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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • kyleharmon
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    i never played A Link to the
    i never played A Link to the Past and I never knew who Bruce Cockburn was and somehow when my life flashes before me I wont be thinking I wasted my life because of it
  • Thin
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    couple reactions:
    "The blues started with field workers on farms who got it from gospel and African roots". Seriously??? Thank you HendrixFreak for the correction - holy moly, how far can we disassociate the musical contributions of slaves? Let's give then credit... I think they earned it, no? Mononhahela regarding your 1980 dilemma... stay loud on the topic until your miracle appears. Unless you're dying for the actual article, in which case go ahead and spend the $40 (but that's a lot of money). Sixtus re: 2/15/73 Dark Star.. the accessible melodic ones are my favs. Thanks for the signpost. I believe the Wembley 4/7 or 8/72 Dark Star is also very melodic.... love that one. Anybody notice something different????
  • simonrob
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    Labels...
    Now it is plain for all to see the problems that arise from trying to label different types of music. So whatever happened to country rock, for instance. Were the Beatles rock'n'roll? Who cares. Daverock, your ignorance of who Bruce Cockburn is, is indeed inexcusable. To put another pointless label on him, he could be called the Canadian Bob Dylan, but then again...
  • daverock
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    Bob Dylan Mr Heartbreak....Bruce Cockburn?
    Yes, I'd go along with what you say about his Bobness. To me, he raised the bar lyrically in the same way Hendrix did instrumentally. Maybe people who would otherwise never have considered setting their poems to music did so as a result of Dylan. This wasn't always a good thing, mind you.Incidentally, excuse my ignorance...but who's Bruce Cockburn?
  • highstrikerjay
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    1983
    In anticipation of 09/02/83, I've been listening to some other well regarded fall '83 shows today, notably 09/06/83 and 10/11/83. If 09/02/83 is cut from the same cloth, it will be a solid pick. Totally digging those other 83 shows (as I do the other official releases from '83 - 10/14 and 10/21). Next up while I wait for DaP 27, I think I'll spin 10/17/83. Don't compare '83 to shows from '67 to '79, just enjoy them for what they are. Also perhaps not as cleanly played or recorded as '87-'89, but more crispy in between song jams in '83 IMO than in those later years. Bless the digital archives!!
  • kyleharmon
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    for you, Orosbouros
  • Dark-Star
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    Semantic tangeant
    Rock music, pop music, Prog music blah blah blah. The point that was being made is that our generation and our parents generation were around for the invention of rock pop Prog whatever you want to call it music. it's not classical it's not baroque,it's not rap. We were around when the artists were alive and their records were being made and our parents played their records and we played their records. In 200 years there may not be anything that sounds even remotely like this, yet we were here to see live concerts of it. In 200 years they will most likely look back on the Beatles And The Rolling Stones and Elvis and say wow to have been alive when all of that was happening, all of that great music. Nobody's trying to identify when the first rock record was made. A point was made that the elements that came together to make modern rock and roll were a perfect storm that will never happen again, and WE got to live to see it. And to say The Beatles weren't a rock band, well by that logic I could listen to Dead Flowers by the Stones and say they're not a rock band. Or I could listen to the Song is Over by The Who and say that's easy listening. Or I could listen to That's the Way by Led Zeppelin and say they're not rock they're folk. I'm starting to hear hairs being split just to split hairs. We got to see all of these people while they were alive that's the point. And the styles they developed will never be redone again because all of the things that went into making it are already done. It was clearly stated that the Beatles brought it to the world and they did. It was never said that they did it without anyone's influence. Mind left body I thought you made a good point. Birth is bringing it to the world which is what the Beatles did and continued to do until their breakup. It's nonsense to attribute the explosion of pop / rock music to anyone other than the Beatles. Without the Beatles it would have all remained esoteric. And yes other bands picked up where they left off and carried the torch. The Beatles brought it to the world. And to be honest I don't even like the Beatles that much. The White Album should have been cut in half, and the first five albums I'm mostly throwaways and are summed up in the one red greatest hits album. Sergeant Pepper Magical Mystery Tour and Abbey Road are pretty good. My point is I don't even like him that much but I know what their role was in the birth of rock and roll music.
  • Mr_Heartbreak
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    Changing the Course of Rock History
    Interesting discussion of rock history, but I think everyone here is forgetting the man who changed the course of music forever: Mr. Robert Zimmerman, aka, Bob Dylan. He turned on the Beatles. Before Dylan, they were "She loves you, yeah, yeah, yeah." After Dylan, they began to see song lyrics as poetry, an art form. Jimi Hendrix? Same thing. Look at the covers: Like A Rolling Stone, arguably the most important song in rock history; All Along the Watchtower; Drifters' Escape. etc, etc. The Dead? Don't even get me started. Without Dylan, Robert Hunter and Jerry Garcia never would have gone beyond playing some old folk and bluegrass tunes together. Look at the covers with them, too: they were covering It's All Over Now Baby Blue when they were still playing tiny venues in 1966. Meanwhile, Dylan was conquering Europe on a mass scale. Dylan pushed everyone: the Stones, the Byrds, the Doors. Without Dylan's massive influence, going back as far as '63, songs played on the radio - rock and pop alike - would always have remained boy/girl love songs and cheesy pop. Without Dylan, we never would have had the Dead as we know them, or the Beatles (beyond the first couple albums), Bruce Cockburn, Hendrix, or any form of prog rock. Dylan is The Godfather of all modern music that has lyrics with any depth whatsoever.
  • daverock
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    Rock n' roll
    Some great views expressed on here on this subject. I love The Beatles, and there is no question that they started life as a rock n' roll group. And that they periodically revisited it to great effect-especially on "The Beatles For Sale". But the music that they will be remembered for is not, to me, rock n' roll-or rock. It is pop music. That isn't a bad thing-but its what it is. No way hozay is "Sergeant Pepper" rock n' roll. Actually there is more of a case for claiming that The Beatles invented prog rock than rock n' roll. Finer men than me have tried to identify the first rock n' roll record. But for what its worth, Robert Johnson definitely played with more rhythm than earlier country bluesman. Fast forward to 1948, and we have John Lee Hooker and Muddy Waters playing electric guitars with a much heavier beat. Any of these artists could be credited with starting rock-but its probably Elvis Presley and Chuck Berry, both seemingly independently of each other, mixing country with blues to create what is known as rock n' roll today. After the pop of the early 60s, the man who really invented "rock" as we know it today, and as distinct from "rock n 'roll" was surely Jimi Hendrix. He brought his blues and soul chops to London in 1966, added the volume and power chords associated with Pete Townsend, the craziness of Jeff Beck, wrapped it all up in ball and kicked it out of the park. A far greater influence than The Beatles-every band I saw in the 70s owed something to him. There is surely room for ongoing development, too. Rock n' roll is a hybrid of earlier musical forms, from different cultures, combined together to create something new. Its a great blueprint for the future.
  • Mind-Left-Body
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    KF completely on target
    What I took from Keith fan's essay is that the Beatles did not invent the first rock and roll song, they took all of the primal elements that define today's rock and roll from various sources and put them together into one whole and brought music that had rock elements from an esoteric underground entity to a worldwide industry. While you all make good points about the history of rock in general, I don't believe that Keith fan means to say none of that is true, only that it was the precursor to what has become today's rock and roll music. The rock music of the 60s and 70s and 80s and 90s is molded after the Beatles and their contemporaries like the Rolling Stones and The Kinks and The Who and many others, not Elvis not Jerry Lee Lewis not Bill Haley, not anything before the Beatles. What I see in some of the counterpoints being raised here are people missing points in the original article. For example someone might respond to my comments by saying lots of musicians were influenced by Elvis so how can I say that modern music wasn't in part due to Elvis's career? The answer is, that's not what I'm saying. I am saying that modern music doesn't take on the arrangement and style of Elvis, it takes on that of The Beatles and their contemporaries. And the contemporaries that I mentioned worked off of The Beatles and took their lead from the Beatles and then added their own elements. The artists before the Beatles that some people mentioned, collectively produced elements that the Beatles then unified and brought pop sensibility to. This brought about a seismic shift in the way the bands that were the Beatles contemporaries approached music. In the late 60s and early 70s they all fed off of each other, but it started with the Beatles. And those other bands contributed to the continued development, such as the Rolling Stones, The Who, Led Zeppelin The Grateful Dead Etc. The Beatles were the birth of rock and roll. They did not write the first rock song, they put the puzzle together and industrialized it. In doing that, there was a birth. Nobody is wrong here in any of the smaller points they've made about the significant contributions of some artists who came before The Beatles. The over arching main point though is that the Beatles brought it all together and introduced it to the world. The embryo analogy was spot-on. In its simplest manifestation you could say that without the Beatles there would be no Rolling Stones or Who or Zeppelin as we know them today. If they were to exist at all, meaning if they were able to even break out of the underground, the Stones would sound like their first record which was all R&B covers, Led Zeppelin 1 would all sound like you shook me and I can't quit you baby, and The Who would all be like shout and shimmy and I'm a man. Rock music as we know it today would not sound as it does today without the Beatles. But if you take away any one single other group that was mentioned pre-beatles, The Beatles would still have been the Beatles. I'll stop rambling now. I just have always connected with what Keith fan said here but I can't say it as eloquently. And then I saw some responses that didn't seem to get the point. I mean everyone's disputing the term birth. Birth is not the invention of something. Birth is to bring something to the world. The Beatles didnt invent rock, they brought rock to the world (and with a genetic makeup that was all their own). That's what I took from Keith fans original comment when he said we witnessed the birth of rock and roll. That we did. We didn't witness the conception of rock and roll we witness the birth. That's what I took Keith fan correct me if I'm wrong.
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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Jason, Icecream, Alvarhanso: Interesting. So...basically we need 84, and 93-95. I've been saying 84 for some time and I recall a lot of really crisp boards from back in the day floating about. But I think definitely 93 and 94/95, as well, are very underrated years. The top shows from those years are really excellent, and of a whole other nature. Garcia ballads (dirge-like), drums/space, etc. Billy talks about it in Deal, that whole "missing album" (much of it featured on disc 5 of SMR) really could have been their best. Not holding my breath on these for DP28: Thinking 79, 76, or 70.
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Why do chicken coops only have two doors?Because if they had four, they'd be chicken sedans. Ararar.......... Nope, Vguy's funnier.
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I've now listened to this release several times. Disc 2 is such a fun time and will probably get repeated playings especially when I'm in the car...or jacked up on caffeine. Otherwise I'm not sure when I'll revisit the rest of show (though as I've mentioned, I really do like the release). Starting to turn my attention to the box set coming out next month. Spent the morning listening to DaP 2 (7/31/74). I still cannot believe we're about to get 6 shows from two of the best years the band ever had. The last few years have just been a barrage of amazing (and in some cases legendary) releases all happening at lightning speed (at least compared to the past). After this one though, it's all gravy.
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This refund is for the following item(s): Item: Dave's Picks Vol. 20 CU Events Center, Boulder, Co. 12/9/81 Quantity: 1 ASIN: B07 Reason for refund: Item out of stock Well, that's a bummer considering I got a "shipped" notice stating it was arriving tomorrow.
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I heard discs 1 & 2 today (so far) it's a strong show. not legendary, but strong and hot enough for a "three smiles up" rating. it sounds like classic 83 GD to me. yes, there is the splice in Eyes. Some other minor things here and there. I can live with that easily. I like this release a lot. I like that it is from the early 80s. more, Dave, please. release 6/10/73 and 11/19/72 first, and then more 80s.
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in his sunglasses and dirty grey hair, sitting back and coolly strumming the Baba crash cords with I guess the Tiger guitar, that looks like the old Gibson SG. I would love a still of that (i.e. Shirdeep's video posted below) Weir looks hysterical doing his Townshend-esque jump and pseudo windmill, but I love him still. Who's guitar dude #3? Also looks ridiculous jumping like Townshend. But it's all good fun, they know they look silly. First Baba I heard was an Napster download with no TNK attached to it (probably edited out). I have no idea from where it hails, but it sounds like a AUD recording, and the place goes bonkers when Vince sings the opening verse.
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I think it might be RFK '92. If it is then guitar guy #3 is Steve Miller. He opened the show & joined the boys during their set as well.:o)
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Folks, I'm trying to figure out if the recording/mixing quality of DP 27 is as marginal as most of my discs sound, or if perhaps I received some poorly "pressed" discs. The show is obviously great, but only song on all 3 discs that sounds like an "A" recording/mixing is the very last song, It's All Over Now, Baby Blue. This last song sounds fantastic, but most of the previous songs sound OK to marginal. Particularly, on Disc 1, Bobby's voice sounds like he was separated the band and was singing into a bad mic... or something like that. Anyone else experience this? I'll feel better is so. If not, I'll contact Dead.net to inquire about getting a replacement set. Thanks!
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Uh, no, there is nothing wrong with your discs (unless they have skips or won’t play), they were designed to sound like that. That’s what was in fashion in 1983. Put your seat back in it’s upright, locked position and hang up the phone. Do not call customer service (unless you actually have a defective disc that won’t play). Wait, maybe you should call customer service...... For more information on the special qualities of 1983 recordings just scroll down this page and take in all of the informative opinions.
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Nope, back on the phone with customer support. You have to ask them for the rose-colored glasses they send with some of these sets. A lot of people think it sounds great.
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Gene Lopez, is that a bit? Sort of amusing
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I like this recording. After the first track, things seem to sharpen up. This isn't the best, but it most certainly isn't the worst.
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Have you folks realized that this Amazon account isn't legit?
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Hey Ummmmmm...can you expand on your statement? Thanks!
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...yeah, no. The "surplus" discs are coming from the returns department. In all likelihood, like we've already said, these are extras slated as replacements for defects. So, again as we've already suggested, they must be clearing house; and seem to have already cleared house. I was able to grab some of the DP, but had my order of Hampton box cancelled (sold out- as someone else here had for DP20). Re: Hampton cancellation, that makes sense, as I think when I ordered it said only "3" remaining.
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I took a shot, ordering Dave's 22 & 20. Scheduled to arrive today... they cancelled 20, so I'm interested to see what or if anything shows up.
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If this isn't the worst Dave's Pick release then what is?I've read a lot of posts on many other releases and have never seen so many people that think this is a king size turd. You have to work hard to justify and fool yourself into thinking this is great. I've given this 4 listens front to back now and still don't get it. Finally the last song was good. It's not even the sound quality, I can deal with that. It's the total lack of cohesiveness, horrible vocal harmonizing, and the guitars sounding like they're on different songs and tempos. This like defending your favorite restaurant even when the food has gone so downhill it's inedible.
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if ya hate it so much why not stop listening to it?Pick something else and relax.
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Perfect idea and already executed on, will probably never leave the expanding row of releases ever again. I listened to it enough times to be sure I wasn't being overly critical.... I wasn't. This is the first release out of 27 that I've ever complained.
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It's definitely Warner. You can tell by because they seemingly don't have a solid grasp on the amount left in inventory. I find it all quite humorous.. at this point, it's a gift to those that didn't get them and now can at cost, so it's hard to be bitter about it all. But this is not a scam vendor. It will be interesting to see how many 30 trips are left/how long they stay on sale. These things have become impossible to get.
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As seen on an ancient (1988) tape trader's list: 1983/09/02 - Boise ID, Pavilion, SBD - B+ --- What we really have here in this Dave's Picks 27 is a B+ (trader's sound quality rating) cassette that was painstakingly transformed into a three compact disc set by Jeffery Norman, supplied by Dave Lemieux.
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....I'm not sure if that is praise or sarcasm. I like it. That's the most important factor to me. I would give it a solid B- though. Of course, that ancient review was before the discovery of Normanization.
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Heywood I hear what you're saying and I agree. This show is so very mediocre at best. Band is tight half the time and completely out of sync the rest. Audio is all over the place. It may be good for 83, but I can't think of an official release from the 70s that it's better than. I think it's a necessary step for the powers that be, to keep the guys who want 80s shows coming back, but fellas, perspective, it ain't great by a long stretch, and it's not in the same league of anything that's come before it. Except DaP 20. It's a far cry from the series mission statement. I'm fine with an 80s clunker every 8 - 12 releases since it keeps the machine moving.
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9/25/91avoided it for a long time finally gave it a proper listen H>S>F Roses > Dire Wolf all Disc 2 is great filler on disc three is 3/31/91 Eyes, 20+ minutes 9/26/91 would have been better, in my opinion, but this one's ok.
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Some of my earliest Grateful Dead collection consisted of a couple of tracks from Dicks Picks 17, Throwing Stones and the Mighty Quinn. At the time I was not yet a fully trained Jedi, and was cherry-picking songs from all of the available releases I had at my disposal. I loved throwing stones, especially the jam and solo, and of course I was a sucker for all of the great covers, so I downloaded the Mighty Quinn as well. Eventually I bought the whole thing, and quite frankly I love it. There's a smoothness to Vince's keyboards that I enjoy - thanks for the reminder Stoltzie, I think I'm going to put this on.
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Dick's Picks 17 was one of my early purchases as well. I've always been a sucker for Jerry's anthemic guitar solo on Throwing Stones but on this version, Bruce's piano absolutely steals the show! Pretty solid '91 release as I recall. It's been a while since I've listened.
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Anyone have an extra Dave's Picks 12 they want to sell? I have 25, 26, 27 to trade as well. PM me if so
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I completely agree...came back to see what others were thinking. This is a first - albeit big - disappointment from Dave's Picks.
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9/26/91 was a better show to pick for Dick's Picks 17. Someday, and hopefully very soon, 9/26/91 will be released. But the fact was already established to hold back on some of the jem-of-a-show for later and not to release all the best shows first so later down the road there would be no more great-to-excellent shows to see official release. The only parts of Dicks 17 I listen to anymore is the Help> Slip> Franklin's opener and the 2nd disc: Victim> Crazy> PITB> Terrapin> "Boston Clam Jam" Drums> Space. The Drums> Space really is neat when you're stuck in slow traffic. Most, if not all of my listening of music is done when I'm driving my car. I am totally grateful that this show was released.
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It looks like these verified fan presales are selling out fast. Arlington Theatre in Santa Barbara sold out in 15 minutes, but there are a couple of VIP seats left.
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Not even close. This is a nice release and it sounds fine. Now April 24, 1978 aka DaP 7, I might call a clunker. Never been a fan of that show, the sound of it or the performances. When quoting the "Bee Gee's Saturday Night Fever" during the "cowboy songs" is the big highlight, it's not a good show. In contrast, Jerry's playing on 9/3/82 far surpasses the dredge from 4/24/78. The show from 2 days prior, 4/22/78 (DaP 15) on the other hand, is a great show and far better.
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Wash your ears with soap, it helps.
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So uneven. A great time was had by all, however. You didn't "have to be there", but it certainly helps contextualize some of the awful GD archival product we occasionally hear.
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Working on another HD gift for a member of this board who contacted me for "more shows". I love being able to pay forward the kindness I've been blessed by from the good folks here. Sir, if you read this post please check your PMs. 76 is loaded, I await your instruction.
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