• 955 replies
    lilgoldie
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    Joined:

    What's Inside:
    • Five Complete Shows
    • 5/11/77 St. Paul Civic Center Arena, St. Paul, MN
    • 5/12/77 Auditorium Theatre, Chicago, IL
    • 5/13/77 Auditorium Theatre, Chicago, IL
    • 5/15/77 St. Louis Arena, St. Louis MO
    • 5/17/77 University Of Alabama, Tuscaloosa, AL
    •14 Discs, 111 tracks
    •Mastered in HDCD by Jeffrey Norman, Plangent Processes playback system for maximum sonic accuracy
    •Artwork by Grammy Award-winning graphic artist Masaki Koike
    •Period Photos by James R Anderson
    •Historical Essay by Steve Silberman
    •Individual show liner notes

    MAGICAL, MYTHICAL MAY 1977!

    If you're a Dead Head, chances are you've spent many an hour expounding upon the distinction of May 8, 1977, Cornell University, Barton Hall. Well, at the risk of preaching to the choir, we'd like to reintroduce you to a series of shows that matches said greatness from that same gloriously fertile season. While Barton Hall is well known, the astounding tour that surrounded it has occasionally flown under the radar due to the uneven quality of tapes in circulation. May 1977 is set to change all of that with a boxed set that zeroes in on this high-water mark in the Grateful Dead's long strange trip.

    For a band resurrecting itself after a 20-month hiatus, there was a great frenzy of expectancy that surrounded the Spring of 1977. We anticipate a grand reoccurrence of this fervor with the release of May 1977, a 14-disc boxed set featuring five complete shows from consecutive stops on that magical tour. Mastered in HDCD by Jeffrey Norman at Mockingbird Mastering, the "psychoacoustic phenomena" as Jerry once put it, of St. Paul Civic Center Arena, St. Paul, MN (5/11) Auditorium Theatre, Chicago, IL (5/12, 5/13), St. Louis Arena, St. Louis MO (5/15) and Coliseum at the University Of Alabama, Tuscaloosa, AL (5/17) can now finally be appreciated. Each of these shows finds the Dead delivering punchier, more focused sets, tightening up the framework; each night turning out first-ever renditions ("Passenger,""Iko Iko,""Jack-A-Roe"), unloading potent new pairings ("Scarlet Begonias">"Fire On The Mountain", "Estimated Prophet">"Eyes Of The World"), classic covers ("Dancing In The Street") and soon-to-be staples ("Estimated Prophet," "Samson and Delilah"), and ultimately rising up to paradise.

    And now for the nitty-gritty...

    Due June 11, May 1977 is limited to 15,000 individually numbered copies. Presented in a psychedelic box that boasts an intricate die-cut design created by Grammy®-winning graphic artist Masaki Koike, the set also includes a book filled with stories about each show, as well as an in-depth essay by Dead historian Steve Silberman, who delves deep into the history behind the tour and the band’s return from its extended hiatus.

    Once these 15,000 boxes are gone, May 1977 and its shows will never be available again on CD. However, the 111 tracks will be made available on release date as FLAC and Apple lossless full-set-only downloads for $99.98.

    Like its predecessors Europe '72: The Complete Recordings and Spring 1990, we expect May 1977 to sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here and on Facebook.com/GratefulDead and Youtube.com/gratefuldead.

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  • philledawg
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    1977 Stealies complete the set, for me.
    This just in! 4 different May '77 'Venue' Stealies. Only 250 avail. per venue. Only $6 a pop and a nice addition to the box set. They are really nice, really unique, and they only printed 250?
  • reijo29
    Joined:
    Kind of Disappointed, just not spectacular
    I agree with Charles. I am still somewhat disappointed with the set. It's just sort of ho-hum until the last show 5/17. I am of the opinion that the Dicks vol 29 2 shows & the June Winterland box blow this away. It's just that for $163 cost I expected to really enjoy it. They should have just made it with a simple CD sized box like Dicks 29, charged $100 and then I would not feel like I wasted a lot of hard earned cash.
  • charles
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    Joined:
    May 1977 box I don't agree that it is great stuff
    Cannot agree that it is great stuff. I got my copy here in the UK a few days ago and have played the first 2 concert sets. This is the first big box I have got that I don't like (I did not get spring 1990).For £136/215 dollars delivered I am not impressed, it seems inferior musically to other sets from that year/tour for example Winterland from June or Hartford from the same tour. Is it me,what am I missing. I have loved the Dead since first hearing them in 1968.
  • wadeocu
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    Joined:
    Probably not the only patch in this set ...
    See post #1 (or #875 if you have it sorted by newest first): "Wonder how they dealt with some issues on the masters like the cut in Wharf Rat on 5/11 and the 5/12 Playing in the Band. The circulating copy of 5/13 has sound issues at the end of the tape which may not have been on the master, but both David Gans and David Lemieux have said in the past that the 5/11 and 12 masters have those issues. Not that this will ruin it for me - just curious. Looking forward to another release!" I'm actually ok with the alternative version patch approach as it allows uninterrupted enjoyment of the flow of the show. I would rather have consistent sounding patches than leaving cuts alone or using drastically different sounding sources such as AUD patches. Disclosure of the fix is, however, another issue ....
  • grendel4
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    Joined:
    Just would like an explanation
    @KatkyIII Thanks for noting my detective work, but really it was just one of those things that was driving me crazy, b/c I have always considered 6/8/77 one of THE best GDTRFB's ever, and when I kept listening to 5/13 on the boxed set it was nagging me how familar it sounded. Thing is, I think it's a GREAT choice to have subbed in 6/8/77 if the existing 5/13 SBD copies all suffered from distortion, which seemed to be the case...but why the subterfuge??? I sincerely hope Dave or someone involved w/the decision can just say "yes, the version on the boxed set from 5/13 is NOT really from that show, and here's why we did what we did." From a customer satisfaction/honesty standpoint it really deserves some explanation.
  • lbo
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    Joined:
    Katky111
    That is kind of disappointing that they slipped a different version in without fessing up to it. It is definitely not the same GDTRFB as what is on the 5-13 SBD transfers at the IA. I give grendelschoice a ton of credit of figuring out which one it is. It would be nice if someone here (DL etc) would comment on this.
  • katky111
    Joined:
    ?!
    http://archive.org/post/938099/same-version-different-dates-wtf-is-goin…
  • ericscho
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    Joined:
    Woohoo
    Finally got the box in my hands ;). Never thought it would happen. 1st cd is now blasting through the speakers, great stuff !
  • katky111
    Joined:
    5/7 - 5/9/77
    The run on SBD (MTX 5/9)/Katie http://www.mediafire.com/?olr59ph3o1zii
  • Deadheadbrewer
    Joined:
    Kraven024
    5/5/77-5/9/77 are not in the vault. 4/30/77 was officially released in the Download Series. Cheers!
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15 years 7 months

What's Inside:
• Five Complete Shows
• 5/11/77 St. Paul Civic Center Arena, St. Paul, MN
• 5/12/77 Auditorium Theatre, Chicago, IL
• 5/13/77 Auditorium Theatre, Chicago, IL
• 5/15/77 St. Louis Arena, St. Louis MO
• 5/17/77 University Of Alabama, Tuscaloosa, AL
•14 Discs, 111 tracks
•Mastered in HDCD by Jeffrey Norman, Plangent Processes playback system for maximum sonic accuracy
•Artwork by Grammy Award-winning graphic artist Masaki Koike
•Period Photos by James R Anderson
•Historical Essay by Steve Silberman
•Individual show liner notes

MAGICAL, MYTHICAL MAY 1977!

If you're a Dead Head, chances are you've spent many an hour expounding upon the distinction of May 8, 1977, Cornell University, Barton Hall. Well, at the risk of preaching to the choir, we'd like to reintroduce you to a series of shows that matches said greatness from that same gloriously fertile season. While Barton Hall is well known, the astounding tour that surrounded it has occasionally flown under the radar due to the uneven quality of tapes in circulation. May 1977 is set to change all of that with a boxed set that zeroes in on this high-water mark in the Grateful Dead's long strange trip.

For a band resurrecting itself after a 20-month hiatus, there was a great frenzy of expectancy that surrounded the Spring of 1977. We anticipate a grand reoccurrence of this fervor with the release of May 1977, a 14-disc boxed set featuring five complete shows from consecutive stops on that magical tour. Mastered in HDCD by Jeffrey Norman at Mockingbird Mastering, the "psychoacoustic phenomena" as Jerry once put it, of St. Paul Civic Center Arena, St. Paul, MN (5/11) Auditorium Theatre, Chicago, IL (5/12, 5/13), St. Louis Arena, St. Louis MO (5/15) and Coliseum at the University Of Alabama, Tuscaloosa, AL (5/17) can now finally be appreciated. Each of these shows finds the Dead delivering punchier, more focused sets, tightening up the framework; each night turning out first-ever renditions ("Passenger,""Iko Iko,""Jack-A-Roe"), unloading potent new pairings ("Scarlet Begonias">"Fire On The Mountain", "Estimated Prophet">"Eyes Of The World"), classic covers ("Dancing In The Street") and soon-to-be staples ("Estimated Prophet," "Samson and Delilah"), and ultimately rising up to paradise.

And now for the nitty-gritty...

Due June 11, May 1977 is limited to 15,000 individually numbered copies. Presented in a psychedelic box that boasts an intricate die-cut design created by Grammy®-winning graphic artist Masaki Koike, the set also includes a book filled with stories about each show, as well as an in-depth essay by Dead historian Steve Silberman, who delves deep into the history behind the tour and the band’s return from its extended hiatus.

Once these 15,000 boxes are gone, May 1977 and its shows will never be available again on CD. However, the 111 tracks will be made available on release date as FLAC and Apple lossless full-set-only downloads for $99.98.

Like its predecessors Europe '72: The Complete Recordings and Spring 1990, we expect May 1977 to sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here and on Facebook.com/GratefulDead and Youtube.com/gratefuldead.

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7 years 4 months
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When will this be available as downloads again? I own the high-res digital download of Get Shown the Light and it is spectacular.
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7 years 9 months
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Oh man! Still waiting for these (May 77 and July 78) to be available for download! Please open this up or at least stop listing them as available. Killing me.
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7 years 9 months
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Oh man! Still waiting for these (May 77 and July 78) to be available for download! Please open this up or at least stop listing them as available. Killing me.
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6 years 3 months
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I think a fundraiser for the tapes is the dumbest idea Ive ever heard.
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