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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • unkle sam
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    9-2-83
    Just had a listen to this show yesterday. I like the way Wang Dang Doodle starts and slowly builds to start off the show, makes you think something really cool is about to happen. A lack luster first set except for the opener and that great Deal at the end. Second set not so hot either, the pre drums is kinda muddy, the drums is short and goes no where, the space is nice, but really doesn't build to anything either, the post drums with a "new song" delivered like a single, Throwing Stones gets so much better in the late 80's and into the 90's. All in all, I give this show a C average and certainly not the "stunner" it is advertised as. Sure hope the next pick is better than this one. I don't know if any of you were around in the 40's, I wasn't. But I think you can trace Rock and Roll all the way back to then, or even the 30's, or maybe the roaring 20's, hard to say. Of course, back then it was "Heathen" music, "Black" music and a thing that you kept your young children away from, "no son/daughter of mine is going to listen to some muggle smoking darkie music". Segregation was in full swing back then and Rock and Roll was a thing to be feared. It was, after all, youthful rebellion which happens in every generation, that put rock and roll on the map, back then, if our parents hated it, we loved it. There were a lot of us in the 60's and music meant something back then, it was our call to arms, our mantra, we actually thought that music and love could change the world. I'm not a historian nor do I know exactly when rock and roll got it "birth". Glad it did tho, sure was an uptight world full of lies and hate back then, wow, I just got a feeling like I've been here before. I think someone said that they had been following history for X years or some thing like that, gee, they should know ;) But can you believe them? Most that were around then are gone or are so old that they just can't remember, and I can relate to that, memories are very subjective and history books can be distorted, or rewritten. I have had a conversation or two with my 93 year old mother-in-law who was a music teacher all thru the late 50's, 60's and 70's. When she is able to, she remembers rock and roll as a bad thing, one that was openly discouraged and frowned upon, until that "nice gospel singing hill billy" came around. He was "so nice, and good looking too". But that was rock just finally being accepted, not the birth of.
  • daverock
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    Mr Heartbreak
    Thanks for the film clip of Bruce Cockburn. Some beautiful guitar playing-in fact the whole band is good. I've never heard Bob Dylan play like that!
  • garciaddicted
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    Rock 'N' Roll
    "I’ve stolen every lick he ever played", Keith Richards on Chuck Berry "The Shakespeare of rock 'n' roll", Bob Dylan on Chuck Berry "No group, be it Beatles, Dylan or Stones, have ever improved on 'Whole Lotta Shakin'' for my money.” John Lennon
  • frosted
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    Everybody knows who created rock and roll
    Hey hey with the Monkees! What I find odd though is that I cut my teeth on R&R in the late 60s and into the 70s. Back then, we called the 50s the oldies. Elvis, Jerry Lee, Fats Domino, Bill Haley, Buddy Holley, Chuck Berry, Little Richard, Eddie Cochrane, all those guys seemed ancient to us. Thinking about 30s and 40s music back then? Fuggettaboutit. What was that even? Musicians wearing suits with skinny ties, and huge brass bands with our grandparents swirling around the dance floors all dressed up? What gets me is that now the 60s and 70s are more than twice as long ago for today's kids as the 50s were for me, and that seemed pretty far back at the time. So the circle squares, and now I listen to more jazz from the 30s-60s than I do rock and roll from any era, the GOGD being one of the few exceptions. Get off of my lawn!
  • simonrob
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    This is not the place
    for intellectual discussions between non-intellectuals.
  • kyleharmon
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    you all need more Unicorn
    you all need more Unicorn Jesus in your lives and less of this Devil rock music.
  • Angry Jack Straw
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    Good Lord
    Such nonsense. My cat can cut and paste. Stop it. Dave. You disappoint. No knowledge of Bruce? I posted about him during the worthless doors/who tripe.
  • Angry Jack Straw
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    Good Lord
    Such nonsense. My cat can cut and paste. Stop it. Dave. You disappoint. No knowledge of Bruce? I posted about him during the worthless doors/who tripe.
  • Oroborous
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    Dear Butch, DS and Keithfan
    Sorry, I thought we were having a intellectual discussion about opposing theories, not trying to insult one another. So since I now feel insulted. I also feel I have to defend my self..... Please find Butch’s comments in quotes.... “Nobody even said the Beatles invented Rock n roll or coined the term, only that they brought it to life in front of the world. “ So the millions of folks for all the years before the Beatles did not enjoy RR, because it hadn’t yet been brought to life? Even though they did have some success; album sales, performances and quite a bit of airplay, RELETIVELY speaking? Because your statements could be interpreted that RR was such an underground, insignificant thing that not until the Beatles did it become well known? or “given birth” To me that’s an insult to all the men and women who actually made RR, long before the Beatles came along.... “The bottom line is that our generation DID witness the birth of rock and roll, and yes you can use the concept of birth, it's an appropriate form of symbolic language called personification. It's laughable that THAT part of the dicussion even came into question.” As I’ve politely stated, I agree with most of KF’s fine, articulate essay, just not this part. I’m imho, based on reading dozens of RR biographies, the only thing wrong with this is you could say all the same things about Chuck, only on a smaller scale...due to technological and cultural circumstances he had no control over. i understand your point just fine. You don’t need to insult me. Sorry to all you folks if this seems like I’m being snarky etc. Not trying to be, actually having a bit of fun participating in a verbal chess match, mental gymnastics, intellectual discourse etc. Used to stay up and party hard and do this sort of thing about authors, music, movies etc when I went back to collage in my thirties..... “The biggest reasons the Beatles gave birth to it, is 1)they were original,” And Chuck wasn’t? “2)they brought their brand to way more more people, WAY more people,(70 million people, come on now)” Never debated that, if you actually read my post, I ponder whether album sales and/or popularity alone is really a true distinction of what makes one relevant or not. I don’t believe album sales alone is. And comparing album sales from completely different technological and cultural times is like comparing apples to oranges....I’m sorry i obviously did not articulate my point well.. I don’t think that’s a fair, objective measure. “3)they influenced most of the bands that followed after (as well as the popular culture at large).” I have openly agreed with this statement throughout....? “Nobody else went on Ed Sullivan 1st and ushered in a movement in rock pop music. None of their predecessors did that.” Unfortunately I don’t know that much about the show, but I don’t believe in the fifties, a black man, with subversive lyrics was going to get a fair shot at a show of that prominence? I do think I recall reading that they did not want RR, but they felt they needed to make the show more current, to generate ratings, and because RR was already so prevalent in society, they needed to get with the times.....but please don’t quote me on that.....my memory is deteriorating rapidly... I also believe part of the reason Chuck received the airplay he did get, was many didn’t know he was black by his “sound” Another way for the suits to take “race music” and make it popuar with whites, so they could cash in. “They took what was out there, made it their own and in doing so TRANSFORMED rock and popular music. The bands that came after helped continue the movement,” Again, I’ve only supported this sentiment. But I also believe you could say the same, in a different way, about Berry et el... “but there's no question the Beatles brand came first.” This is where we disagree. Again, it’s an insult to all those who were oppressed and struggled through the early years of RR, so that eventually it was legitimized enough so the Beatles could explode and change the world! Kinda like the big brother or sister who breaks in the parents, so the younger siblings have an easier time.... “Millions of people latched on to to the Beatles, not Haley or Berry. “ So again, numbers are your criteria? Apples to Oranges.... “It was their mold that came first and endured” Not unless they had a time machine....sorry, that was snarky. I apologize! “Chuck Berry still hugely important and I love him to death, but he didn't do what the Beatles did” Never said he did. I repeatedly acknowledge that the Beatles were perhaps the greatest band of all time, influentially at least, if not more.... “that wasn't his role. His role may have been even better in the history of rock and roll as he influenced so many. That's not what this discussion was ever about. This discussion was about whether or not our generation was here to witness the birth of rock and roll.” Again, I understand perfectly what this is about. I’m sorry that because we disagree you feel I don’t understand your point, so much so that you have to insult my intelligence.... “The one excellent point I agree with is that Bob Dylan brought a brand that was equally important, but I don't think you could credit him with heralding in the rock movement.” No, not in and of itself, but one could argue that his innovations also had a unmeasurable influence on RR. Perhaps one of the few that came close to the Beatles level of influence? “Oborious, yes Chuck Berry was important and influenced many, but same thing, he wasn't the Beatles” Never said he was, only that he is constantly not given the credit myself, and more importantly, most of the RR elite all state in their books that he deserves, of which being credited as the true Father of RR is one. I believe Rolling Stone said something similar in their tribute to him? I’m sorry, but most of my personal belongings, including my RR library are currently in storage or I would stay up and provide references. . “You seem to be personally offended by all of this,” Not at all. I truly apologize to you, as well as everyone if that’s how this is coming across. I just think your making a generalized statement that ignores a huge block of actual history, which insults those who made it. By doing so, I don't think your theory is logical. “as you are making statements like what if Chuck has been white or what if Elvis wasn't in the right place at the right time. The discussion is about what is not what might have been or could have been. If the queen had balls she'd be king.” How can you not consider what America was like racially in the fifties, and how that would effect the success or failure of a black person? And to compare what a Fearless Black man did, during that repulsive time in our history; actually “give birth to”, basically a whole new cultural scene, and making it popular (sounds familiar?), with a group that did all the great things they did, in part, because of the foundation people like Mr Berry laid for them to build upon, only by comparing popularity or numbers? That’s like saying Miles Davis gave birth to Jazz with Kind of Blue, while all his predecessors, from decades before, did not? “I think where people are getting stuck in this dialogue is that they're feeling like the birth of rock and roll on the world scale should go to (pick your name) instead of the Beatles. There is no single person or band who invented rock and roll, but the Beatles did give birth to it in the larger world, and that was the only point that was being made along with the fact that we were here to witness it.” Sorry, agree with everything except the term birth. I have never disputed the rest. birth bərTH/Submit noun 1. the emergence of a baby or other young from the body of its mother; the start of life as a physically separate being. 1. give birth to (a baby or other young). "she had carried him and birthed him" “A physically SEPARATE being....” Your argument presupposes that the Beatles would be the parent, that gives birth to a new being... Mine presupposes that Chuck was the father that gave birth to the new being. The Beatles were that being when it fully matured, and became an adult force of nature....that went on to conquer the world, in part because of the DNA of the father.....now I may not be right, but I don’t think that’s so hard to follow is it? “V guy you're absolutely right the sensitivity scale is just beyond words. But one thing that is clear if you read through this discussion thread is that words our being misinterpreted even after clarifications are made. It's like there's no effort being made.” Touché my friend, no need to insult. Just because we don’t agree doesn’t mean I don’t understand, and that you need to insult me. You say “potAto”, I say “potaahto” And finally (I promise no more outta me anyway, hopefully I’ve made my point. Not looking to be “right” just properly understood. I don’t think you can fairly critique ones argument if you don’t properly understand it) So finally, I'd just like to state I’m sorry if I’ve bummed folks out. That was never my intent. Especially no bad vibes toward Keithfan. I thoroughly enjoy his articulate posts, and usually agree with like 98% of what he says. Think maybe I’ll just go away for a bit......”you know this space is getting hot” Peace!
  • snafu
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    Mr. Ones and FZ
    We can now shut down this site Mr Ones you have sumed up everyone here no matter what our other disagreements " Music is the Best"
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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Jason, Icecream, Alvarhanso: Interesting. So...basically we need 84, and 93-95. I've been saying 84 for some time and I recall a lot of really crisp boards from back in the day floating about. But I think definitely 93 and 94/95, as well, are very underrated years. The top shows from those years are really excellent, and of a whole other nature. Garcia ballads (dirge-like), drums/space, etc. Billy talks about it in Deal, that whole "missing album" (much of it featured on disc 5 of SMR) really could have been their best. Not holding my breath on these for DP28: Thinking 79, 76, or 70.
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Why do chicken coops only have two doors?Because if they had four, they'd be chicken sedans. Ararar.......... Nope, Vguy's funnier.
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I've now listened to this release several times. Disc 2 is such a fun time and will probably get repeated playings especially when I'm in the car...or jacked up on caffeine. Otherwise I'm not sure when I'll revisit the rest of show (though as I've mentioned, I really do like the release). Starting to turn my attention to the box set coming out next month. Spent the morning listening to DaP 2 (7/31/74). I still cannot believe we're about to get 6 shows from two of the best years the band ever had. The last few years have just been a barrage of amazing (and in some cases legendary) releases all happening at lightning speed (at least compared to the past). After this one though, it's all gravy.
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This refund is for the following item(s): Item: Dave's Picks Vol. 20 CU Events Center, Boulder, Co. 12/9/81 Quantity: 1 ASIN: B07 Reason for refund: Item out of stock Well, that's a bummer considering I got a "shipped" notice stating it was arriving tomorrow.
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I heard discs 1 & 2 today (so far) it's a strong show. not legendary, but strong and hot enough for a "three smiles up" rating. it sounds like classic 83 GD to me. yes, there is the splice in Eyes. Some other minor things here and there. I can live with that easily. I like this release a lot. I like that it is from the early 80s. more, Dave, please. release 6/10/73 and 11/19/72 first, and then more 80s.
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in his sunglasses and dirty grey hair, sitting back and coolly strumming the Baba crash cords with I guess the Tiger guitar, that looks like the old Gibson SG. I would love a still of that (i.e. Shirdeep's video posted below) Weir looks hysterical doing his Townshend-esque jump and pseudo windmill, but I love him still. Who's guitar dude #3? Also looks ridiculous jumping like Townshend. But it's all good fun, they know they look silly. First Baba I heard was an Napster download with no TNK attached to it (probably edited out). I have no idea from where it hails, but it sounds like a AUD recording, and the place goes bonkers when Vince sings the opening verse.
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I think it might be RFK '92. If it is then guitar guy #3 is Steve Miller. He opened the show & joined the boys during their set as well.:o)
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Folks, I'm trying to figure out if the recording/mixing quality of DP 27 is as marginal as most of my discs sound, or if perhaps I received some poorly "pressed" discs. The show is obviously great, but only song on all 3 discs that sounds like an "A" recording/mixing is the very last song, It's All Over Now, Baby Blue. This last song sounds fantastic, but most of the previous songs sound OK to marginal. Particularly, on Disc 1, Bobby's voice sounds like he was separated the band and was singing into a bad mic... or something like that. Anyone else experience this? I'll feel better is so. If not, I'll contact Dead.net to inquire about getting a replacement set. Thanks!
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Uh, no, there is nothing wrong with your discs (unless they have skips or won’t play), they were designed to sound like that. That’s what was in fashion in 1983. Put your seat back in it’s upright, locked position and hang up the phone. Do not call customer service (unless you actually have a defective disc that won’t play). Wait, maybe you should call customer service...... For more information on the special qualities of 1983 recordings just scroll down this page and take in all of the informative opinions.
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Nope, back on the phone with customer support. You have to ask them for the rose-colored glasses they send with some of these sets. A lot of people think it sounds great.
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Gene Lopez, is that a bit? Sort of amusing
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I like this recording. After the first track, things seem to sharpen up. This isn't the best, but it most certainly isn't the worst.
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Have you folks realized that this Amazon account isn't legit?
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Hey Ummmmmm...can you expand on your statement? Thanks!
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...yeah, no. The "surplus" discs are coming from the returns department. In all likelihood, like we've already said, these are extras slated as replacements for defects. So, again as we've already suggested, they must be clearing house; and seem to have already cleared house. I was able to grab some of the DP, but had my order of Hampton box cancelled (sold out- as someone else here had for DP20). Re: Hampton cancellation, that makes sense, as I think when I ordered it said only "3" remaining.
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I took a shot, ordering Dave's 22 & 20. Scheduled to arrive today... they cancelled 20, so I'm interested to see what or if anything shows up.
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If this isn't the worst Dave's Pick release then what is?I've read a lot of posts on many other releases and have never seen so many people that think this is a king size turd. You have to work hard to justify and fool yourself into thinking this is great. I've given this 4 listens front to back now and still don't get it. Finally the last song was good. It's not even the sound quality, I can deal with that. It's the total lack of cohesiveness, horrible vocal harmonizing, and the guitars sounding like they're on different songs and tempos. This like defending your favorite restaurant even when the food has gone so downhill it's inedible.
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if ya hate it so much why not stop listening to it?Pick something else and relax.
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Perfect idea and already executed on, will probably never leave the expanding row of releases ever again. I listened to it enough times to be sure I wasn't being overly critical.... I wasn't. This is the first release out of 27 that I've ever complained.
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It's definitely Warner. You can tell by because they seemingly don't have a solid grasp on the amount left in inventory. I find it all quite humorous.. at this point, it's a gift to those that didn't get them and now can at cost, so it's hard to be bitter about it all. But this is not a scam vendor. It will be interesting to see how many 30 trips are left/how long they stay on sale. These things have become impossible to get.
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As seen on an ancient (1988) tape trader's list: 1983/09/02 - Boise ID, Pavilion, SBD - B+ --- What we really have here in this Dave's Picks 27 is a B+ (trader's sound quality rating) cassette that was painstakingly transformed into a three compact disc set by Jeffery Norman, supplied by Dave Lemieux.
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....I'm not sure if that is praise or sarcasm. I like it. That's the most important factor to me. I would give it a solid B- though. Of course, that ancient review was before the discovery of Normanization.
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Heywood I hear what you're saying and I agree. This show is so very mediocre at best. Band is tight half the time and completely out of sync the rest. Audio is all over the place. It may be good for 83, but I can't think of an official release from the 70s that it's better than. I think it's a necessary step for the powers that be, to keep the guys who want 80s shows coming back, but fellas, perspective, it ain't great by a long stretch, and it's not in the same league of anything that's come before it. Except DaP 20. It's a far cry from the series mission statement. I'm fine with an 80s clunker every 8 - 12 releases since it keeps the machine moving.
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9/25/91avoided it for a long time finally gave it a proper listen H>S>F Roses > Dire Wolf all Disc 2 is great filler on disc three is 3/31/91 Eyes, 20+ minutes 9/26/91 would have been better, in my opinion, but this one's ok.
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Some of my earliest Grateful Dead collection consisted of a couple of tracks from Dicks Picks 17, Throwing Stones and the Mighty Quinn. At the time I was not yet a fully trained Jedi, and was cherry-picking songs from all of the available releases I had at my disposal. I loved throwing stones, especially the jam and solo, and of course I was a sucker for all of the great covers, so I downloaded the Mighty Quinn as well. Eventually I bought the whole thing, and quite frankly I love it. There's a smoothness to Vince's keyboards that I enjoy - thanks for the reminder Stoltzie, I think I'm going to put this on.
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Dick's Picks 17 was one of my early purchases as well. I've always been a sucker for Jerry's anthemic guitar solo on Throwing Stones but on this version, Bruce's piano absolutely steals the show! Pretty solid '91 release as I recall. It's been a while since I've listened.
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Anyone have an extra Dave's Picks 12 they want to sell? I have 25, 26, 27 to trade as well. PM me if so
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I completely agree...came back to see what others were thinking. This is a first - albeit big - disappointment from Dave's Picks.
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9/26/91 was a better show to pick for Dick's Picks 17. Someday, and hopefully very soon, 9/26/91 will be released. But the fact was already established to hold back on some of the jem-of-a-show for later and not to release all the best shows first so later down the road there would be no more great-to-excellent shows to see official release. The only parts of Dicks 17 I listen to anymore is the Help> Slip> Franklin's opener and the 2nd disc: Victim> Crazy> PITB> Terrapin> "Boston Clam Jam" Drums> Space. The Drums> Space really is neat when you're stuck in slow traffic. Most, if not all of my listening of music is done when I'm driving my car. I am totally grateful that this show was released.
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It looks like these verified fan presales are selling out fast. Arlington Theatre in Santa Barbara sold out in 15 minutes, but there are a couple of VIP seats left.
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Not even close. This is a nice release and it sounds fine. Now April 24, 1978 aka DaP 7, I might call a clunker. Never been a fan of that show, the sound of it or the performances. When quoting the "Bee Gee's Saturday Night Fever" during the "cowboy songs" is the big highlight, it's not a good show. In contrast, Jerry's playing on 9/3/82 far surpasses the dredge from 4/24/78. The show from 2 days prior, 4/22/78 (DaP 15) on the other hand, is a great show and far better.
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Wash your ears with soap, it helps.
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So uneven. A great time was had by all, however. You didn't "have to be there", but it certainly helps contextualize some of the awful GD archival product we occasionally hear.
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Working on another HD gift for a member of this board who contacted me for "more shows". I love being able to pay forward the kindness I've been blessed by from the good folks here. Sir, if you read this post please check your PMs. 76 is loaded, I await your instruction.
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