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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • #2201
    Vguy72
    Joined:
    Hold on hendrixfreak....
    ....I need to make some more popcorn and mescaline.
  • #2202
    hendrixfreak
    Joined:
    Noon-ish is not the best time to catch a full-blown show.....
    My memory has clearly telescoped events, because I almost think I remember rolling over in my sleeping bag and, for breakfast, snorting a pile of 'chocolate' mescaline off one of those mini-cereal boxes. I definitely took some blotter. But even if we'd 'slept in,' it must of been 10-ish or something. Surely we'd had some water and a snack, probably provided by a merciful neighbor. We were still 15 and we looked like what we were: goddamm-near children! Ah, so I was saying, we dropped acid and snorted mescaline and fired up the pipe with Numero Uno and, hey, is that freakin' Jerry on stage? Wait, Bobby. Phil. Bill. The piano guy. Jer kept dipping his cigarette into a brass ashtray and, when he re-lit it, it flared up. I didn't hit the blow til '75 but later, I thought, freebase. I hope someone can clarify this, but I think I recall the band starting just a bit after NOON(!). As far as I was concerned at the time, they fucking rocked the place for hours. I do recall, as I often feel, feeling goofy about a camera while tripping. But I managed to snap off three shots, of which two survive, which catch the three guitarists blasting away on Playing in the Band, then turning towards each other to converse more intimately, finally arriving in a tight circle and sending tides of sound across the crowd. I think this was the time I experienced Phil's bass as physical, purple pulses in my chest and the realization that vibrations, rather than corporeal reality, were at the heart of existence. I clearly remember the gospel treatment at the end of He's Gone and at the end of Sugar Mag, Weir thrust his arm skyward for stop time, ran back to his amps, downed the rest of a Heineken and raced back to the mic for the coda. Still, I was 15, down front at one of the biggest gatherings of humans in history. I did look back over the crowd, but, as usual, there wasn't much profit in looking back. Not with the Grateful Dead killing it in front of me.
  • #2203
    hendrixfreak
    Joined:
    The Soundcheck
    The Allmans rocked big time. They'd slayed us at RFK after the Dead when, exhausted and dehydrated, we had retreated to the shaded overhang of RFK and been simply psychedelically rolled over by the ABB. They smoked the Dead that day. Back to the Soundcheck. I got up and hiked around the scene while it was still afternoon. A very loose scene with lots of elbow room, cool air, breathing. I returned to our space, easily located, for The Band. It was nearly sunset when the Grateful Dead took the stage. We had all the room we needed. I started the soundcheck boogie-ing upright, shakin it to the rock 'n roll. I had snorted some mescaline and taken maybe a half tab of the blotter. Everyone knew this was unprecedented in GD history. Here we were, groovin' on a cool pine forest evening, high but not pressed and our favorite band was blasting away on the finest sound system we'd ever heard. I do not recall individual songs, just the transition between comprehensible songs and jams that had us smiling for reasons we knew not. [Beautiful Jam from So Many Roads is blasting in the background as I write these words.] I do clearly recall the feeling of complete ease as I nestled down into my sleeping bag, head on cool gallon jug, looking up at the band just jamming away. We rode it out after the band departed and the next thing we knew, it was morning and the crowd was bustling, hustling, and by noon it was show time all over again.
  • #2204
    icecrmcnkd
    Joined:
    Hendrixfreak
    I hope you are writing these in a word processing program and saving them.You probably should combine your memories and pictures and put it out on the internets where it will hopefully be forever preserved. Maybe upload the final version to the archive someday.
  • #2205
    Trainwrecked
    Joined:
    5/9/77
    Any headphone listeners out there? Or maybe you don't need them. I find the bass on this GSTL recording overwhelming. Bertha and Help On the Way are good places to start. I don't get the same thing with the SB I have if this show. I think Jeff Norman boosted it somehow. Anyone else notice it? Garyfarseer - what kind of medicine?
  • #2206
    hendrixfreak
    Joined:
    The greatest missed show on Earth
    Long story shrunk to size... We had to get home on 10 June 1973 because we were exhausted, dehydrated, broke, without tickets, food, water, anything, so we thumbed back and tried to blend into humanity. I was 15. I lived with my parents, of course, and they needed to see some evidence that I was alive. They never even said a word about my setting out for a multi=day excursion in jeans and a t-shirt. We just did it. We heard the 10 June show was smokin' and we were pissed. We were NOT going to be caught short like that again. No effin' way. So when the news broke of a show with all three of the greatest rock bands of that time -- the Grateful Dead, the Allman Brothers and The Band -- we were on it like white on rice. Tickets cost $10.50? We had 'em. And we'd just seen the Allmans at Madison Square Garden in, May? I smuggled in a bong. A young cop caught me. An older cop said, "Let him go. It's a bong. Don't worry about it." Jesus, this whole law enforcement thing was confusing! But my view was broadening... Late July 1973. The older brother of a hot schoolmate of ours was driving to Watkins Glen. We signed on. Me, Mark L, David W, and a few others. We brought our backpacks. We had a little food. A shit-ton of Numero Uno. No alcohol. I had a sheet of blotter. Someone's adept use of the map enabled us to skirt around the worst of the traffic and we actually accessed the grounds in fine fashion, probably 12 hrs ahead of the hoo-ska-boo that eventually developed. The van's inhabitants split into units and we never saw our driver-host again, until a week later, just before the 31 July - 1 August shows back at Roosevelt Stadium. (Biggies, waiting for release...) So we hike over to the "gate," passing food trucks that specialized in big scoops of weed. We snickered, fully equipped. We were still 15. We entered the gates around midday and for some reason no one took my ticket, so I immediately doubled back to the chain link fence and passed my whole ticket to a have-not. Instinct, communal instinct. Later, my parents said that friends of theirs in Europe had seen footage that included my entrance into the concert site. The stage was perhaps 2/3 of a mile away. As we walked down the gently sloping hill towards the stage it was obvious we were a bit early. In earlier shows we were leery of getting too close because of the physical crush, the volume and the collective high that sometimes ... got a bit hairy. But fresh off missing 10 June, we marched down and claimed a beautiful space about 20 yards from the stage, just a bit left of center. On our way, we'd grabbed a few one-gallon water jugs that were set out free by Bill Graham in response to the scene at RFK in DC 6 weeks earlier. I found myself high on mescaline, laying on my sleeping bag with my head resting on a cool one-gallon jug of potable water and passing a doobie when the crowd sputtered and roared. It was late afternoon and the Allman Brothers had just taken the stage.
  • #2207
    hendrixfreak
    Joined:
    RFK, June 1973
    Throughout the fall of 1972 and through the winter-spring of 1973 I had ingested numerous psychedelics, including the wonderful agent known as mescaline and naturally a few substantial doses of the Lady Herself. At one point, with my buddy Moose, we were sitting atop a van-sized boulder in a 2,000 acre wooded preserve near home and we focused on the visual margin between the rock beneath us and the ground in the background and felt that we had lifted the boulder upon which we sat perhaps several inches into the air, then lowered it again to its natural resting place. But I digress... June 1973 and me and David W are hitching to RFK in DC about 200 miles away for the 9-10 June 1973 shows. It's summer. So obviously we go in t-shirts, jeans, sneakers, with a ticket and few single dollars/dead presidents in my pocket. Next to the sheet of oval 4-way blotter. A little smokum in the sock, in case we got stopped. Look, we're 15, okay? 16 was months away. We were just up for adventure, loud rock 'n roll and, um, a closer look at the scene. I remember that some of the serious traveling hippies with LSD-dead eyes were there selling pipes, but also passing them around. We had long hair but we were little kids! These folks looked 50 but were probably 20, i.e., impossibly old, grizzled and of unknown origin. But no one actually bothered us, nor was there any attention. Everyone treated us as adults. So we slept on the ground on the grassy parts outside the stadium that night. No water, no food, no equipment. The next day, temperatures climbed towards 100. We were smoking a joint by the grate that blocked one entrance and a black cop motioned us over. We approached cautiously. "Hand me some of that, will you?" he asked. "WHAAAT???" was our initial reaction, having already experienced the pleasure of being cuffed and harassed by the cops for having a beer in the park. Turned out, cops can be cool, too. We burned two with the cat and we bid each other a good day. He was clearly amused by the scene, but in a groovy way. This was 1973 and racism and violence over the Vietnam War made longhairs outcasts, just like minorities of every stripe, then and now. Short story long, me and David split a 4-way and the Dead played that afternoon, opening for the ABB that night. The lines for water were long. We survived on The Lady, a little water and some "Numero Uno" substance we thought was hash but turned out to be opium. Worked for us that day, though, the heat was excruciating and I'm sure a lot of folks needed help in the heat. I got up close for Chinacat at the end of the first set. I was mesmerized. Bobby played a Gibson SG, which in my mind meant "bass guitar." Phil was playing a big possibly semi-hollowbody bass that said to my untutored eyes, "rhythm guitar." But I was already a huge Phil fan (being a Jer fan was too obvious) and this had me confused. At some point some idiot hurled a lit M-80 onto the stage (June 9, right? obviously in close proximity to July 4??) and it rolled up to Jer. In that day, he had a stage mannerism of sort of shuffling in place and I saw him move his right foot forward in perfect time and using the tip of his cowboy boot sent the live M-80 back out over the crowd. I don't even recall hearing it explode. The music was pretty loud.
  • #2208
    icecrmcnkd
    Joined:
    Nice warmup HF
    Patiently waiting for the grand finale....
  • #2209
    hendrixfreak
    Joined:
    Backstory and launch....
    The briefest of backstories: Six years old in 1964, persuaded my mom to buy me a Beatles LP at the checkout counter of the local discount store. Played it on monaural phonograph with one 12" speaker output. Rocked as child. 13 years old in 1970, convince mom to drive me and a friend to a Chambers Bros concert. We dug the music but were too young for 'action.' 15 years old, summer of '72, catch The Byrds and New York Rock 'n Roll Ensemble at college outside Saugerties NY where The Band rec'd Big Pink five years earlier. We drove by Big Pink. (Still Pink.) We were 15. (An older brother was actually driving...) Since 1971, been spinning American Beauty and Skull & Roses LPs on the same phonograph as in 1964, only now it's in the basement where our ping-pong table and hang-out couch are located. 19 Sept 1972, I jump in a car full of older heads with an ounce of hash in my pocket, 33 days after my 15th birthday, and we proceed to the Roosevelt Stadium in lovely Jersey City, New Jersey, and catch my first Grateful Dead show. I had already been 'experienced,' but did not drop at this show; too chaotic, large crowd, determined to survive and catch my ride home. I listened for familiar songs, jams, anything -- nothing! Everything was different. Records, shme-cords. This scene was crazy. Maybe 10,000 people screamin' high groovin', freakin', dancin', gyratin', handing you things you knew best to pass along... I was alone in the giant crowd with the music louder but sweeter than anything I'd ever heard before. The music rocked, I just couldn't grab onto a big Jerry jabbin' guitar riff that would remind me of Skull & Roses. Obviously, this was no American Beauty. As Jer once said, recording in a studio is like building a ship in a bottle. Playing live is like being on the ocean in an open rowboat. And that's kinda how I felt -- out there, surfin', knew I'd have to get home ... 3 hours into the show, I do remember saying to myself, "Well, all righty then, damn good show, YOU CAN STOP PLAYING ANYTIME, I'M GOOD. GOTTA GET SOME REST... MUST SNAG RIDE HOME..." Part II, coming ...
  • #2210
    icecrmcnkd
    Joined:
    Thanks dmcvt
    The photos of the stage show how high it was. Need safety railings to keep the musicians from falling off.
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Submitted by clayv on
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Dead Store Products

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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13 years 11 months

Submitted by Gollum on Mon, 08/13/2018 - 10:45

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Of course! almost forgot that one. Willie Nelson also does a killer version. I guess we should give "Wabash Cannonball" an honorable mention, although I don't think its quite as great as the tunes mentioned so far. Definitely, the Dead/Jerry's "Smokestack Lightning" and "It takes a lot to Laugh.." are top shelf. I'm not sure what to make of "Click Clack" but need to give it a few more listens. Well, yeah its Beefheart, so you know....
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10 years 3 months

Submitted by KeithFan2112 on Mon, 08/13/2018 - 10:56

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Unbelievably powerful riff + Neil Peart's insane drumming and Geddy Lee's voice in its prime. I'd be remiss not to mention Terry Brown's mad production skills. I can't beat this for car songs Jimbo. Is anyone else wrestling the urge to listen to the Listening Party tracks? KeithFan! Stay on target....stay on target.... When this baby hits 88, we're going to see some serious shit. "CHINACAT SUNFLOWER>I KNOW YOU RIDER" "SUGAR MAGNOLIA" "PLAYING IN THE BAND" "HERE COMES SUNSHINE" "LOOKS LIKE RAIN" "STELLA BLUE" "BIRD SONG" "HE'S GONE" "TRUCKIN'>JAM>NOT FADE"
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10 years 2 months

Submitted by daverock on Mon, 08/13/2018 - 11:31

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I am not sure about either the Dead or Jerry being granted ownership of "Smokestack Lightning" and "It Takes a Lot To Laugh". The original versions of both songs, by Wolf and Dylan are great, though.
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10 years 3 months

Submitted by KeithFan2112 on Mon, 08/13/2018 - 13:01

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Anyone know if this show is in the Vault? I have the archive.org version. Would love to know if there is release potential for this one.
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13 years 4 months

Submitted by JimInMD on Mon, 08/13/2018 - 14:40

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I think they forgot to press Record for this one.
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16 years 2 months

Submitted by Born Cross Eye… on Mon, 08/13/2018 - 15:37

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A *missing* Fillmore East tape!I contend this show was recorded by Bob Matthews (my guess) and somewhere along the line, the GDP master tape went missing - early on.
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9 years

Submitted by icecrmcnkd on Mon, 08/13/2018 - 17:18

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“Play A Train Song”Covered by Hard Working Americans. I never heard the original. Also, “Driving that train.....”
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13 years 4 months

Submitted by JimInMD on Mon, 08/13/2018 - 18:02

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Are those fisher price, plinky plonk keyboard effects I hear? (Couldn't resist..) :D
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10 years 3 months

Submitted by KeithFan2112 on Mon, 08/13/2018 - 18:23

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Jim, Born X-Eyed, thanks for the feedback on this show. I have an AUD copy. The Dark Star is a 3 parter that has an Attics and Sugar Magnolia. Top shelf. They play around with the Sugar Mag riff a bit in the beginning, and it's just fantastic.
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17 years 4 months

Submitted by Oroborous on Mon, 08/13/2018 - 19:11

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Maybe not the best, buts it’s good and it’s definetly different....Pat Metheny: Last Train Home Edit: oh yeah, wasn’t Caution written by Bill and Phil emulating the freaqent passing of trains at some early regular gig they had?
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17 years 4 months

Submitted by Vguy72 on Mon, 08/13/2018 - 19:21

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....well Phish has this little dittie called, wait for it, Train Song. "and we drank a little wine". They have another one called Get Back On The Train."When I jumped off, I had a bucket full of thoughts When I first jumped off, I held that bucket in my hand Ideas that would take me all around the world I stood and watched the smoke behind the mountain curl It took me a long time to get back on the train Now I'm gone and I'll never look back again I'm gone and I'll never look back at all You know I'll never look back again I turn my face into the howlin' wind It took me a long time to get back on the train See my face in the town that's flashing by See me standing at the station in the rain See me running there beside the car I left it all behind, again I'll travel far It took me a long time to get back on the train." Yeah. They have some songs with silly lyrics. This is not one of them.
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17 years 4 months

Submitted by Slow Dog Noodle on Mon, 08/13/2018 - 19:43

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Well, my baby went to Illinois with some bad-talkin’ boy she could destroy A real suicide case, but there was nothin’ I could do to stop it I don’t care about economy I don’t care about astronomy But it sure do bother me to see my loved ones turning into puppets There’s a slow, slow train comin’ up around the bend
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17 years 4 months

Submitted by Oroborous on Mon, 08/13/2018 - 20:35

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Jimi’s: Hear My Train a Coming, and Steps Ahead: Trains
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13 years 11 months

Submitted by Gollum on Mon, 08/13/2018 - 20:42

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Yep - definitely "Slow Train Coming"! Add "Mystery Train", and "Orange Blossom Special"(the Johnny Cash one with lyrics!)
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10 years 2 months

Submitted by daverock on Tue, 08/14/2018 - 02:50

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"All Down The Line" by The Stones is a great train song.
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7 years 2 months

Submitted by shirdeep on Tue, 08/14/2018 - 05:25

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Parapliers the willow dippedRolled roots gnarled like rakers This hollow hole don’t hold no jokers or fakers Don’t fall by no jokers or fakers Puller down to the stirrin’ hay acres Parapliers pinches uh levy ‘n pulled way thru the toe Foothills, locomotives walked ‘n sugar beets rolled Down the tracks Sunburn bounce soot off the black smokestacks Parapliers pinched up slow down the sky Blue ‘o’ poured the engineer’s voice Whstlin’ down low ‘n piped like clacks By the ol’ scarecrow ‘n pots ‘n pans burn the fireman’s hands till the Kettle leaped fire round the belly ‘o’ The bayou boy bums with sunken gums ‘n pits his strength to the 7th sons down Parapliers rumbled like uh straight iron gun Like uh red hot iron thru the egg white ‘o’ Sunnyland drum, horn blow Sun like uh bubble pop yellow, down she go Mah cowcatcher whistled like uh steel flash scream Hose sucked out for water ‘n the wheeldriver Sparkled like an Indian flint ‘n the fireman ‘n the brakeman bent ‘n waved his long red underwear arm All aboard The lantern flared ‘n the caboose waved uh green gone on
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17 years 5 months

Submitted by simonrob on Tue, 08/14/2018 - 05:16

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There are plenty of people on here who profess to be fans of The Who, but nobody has mentioned "5:15" from their "Quadrophenia" album: "Where have I been? Out of my brain on the 5:15 Out of my brain on the train Out of my brain on the train"
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16 years 1 month

Submitted by unkle sam on Tue, 08/14/2018 - 06:27

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Locomotive Breath - Jethro TullTrain left here this morning - Eagles Train Song - Back Street Crawler Milk Train - Jefferson Airplane Gone Dead Train - Crazyhorse Two Trains - Little Feat Lonesome Train - JJ Cale just a few
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10 years 3 months

Submitted by KeithFan2112 on Tue, 08/14/2018 - 07:12

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Simonrob don't be ridiculous, that song is about a ferry not a train. Feeling "merry" was drug-speak for getting high on Leapers in 60s Mod London. Inside outside, leave me alone. Inside outside, nowhere is home. Inside outside, where have I been? Out feeling merry on the 5:15. Out feeling merry on the ferry... Speaking of 5/15, I've made an important discovery. Dark Star 5/15/70 at 15:15, Jerry goes divine for a few minutes. I wonder if that's still the Gibson SG he used on Live Dead. I love that guitar.
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17 years 5 months

Submitted by simonrob on Tue, 08/14/2018 - 08:26

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Why should I care?Why should I care? Girls of fifteen Sexually knowing The ushers are sniffing Eau-de-cologning The seats are seductive Celibate sitting Pretty girls digging Prettier women Magically bored On a quiet street corner Free frustration In our minds and our toes Quiet storm water M-m-my generation Uppers and downers Either way blood flows Inside outside, leave me alone Inside outside, nowhere is home Inside outside, where have I been? Out of my brain on the 5:15 Out of my brain on the train Out of my brain on the train A raft in the quarry Slowly sinking Back of a lorry Holy hitching Dreadfully sorry Apple scrumping Born in a war Birthday punching He man drag In the glittering ballroom Gravely outrageous In my high heel shoes Tightly undone Know what they're showing Sadly ecstatic That their heroes are news Inside outside, leave me alone Inside outside, nowhere is home Inside outside, where have I been? Out of my brain on the 5:15 Out of my brain on the train Out of my brain on the train, on the train I'm out of my brain Out of my brain on the train Here it comes Out of my brain, on the train, on the train Out of my brain on the train Why should I care? Why should I care? @ KeithFan, possibly the lyrics lost something in the translation from English to American. Never seen a reference to merry or ferry in the song. Where did you find those lyrics? Indeed leapers was slang for amphetamines, but not a word I have ever heard used in that context, but mods (who loved amphetamines - and scooters) were a bit before my time.
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9 years 10 months

Submitted by andoverdeadhead on Tue, 08/14/2018 - 08:45

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Agree with daverock, this is a great vintage Stones tune. I first heard it on the “Garden State 78” double bootleg album. Another great train track from the Stones is Love in Vain, which I believe has already been mentioned.
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15 years 2 months

Submitted by Cousins Of The… on Tue, 08/14/2018 - 10:24

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Love in Vain is a Robert Johnson tuneTrain Leaves here This Morning is from Gene Clark & Bernie Leadon A few more random rootsy train songs: The Train Kept A Rollin' Tiny Bradshaw Mistery Train Junior Parker Streamlined Cannonball Roy Acuff Last Train Arlo Guthrie El Tren Lechero Felix Perez Cardozo Hey Porter Johnny Cash Southbound Line Tracy Pendarvis Night Train to Memphis Roy Acuff Blue Railroad Train Delmore Brothers
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8 years 3 months

Submitted by Roguedeadguy on Tue, 08/14/2018 - 11:10

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By Guns N Roses Crazy Train - Ozzy w/ Randy Rhodes I think these "trains" are metaphorical but they still count. Blue Train - Coltrane Take the A Train - Ellington Downtown Train - Tom Waits There's some old timey song about hitching a ride in a box car that I can't remember.
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12 years

Submitted by Dennis on Tue, 08/14/2018 - 11:26

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Not metaphorical, real The title refers to the then-new A subway service that runs through New York City, going at that time from eastern Brooklyn, on the Fulton Street Line opened in 1936, up into Harlem and northern Manhattan, using the Eighth Avenue Line in Manhattan opened in 1932.
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10 years 2 months

Submitted by daverock on Tue, 08/14/2018 - 11:30

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Having listened to as much MC5 (hi Zally) as I can recently, I think I should reappear to plug their excellent "Thunder Express". Its about a car, not a train. But it moves like a train.
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8 years 3 months

Submitted by Roguedeadguy on Tue, 08/14/2018 - 11:41

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Night Train and Crazy Train were the ones I meant as metaphorical. I probably put that sentence in the wrong spot, after the things it was referring to. Should have led with that. Tom Waits Downtown Train is really about stalking someone at a subway stop too. King of the Road is the old timey song I was trying to think of. Lots of train references.
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13 years 11 months

Submitted by Gollum on Tue, 08/14/2018 - 12:06

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We can't leave out Jimmie. "Waiting on a Train" "Hobo Bill's Last Ride" among others. Dang, there's lots of great songs about trains.
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13 years 4 months

Submitted by JimInMD on Tue, 08/14/2018 - 12:22

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..can't forget Flatt & Scruggs when it comes to train songs. I'm sure I forgot a few.. Big Black Train Last Train to Clarksville Bummin' an Old Freight Train Petticoat Junction Mule Train ?? The Train that Carried My Girl From Town Train Number 1262 East Bound Train Train 45 Train of Love Blue Train Night Train to Memphis Adding New Potato Caboose to the list too.
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10 years 2 months

Submitted by daverock on Tue, 08/14/2018 - 14:27

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Moving on to books, "Train Dreams" by Denis Johnson is worth reading. As is the same author's "Jesus' Son". A great writer.
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6 years 11 months

Submitted by RadnipJerry on Tue, 08/14/2018 - 14:59

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.... From Poor Valley. A rarely played gem from the JGB.
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10 years 3 months

Submitted by KeithFan2112 on Tue, 08/14/2018 - 16:19

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It was an awful awful joke. Vguy I am not. I am, however, familiar with Pete, The Who, and protagonist Jimmy's story, and I did get quite a chuckle out of it once I'd read what I'd written. I guess that either makes me a narcissist or the funniest guy in the room. fourwinds - I will give you the Magic Bus (turned train) for the low low price of - you guessed it, 100 English pounds! But wait.... Isn't it the Magic Ferry?
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10 years 3 months

Submitted by KeithFan2112 on Tue, 08/14/2018 - 16:20

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Didn't the Monkeys have a song about a train?
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9 years

Submitted by icecrmcnkd on Tue, 08/14/2018 - 17:08

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Festival Express!!!!!! Janis: “next time you throw a train, invite me!”
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13 years 4 months

Submitted by JimInMD on Tue, 08/14/2018 - 18:21

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Ha.. classic. I became exactly that happy the day my number quit appearing in the phone book. Now it appears only the really poor volunteer fire departments, cancer charities, disabled cops & vets (apparently without insurance) and credit card companies with much better rates than I currently have can access my phone records. Joy. Edit: A preemptive comment on disabled civil servants, hats off.. you have my support. I just don't trust telemarketers that somehow get my phone number can call me fifteen times a year. Most times very little money trickles down to the folks that need it and executives and shell companies gobble what they can first. No attempt on my part to be unkind.. I feel my $50 to archive.org each year is well spent.
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16 years 1 month

Submitted by unkle sam on Wed, 08/15/2018 - 06:11

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Hellbound Train - Savoy Brown
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16 years 9 months

Submitted by sheik yerbones on Wed, 08/15/2018 - 06:14

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funny game...downtown train -T waits marrakesh express -Crosby steals the cash big railroad blues Spike Driver Blues Last train to Hicksville -Dan Hicks Monkey & the engineer Hear my train a comin -Jimi Hendrix would it be easier with car Baby you can drive...
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6 years 3 months

Submitted by loudmouth on Wed, 08/15/2018 - 06:59

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Have these been mentioned? Texas eagle - Steve Earle Another journey by train - The Cure Train Song - Nick Cave and the Bad Seeds Whistlin' past the graveyard - Tom Waits From Mrs. loudmouth: Peace Train - Cat Stevens Isn't John Henry about building train tracks?
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13 years 2 months

Submitted by country fresh on Wed, 08/15/2018 - 08:09

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Savoy Brown- Hellbound TrainWarren Zevon- Nightime in the switching Yard Chris Stapleton- Midnight Train To Memphis Saxon- Princess of the Night
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