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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • Hal_M
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    All Eras & Experiences...
    It's been quite a while since I left a comment here. I read some, but not all, of the comments below regarding this particular release. As someone who saw the Dead quite a lot throughout this period, I had quite a few different reactions while listening. I saw my first show in '79 and the fall '83 tour was the first tour I did in its entirety (definitely wasn't the last). I, like many Heads, mourn not having seen the band from the beginning, but particularly '71-'78 which are my faves. Just missed it by a few months! Alas... But thanks to the steady flow of releases, I get to be transported back to my fave era (and hoping for more vid releases from the 70's as that is a whole different level of immersion). That said, I loved seeing the Dead in the early to mid 80's. There was no question that band, and most obviously Jerry, were going through changes and not all of them good. Yet every year, every tour, has its own sound, its own reflection of what the band was exploring, both internally and externally. Despite having seen so many shows from the early-to-mid 80's, it is still sometimes difficult to listen to shows from this era as my ears have been given so much wonder and near-perfection from earlier recordings. Someone below mentioned that, perhaps, it requires having seen the Dead during this period to allow the full context. I know when I start to feel hyper-critical of a show like this, if I close my eyes and remember what it was like to actually "be there," I start to relive the excitement of seeing the Grateful Dead and Jerry and following whatever adventure they were doling out on any particular evening. Particularly now that we can no longer do that. When I allow myself to "live in the moment," I am able to take something valuable away from reliving/listening to shows from this period. Which isn't to say I don't still cringe from time-to-time. But I did that, too, back then. When I take in the whole of Grateful Dead, the Brent years were never my personal fave. His influence on the band took them in a very different direction. But it was a direction they chose to go and it allowed them to explore new territory they clearly felt compelled to uncover. And, at times, it was truly glorious. Lord knows I danced myself stupid during this era and Brent did help create moments of sheer bliss that I will forever be thankful for. And for anyone who paid attention, Brent inspired Jerry. This particular show is not, in my opinion, one of the best of this period. But it is very representative of this period. There are certainly others shows I would go to first. But like all things Grateful Dead, that's both personal and subjective. This era requires more work from me to fully let go and abandon myself to the music; there's a lot that works toward pulling me out. Like this version of Help On The Way. One of my fave songs, but this version struggles and I struggle to remain connected to it. But hell, that can certainly be said of particular shows and tunes from any era. Part of the joy of Grateful Dead is that they were so vulnerable onstage. One cannot separate their personal struggles from the music they made. It's a large part of what allowed them to be so captivating and moving. And it was a 30-year journey that, like life, has many different tones and shades, some darker, some lighter, some more refined, some more confused and uncertain. Some more joyous, some more painful. But all Grateful Dead. Favorite shows or least favorite shows, favorite eras or least favorite eras, I'm thankful for every damn piece of it. So long as you keep the music coming, I will celebrate it in all its perfection and imperfection.
  • Cosmiccharlie
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    DaP 27
    I agree with what Daverock said too. I saw around 200 shows between '82-'90. However, being from that era, I got hooked by listening to tapes from the 70's, they are what convinced me to go to Baltimore CC in 82 (special place in my heart for them). In fact, the show that "made" me a deadhead (if that is possible) was Dane County 73. The Dark Star>Eyes>China Doll specifically. That being said, I find it really hard to believe that so many people approach THIS band from an either/or...binary point of view. They are just too complex for that. For some reason, LSD/speed trumps cocaine/heroine and Cowboy Bob trumps Blues Bob. For some reason, setlists were predictable in the '80's but not so in the 70's. Are you kidding me? News Flash,they were predictable when albums were released, NO MATTER the era. 60's/70's = young/energetic, tight, harmonic, experimental 80's = loose, uneven, often bi-polar, refined, even romantic, experienced, crafty, clever. Take your pick-that is one of their most alluring qualities.
  • Vguy72
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    What do you call....
    ....a game where Germans throw bread at each other?Gluten Tag.
  • Born Cross Eye…
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    Number 27
    The number 27 is a special number to me.1.) it is my birthday 2.) Several special Grateful Dead shows were on October 27th: a.) 10/27/71 - Syracuse, NY (not yet released) b.) 10/27/73 - Indianapolis, IN (not yet released) c.) 10/27/79 - Cape Cod, MA (30 Trips Around The Sun box 2015) d.) 10/27/90 - Paris, France (30 Trips Around The Sun box 2015) e.) any and all other GD & individual bandmembers and legacy band shows, along with any other GD shows that were on 10/27. However, Dick's Picks 27 (12/16/92 Oakland) is a letdown. After a few initial plays, I sort of put this one on the shelf and haven't played it too often. I think the last time I played this show was 12/16/15. It's good but "I just don't get it." A very good recording. This Dave's 27 is a fun show in my opinion, but it's not quite up to the highest GD standards. I enjoy it, it is "cool."
  • SkullTrip
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    Up For Grabs (Still)...
    If anyone missed out on this release and hasn't nabbed one yet, I've got my unopened copy (#9992) sitting on the shelf looking for some love. Since it won't be getting any here in Skullville, I'd rather find this sad puppy a good home than have it stare at me all rejected and forlorn. Shoot me a PM and I'll gladly send it your way. Meanwhile, I'm spinning 9/18/74 while I work from home. Sweet, jazzy goodness...
  • Thats_Otis
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    @ Mr Jack Straw - Baby Blue
    I agree! Never heard one I didn't like! The one on this release is particularly strong! Today in GD History - The 1st Baby Blue played since 74: 8/14/81 Welcome back, Baby Blue! This is an AUD that sounds pretty good, especially as the 1st set goes on. The 2nd set sounds great to these ears - a little boomy, but it's a strong AUD. The whole show is hot! https://archive.org/details/gd81-08-14.nak700.gardner.8213.sbeok.shnf/g… Peace
  • Row-jimmy
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    DP 27
    :O
  • Row-jimmy
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    DP 27
    :O
  • Row-jimmy
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    DP 27
    Well alright, just got DP 27. Wang-Dang Doodle. Just like an old wet noodle. But somehow it's all good. Brent's toy piano, Jerry's trying but not tie-dying. Bobby's being Weir. Mickey and Bill mix is muddled, and of course Phil is virtually non-existent. Oh well. What can I say. I'll be back fo mo!
  • estimating prof
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    Citizens of dead.net Submit - You are a conquered people...
    It is time for the quarterly airing of the grievances. More predictable than most Dead shows. After a shipping snafu, my copy of Dave's 27 arrived yesterday. I had a good listening session to the second set on the home system last night. I like this release. Count me among those who would like to see more later era releases. I think it's important to document the band's work throughout their career. I fell in love with the Grateful Dead as a young person in the early nineties, listening to very crappy, high generation casette copies of shows - that I felt fortunate to have been given at the time. This release sounds 10 times better than any of my old tapes did. A few years ago I listened to a lot of early 80s shows via archive and etree. This release sounds pretty darn good - given that it is from that era where sound quality of recordings isn't great. I think they did a nice job, given that their source is a 35 year old cassette. This is a fun show to my ears. I really enjoyed the slipknot, Franklins, Eyes and the pre drums Jam. Very fun. I'm grateful for this trip into Fall of 83.
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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Jason, Icecream, Alvarhanso: Interesting. So...basically we need 84, and 93-95. I've been saying 84 for some time and I recall a lot of really crisp boards from back in the day floating about. But I think definitely 93 and 94/95, as well, are very underrated years. The top shows from those years are really excellent, and of a whole other nature. Garcia ballads (dirge-like), drums/space, etc. Billy talks about it in Deal, that whole "missing album" (much of it featured on disc 5 of SMR) really could have been their best. Not holding my breath on these for DP28: Thinking 79, 76, or 70.
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Why do chicken coops only have two doors?Because if they had four, they'd be chicken sedans. Ararar.......... Nope, Vguy's funnier.
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I've now listened to this release several times. Disc 2 is such a fun time and will probably get repeated playings especially when I'm in the car...or jacked up on caffeine. Otherwise I'm not sure when I'll revisit the rest of show (though as I've mentioned, I really do like the release). Starting to turn my attention to the box set coming out next month. Spent the morning listening to DaP 2 (7/31/74). I still cannot believe we're about to get 6 shows from two of the best years the band ever had. The last few years have just been a barrage of amazing (and in some cases legendary) releases all happening at lightning speed (at least compared to the past). After this one though, it's all gravy.
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This refund is for the following item(s): Item: Dave's Picks Vol. 20 CU Events Center, Boulder, Co. 12/9/81 Quantity: 1 ASIN: B07 Reason for refund: Item out of stock Well, that's a bummer considering I got a "shipped" notice stating it was arriving tomorrow.
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I heard discs 1 & 2 today (so far) it's a strong show. not legendary, but strong and hot enough for a "three smiles up" rating. it sounds like classic 83 GD to me. yes, there is the splice in Eyes. Some other minor things here and there. I can live with that easily. I like this release a lot. I like that it is from the early 80s. more, Dave, please. release 6/10/73 and 11/19/72 first, and then more 80s.
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in his sunglasses and dirty grey hair, sitting back and coolly strumming the Baba crash cords with I guess the Tiger guitar, that looks like the old Gibson SG. I would love a still of that (i.e. Shirdeep's video posted below) Weir looks hysterical doing his Townshend-esque jump and pseudo windmill, but I love him still. Who's guitar dude #3? Also looks ridiculous jumping like Townshend. But it's all good fun, they know they look silly. First Baba I heard was an Napster download with no TNK attached to it (probably edited out). I have no idea from where it hails, but it sounds like a AUD recording, and the place goes bonkers when Vince sings the opening verse.
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I think it might be RFK '92. If it is then guitar guy #3 is Steve Miller. He opened the show & joined the boys during their set as well.:o)
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Folks, I'm trying to figure out if the recording/mixing quality of DP 27 is as marginal as most of my discs sound, or if perhaps I received some poorly "pressed" discs. The show is obviously great, but only song on all 3 discs that sounds like an "A" recording/mixing is the very last song, It's All Over Now, Baby Blue. This last song sounds fantastic, but most of the previous songs sound OK to marginal. Particularly, on Disc 1, Bobby's voice sounds like he was separated the band and was singing into a bad mic... or something like that. Anyone else experience this? I'll feel better is so. If not, I'll contact Dead.net to inquire about getting a replacement set. Thanks!
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Uh, no, there is nothing wrong with your discs (unless they have skips or won’t play), they were designed to sound like that. That’s what was in fashion in 1983. Put your seat back in it’s upright, locked position and hang up the phone. Do not call customer service (unless you actually have a defective disc that won’t play). Wait, maybe you should call customer service...... For more information on the special qualities of 1983 recordings just scroll down this page and take in all of the informative opinions.
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Nope, back on the phone with customer support. You have to ask them for the rose-colored glasses they send with some of these sets. A lot of people think it sounds great.
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Gene Lopez, is that a bit? Sort of amusing
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14 years 11 months
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I like this recording. After the first track, things seem to sharpen up. This isn't the best, but it most certainly isn't the worst.
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14 years 11 months
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Have you folks realized that this Amazon account isn't legit?
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Hey Ummmmmm...can you expand on your statement? Thanks!
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...yeah, no. The "surplus" discs are coming from the returns department. In all likelihood, like we've already said, these are extras slated as replacements for defects. So, again as we've already suggested, they must be clearing house; and seem to have already cleared house. I was able to grab some of the DP, but had my order of Hampton box cancelled (sold out- as someone else here had for DP20). Re: Hampton cancellation, that makes sense, as I think when I ordered it said only "3" remaining.
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I took a shot, ordering Dave's 22 & 20. Scheduled to arrive today... they cancelled 20, so I'm interested to see what or if anything shows up.
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If this isn't the worst Dave's Pick release then what is?I've read a lot of posts on many other releases and have never seen so many people that think this is a king size turd. You have to work hard to justify and fool yourself into thinking this is great. I've given this 4 listens front to back now and still don't get it. Finally the last song was good. It's not even the sound quality, I can deal with that. It's the total lack of cohesiveness, horrible vocal harmonizing, and the guitars sounding like they're on different songs and tempos. This like defending your favorite restaurant even when the food has gone so downhill it's inedible.
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if ya hate it so much why not stop listening to it?Pick something else and relax.
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Perfect idea and already executed on, will probably never leave the expanding row of releases ever again. I listened to it enough times to be sure I wasn't being overly critical.... I wasn't. This is the first release out of 27 that I've ever complained.
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It's definitely Warner. You can tell by because they seemingly don't have a solid grasp on the amount left in inventory. I find it all quite humorous.. at this point, it's a gift to those that didn't get them and now can at cost, so it's hard to be bitter about it all. But this is not a scam vendor. It will be interesting to see how many 30 trips are left/how long they stay on sale. These things have become impossible to get.
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As seen on an ancient (1988) tape trader's list: 1983/09/02 - Boise ID, Pavilion, SBD - B+ --- What we really have here in this Dave's Picks 27 is a B+ (trader's sound quality rating) cassette that was painstakingly transformed into a three compact disc set by Jeffery Norman, supplied by Dave Lemieux.
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....I'm not sure if that is praise or sarcasm. I like it. That's the most important factor to me. I would give it a solid B- though. Of course, that ancient review was before the discovery of Normanization.
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Heywood I hear what you're saying and I agree. This show is so very mediocre at best. Band is tight half the time and completely out of sync the rest. Audio is all over the place. It may be good for 83, but I can't think of an official release from the 70s that it's better than. I think it's a necessary step for the powers that be, to keep the guys who want 80s shows coming back, but fellas, perspective, it ain't great by a long stretch, and it's not in the same league of anything that's come before it. Except DaP 20. It's a far cry from the series mission statement. I'm fine with an 80s clunker every 8 - 12 releases since it keeps the machine moving.
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9/25/91avoided it for a long time finally gave it a proper listen H>S>F Roses > Dire Wolf all Disc 2 is great filler on disc three is 3/31/91 Eyes, 20+ minutes 9/26/91 would have been better, in my opinion, but this one's ok.
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Some of my earliest Grateful Dead collection consisted of a couple of tracks from Dicks Picks 17, Throwing Stones and the Mighty Quinn. At the time I was not yet a fully trained Jedi, and was cherry-picking songs from all of the available releases I had at my disposal. I loved throwing stones, especially the jam and solo, and of course I was a sucker for all of the great covers, so I downloaded the Mighty Quinn as well. Eventually I bought the whole thing, and quite frankly I love it. There's a smoothness to Vince's keyboards that I enjoy - thanks for the reminder Stoltzie, I think I'm going to put this on.
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Dick's Picks 17 was one of my early purchases as well. I've always been a sucker for Jerry's anthemic guitar solo on Throwing Stones but on this version, Bruce's piano absolutely steals the show! Pretty solid '91 release as I recall. It's been a while since I've listened.
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Anyone have an extra Dave's Picks 12 they want to sell? I have 25, 26, 27 to trade as well. PM me if so
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I completely agree...came back to see what others were thinking. This is a first - albeit big - disappointment from Dave's Picks.
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9/26/91 was a better show to pick for Dick's Picks 17. Someday, and hopefully very soon, 9/26/91 will be released. But the fact was already established to hold back on some of the jem-of-a-show for later and not to release all the best shows first so later down the road there would be no more great-to-excellent shows to see official release. The only parts of Dicks 17 I listen to anymore is the Help> Slip> Franklin's opener and the 2nd disc: Victim> Crazy> PITB> Terrapin> "Boston Clam Jam" Drums> Space. The Drums> Space really is neat when you're stuck in slow traffic. Most, if not all of my listening of music is done when I'm driving my car. I am totally grateful that this show was released.
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It looks like these verified fan presales are selling out fast. Arlington Theatre in Santa Barbara sold out in 15 minutes, but there are a couple of VIP seats left.
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Not even close. This is a nice release and it sounds fine. Now April 24, 1978 aka DaP 7, I might call a clunker. Never been a fan of that show, the sound of it or the performances. When quoting the "Bee Gee's Saturday Night Fever" during the "cowboy songs" is the big highlight, it's not a good show. In contrast, Jerry's playing on 9/3/82 far surpasses the dredge from 4/24/78. The show from 2 days prior, 4/22/78 (DaP 15) on the other hand, is a great show and far better.
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Wash your ears with soap, it helps.
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So uneven. A great time was had by all, however. You didn't "have to be there", but it certainly helps contextualize some of the awful GD archival product we occasionally hear.
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Working on another HD gift for a member of this board who contacted me for "more shows". I love being able to pay forward the kindness I've been blessed by from the good folks here. Sir, if you read this post please check your PMs. 76 is loaded, I await your instruction.
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