that his innovations also had a unmeasurable influence on RR. Perhaps one of the few that came close to the Beatles level of influence? “Oborious, yes Chuck Berry was important and influenced many, but same thing, he wasn't the Beatles” Never said he was, only that he is constantly not given the credit myself, and more importantly, most of the RR elite all state in their books that he deserves, of which being credited as the true Father of RR is one. I believe Rolling Stone said something similar in their tribute to him? I’m sorry, but most of my personal belongings, including my RR library are currently in storage or I would stay up and provide references. . “You seem to be personally offended by all of this,” Not at all. I truly apologize to you, as well as everyone if that’s how this is coming across. I just think your making a generalized statement that ignores a huge block of actual history, which insults those who made it. By doing so, I don't think your theory is logical. “as you are making statements like what if Chuck has been white or what if Elvis wasn't in the right place at the right time. The discussion is about what is not what might have been or could have been. If the queen had balls she'd be king.” How can you not consider what America was like racially in the fifties, and how that would effect the success or failure of a black person? And to compare what a Fearless Black man did, during that repulsive time in our history; actually “give birth to”, basically a whole new cultural scene, and making it popular (sounds familiar?), with a group that did all the great things they did, in part, because of the foundation people like Mr Berry laid for them to build upon, only by comparing popularity or numbers? That’s like saying Miles Davis gave birth to Jazz with Kind of Blue, while all his predecessors, from decades before, did not? “I think where people are getting stuck in this dialogue is that they're feeling like the birth of rock and roll on the world scale should go to (pick your name) instead of the Beatles. There is no single person or band who invented rock and roll, but the Beatles did give birth to it in the larger world, and that was the only point that was being made along with the fact that we were here to witness it.” Sorry, agree with everything except the term birth. I have never disputed the rest. birth bərTH/Submit noun 1. the emergence of a baby or other young from the body of its mother; the start of life as a physically separate being. 1. give birth to (a baby or other young). "she had carried him and birthed him" “A physically SEPARATE being....” Your argument presupposes that the Beatles would be the parent, that gives birth to a new being... Mine presupposes that Chuck was the father that gave birth to the new being. The Beatles were that being when it fully matured, and became an adult force of nature....that went on to conquer the world, in part because of the DNA of the father.....now I may not be right, but I don’t think that’s so hard to follow is it? “V guy you're absolutely right the sensitivity scale is just beyond words. But one thing that is clear if you read through this discussion thread is that words our being misinterpreted even after clarifications are made. It's like there's no effort being made.” Touché my friend, no need to insult. Just because we don’t agree doesn’t mean I don’t understand, and that you need to insult me. You say “potAto”, I say “potaahto” And finally (I promise no more outta me anyway, hopefully I’ve made my point. Not looking to be “right” just properly understood. I don’t think you can fairly critique ones argument if you don’t properly understand it) So finally, I'd just like to state I’m sorry if I’ve bummed folks out. That was never my intent. Especially no bad vibes toward Keithfan. I thoroughly enjoy his articulate posts, and usually agree with like 98% of what he says. Think maybe I’ll just go away for a bit......”you know this space is getting hot” Peace!
  • snafu
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    Mr. Ones and FZ
    We can now shut down this site Mr Ones you have sumed up everyone here no matter what our other disagreements " Music is the Best"
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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I disagree, it's a full 10 out of 10. They're priming DaP 27 for national release. I'm changing my avatar to it right now. You're a cute little guy, keep up the spirit!
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You seem locked into that avatar picture somehow.
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Pass me some of that psychedelic licorice. I’ll take the purple. I’ll even take 2, they seem a little small.
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....Bobbys voice was a couple of octaves off for the first two lines. I almost pushed the stop button right then and there, but I trudged on. Much to my delight.
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Just received Vol. 14 It's numbered, but the front of the cover is a little sunk in; it looks like the seam is cut too wide, so when the cover closes there's a gap. These may be factory 2nds, sets with cosmetic issues.
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....this, my friends, ranks right up there with Nessie, alien abductions and Bigfoot. Hmmmm. I was abducted once. At Monterey '88. Then the goonie birds wore off. The real test begins now. The wife and son went to get a new treadmill. They'll be gone an hour or so. The volume on my Onkyo goes to 70. Boise is poised at 53 (get it?). I finally get to crank this shit legit like. Wish me luck!!
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....our wedding song. I'm biased so this would be an unfair review. I love them all. Next!
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.... suddenly, Bobby's singing in a barn. A little more echo than the first three songs. We all know it sometimes takes that many to get the sound just exactly perfect. Jerry's throwing coke infused licks. It is what it is. You can't un-coke it. It's not Norman's fault.
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yeah I was also wondering why we needed constant reminders that phish psucks........sry to those who find listening value?????
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....OK. I'll admit. The harmonies are off, but the music is still breakneck speed. I think Bobby's more off than Jerry. Jerry even throws some growls. Brent is in your face. But I love Brent, so there's that. The train comparison shows up during Garcia's solo. Chugging along. Watch your speed....
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I'm loving this Boise pick and all the debate about it. For me, it is easily tied with Augusta 10/12/84 (30 trips) for my favorite release from 80-85. I think the instrumental mix is almost perfect (except the keyboards might be a teeny bit high). Finally, an 80-85 release where Weir's guitar is right up front in our face where it belongs! Such a treat to hear Weir's early 80's guitar like this. IMO, this is the best sounding recording yet from 80-85 (not counting Dead Set/Reckoning and Go To Nassau). Well, we are all listening on different equipment and are looking for different things, right? Musically, I think it is as fascinating as 10/12/84. Better or worse? I'll need many more listenings of each to decide.
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Thank you. Pulling out 21 tonight. Phish video. Scroll by. Phish video. Scroll by. Phish video. Scroll by. No problem. But very weird.
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....way too fast. 4/10. Not a very solid version. Oh well. Time to sell it.
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....Phil!!! Back on track. Rocking with their rocks out. Nowhere else will you hear "stay right here in Boise" so it's a keeper.
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....I've already sung my praises on this version, so I won't bore you.
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....not bad. But there are tons better. More vox drops. Stay at the mic Bobby Rockstar! The coda is very nice though. Usually is. Here it comes again. I will admit, it's nice to let off the pedal. I'm a huge fan of the thunder effects Healy gave this song later on in the 80's.
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....watch each release you play, and play it slow. Just wait until that Deal goes down. Who knows? On 2.24.21, you might just want to bust Boise out. Yeah, there's some dust, but at least the musics clean. 4:50 mark. The boyz huddle up and get their shit together. You know, the Dead were known to play some rock n roll at times.
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....time to drop the volume down to 25. (sad face).
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I don't think the recording does the performance justice. The limitations of the mix make it impossible to accurately gauge how good they may have sounded that night. I get the impression Betty did a whole lot more mixing in real time than Dan Healy. Forget the cassette tape source, the show can hardly be mixed worse. The vocals on on a few of the July 1978 shows are not nearly as smooth as May 1977, and that's the same band, same songs, a year apart, recorded by the same person on presumably the same equipment. Sure, the band was a much less consistent band in '78, but the July shows are good performances. Yet to my ears, the background vocal mix on some of that box set is lacking, compared to May '77. My point is that I believe some mixing factor accounts for what I hear as inferior vocals in some sections of July '78, as compared to May '77. Even a non Betty from '77 like 4/29 makes the band sound much worse than they were really playing. We don't know what kind of audio enhancement effects Betty may have used on her mixes to provide us with the final products we have today (except the reverb, and look how different a perspective that gives us on the band). Add the same principal 10 fold to Boise '83, and what's the point of discussing how good or bad the show is? There's no way to tell as far as I'm concerned. For whatever reason, Dan Healy's mix here is so bad it does the band an injustice. Apply a mild harmonization effect to the vocals at the mixing board and maybe there wouldn't be so much distance between each vocalist. Anyway, I'm not saying a better mix would turn this show into a replica of Go To Nassau, but it would improve the performance immensely. For what we do have, I felt like many people posted. The music is so inconsistent as to be a distraction. Parts sounded really strong, but quickly turned me off a moment later. I don't think Brent's voice will ever grow on me. It just sounds so ragged and tired and overbearing.
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I've played it, not the best not the worse...It'll sit on the shelf with all the others and I doubt I'll pull it down and play it again for quite awhile...one thing it did do though was have me pull out the Santa Fe Downs Matrix shows and give them a spin...fun to hear those again...my '83 collection is a bit sparse after my first external HD crash from some time back...now I do back ups of back up etc...ya pays your money and take your chances after all...
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Back to my point about people hearing things differently...
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First I got to ask. Is it love Jerry like you love Jerry? Or is it love Jerry like: "What a long strange trip it's been." Love, Jerry I kind of noticed the same thing you mentioned about July 1978. Not quite as smoother than smooth as May 1977. I would love to get Betty sat down for an interview. Anyway I think your point is well stated and very accurate. For the people who are loving this release, I'm sure it would rank even higher with better mixing. I teach chorus, and it's very difficult to mic up the kids for the spring and winter concerts. For people who don't like this release, a great mix may have made all the difference. But oh well what can you do it is what it is. As far as the series goes, I think this is definitely subpar, but it's the only way they ever would have moved 18000 units of a show that sounds this way. Also agree with your Brent comment. It seems in the Grateful Dead circles he has a love it or hate it voice. I love it when it's real low in the mix. Or not at all. Eagles fill the sky, blecchhh. I cannot So what will they pull out for the fourth quarter? Can't be 1971, unlikely to be 72 73 or 74, impossible to be 75, also unlikely to be 77, although I would love to hear that swing Auditorium show from February. I can't see it being 1978 either, but maybe. I think some kind of 69/70 mix like Vol 6 maybe. I'd be great with that. 1976 is due. I would be surprised if Dave reaches into the 80s or 90s twice in a row.
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don't make me laugh, move along now
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I tried for years to like Phish.. bought tons of releases and saw a bunch of shows - but THIS is what they sound like to me now: https://www.youtube.com/watch?v=aNHIFM0Y87c Impossible to watch the whole thing without cracking up. The vocal bits sound like red-stapler guy from Office Space. TAlk about "hearing things differently"....
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for name-calling, why? I think an intelligent conversation is better than whom ever calling whoever uninformed or someone else calling them illogical. There are just a few unkind folks on this site. I don't care much for this release, but if you do, far out. The band didn't go to Idaho, or Montana often (once each?) but both of those shows are now released by Dave, maybe he's just trying to get unheard or not often heard releases out there for the faithful. Can't really blame them for not going to these places again, beautiful scenery, but not a very hospitable atmosphere for hippies.
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Hey, it’s 8/4, so why not 8/4/76? Someone mentioned Dekalb, there’s a Betty Board of 10/29/77 in the vault- that would definitely be a treat. Lots of talk of 79, which would be nice, but why not another 80s/90s? Su91, anyone? Mmm. Sp/Su 93? Yes, please. Although maybe these contradict the seeming mission, in ways actually that 9/2/83 did not, in releasing more relatively unknown and less heard of dates. Who knows?
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I like this Bobby, Brent and drummers jam out of Eyes! Good stuff. Also, if you like this little jam check out the Bobby, Bruce and drummers jam from Dicks #17 aka Boston Clam Jam!!
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What he said! You got it “just exactly perfect” Enough already. STFU and just sell the dam thing....don’t worry, we’ll be back to 99% 70s soon enough!
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(such as Chicago, the Bay Area, or NYC) more people would be more open to this release. Boise is indeed one of the strangest of places to have a GD show. "well it's 8:00 in Boise Idaho"
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thanks for the laughs Phish: I do appreciate them, but rarely listen to them. the thing that drives me crazy about them is the cutesy stuff they do. but they can jam when they want to.
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80s Dead just isn't my thing...to each their own. My DP 27 has been sitting unopened as I pondered what to do. For those who want but missed out, I just want to cover cost plus shipping, no EBay style gouging involved, maybe some interesting 70-73 trade? PM interest...
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Jerry's soloing on this version is phenomenal. His tone and harmonics jumps right out of the mix. Awesome.
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Got a last minute present to go to his show last night in Toronto. Only know some of the Talking Heads stuff from way back. Was blown away by the show - top notch production, uniqueness and grooves. Had a bunch of the age 50+ crowd on their feet and dancing from 3 minutes in. Highly recommended if the tour hasn’t passed by your city already. Will definitely be checking out his solo catalogue in between Dead releases. Maybe he appeals more to the Phish crowd than Dead, but the guy is quite an artist.
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he was in town re his and Fatboy Slim's musical "Here Lies Love".she went with a friend. on the way out, he was standing right there, so she said "hi", he greeted politely back, and she went on her way. he has been part of my musical landscape since I heard/saw Talking Heads on SNL in 79. love deez: More Songs About Buildings and Food (not about Fucking, though...tip of the hat to the poster who shared Big Black with us ;)) Fear of Music Remain in Light attended a concert of him solo in 1992 during the LA RK riots. "Burning Down the House" took on a whole new relevance
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....came through Vegas recently. I didn't even know.
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For those who think the sound sucks, what type of speakers did you hear it through?Obviously, computer speaks are the wrong tool for this job. For those who think the sound is great/good/acceptable, what type of speakers did you hear it through? I suspect that SpaceBro has a Wall Of Sound replica in his house. Combine that with his unbridled enthusiasm (Seinfeld reference) for the era, and he’s in pure ecstasy. I’m using Bose 301 speakers that are about 5.5 feet in the air on stands (helps to fill the room), an Onkyo subwoofer, Onkyo receiver, Onkyo 6-disc changer. I do have to turn the volume up past the ‘normal’ point for DaPs. Most DaPs are pretty consistent in the sound level on my system, ‘40’ on the Onkyo display. For DaP 27 CD1 starts at 44 but I just had to turn it down to 42 during Deal. These numbers are a little arbitrary and are influenced by how much I want my neighbors to hear the GOGD. Just turned it up a tad to 43 for H/S/F. It’s Saturday afternoon, not like it’s In The Midnight Hour. I can clearly hear all the instruments on Slipknot!, with Jerry right up front.
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....I use two tin cans and 15' piece of string. Am i doing it right?
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I'm listening on earbuds that I have suspended from the ceiling about 6 feet above the floor. The sound doesn't bother me at all.
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