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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • kyleharmon
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    i never played A Link to the
    i never played A Link to the Past and I never knew who Bruce Cockburn was and somehow when my life flashes before me I wont be thinking I wasted my life because of it
  • Thin
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    couple reactions:
    "The blues started with field workers on farms who got it from gospel and African roots". Seriously??? Thank you HendrixFreak for the correction - holy moly, how far can we disassociate the musical contributions of slaves? Let's give then credit... I think they earned it, no? Mononhahela regarding your 1980 dilemma... stay loud on the topic until your miracle appears. Unless you're dying for the actual article, in which case go ahead and spend the $40 (but that's a lot of money). Sixtus re: 2/15/73 Dark Star.. the accessible melodic ones are my favs. Thanks for the signpost. I believe the Wembley 4/7 or 8/72 Dark Star is also very melodic.... love that one. Anybody notice something different????
  • simonrob
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    Labels...
    Now it is plain for all to see the problems that arise from trying to label different types of music. So whatever happened to country rock, for instance. Were the Beatles rock'n'roll? Who cares. Daverock, your ignorance of who Bruce Cockburn is, is indeed inexcusable. To put another pointless label on him, he could be called the Canadian Bob Dylan, but then again...
  • daverock
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    Bob Dylan Mr Heartbreak....Bruce Cockburn?
    Yes, I'd go along with what you say about his Bobness. To me, he raised the bar lyrically in the same way Hendrix did instrumentally. Maybe people who would otherwise never have considered setting their poems to music did so as a result of Dylan. This wasn't always a good thing, mind you.Incidentally, excuse my ignorance...but who's Bruce Cockburn?
  • highstrikerjay
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    1983
    In anticipation of 09/02/83, I've been listening to some other well regarded fall '83 shows today, notably 09/06/83 and 10/11/83. If 09/02/83 is cut from the same cloth, it will be a solid pick. Totally digging those other 83 shows (as I do the other official releases from '83 - 10/14 and 10/21). Next up while I wait for DaP 27, I think I'll spin 10/17/83. Don't compare '83 to shows from '67 to '79, just enjoy them for what they are. Also perhaps not as cleanly played or recorded as '87-'89, but more crispy in between song jams in '83 IMO than in those later years. Bless the digital archives!!
  • kyleharmon
    Joined:
    for you, Orosbouros
  • Dark-Star
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    Semantic tangeant
    Rock music, pop music, Prog music blah blah blah. The point that was being made is that our generation and our parents generation were around for the invention of rock pop Prog whatever you want to call it music. it's not classical it's not baroque,it's not rap. We were around when the artists were alive and their records were being made and our parents played their records and we played their records. In 200 years there may not be anything that sounds even remotely like this, yet we were here to see live concerts of it. In 200 years they will most likely look back on the Beatles And The Rolling Stones and Elvis and say wow to have been alive when all of that was happening, all of that great music. Nobody's trying to identify when the first rock record was made. A point was made that the elements that came together to make modern rock and roll were a perfect storm that will never happen again, and WE got to live to see it. And to say The Beatles weren't a rock band, well by that logic I could listen to Dead Flowers by the Stones and say they're not a rock band. Or I could listen to the Song is Over by The Who and say that's easy listening. Or I could listen to That's the Way by Led Zeppelin and say they're not rock they're folk. I'm starting to hear hairs being split just to split hairs. We got to see all of these people while they were alive that's the point. And the styles they developed will never be redone again because all of the things that went into making it are already done. It was clearly stated that the Beatles brought it to the world and they did. It was never said that they did it without anyone's influence. Mind left body I thought you made a good point. Birth is bringing it to the world which is what the Beatles did and continued to do until their breakup. It's nonsense to attribute the explosion of pop / rock music to anyone other than the Beatles. Without the Beatles it would have all remained esoteric. And yes other bands picked up where they left off and carried the torch. The Beatles brought it to the world. And to be honest I don't even like the Beatles that much. The White Album should have been cut in half, and the first five albums I'm mostly throwaways and are summed up in the one red greatest hits album. Sergeant Pepper Magical Mystery Tour and Abbey Road are pretty good. My point is I don't even like him that much but I know what their role was in the birth of rock and roll music.
  • Mr_Heartbreak
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    Changing the Course of Rock History
    Interesting discussion of rock history, but I think everyone here is forgetting the man who changed the course of music forever: Mr. Robert Zimmerman, aka, Bob Dylan. He turned on the Beatles. Before Dylan, they were "She loves you, yeah, yeah, yeah." After Dylan, they began to see song lyrics as poetry, an art form. Jimi Hendrix? Same thing. Look at the covers: Like A Rolling Stone, arguably the most important song in rock history; All Along the Watchtower; Drifters' Escape. etc, etc. The Dead? Don't even get me started. Without Dylan, Robert Hunter and Jerry Garcia never would have gone beyond playing some old folk and bluegrass tunes together. Look at the covers with them, too: they were covering It's All Over Now Baby Blue when they were still playing tiny venues in 1966. Meanwhile, Dylan was conquering Europe on a mass scale. Dylan pushed everyone: the Stones, the Byrds, the Doors. Without Dylan's massive influence, going back as far as '63, songs played on the radio - rock and pop alike - would always have remained boy/girl love songs and cheesy pop. Without Dylan, we never would have had the Dead as we know them, or the Beatles (beyond the first couple albums), Bruce Cockburn, Hendrix, or any form of prog rock. Dylan is The Godfather of all modern music that has lyrics with any depth whatsoever.
  • daverock
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    Rock n' roll
    Some great views expressed on here on this subject. I love The Beatles, and there is no question that they started life as a rock n' roll group. And that they periodically revisited it to great effect-especially on "The Beatles For Sale". But the music that they will be remembered for is not, to me, rock n' roll-or rock. It is pop music. That isn't a bad thing-but its what it is. No way hozay is "Sergeant Pepper" rock n' roll. Actually there is more of a case for claiming that The Beatles invented prog rock than rock n' roll. Finer men than me have tried to identify the first rock n' roll record. But for what its worth, Robert Johnson definitely played with more rhythm than earlier country bluesman. Fast forward to 1948, and we have John Lee Hooker and Muddy Waters playing electric guitars with a much heavier beat. Any of these artists could be credited with starting rock-but its probably Elvis Presley and Chuck Berry, both seemingly independently of each other, mixing country with blues to create what is known as rock n' roll today. After the pop of the early 60s, the man who really invented "rock" as we know it today, and as distinct from "rock n 'roll" was surely Jimi Hendrix. He brought his blues and soul chops to London in 1966, added the volume and power chords associated with Pete Townsend, the craziness of Jeff Beck, wrapped it all up in ball and kicked it out of the park. A far greater influence than The Beatles-every band I saw in the 70s owed something to him. There is surely room for ongoing development, too. Rock n' roll is a hybrid of earlier musical forms, from different cultures, combined together to create something new. Its a great blueprint for the future.
  • Mind-Left-Body
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    KF completely on target
    What I took from Keith fan's essay is that the Beatles did not invent the first rock and roll song, they took all of the primal elements that define today's rock and roll from various sources and put them together into one whole and brought music that had rock elements from an esoteric underground entity to a worldwide industry. While you all make good points about the history of rock in general, I don't believe that Keith fan means to say none of that is true, only that it was the precursor to what has become today's rock and roll music. The rock music of the 60s and 70s and 80s and 90s is molded after the Beatles and their contemporaries like the Rolling Stones and The Kinks and The Who and many others, not Elvis not Jerry Lee Lewis not Bill Haley, not anything before the Beatles. What I see in some of the counterpoints being raised here are people missing points in the original article. For example someone might respond to my comments by saying lots of musicians were influenced by Elvis so how can I say that modern music wasn't in part due to Elvis's career? The answer is, that's not what I'm saying. I am saying that modern music doesn't take on the arrangement and style of Elvis, it takes on that of The Beatles and their contemporaries. And the contemporaries that I mentioned worked off of The Beatles and took their lead from the Beatles and then added their own elements. The artists before the Beatles that some people mentioned, collectively produced elements that the Beatles then unified and brought pop sensibility to. This brought about a seismic shift in the way the bands that were the Beatles contemporaries approached music. In the late 60s and early 70s they all fed off of each other, but it started with the Beatles. And those other bands contributed to the continued development, such as the Rolling Stones, The Who, Led Zeppelin The Grateful Dead Etc. The Beatles were the birth of rock and roll. They did not write the first rock song, they put the puzzle together and industrialized it. In doing that, there was a birth. Nobody is wrong here in any of the smaller points they've made about the significant contributions of some artists who came before The Beatles. The over arching main point though is that the Beatles brought it all together and introduced it to the world. The embryo analogy was spot-on. In its simplest manifestation you could say that without the Beatles there would be no Rolling Stones or Who or Zeppelin as we know them today. If they were to exist at all, meaning if they were able to even break out of the underground, the Stones would sound like their first record which was all R&B covers, Led Zeppelin 1 would all sound like you shook me and I can't quit you baby, and The Who would all be like shout and shimmy and I'm a man. Rock music as we know it today would not sound as it does today without the Beatles. But if you take away any one single other group that was mentioned pre-beatles, The Beatles would still have been the Beatles. I'll stop rambling now. I just have always connected with what Keith fan said here but I can't say it as eloquently. And then I saw some responses that didn't seem to get the point. I mean everyone's disputing the term birth. Birth is not the invention of something. Birth is to bring something to the world. The Beatles didnt invent rock, they brought rock to the world (and with a genetic makeup that was all their own). That's what I took from Keith fans original comment when he said we witnessed the birth of rock and roll. That we did. We didn't witness the conception of rock and roll we witness the birth. That's what I took Keith fan correct me if I'm wrong.
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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I disagree, it's a full 10 out of 10. They're priming DaP 27 for national release. I'm changing my avatar to it right now. You're a cute little guy, keep up the spirit!
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You seem locked into that avatar picture somehow.
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Pass me some of that psychedelic licorice. I’ll take the purple. I’ll even take 2, they seem a little small.
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....Bobbys voice was a couple of octaves off for the first two lines. I almost pushed the stop button right then and there, but I trudged on. Much to my delight.
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Just received Vol. 14 It's numbered, but the front of the cover is a little sunk in; it looks like the seam is cut too wide, so when the cover closes there's a gap. These may be factory 2nds, sets with cosmetic issues.
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....this, my friends, ranks right up there with Nessie, alien abductions and Bigfoot. Hmmmm. I was abducted once. At Monterey '88. Then the goonie birds wore off. The real test begins now. The wife and son went to get a new treadmill. They'll be gone an hour or so. The volume on my Onkyo goes to 70. Boise is poised at 53 (get it?). I finally get to crank this shit legit like. Wish me luck!!
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....our wedding song. I'm biased so this would be an unfair review. I love them all. Next!
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.... suddenly, Bobby's singing in a barn. A little more echo than the first three songs. We all know it sometimes takes that many to get the sound just exactly perfect. Jerry's throwing coke infused licks. It is what it is. You can't un-coke it. It's not Norman's fault.
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yeah I was also wondering why we needed constant reminders that phish psucks........sry to those who find listening value?????
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....OK. I'll admit. The harmonies are off, but the music is still breakneck speed. I think Bobby's more off than Jerry. Jerry even throws some growls. Brent is in your face. But I love Brent, so there's that. The train comparison shows up during Garcia's solo. Chugging along. Watch your speed....
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I'm loving this Boise pick and all the debate about it. For me, it is easily tied with Augusta 10/12/84 (30 trips) for my favorite release from 80-85. I think the instrumental mix is almost perfect (except the keyboards might be a teeny bit high). Finally, an 80-85 release where Weir's guitar is right up front in our face where it belongs! Such a treat to hear Weir's early 80's guitar like this. IMO, this is the best sounding recording yet from 80-85 (not counting Dead Set/Reckoning and Go To Nassau). Well, we are all listening on different equipment and are looking for different things, right? Musically, I think it is as fascinating as 10/12/84. Better or worse? I'll need many more listenings of each to decide.
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Thank you. Pulling out 21 tonight. Phish video. Scroll by. Phish video. Scroll by. Phish video. Scroll by. No problem. But very weird.
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....way too fast. 4/10. Not a very solid version. Oh well. Time to sell it.
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....Phil!!! Back on track. Rocking with their rocks out. Nowhere else will you hear "stay right here in Boise" so it's a keeper.
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....I've already sung my praises on this version, so I won't bore you.
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....not bad. But there are tons better. More vox drops. Stay at the mic Bobby Rockstar! The coda is very nice though. Usually is. Here it comes again. I will admit, it's nice to let off the pedal. I'm a huge fan of the thunder effects Healy gave this song later on in the 80's.
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....watch each release you play, and play it slow. Just wait until that Deal goes down. Who knows? On 2.24.21, you might just want to bust Boise out. Yeah, there's some dust, but at least the musics clean. 4:50 mark. The boyz huddle up and get their shit together. You know, the Dead were known to play some rock n roll at times.
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....time to drop the volume down to 25. (sad face).
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I don't think the recording does the performance justice. The limitations of the mix make it impossible to accurately gauge how good they may have sounded that night. I get the impression Betty did a whole lot more mixing in real time than Dan Healy. Forget the cassette tape source, the show can hardly be mixed worse. The vocals on on a few of the July 1978 shows are not nearly as smooth as May 1977, and that's the same band, same songs, a year apart, recorded by the same person on presumably the same equipment. Sure, the band was a much less consistent band in '78, but the July shows are good performances. Yet to my ears, the background vocal mix on some of that box set is lacking, compared to May '77. My point is that I believe some mixing factor accounts for what I hear as inferior vocals in some sections of July '78, as compared to May '77. Even a non Betty from '77 like 4/29 makes the band sound much worse than they were really playing. We don't know what kind of audio enhancement effects Betty may have used on her mixes to provide us with the final products we have today (except the reverb, and look how different a perspective that gives us on the band). Add the same principal 10 fold to Boise '83, and what's the point of discussing how good or bad the show is? There's no way to tell as far as I'm concerned. For whatever reason, Dan Healy's mix here is so bad it does the band an injustice. Apply a mild harmonization effect to the vocals at the mixing board and maybe there wouldn't be so much distance between each vocalist. Anyway, I'm not saying a better mix would turn this show into a replica of Go To Nassau, but it would improve the performance immensely. For what we do have, I felt like many people posted. The music is so inconsistent as to be a distraction. Parts sounded really strong, but quickly turned me off a moment later. I don't think Brent's voice will ever grow on me. It just sounds so ragged and tired and overbearing.
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I've played it, not the best not the worse...It'll sit on the shelf with all the others and I doubt I'll pull it down and play it again for quite awhile...one thing it did do though was have me pull out the Santa Fe Downs Matrix shows and give them a spin...fun to hear those again...my '83 collection is a bit sparse after my first external HD crash from some time back...now I do back ups of back up etc...ya pays your money and take your chances after all...
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Back to my point about people hearing things differently...
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First I got to ask. Is it love Jerry like you love Jerry? Or is it love Jerry like: "What a long strange trip it's been." Love, Jerry I kind of noticed the same thing you mentioned about July 1978. Not quite as smoother than smooth as May 1977. I would love to get Betty sat down for an interview. Anyway I think your point is well stated and very accurate. For the people who are loving this release, I'm sure it would rank even higher with better mixing. I teach chorus, and it's very difficult to mic up the kids for the spring and winter concerts. For people who don't like this release, a great mix may have made all the difference. But oh well what can you do it is what it is. As far as the series goes, I think this is definitely subpar, but it's the only way they ever would have moved 18000 units of a show that sounds this way. Also agree with your Brent comment. It seems in the Grateful Dead circles he has a love it or hate it voice. I love it when it's real low in the mix. Or not at all. Eagles fill the sky, blecchhh. I cannot So what will they pull out for the fourth quarter? Can't be 1971, unlikely to be 72 73 or 74, impossible to be 75, also unlikely to be 77, although I would love to hear that swing Auditorium show from February. I can't see it being 1978 either, but maybe. I think some kind of 69/70 mix like Vol 6 maybe. I'd be great with that. 1976 is due. I would be surprised if Dave reaches into the 80s or 90s twice in a row.
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don't make me laugh, move along now
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I tried for years to like Phish.. bought tons of releases and saw a bunch of shows - but THIS is what they sound like to me now: https://www.youtube.com/watch?v=aNHIFM0Y87c Impossible to watch the whole thing without cracking up. The vocal bits sound like red-stapler guy from Office Space. TAlk about "hearing things differently"....
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for name-calling, why? I think an intelligent conversation is better than whom ever calling whoever uninformed or someone else calling them illogical. There are just a few unkind folks on this site. I don't care much for this release, but if you do, far out. The band didn't go to Idaho, or Montana often (once each?) but both of those shows are now released by Dave, maybe he's just trying to get unheard or not often heard releases out there for the faithful. Can't really blame them for not going to these places again, beautiful scenery, but not a very hospitable atmosphere for hippies.
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Hey, it’s 8/4, so why not 8/4/76? Someone mentioned Dekalb, there’s a Betty Board of 10/29/77 in the vault- that would definitely be a treat. Lots of talk of 79, which would be nice, but why not another 80s/90s? Su91, anyone? Mmm. Sp/Su 93? Yes, please. Although maybe these contradict the seeming mission, in ways actually that 9/2/83 did not, in releasing more relatively unknown and less heard of dates. Who knows?
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I like this Bobby, Brent and drummers jam out of Eyes! Good stuff. Also, if you like this little jam check out the Bobby, Bruce and drummers jam from Dicks #17 aka Boston Clam Jam!!
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What he said! You got it “just exactly perfect” Enough already. STFU and just sell the dam thing....don’t worry, we’ll be back to 99% 70s soon enough!
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(such as Chicago, the Bay Area, or NYC) more people would be more open to this release. Boise is indeed one of the strangest of places to have a GD show. "well it's 8:00 in Boise Idaho"
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thanks for the laughs Phish: I do appreciate them, but rarely listen to them. the thing that drives me crazy about them is the cutesy stuff they do. but they can jam when they want to.
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80s Dead just isn't my thing...to each their own. My DP 27 has been sitting unopened as I pondered what to do. For those who want but missed out, I just want to cover cost plus shipping, no EBay style gouging involved, maybe some interesting 70-73 trade? PM interest...
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Jerry's soloing on this version is phenomenal. His tone and harmonics jumps right out of the mix. Awesome.
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Got a last minute present to go to his show last night in Toronto. Only know some of the Talking Heads stuff from way back. Was blown away by the show - top notch production, uniqueness and grooves. Had a bunch of the age 50+ crowd on their feet and dancing from 3 minutes in. Highly recommended if the tour hasn’t passed by your city already. Will definitely be checking out his solo catalogue in between Dead releases. Maybe he appeals more to the Phish crowd than Dead, but the guy is quite an artist.
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he was in town re his and Fatboy Slim's musical "Here Lies Love".she went with a friend. on the way out, he was standing right there, so she said "hi", he greeted politely back, and she went on her way. he has been part of my musical landscape since I heard/saw Talking Heads on SNL in 79. love deez: More Songs About Buildings and Food (not about Fucking, though...tip of the hat to the poster who shared Big Black with us ;)) Fear of Music Remain in Light attended a concert of him solo in 1992 during the LA RK riots. "Burning Down the House" took on a whole new relevance
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....came through Vegas recently. I didn't even know.
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For those who think the sound sucks, what type of speakers did you hear it through?Obviously, computer speaks are the wrong tool for this job. For those who think the sound is great/good/acceptable, what type of speakers did you hear it through? I suspect that SpaceBro has a Wall Of Sound replica in his house. Combine that with his unbridled enthusiasm (Seinfeld reference) for the era, and he’s in pure ecstasy. I’m using Bose 301 speakers that are about 5.5 feet in the air on stands (helps to fill the room), an Onkyo subwoofer, Onkyo receiver, Onkyo 6-disc changer. I do have to turn the volume up past the ‘normal’ point for DaPs. Most DaPs are pretty consistent in the sound level on my system, ‘40’ on the Onkyo display. For DaP 27 CD1 starts at 44 but I just had to turn it down to 42 during Deal. These numbers are a little arbitrary and are influenced by how much I want my neighbors to hear the GOGD. Just turned it up a tad to 43 for H/S/F. It’s Saturday afternoon, not like it’s In The Midnight Hour. I can clearly hear all the instruments on Slipknot!, with Jerry right up front.
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....I use two tin cans and 15' piece of string. Am i doing it right?
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I'm listening on earbuds that I have suspended from the ceiling about 6 feet above the floor. The sound doesn't bother me at all.
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