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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • Heywood Jablome
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    Failed Experiment
    I think Dave must have picked the most horrid chalkboard scratching recording available from the 80's so he never has to release another pile of stinking dogshit like this. I don't know how anyone can say this is a good quality recording. If this is the best of the 80's I don't need to hear any more. Not only is the recording bad but Jerry sounds like he's been on a 3 day heroin run, him and bobby can't sync up at all and even the guitar playing is questionable. I've listened to this 3 full times and while every now and then there is something almost promising it soon goes back to the hellish sound. Even my 16 year old daughter who is subjected night and day to the Dead asked why this recording sounded so bad. Not just the recording is bad but the timing and execution. I too went to dozens of 80's shows and most were much better than this and even under the influence I could walk out of a show and know it wasn't that good. This is the Dead at its worst and should be called Warts and All. Please don't waste 25% of my subscription cost on another one of these turds. You guys that were clamoring for an 80"s show need to dig the wax out of your ears and stop justifying this because you were so desperate for the 80"s. I know there is way better stuff out there. For example Frost Amphitheater in 82, both nights were great and even the crappy bootlegs I have on the dc90 cassettes sound better than this.
  • raykski
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    Dave27 - Sound is Just Awful
    The performance is uneven, as mentioned in many posts some tunes are raced through. But mid 80s shows were always more about being there than the quality of their playing. You went because the scene was still too much fun to miss. I can accept the performance because it is mid-80s. But the sound? Not sure how this show can be touted for its sound quality. The mix is poor, Brent's keyboard is in your face, Jerry sounds like he's playing in a back room a good 50 yards behind the stage and Bobby is some where between them, but still far back. Drums? From the recording I'm guessing Billy and Micky had the night off. Just a terrible recording. This will most likely be the first and last time I listen to this show. Dave if this is the best of what's left of the mid-80s then leave the rest where they are.
  • SPACEBROTHER
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    Awesome release, sounds fantastic
    Now that I've had a few days to absorb this release with a few listens through, this is easily in my top 5 Dave's Picks. Sure, there are a few botched lyrics (was listening to 7/31/74 recently as well, and there were even botched lyrics and cues, even in this era...nothing new), but the playing is top notch. Wang Dang Doodle - became pretty standard in the '90's, but this version has a more psychedelic gleam to it. Well played. Jack Straw - energetic high octane performance. Jerry was clearly playing his ass off. Doesn't feel ruched to me. Seems just about perfect. They Love Each other - a nice tight version that well played. Mama Tried > Big River - these cowboy Bob tunes are as solid as any other versions played in any other era. They rarely botched these tunes, even in the later years. Brown-Eyed Women - definitive for this, or any era. It's like they step it up another notch in a show that's already off the charts for awesomeness. Minglewood - typically solid. Big Railroad Blues - if this version of this song doesn't do it for you, then you probably aren't a fan of the Dead in the '80's and beyond. Looks Like Rain - good solid reading. Inspired. Deal - if this version of Deal doesn't do it for you, you may want to reassess how loyal of a Deadhead you really are. This version is deninitive for any era. One of the best ever performed. Help > Slip > Franklin's - A few botched lyics aside, the performance is to notch. Slipknot hits spaces right up there with any versions performed at anytime in their career. Franklin's is also well played. Estimated > Eyes > Jam - pure awesomeness. Drums > Space - typical for the era. Throwing Stones - cool early version and nice to see how it evolved into the staple it became. The message still applies to current events, and probably even more-so. Our country, and the world on a whole is in a particularly shitty place now, and getting worse. We proably will leave this place an empty stone if we continue to allow the types odf debacles to unfold that has over the last year-and-a-half. GDTRFB - like deal earlier in the show, if this version doesn't do it for you, you may want to reassess your status as a Deadhead. It rocks. Jerry plays and sings extremely well. Black Peter - I think this version is the highlight of the entire show. A top 5, or perhaps top 3 version of all-time. Absolutely hits everything in every possible way, and beyond. jerry's voice brings an emotional level, as does his playing. I had to relisten 3 times in a row. Worth the price of the entire years subscription alone. Sugar Magnolia - solid rockin' version. It's All Over Now baby Blue - as good as any version from any era. In regards to sound/mix quality, to my ears, this sounds very upfront and kind of in-your-face. The bass is very punchy. All of the elements are there and clear within the first couple of minutes into the show. Where reel tapes tend to have a softer more rounded feel, this is raw, up front and indicative of a well mixed FOH. All in all, this one will probably get more play from me than most of this series, because I like this era a lot, and desire to hear mloits more of it. I like all era's and this one fills a void that needed to be filled. The last couple of years I've been more focused on listening on anniversary dates, or close to them. The next big release is the PNW '73 and '74 box. At almost $200, it's currently beyond my budget to place an order, and if it doesn't sell out anytime soon, I'll eventually and hopefully be able to get my own copy. It's nice that, for a change, we get a release from the 80's that isn't a part of a $200, or $250 or $750 box set, for a change.
  • raykski
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    Cousins..
    You're right my mistake. I was overtaken by my despair over the sound quality. I have rarely commented on any release here. I always accept the quality of play for the Era I'm listening. You expect a different sound, dare I say even style, in each mini era. But for me the quality of this mix is just so poor. I believe it is possibly the poorest recording they've released. Even some of the very early 30 Trips recordings as weak as they were far surpass this thing. :(
  • daverock
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    Live shows and live recordings-Jeff, raykski
    I like the distinction you draw between seeing a live show, and listening to a live recording. I saw countless concerts in the 1970s and 1980s that were great nights out- for all sorts of reasons-the music being just one of them. Sitting at home, now, listening to a recording-its a world away really. I love listening to live recordings-but just because I had a great time at a particular live show is in no way an indicator that I would enjoy listening to a recording of that live show at home, now.
  • Cousins Of The…
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    Dave 27 @rayski
    Hey Rayski:The keyboardist on this show is Brent, not Keith; the drummers are Billy & Mickey.
  • JeffSmith
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    Higher resolution cover art
    #10297 finally landed last night. There have been some pretty good links already, but If you need a higher-res, color-corrected version of Tim McDonagh's cover art, here are my scans:https://www.dropbox.com/sh/lz8295bje2dpsxf/AAA2cik9bkrnlJ8kxsNPA1iQa?dl… There’s a “Rectangular” version (just like the CD cover) plus a “Square” version for anybody so inclined You can also find my scans for all Dave’s Picks and Bonus covers at: https://www.dropbox.com/sh/qx5j9ydoc7bzm8z/AAD8yK_vCv_kQ-oLkLJQVCEla?dl… Pass ‘em around, and keep the music playing.
  • jeffkerper
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    I'm with you
    I saw 20 shows in 1983 and for sure had a great time. But listening to this one again gives me pause. Jerry's voice is shot, they race through most of the songs (Jack Straw, Deal, Help on the Way) and the Help on the Way is cringeworthy. He can't remember the words, he can't play the leads, they cannot get it together. Hey, we have a whole decade of amazing stuff (68-78) so it's not like there's nowhere to turn. But I'm baffled that the masses are clamoring for more 80s stuff, or raving about this show, neither the sound quality nor the musicianship is notable. Back to '72 indeed!
  • 80sfan
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    finally...
    We recently moved so things have been a little crazy lately. My wife laughed when literally the first piece of mail we received at our new place was Dap 27. However, I didn't get a chance to listen to it until today. Even before I put it on, I was in a mood for an 83 show. Sirius was playing a chunk of 10/21/83 when I was in the car earlier today so I was already in the right mindset. I have heard others say there are sound issues, but it sounds just fine to me. It sounds like an 80s show which is not an insult in any way. It's not flawless, but neither were the 80s, especially 83. It captures the era and overall I'm really happy with it. I obviously like 80's shows in general so I'm biased, but this is a really fun show. The boys are obviously into it and having a great time. I'm happy to have this one in my collection and I have a feeling I'll be spending the rest of the week going down the 83 rabbit hole. thanks Dave and co!
  • fourwindsblow
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    unkle sam don't waste your money
    Your ears are fine this doesn't sound that good. After some equalizing mostly lowering the middle around 400hz to 600hz and around 2000khz and increasing a little on the ends it's not too bad. The only Dead I have official or not that doesn't need at least some equalizing is (you guessed it) Spring 90 The Other One.
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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I disagree, it's a full 10 out of 10. They're priming DaP 27 for national release. I'm changing my avatar to it right now. You're a cute little guy, keep up the spirit!
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You seem locked into that avatar picture somehow.
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Pass me some of that psychedelic licorice. I’ll take the purple. I’ll even take 2, they seem a little small.
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....Bobbys voice was a couple of octaves off for the first two lines. I almost pushed the stop button right then and there, but I trudged on. Much to my delight.
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Just received Vol. 14 It's numbered, but the front of the cover is a little sunk in; it looks like the seam is cut too wide, so when the cover closes there's a gap. These may be factory 2nds, sets with cosmetic issues.
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....this, my friends, ranks right up there with Nessie, alien abductions and Bigfoot. Hmmmm. I was abducted once. At Monterey '88. Then the goonie birds wore off. The real test begins now. The wife and son went to get a new treadmill. They'll be gone an hour or so. The volume on my Onkyo goes to 70. Boise is poised at 53 (get it?). I finally get to crank this shit legit like. Wish me luck!!
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....our wedding song. I'm biased so this would be an unfair review. I love them all. Next!
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.... suddenly, Bobby's singing in a barn. A little more echo than the first three songs. We all know it sometimes takes that many to get the sound just exactly perfect. Jerry's throwing coke infused licks. It is what it is. You can't un-coke it. It's not Norman's fault.
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yeah I was also wondering why we needed constant reminders that phish psucks........sry to those who find listening value?????
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....OK. I'll admit. The harmonies are off, but the music is still breakneck speed. I think Bobby's more off than Jerry. Jerry even throws some growls. Brent is in your face. But I love Brent, so there's that. The train comparison shows up during Garcia's solo. Chugging along. Watch your speed....
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I'm loving this Boise pick and all the debate about it. For me, it is easily tied with Augusta 10/12/84 (30 trips) for my favorite release from 80-85. I think the instrumental mix is almost perfect (except the keyboards might be a teeny bit high). Finally, an 80-85 release where Weir's guitar is right up front in our face where it belongs! Such a treat to hear Weir's early 80's guitar like this. IMO, this is the best sounding recording yet from 80-85 (not counting Dead Set/Reckoning and Go To Nassau). Well, we are all listening on different equipment and are looking for different things, right? Musically, I think it is as fascinating as 10/12/84. Better or worse? I'll need many more listenings of each to decide.
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Thank you. Pulling out 21 tonight. Phish video. Scroll by. Phish video. Scroll by. Phish video. Scroll by. No problem. But very weird.
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17 years 4 months
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....way too fast. 4/10. Not a very solid version. Oh well. Time to sell it.
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....Phil!!! Back on track. Rocking with their rocks out. Nowhere else will you hear "stay right here in Boise" so it's a keeper.
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....I've already sung my praises on this version, so I won't bore you.
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....not bad. But there are tons better. More vox drops. Stay at the mic Bobby Rockstar! The coda is very nice though. Usually is. Here it comes again. I will admit, it's nice to let off the pedal. I'm a huge fan of the thunder effects Healy gave this song later on in the 80's.
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....watch each release you play, and play it slow. Just wait until that Deal goes down. Who knows? On 2.24.21, you might just want to bust Boise out. Yeah, there's some dust, but at least the musics clean. 4:50 mark. The boyz huddle up and get their shit together. You know, the Dead were known to play some rock n roll at times.
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....time to drop the volume down to 25. (sad face).
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I don't think the recording does the performance justice. The limitations of the mix make it impossible to accurately gauge how good they may have sounded that night. I get the impression Betty did a whole lot more mixing in real time than Dan Healy. Forget the cassette tape source, the show can hardly be mixed worse. The vocals on on a few of the July 1978 shows are not nearly as smooth as May 1977, and that's the same band, same songs, a year apart, recorded by the same person on presumably the same equipment. Sure, the band was a much less consistent band in '78, but the July shows are good performances. Yet to my ears, the background vocal mix on some of that box set is lacking, compared to May '77. My point is that I believe some mixing factor accounts for what I hear as inferior vocals in some sections of July '78, as compared to May '77. Even a non Betty from '77 like 4/29 makes the band sound much worse than they were really playing. We don't know what kind of audio enhancement effects Betty may have used on her mixes to provide us with the final products we have today (except the reverb, and look how different a perspective that gives us on the band). Add the same principal 10 fold to Boise '83, and what's the point of discussing how good or bad the show is? There's no way to tell as far as I'm concerned. For whatever reason, Dan Healy's mix here is so bad it does the band an injustice. Apply a mild harmonization effect to the vocals at the mixing board and maybe there wouldn't be so much distance between each vocalist. Anyway, I'm not saying a better mix would turn this show into a replica of Go To Nassau, but it would improve the performance immensely. For what we do have, I felt like many people posted. The music is so inconsistent as to be a distraction. Parts sounded really strong, but quickly turned me off a moment later. I don't think Brent's voice will ever grow on me. It just sounds so ragged and tired and overbearing.
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I've played it, not the best not the worse...It'll sit on the shelf with all the others and I doubt I'll pull it down and play it again for quite awhile...one thing it did do though was have me pull out the Santa Fe Downs Matrix shows and give them a spin...fun to hear those again...my '83 collection is a bit sparse after my first external HD crash from some time back...now I do back ups of back up etc...ya pays your money and take your chances after all...
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Back to my point about people hearing things differently...
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First I got to ask. Is it love Jerry like you love Jerry? Or is it love Jerry like: "What a long strange trip it's been." Love, Jerry I kind of noticed the same thing you mentioned about July 1978. Not quite as smoother than smooth as May 1977. I would love to get Betty sat down for an interview. Anyway I think your point is well stated and very accurate. For the people who are loving this release, I'm sure it would rank even higher with better mixing. I teach chorus, and it's very difficult to mic up the kids for the spring and winter concerts. For people who don't like this release, a great mix may have made all the difference. But oh well what can you do it is what it is. As far as the series goes, I think this is definitely subpar, but it's the only way they ever would have moved 18000 units of a show that sounds this way. Also agree with your Brent comment. It seems in the Grateful Dead circles he has a love it or hate it voice. I love it when it's real low in the mix. Or not at all. Eagles fill the sky, blecchhh. I cannot So what will they pull out for the fourth quarter? Can't be 1971, unlikely to be 72 73 or 74, impossible to be 75, also unlikely to be 77, although I would love to hear that swing Auditorium show from February. I can't see it being 1978 either, but maybe. I think some kind of 69/70 mix like Vol 6 maybe. I'd be great with that. 1976 is due. I would be surprised if Dave reaches into the 80s or 90s twice in a row.
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don't make me laugh, move along now
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I tried for years to like Phish.. bought tons of releases and saw a bunch of shows - but THIS is what they sound like to me now: https://www.youtube.com/watch?v=aNHIFM0Y87c Impossible to watch the whole thing without cracking up. The vocal bits sound like red-stapler guy from Office Space. TAlk about "hearing things differently"....
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for name-calling, why? I think an intelligent conversation is better than whom ever calling whoever uninformed or someone else calling them illogical. There are just a few unkind folks on this site. I don't care much for this release, but if you do, far out. The band didn't go to Idaho, or Montana often (once each?) but both of those shows are now released by Dave, maybe he's just trying to get unheard or not often heard releases out there for the faithful. Can't really blame them for not going to these places again, beautiful scenery, but not a very hospitable atmosphere for hippies.
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Hey, it’s 8/4, so why not 8/4/76? Someone mentioned Dekalb, there’s a Betty Board of 10/29/77 in the vault- that would definitely be a treat. Lots of talk of 79, which would be nice, but why not another 80s/90s? Su91, anyone? Mmm. Sp/Su 93? Yes, please. Although maybe these contradict the seeming mission, in ways actually that 9/2/83 did not, in releasing more relatively unknown and less heard of dates. Who knows?
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I like this Bobby, Brent and drummers jam out of Eyes! Good stuff. Also, if you like this little jam check out the Bobby, Bruce and drummers jam from Dicks #17 aka Boston Clam Jam!!
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What he said! You got it “just exactly perfect” Enough already. STFU and just sell the dam thing....don’t worry, we’ll be back to 99% 70s soon enough!
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(such as Chicago, the Bay Area, or NYC) more people would be more open to this release. Boise is indeed one of the strangest of places to have a GD show. "well it's 8:00 in Boise Idaho"
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thanks for the laughs Phish: I do appreciate them, but rarely listen to them. the thing that drives me crazy about them is the cutesy stuff they do. but they can jam when they want to.
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80s Dead just isn't my thing...to each their own. My DP 27 has been sitting unopened as I pondered what to do. For those who want but missed out, I just want to cover cost plus shipping, no EBay style gouging involved, maybe some interesting 70-73 trade? PM interest...
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Jerry's soloing on this version is phenomenal. His tone and harmonics jumps right out of the mix. Awesome.
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Got a last minute present to go to his show last night in Toronto. Only know some of the Talking Heads stuff from way back. Was blown away by the show - top notch production, uniqueness and grooves. Had a bunch of the age 50+ crowd on their feet and dancing from 3 minutes in. Highly recommended if the tour hasn’t passed by your city already. Will definitely be checking out his solo catalogue in between Dead releases. Maybe he appeals more to the Phish crowd than Dead, but the guy is quite an artist.
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he was in town re his and Fatboy Slim's musical "Here Lies Love".she went with a friend. on the way out, he was standing right there, so she said "hi", he greeted politely back, and she went on her way. he has been part of my musical landscape since I heard/saw Talking Heads on SNL in 79. love deez: More Songs About Buildings and Food (not about Fucking, though...tip of the hat to the poster who shared Big Black with us ;)) Fear of Music Remain in Light attended a concert of him solo in 1992 during the LA RK riots. "Burning Down the House" took on a whole new relevance
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....came through Vegas recently. I didn't even know.
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For those who think the sound sucks, what type of speakers did you hear it through?Obviously, computer speaks are the wrong tool for this job. For those who think the sound is great/good/acceptable, what type of speakers did you hear it through? I suspect that SpaceBro has a Wall Of Sound replica in his house. Combine that with his unbridled enthusiasm (Seinfeld reference) for the era, and he’s in pure ecstasy. I’m using Bose 301 speakers that are about 5.5 feet in the air on stands (helps to fill the room), an Onkyo subwoofer, Onkyo receiver, Onkyo 6-disc changer. I do have to turn the volume up past the ‘normal’ point for DaPs. Most DaPs are pretty consistent in the sound level on my system, ‘40’ on the Onkyo display. For DaP 27 CD1 starts at 44 but I just had to turn it down to 42 during Deal. These numbers are a little arbitrary and are influenced by how much I want my neighbors to hear the GOGD. Just turned it up a tad to 43 for H/S/F. It’s Saturday afternoon, not like it’s In The Midnight Hour. I can clearly hear all the instruments on Slipknot!, with Jerry right up front.
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....I use two tin cans and 15' piece of string. Am i doing it right?
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I'm listening on earbuds that I have suspended from the ceiling about 6 feet above the floor. The sound doesn't bother me at all.
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