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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • unkle sam
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    9-2-83
    Just had a listen to this show yesterday. I like the way Wang Dang Doodle starts and slowly builds to start off the show, makes you think something really cool is about to happen. A lack luster first set except for the opener and that great Deal at the end. Second set not so hot either, the pre drums is kinda muddy, the drums is short and goes no where, the space is nice, but really doesn't build to anything either, the post drums with a "new song" delivered like a single, Throwing Stones gets so much better in the late 80's and into the 90's. All in all, I give this show a C average and certainly not the "stunner" it is advertised as. Sure hope the next pick is better than this one. I don't know if any of you were around in the 40's, I wasn't. But I think you can trace Rock and Roll all the way back to then, or even the 30's, or maybe the roaring 20's, hard to say. Of course, back then it was "Heathen" music, "Black" music and a thing that you kept your young children away from, "no son/daughter of mine is going to listen to some muggle smoking darkie music". Segregation was in full swing back then and Rock and Roll was a thing to be feared. It was, after all, youthful rebellion which happens in every generation, that put rock and roll on the map, back then, if our parents hated it, we loved it. There were a lot of us in the 60's and music meant something back then, it was our call to arms, our mantra, we actually thought that music and love could change the world. I'm not a historian nor do I know exactly when rock and roll got it "birth". Glad it did tho, sure was an uptight world full of lies and hate back then, wow, I just got a feeling like I've been here before. I think someone said that they had been following history for X years or some thing like that, gee, they should know ;) But can you believe them? Most that were around then are gone or are so old that they just can't remember, and I can relate to that, memories are very subjective and history books can be distorted, or rewritten. I have had a conversation or two with my 93 year old mother-in-law who was a music teacher all thru the late 50's, 60's and 70's. When she is able to, she remembers rock and roll as a bad thing, one that was openly discouraged and frowned upon, until that "nice gospel singing hill billy" came around. He was "so nice, and good looking too". But that was rock just finally being accepted, not the birth of.
  • daverock
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    Mr Heartbreak
    Thanks for the film clip of Bruce Cockburn. Some beautiful guitar playing-in fact the whole band is good. I've never heard Bob Dylan play like that!
  • garciaddicted
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    Rock 'N' Roll
    "I’ve stolen every lick he ever played", Keith Richards on Chuck Berry "The Shakespeare of rock 'n' roll", Bob Dylan on Chuck Berry "No group, be it Beatles, Dylan or Stones, have ever improved on 'Whole Lotta Shakin'' for my money.” John Lennon
  • frosted
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    Everybody knows who created rock and roll
    Hey hey with the Monkees! What I find odd though is that I cut my teeth on R&R in the late 60s and into the 70s. Back then, we called the 50s the oldies. Elvis, Jerry Lee, Fats Domino, Bill Haley, Buddy Holley, Chuck Berry, Little Richard, Eddie Cochrane, all those guys seemed ancient to us. Thinking about 30s and 40s music back then? Fuggettaboutit. What was that even? Musicians wearing suits with skinny ties, and huge brass bands with our grandparents swirling around the dance floors all dressed up? What gets me is that now the 60s and 70s are more than twice as long ago for today's kids as the 50s were for me, and that seemed pretty far back at the time. So the circle squares, and now I listen to more jazz from the 30s-60s than I do rock and roll from any era, the GOGD being one of the few exceptions. Get off of my lawn!
  • simonrob
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    This is not the place
    for intellectual discussions between non-intellectuals.
  • kyleharmon
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    you all need more Unicorn
    you all need more Unicorn Jesus in your lives and less of this Devil rock music.
  • Angry Jack Straw
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    Good Lord
    Such nonsense. My cat can cut and paste. Stop it. Dave. You disappoint. No knowledge of Bruce? I posted about him during the worthless doors/who tripe.
  • Angry Jack Straw
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    Good Lord
    Such nonsense. My cat can cut and paste. Stop it. Dave. You disappoint. No knowledge of Bruce? I posted about him during the worthless doors/who tripe.
  • Oroborous
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    Dear Butch, DS and Keithfan
    Sorry, I thought we were having a intellectual discussion about opposing theories, not trying to insult one another. So since I now feel insulted. I also feel I have to defend my self..... Please find Butch’s comments in quotes.... “Nobody even said the Beatles invented Rock n roll or coined the term, only that they brought it to life in front of the world. “ So the millions of folks for all the years before the Beatles did not enjoy RR, because it hadn’t yet been brought to life? Even though they did have some success; album sales, performances and quite a bit of airplay, RELETIVELY speaking? Because your statements could be interpreted that RR was such an underground, insignificant thing that not until the Beatles did it become well known? or “given birth” To me that’s an insult to all the men and women who actually made RR, long before the Beatles came along.... “The bottom line is that our generation DID witness the birth of rock and roll, and yes you can use the concept of birth, it's an appropriate form of symbolic language called personification. It's laughable that THAT part of the dicussion even came into question.” As I’ve politely stated, I agree with most of KF’s fine, articulate essay, just not this part. I’m imho, based on reading dozens of RR biographies, the only thing wrong with this is you could say all the same things about Chuck, only on a smaller scale...due to technological and cultural circumstances he had no control over. i understand your point just fine. You don’t need to insult me. Sorry to all you folks if this seems like I’m being snarky etc. Not trying to be, actually having a bit of fun participating in a verbal chess match, mental gymnastics, intellectual discourse etc. Used to stay up and party hard and do this sort of thing about authors, music, movies etc when I went back to collage in my thirties..... “The biggest reasons the Beatles gave birth to it, is 1)they were original,” And Chuck wasn’t? “2)they brought their brand to way more more people, WAY more people,(70 million people, come on now)” Never debated that, if you actually read my post, I ponder whether album sales and/or popularity alone is really a true distinction of what makes one relevant or not. I don’t believe album sales alone is. And comparing album sales from completely different technological and cultural times is like comparing apples to oranges....I’m sorry i obviously did not articulate my point well.. I don’t think that’s a fair, objective measure. “3)they influenced most of the bands that followed after (as well as the popular culture at large).” I have openly agreed with this statement throughout....? “Nobody else went on Ed Sullivan 1st and ushered in a movement in rock pop music. None of their predecessors did that.” Unfortunately I don’t know that much about the show, but I don’t believe in the fifties, a black man, with subversive lyrics was going to get a fair shot at a show of that prominence? I do think I recall reading that they did not want RR, but they felt they needed to make the show more current, to generate ratings, and because RR was already so prevalent in society, they needed to get with the times.....but please don’t quote me on that.....my memory is deteriorating rapidly... I also believe part of the reason Chuck received the airplay he did get, was many didn’t know he was black by his “sound” Another way for the suits to take “race music” and make it popuar with whites, so they could cash in. “They took what was out there, made it their own and in doing so TRANSFORMED rock and popular music. The bands that came after helped continue the movement,” Again, I’ve only supported this sentiment. But I also believe you could say the same, in a different way, about Berry et el... “but there's no question the Beatles brand came first.” This is where we disagree. Again, it’s an insult to all those who were oppressed and struggled through the early years of RR, so that eventually it was legitimized enough so the Beatles could explode and change the world! Kinda like the big brother or sister who breaks in the parents, so the younger siblings have an easier time.... “Millions of people latched on to to the Beatles, not Haley or Berry. “ So again, numbers are your criteria? Apples to Oranges.... “It was their mold that came first and endured” Not unless they had a time machine....sorry, that was snarky. I apologize! “Chuck Berry still hugely important and I love him to death, but he didn't do what the Beatles did” Never said he did. I repeatedly acknowledge that the Beatles were perhaps the greatest band of all time, influentially at least, if not more.... “that wasn't his role. His role may have been even better in the history of rock and roll as he influenced so many. That's not what this discussion was ever about. This discussion was about whether or not our generation was here to witness the birth of rock and roll.” Again, I understand perfectly what this is about. I’m sorry that because we disagree you feel I don’t understand your point, so much so that you have to insult my intelligence.... “The one excellent point I agree with is that Bob Dylan brought a brand that was equally important, but I don't think you could credit him with heralding in the rock movement.” No, not in and of itself, but one could argue that his innovations also had a unmeasurable influence on RR. Perhaps one of the few that came close to the Beatles level of influence? “Oborious, yes Chuck Berry was important and influenced many, but same thing, he wasn't the Beatles” Never said he was, only that he is constantly not given the credit myself, and more importantly, most of the RR elite all state in their books that he deserves, of which being credited as the true Father of RR is one. I believe Rolling Stone said something similar in their tribute to him? I’m sorry, but most of my personal belongings, including my RR library are currently in storage or I would stay up and provide references. . “You seem to be personally offended by all of this,” Not at all. I truly apologize to you, as well as everyone if that’s how this is coming across. I just think your making a generalized statement that ignores a huge block of actual history, which insults those who made it. By doing so, I don't think your theory is logical. “as you are making statements like what if Chuck has been white or what if Elvis wasn't in the right place at the right time. The discussion is about what is not what might have been or could have been. If the queen had balls she'd be king.” How can you not consider what America was like racially in the fifties, and how that would effect the success or failure of a black person? And to compare what a Fearless Black man did, during that repulsive time in our history; actually “give birth to”, basically a whole new cultural scene, and making it popular (sounds familiar?), with a group that did all the great things they did, in part, because of the foundation people like Mr Berry laid for them to build upon, only by comparing popularity or numbers? That’s like saying Miles Davis gave birth to Jazz with Kind of Blue, while all his predecessors, from decades before, did not? “I think where people are getting stuck in this dialogue is that they're feeling like the birth of rock and roll on the world scale should go to (pick your name) instead of the Beatles. There is no single person or band who invented rock and roll, but the Beatles did give birth to it in the larger world, and that was the only point that was being made along with the fact that we were here to witness it.” Sorry, agree with everything except the term birth. I have never disputed the rest. birth bərTH/Submit noun 1. the emergence of a baby or other young from the body of its mother; the start of life as a physically separate being. 1. give birth to (a baby or other young). "she had carried him and birthed him" “A physically SEPARATE being....” Your argument presupposes that the Beatles would be the parent, that gives birth to a new being... Mine presupposes that Chuck was the father that gave birth to the new being. The Beatles were that being when it fully matured, and became an adult force of nature....that went on to conquer the world, in part because of the DNA of the father.....now I may not be right, but I don’t think that’s so hard to follow is it? “V guy you're absolutely right the sensitivity scale is just beyond words. But one thing that is clear if you read through this discussion thread is that words our being misinterpreted even after clarifications are made. It's like there's no effort being made.” Touché my friend, no need to insult. Just because we don’t agree doesn’t mean I don’t understand, and that you need to insult me. You say “potAto”, I say “potaahto” And finally (I promise no more outta me anyway, hopefully I’ve made my point. Not looking to be “right” just properly understood. I don’t think you can fairly critique ones argument if you don’t properly understand it) So finally, I'd just like to state I’m sorry if I’ve bummed folks out. That was never my intent. Especially no bad vibes toward Keithfan. I thoroughly enjoy his articulate posts, and usually agree with like 98% of what he says. Think maybe I’ll just go away for a bit......”you know this space is getting hot” Peace!
  • snafu
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    Mr. Ones and FZ
    We can now shut down this site Mr Ones you have sumed up everyone here no matter what our other disagreements " Music is the Best"
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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fuck yes shirdeep!! poptones...poptones...poptones….poptones...poptones
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Nothing left to do but smile, smile smile :) To quote another of my favorite bands, "It doesn't matter - overrated." Happy Thirsty Thursday, DeadLand! Peace
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both Santa Fe shows in 83 would be a nice lil' box set
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Cosmic Charlie, 6-14-76 Man, I’ve asked Dave numerous times for 6-14-76. DaP 28 would be a good time to release it. So, Jerry arrives at heaven’s gates and god says...... Well, I’m not the joke teller here, Vguy is. Fill in the blanks Vguy...... 30 years of GOGD!!!!!!!!!!!!
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I think the unevenness of the recording is what gets most of the bite. I think it's an interesting show and a unique setlist. I enjoy it if for no other reason (besides is a pretty good show) that it is truly unique and quirky. Much sounds like most of us, and what's not to like about unique and quirky.
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I know which one is Brent. There is nothing you can say about his voice that's going to make me like it. I bought RFK 89, I bought Dead set, I downloaded Dave's Picks 8, and I bought Crimson White and Indigo. I still don't like his voice, it's cringeworthy to me (and many others I might add). He ruins every song he opens his mouth on for me. It sounds strained, harsh, and abrasive. I'm not alone in my dislike of his voice. People post about it all the time on all sorts of dead forums. If you like it great, enjoy. Sorry man.
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three unusual things today: Doing my Ubereats thing. I got honked at by a bus driver. and some of the nastiest, most potent anger ever in my life seized me. I screamed profanities about coitus at him and showed him how to "count to one". It was like a stroke or something. BAM! not my finest moment on this earth. really, I lost my ish. a potential ant invasion. a few in the house. found the trail outside, and wreaked havoc on the little creeps with a can of Raid. I felt like I was in Apocalypse Now, with Kilgore's crew. mini-split/air cooler started leaking water. WTF!!?? I think I got it fixed, but that never happened before.
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I'm always a little amused, if not confounded, by the number of people who want to tell others they can't make comparisons. I got on the bus in 1982, and I can remember people referring to Brent as "new guy." Yes, that's right, you heard right, in those pre-internet days, not everyone had a subscription to Relix, and Deadheads would show up for a show or a tour and all they would know was that Keith and Donna were gone, and there was a new guy. "Not sure what his name is. Brent or something." And guess what? In that early 80s era, plenty of Deadheads were already complaining that the band wasn't as good as they were in the 70s. The phrase "disco Dead" was not a compliment. It was a sarcastic commentary on the late 70s Dancin' and on Shakedown, for one. And haven't almost all of us said some variation of the following statements? "The Dead kind of suck in the studio. Their live shows are much better. That's really where they shine." In other words, every studio album got compared, unfavorably, to live shows. Every. Single. One. And I LOVE some of those studio albums! People compare things to other things. It's human nature. It's what we do. Yet here we are in 2018, more than 20 years after Jerry died, and self-appointed "Directors" come along to say, "Oh, you can't compare Official Grateful Dead Release A with Official Grateful Dead Release B, because one was recorded on two-track, and the other is a MULTI-track." Oh. Okay. I see. Almost as bad are the "it's all good" dude-bros, who grin like Tommy Chong while they type, "Heeeyyyyy, maaaaaan, it's all good. Every Grateful Dead show was beautiful. There's no such thing as a bad show, man." Uh, no. The Dead were horribly inconsistent, as every Deadhead who's honest with him- or herself knows. Lots of drugs were ingested. Lots of instruments went out of tune. Sometimes Jerry practically nodded out on his mike. I personally know someone who was at a show where ol' Jer apparently shat himself and ran offstage to avoid it being seen by the entire crowd. It got ugly. That's why some of us love it when it's so great. When they were all in sync, listening to each other, they got into a flow where they played beyond their own powers. They made magic. Those moments of magic are what I love. We all own some of them on recordings...maybe a lot of them. And we seek more. That's why some of us are disappointed when we BUY a product that seemingly contains few of them, with lots and lots of fuckups all throughout it, like this DaP27 show. The "it's all good" argument reminds me of Dylan's song: "I'll pluck off your beard and blow it in your face This time tomorrow I'll be rolling in your place I wouldn't change a thing even if I could You know what they say, they say: it's all good." Happy Jerry week. The guy was far from perfect. He made lots and lots of mistakes, musically and otherwise. Yet he remains one of my favorite musicians of all time. I can love the guy and still be aware of and actually comment on his flaws. But I'll never understand the people who have their heads so far up his ass they can smell patchouli.
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I prefer Keith to Brent because I love acoustic piano, and I feel the 1970s were the band's peak musically. But I listen to it all. That last RFK box grew on me. The fact is, Keith was all used up by the time he and Donna left the band. He would have needed a rehab or some kind of re-boot to get energy back into his playing and the band. Brent certainly didn't lack energy! His vocals are distinctive and when he over-emoted they could be abrasive. But shit, some nights his enthusiasm really kind of elevated and helped carry the band. There are cringe worthy moments as there were with Donna, but not always. His keys and synths sure as hell moved these guys into another era, Brent adding more and more as Jerry diminished. There isn't one guitar solo from the 80s onward that matched anything on the E72 tour. Yes, there was great stuff, but Jerry the guitarist incorporated more and more effects and then MIDI into his playing. The Jeff Beck-like magic in his fingertips was blurred out and lost, gone forever. Look, I'm not saying he sucked - he had so much talent and fretboard knowledge he could half-ass it and sound great. As he did, many nights, well into the 1990s. I love Jerry but I understand the patchouli comments. You know, bad body odor is not made any better by a wash of patchouli over it. You're kidding yourself. If anything it adds to the pungency. No one but G.G. Allin would walk around with blood, semen and shit smeared across them in public. That is vile. Be hairy, be a freak, but for God's sake wash yourself. Brush and floss; do not have bad breath as a dog. Most of us have advanced past the dark ages.
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I haven't been keeping up. I'm still immersed in the 30 Trips box, if you can believe that. I happen to be around mid-80s right now, and I'm marveling at the quality of those shows. So imagine my surprise that DaP 27 is not anywhere near the unexpected glory of the ones selected for the big box. Dave's cheerleading aside, does anyone really think that DaP 27 is worthy? I tried to like "Help on the Way" (because I almost always love it) and Jerry mangles every single verse. And the first set is so lame. There are moments, as always, but it is not even a "solid" show compared to many, many others. I'm not a Brent hater (except for "I Will Take You Home" and maybe his goofy verse in "Red Rooster"). Are there really so few great performances/recordings from the 80s? Rhino doesn't care - it sold out anyway. I'm not looking forward to my DaP subscription getting watered down by shows like this one.
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phil said jerry's hygiene went south in the 80's before the first intervention.
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I probably should have written "...so far up his ass they can taste Häagen-Dazs." I was thinking of Junior Soprano: "Federal Marshals so far up my ass, I can taste Brylcreem." Seemed a little harsh, so I went for a different sense.
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But you could probably say the same thing about the Grateful Dead. I've been thinking about perspective when reading all the back and forth about this release, but I need to at least give this an attentive listen before I comment. The GD were a big tent band, I always thought there was plenty of room for comments that differ from our own. There's certainly no wrong or right so long as some fun and enjoyment comes of it. The GD was all about a grand and shared adventure.. 83 was certainly an adventure.
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....like talking of Jerry's demons. Me? I'm playing a random Grateful Dead show. I'm sure it will be good, if not grate. My inbox is wide open btw.
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What's the show and how random was this selection?
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check your PM
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What's the deal with banging on the guy, especially today. Some of these discussions are worse than the release itself.
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....plinky keys and all. What were they thinking? Lololol. Oops. "Bob restarted a verse by accident. Dammit!" See how silly that sounds? I love warts. Whatcha all spinning this August 9th? Cause I know you are or you aren't a "real" Deadhead. /s
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I'm listening to Freedom Hall 6-15-93. ...biggest memory from this one was dancing to Gloria in one of the portals to the 2nd level seats with a guy from one of the food venders there. White pants,white shirt,white apron,white hot dog hat and all. Danced his ass off in pure joy. Lots of fun. ...Shriners in little cars & acid DO mix... :o)
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That's exactly the point I have been trying to raise with my therapist.. for years.. We are not crazy.. Tomorrow I am marching down to the DMV and demanding my license be renewed. I didn't have it in my listen to a full show other than the three I listened to on the drive here today. I might give some of the unreleased late stuff a spin. Whiskey in the Jar, So Many Roads, Visions is great. One or two on YouTube, and I will enter the land of the horizontal warriors plotting strategy on the DMV tomorrow. Not only should they invoke my right to drive little cars while wearing tiny hats, I want a class D license for good measure. Speaking of driving tiny cars on acid, anyone ever spent a day at the DMV dosed? Flash, flash 100 yard dash what do you make of all these bats?
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I wondered, as I listened to this release, why I smelled patchouli and tasted Haagen Daz? Now I know. Really, it has pros, it has cons, it's not so bad, it's not great, but I enjoyed it just the same. How embarrassed I now feel, that I enjoyed this release for what it was, now that I know I could have been brooding instead and bemoaning what it is not.
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It's Jerry Garcia Tribute Night at the SF Giants game this evening. Can't believe this was 25 years ago: Now THAT'S how you do it!
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that video has me laughing really hard thank you
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9 years 3 months
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a tale of the tapes. according to Deadbase, there are 2314 shows, of those there are 450+ Pigpen shows, 403 Keith shows, 810 Brent shows and 378 Vince shows. of the Brent shows almost 700 are cassettes/PCMs recorded by Dan Healy from the PA SBD to check out how Dan's mix sounded, not ever considered for release. The Keith shows were recorded reel to reel from a separate mixing console from the PA and the Betty Boards were mixed on headphones and in no way match what was heard in the hall. don't believe me try an AUD tape for the same show, try a different AUD tape if there is one. these 70s Reel to Reels were also never considered for release. they were for band reference and they had enough of a budget they didn't have to reuse them, like some of the Radio City multi track show tapes that got recycled by Arista after Dead Set & Reckoning came out. aside from 100 or so special events that were recorded on multi track for eventual release that made it into the Vault, everything else is 2 tracks mixed for reference listening, Betty's, FM broadcasts or to hear how the live mix sounded compared to the sound in the hall. the cost of the Plangent process, (analog to digital transfer), precludes them using it on most Dave's Picks because it is cost prohibitive and will probably only be used in box sets from now on. Dave's Picks are not worth the expense or time to Plangent, so instead we get Jeffery Norman magic to try and make it sound as good as possible from the in house master tape digitization. which means releasing the returned Betty's as Dave's picks is denying the chance for future Plangent processing, the good Betty's will be held for the annual box sets as the multi tracks have been already milked for most of what's available. more fall 89 multi tracks anyone? then there's the Bear audio journals, which are basically 2 track mono recordings with the amplified instruments in one channel and the PA (drums, vocals and keyboard) in the other. if you want to make the pre 1969 stuff sound really good, listen to it in mono with the vocals centered and the instruments on top of each other and not next to each other. you are not losing anything as the Bear tapes have no real stereo separation, he was hearing impaired in one ear and couldn't hear stereo. this leaves about 1600 possible shows on stereo tapes of which less than 500 are Reel to Reel and the rest cassette and digital tapes. this means whats left for Dave's choices are mostly cassette SBDs from the PA or he's eating into the potential for future box sets. maybe this means less people will subscribe in the future and there will be more of a chance for the average fan to get a copy of a show he wants ala carte, is that a bad thing? maybe Rhino plans to start allowing digital downloads, but without the budget for Normanization or packaging at $20 a show to start making some profit on the rest of the vault? difficult to believe, as since the bankruptcy of Music Today all previous digital downloads are still unavailable and Warner Music, the new distribution for Dead.net, only has digital downloads for the new releases. from the Spring 90 TOO page Digital Download Digital downloads have been temporarily disabled while we work on resolving the technical issues. Previous purchasers will be notified when the problem is resolved. the first 15 years of the GD the band played mostly small halls to limited audiences, with the large festival exceptions. the 2nd 15 years the band became one of the top selling live acts, for most of the last 10 years they were in football stadiums and huge arenas, so the potential of "i was there" buyers is far greater than the early years. it is very likely more people saw the band with Brent or Vince than the combined years for Pigpen and Keith. it is inevitable that Dave's Picks start mining the last 15 years and now seems as good a time as any. the new licensing deal with Rhino still has 8 years left to prepare releases from whats in the vault. if getting a Brent show is that distasteful to you, maybe you shouldn't get a subscription and try for the left overs of the era you like when they go on sale, instead of insulting the people that went to and enjoyed the shows that were poorly recorded with no intention of being used for a release.
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16 years 1 month
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Jerry Garcia, Bob Weir, & Vince Welnick singing The Star Spangled Banner - the US National Anthem, on April 12, 1993 for the San Francisco Giants home opener, is my favorite rendition by a popular music group or individual singer. It surpasses Whitney Houston's 1991 performance in my opinion. Thank you very much for posting this, Bolo24. Thank you. Yep, we ALL miss Jerry.
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16 years 11 months
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This collection of Garcia guest-spots was put together by Jambase, there's some nice stuff in here if anyone's interested, sorry if it's been posted already. On the song "Barren Ground" the way Bruce and Jerry look at each other is truly one of equal admiration and family. It's unfortunate that Bruce couldn't have made his solo career and his permanent membership in the dead work out. Now, that could've been something...special. Take a break and come back with the new album, Hornsby, less pressure on the band and a reduced touring schedule. One can dream right?! https://www.jambase.com/article/remembering-jerry-garcia-live-guest-app…
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14 years 10 months
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This my least favorite show so far. The sound is ok but the playing just seems mediocre and the singing is just bad. I subscribe each year and most of the shows are great, this just isn't one of them.
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13 years 10 months
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Thanks for that link direwulf. Lots of that was new to me. Loved that pre-LaBamba jam! Yes, Jerry looked so happy and healthy with Bruce. That was about the time he was making those great recordings with Grisman, too.
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7 years 2 months
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Jim, I have spent a day dosed at the DMV, then again, I work there so...... P.S. direwulf gets it-as a 'merican, I forgot that most other countries use celsius as a scale. I thought that's what made us great......again. Thanks for the bikini chuckle P.P.S. stoltzie gets it too-I almost always get a chuckle from you. Thanks!! We'll never know what's good, if we don't have bad to compare it to.
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6 years 5 months
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phish will be doing another free webcast tonite at 7pm Eastern Time. Livephish.com has details
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17 years 2 months
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...."Do you remember the first time we had sex together over fifty years ago? We went behind the village tavern where you leaned against the back fence and I made love to you." Yes, she says, "I remember it well." OK, he says, "How about taking a stroll around there again and we can do it for old time's sake?" "Oh Jim, you old devil, that sounds like a crazy, but good idea!" A police officer sitting in the next booth heard their conversation and, having a chuckle to himself, he thinks to himself, I've got to see these two old-timers having sex against a fence. I'll just keep an eye on them so there's no trouble. So he follows them. The elderly couple walks haltingly along, leaning on each other for support aided by walking sticks. Finally, they get to the back of the tavern and make their way to the fence The old lady lifts her skirt and the old man drops his trousers. As she leans against the fence, the old man moves in.. Then suddenly they erupt into the most furious sex that the policeman has ever seen. This goes on for about ten minutes while both are making loud noises and moaning and screaming. Finally, they both collapse, panting on the ground. The policeman is amazed. He thinks he has learned something about life and old age that he didn't know. After about half an hour of lying on the ground recovering, the old couple struggle to their feet and put their clothes back on. The policeman, is still watching and thinks to himself, this is truly amazing, I've got to ask them what their secret is. So, as the couple passes, he says to them, "Excuse me, but that was something else. You must've had a fantastic sex life together. Is there some sort of secret to this?" Shaking, the old man is barely able to reply, "Fifty years ago that wasn't an electric fence."
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14 years 8 months
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worth a listen
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14 years 8 months
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thasscrayzee
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14 years 8 months
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now, back to the 80s with 10/17/82 Mississippi > Franklin's :)))
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6 years 1 month
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All of the Dave's Picks 15 talk made me put it on. Great show, great audio. The Estimated Prophet is perfect in every way. I'm not a big fan of the fast Eyes of the World, but I forced myself to listen to this one and it's good for a fast one. Stoltzfus, you are correct. I will put that June '74 show on next. I have not listened to the WRS / Jam in a long time. Or the Eyes of the Word. Or the mad mad mad China Cat. I did recently play its neighbor, Road Trips, Wall of Sound. Now that's a great tape. I think it's one of the better sounding 1974 issues. Jerry is nice and clear. So is Keith for that matter. I would have been good with both shows released in full. Same with Dick's Picks 12.
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14 years 8 months
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we've listed _previous_ fivesixwhatever coming up list: 10/17/82 rest of show 10/11/83 11/19/72 disc three DaP 2 (7/31/74) DaP 27 (you know) 12/28/79 L&G the GD somewhere in there or eventually Adam and the Ants: Kings of the Wild Frontier Melvins: Tres Cabrones Sleep: Dopesmoker Motorhead of some kind
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