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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • unkle sam
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    stick
    I agree, but it's been up there for a long, long time lol. The band gives half a performance, gives no refund, should be the headline. These guys ain't got a lot of fans as it is, and now they just lost a bunch more. What does 11 oclock curfew have to do with it? The entire situation was handled badly, I feel for any and all who got ripped off for their second set. And yet, nothing from the band, silence, take the money and run. Why? don't they all have enough? definitely not in the true spirit of the Grateful Dead. If they are truly afraid of the elements, why give an outdoor show? Save your money, buy this box instead, a lot more fun and you get Jerry and Phil too. Support Owsley foundation, that Allmans at the Filmore in 1970? Sounds great, they were a jam band back then too.
  • hendrixfreak
    Joined:
    best info on ABB archival release
    The discussion sez Plangent Processes & Jeffrey Norman are on the job, working from original tapes. The 1997 compilation was from 2/11 and 2/14. So 2/13 untapped so far. And unreleased material from 2/11 and 2/14. I lied: apparently July is the announcement of one of the three releases coming this year. I would guess that would be ABB, the band with the biggest fan base. But I'd be curious what else is coming because Owsley's tapes are so well recorded. http://forums.stevehoffman.tv/threads/bears-sonic-journals-allman-broth… Did I just read that Jimi's Axis: Bold as Love is "good," but Dylan & Dead are "great"? Then again, I am hendrixfreak...
  • stoltzfus
    Joined:
    well, someone's got a stick up they angry @$$
    good morning, everyone my morning musings: 5/18/72: first set feels tense and clumsy. Second set is glorious. Jimi Bold as Love album: for years it was "ok, but overall, meh". then listened to it yesterday while doing things around the house. _yeah_. good stuff. Dylan and the Dead: found an old random CD of D&tD 7/4/87. GREAT stuff. I typically do not like guest artists, but this is different. D&C at the Gorge this evening. wish I cared. but I don't. at least there's no chance of a rainout. :) Anthem reissue coming soon. What will DaP27 be? if you need a palate cleanser, listen to Motorhead. "rejoice, rejoice, we have no choice, but to carry on"
  • cub
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    Keithfan My Man
    From a Jerry fan So.. I was at that Dead n Co. mess in Camden on June 2nd which was purchased with funds from a cancelled Ft Lauderdale show December 2017. Well the wait was not worth it! Within mins. of 10pm Lights-On, Camden police were walking the concrete tunnel/sidewalk around the base of mud-hill yelling "SHOWS OVER - GO HOME" At almost the same time, however most of the paid venue staff in red shirts were getting conflicting information thru their coms and told us to "Remain inside, the show would continue". All said with a straight face as the band's bus quietly exited for hotel before any of us could get to our cars neatly parked just across the street. We were held in there for 1 hour! Some packed into the bathroom/vending area with NO return to the venues many empty seats. WTF was that about? Camden is alot of gypsy park lots $30 one day, VIP $70 the next. Zero for us cause we are from S. Jersey.(leukemia piss pot of deregulation) There was no reason to prevent people from leaving the venue except to keep others from the hill, outside. The lighting which was sporadic at best was mostly across the river in Philly n gone by then. I'm done with Dead n Co. (weak tea) No more shows for me and who needs em' with NUGS n edibles n legalization. The 80's Dead-Belt was a great alternative to college and Taper was a good fit for me. But when you don't make a single stage announcement to Bid Us Good'Night and just split the scene, well allow us to do the same. PS: I ordered my box too.
  • hendrixfreak
    Joined:
    Allmans & RogueDeadGuy
    Hey bro, the Owsley Foundation only announced that the ABB set was coming, plus two other release announcements, all in July. No preorder as they haven't actually launched these releases. However, it looks like a one-disc compilation is listed on Amazon, but no set list, so impossible to tell what it is. The ABB release from 2/70 is -- I paraphrase -- all the existing material from their three sets over the three nights. So it doesn't sound like they have complete sets. But if the ABB played (3) 90-minute sets (minimum) and the OF has only half that material, they'd have two solid hours. The 1997 release was 72 minutes. So maybe they have another disc or two of material? In any case, this will be Owsley-recorded original ABB on several discs. We already have a compilation from 1997, with more to come, presumably delivered as 2/11, 2/13 and 2/14 -- i.e., properly archived and presented. We're talkin' about a fresh archival release of Duane Allman and his boys opening for the GD at the Fillmore East in February 1970. Need I say more?
  • Thin
    Joined:
    This box is amazing - 2 boxes in one.
    So not only are the shows and sound quality amazing, but the box itself is as well. I just looked into this artists past work - I gotta say I'm intrigued. I'm simply giddy about his release. I would have been ecstatic if they just released the 3 '73 shows, then the other 3 '74 shows next year. But instead we get them together. THANK YOU Dave & Co for all you do. I'm listening to a lot of NON 73-74 until this comes out.... I LOVE 1973! Looser and jazzier than any other year. Anyone who doesn't get this will be disappointed when it finally sells out. Again, the box alone will be highly sought after item for years to come. And the 6 shows inside are amazing - an absolute gem.
  • daverock
    Joined:
    73-74 is okay by me
    Having criticized the potential size of this box-I feel I must add that this is a very minor consideration for me. The music is what counts, and I agree with Jim that 1973-1974 are for me very exciting years-even the mistakes are valid as they are part and parcel of the experimental approach that yielded such gems. So however they are housed-as long as they play alright-that's alright with me. I was also interested to read of release of the rest of The Allmans sets from the Fillmore 1970. Hope they come out on cd, though.
  • JimInMD
    Joined:
    Re: rdevil
    Well put. I seem to have more internal hype for this than it seems permeates through this thread. I suspect this will not be sold out by the time it hits the streets and I expect some added hype once people get their first complete listens. I get more exited over 73 and 74 then I do about 77. Less predictable, more exploratory and jazzy. It doesn't bother me when the miss the mark as they seem to just recoil and spring out all over again until they scratch that sweet spot. I had to run some errands during the lunchtime show on Sirius.. today's concert was 4/5/71 at the Manhattan Center. It reminded me of the 76 conversation the other day. Some liked 76 and some didn't.. (surprise). I think was the Ice Cream Cone Kid that commented on variety. I think 1971 was to 1972 as 76 was to 77. Breaking out new material and new equipment, testing new arrangements and by the end of the year they were able to make sense of it all and the following year was built on the accumulated strength. Like 68 was to 69, etc. I am very happy they continued to experiment and reinvent themselves and I am ore than happy to spend an evening revisiting these shows. I like the follow the progression and hear the learning curve real time. There's revelations baked into those early moments.
  • rdevil
    Joined:
    6-28-74
    Haven't been posting here much the past year and a half but felt compelled to sing the praises of 6-28-74. I remember the joy of discovery when I first got that tape many years ago. I'm a strongly opinionated "complete show guy" but DiP12 is among the best releases I have. Sugar Mags through the end is just incredible and the "jam" on disc 3 is just exactly what I love the most about this band. This really is what it is all about for me.I know that everyone has their sweet spot but I'm WAY more excited about this box than the GSTL box (not that I don't dig that one, I do). I just feel that 6-22-73 and 5-19-74 are perfect examples of the many shows that are much better than any played after the hiatus. It's cool with me if you have a different opinion, it really is. But seeing "6-28" just made me want to share my passion.
  • Angry Jack Straw
    Joined:
    Still whining about the rainout, huh?
    Get over it. 11:00 hard curfew. Well known. And not being treated properly? Good one. NJ is the biggest pisshole the band ever played. Totally obnoxious and abusive security.
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Of course! almost forgot that one. Willie Nelson also does a killer version. I guess we should give "Wabash Cannonball" an honorable mention, although I don't think its quite as great as the tunes mentioned so far. Definitely, the Dead/Jerry's "Smokestack Lightning" and "It takes a lot to Laugh.." are top shelf. I'm not sure what to make of "Click Clack" but need to give it a few more listens. Well, yeah its Beefheart, so you know....
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Unbelievably powerful riff + Neil Peart's insane drumming and Geddy Lee's voice in its prime. I'd be remiss not to mention Terry Brown's mad production skills. I can't beat this for car songs Jimbo. Is anyone else wrestling the urge to listen to the Listening Party tracks? KeithFan! Stay on target....stay on target.... When this baby hits 88, we're going to see some serious shit. "CHINACAT SUNFLOWER>I KNOW YOU RIDER" "SUGAR MAGNOLIA" "PLAYING IN THE BAND" "HERE COMES SUNSHINE" "LOOKS LIKE RAIN" "STELLA BLUE" "BIRD SONG" "HE'S GONE" "TRUCKIN'>JAM>NOT FADE"
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I am not sure about either the Dead or Jerry being granted ownership of "Smokestack Lightning" and "It Takes a Lot To Laugh". The original versions of both songs, by Wolf and Dylan are great, though.
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10 years 1 month
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Anyone know if this show is in the Vault? I have the archive.org version. Would love to know if there is release potential for this one.
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13 years 3 months
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I think they forgot to press Record for this one.
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A *missing* Fillmore East tape!I contend this show was recorded by Bob Matthews (my guess) and somewhere along the line, the GDP master tape went missing - early on.
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8 years 11 months
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“Play A Train Song”Covered by Hard Working Americans. I never heard the original. Also, “Driving that train.....”
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Are those fisher price, plinky plonk keyboard effects I hear? (Couldn't resist..) :D
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Jim, Born X-Eyed, thanks for the feedback on this show. I have an AUD copy. The Dark Star is a 3 parter that has an Attics and Sugar Magnolia. Top shelf. They play around with the Sugar Mag riff a bit in the beginning, and it's just fantastic.
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Maybe not the best, buts it’s good and it’s definetly different....Pat Metheny: Last Train Home Edit: oh yeah, wasn’t Caution written by Bill and Phil emulating the freaqent passing of trains at some early regular gig they had?
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....well Phish has this little dittie called, wait for it, Train Song. "and we drank a little wine". They have another one called Get Back On The Train."When I jumped off, I had a bucket full of thoughts When I first jumped off, I held that bucket in my hand Ideas that would take me all around the world I stood and watched the smoke behind the mountain curl It took me a long time to get back on the train Now I'm gone and I'll never look back again I'm gone and I'll never look back at all You know I'll never look back again I turn my face into the howlin' wind It took me a long time to get back on the train See my face in the town that's flashing by See me standing at the station in the rain See me running there beside the car I left it all behind, again I'll travel far It took me a long time to get back on the train." Yeah. They have some songs with silly lyrics. This is not one of them.
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Well, my baby went to Illinois with some bad-talkin’ boy she could destroy A real suicide case, but there was nothin’ I could do to stop it I don’t care about economy I don’t care about astronomy But it sure do bother me to see my loved ones turning into puppets There’s a slow, slow train comin’ up around the bend
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Jimi’s: Hear My Train a Coming, and Steps Ahead: Trains
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Yep - definitely "Slow Train Coming"! Add "Mystery Train", and "Orange Blossom Special"(the Johnny Cash one with lyrics!)
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"All Down The Line" by The Stones is a great train song.
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Parapliers the willow dippedRolled roots gnarled like rakers This hollow hole don’t hold no jokers or fakers Don’t fall by no jokers or fakers Puller down to the stirrin’ hay acres Parapliers pinches uh levy ‘n pulled way thru the toe Foothills, locomotives walked ‘n sugar beets rolled Down the tracks Sunburn bounce soot off the black smokestacks Parapliers pinched up slow down the sky Blue ‘o’ poured the engineer’s voice Whstlin’ down low ‘n piped like clacks By the ol’ scarecrow ‘n pots ‘n pans burn the fireman’s hands till the Kettle leaped fire round the belly ‘o’ The bayou boy bums with sunken gums ‘n pits his strength to the 7th sons down Parapliers rumbled like uh straight iron gun Like uh red hot iron thru the egg white ‘o’ Sunnyland drum, horn blow Sun like uh bubble pop yellow, down she go Mah cowcatcher whistled like uh steel flash scream Hose sucked out for water ‘n the wheeldriver Sparkled like an Indian flint ‘n the fireman ‘n the brakeman bent ‘n waved his long red underwear arm All aboard The lantern flared ‘n the caboose waved uh green gone on
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There are plenty of people on here who profess to be fans of The Who, but nobody has mentioned "5:15" from their "Quadrophenia" album: "Where have I been? Out of my brain on the 5:15 Out of my brain on the train Out of my brain on the train"
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Locomotive Breath - Jethro TullTrain left here this morning - Eagles Train Song - Back Street Crawler Milk Train - Jefferson Airplane Gone Dead Train - Crazyhorse Two Trains - Little Feat Lonesome Train - JJ Cale just a few
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Simonrob don't be ridiculous, that song is about a ferry not a train. Feeling "merry" was drug-speak for getting high on Leapers in 60s Mod London. Inside outside, leave me alone. Inside outside, nowhere is home. Inside outside, where have I been? Out feeling merry on the 5:15. Out feeling merry on the ferry... Speaking of 5/15, I've made an important discovery. Dark Star 5/15/70 at 15:15, Jerry goes divine for a few minutes. I wonder if that's still the Gibson SG he used on Live Dead. I love that guitar.
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Why should I care?Why should I care? Girls of fifteen Sexually knowing The ushers are sniffing Eau-de-cologning The seats are seductive Celibate sitting Pretty girls digging Prettier women Magically bored On a quiet street corner Free frustration In our minds and our toes Quiet storm water M-m-my generation Uppers and downers Either way blood flows Inside outside, leave me alone Inside outside, nowhere is home Inside outside, where have I been? Out of my brain on the 5:15 Out of my brain on the train Out of my brain on the train A raft in the quarry Slowly sinking Back of a lorry Holy hitching Dreadfully sorry Apple scrumping Born in a war Birthday punching He man drag In the glittering ballroom Gravely outrageous In my high heel shoes Tightly undone Know what they're showing Sadly ecstatic That their heroes are news Inside outside, leave me alone Inside outside, nowhere is home Inside outside, where have I been? Out of my brain on the 5:15 Out of my brain on the train Out of my brain on the train, on the train I'm out of my brain Out of my brain on the train Here it comes Out of my brain, on the train, on the train Out of my brain on the train Why should I care? Why should I care? @ KeithFan, possibly the lyrics lost something in the translation from English to American. Never seen a reference to merry or ferry in the song. Where did you find those lyrics? Indeed leapers was slang for amphetamines, but not a word I have ever heard used in that context, but mods (who loved amphetamines - and scooters) were a bit before my time.
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Agree with daverock, this is a great vintage Stones tune. I first heard it on the “Garden State 78” double bootleg album. Another great train track from the Stones is Love in Vain, which I believe has already been mentioned.
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Love in Vain is a Robert Johnson tuneTrain Leaves here This Morning is from Gene Clark & Bernie Leadon A few more random rootsy train songs: The Train Kept A Rollin' Tiny Bradshaw Mistery Train Junior Parker Streamlined Cannonball Roy Acuff Last Train Arlo Guthrie El Tren Lechero Felix Perez Cardozo Hey Porter Johnny Cash Southbound Line Tracy Pendarvis Night Train to Memphis Roy Acuff Blue Railroad Train Delmore Brothers
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By Guns N Roses Crazy Train - Ozzy w/ Randy Rhodes I think these "trains" are metaphorical but they still count. Blue Train - Coltrane Take the A Train - Ellington Downtown Train - Tom Waits There's some old timey song about hitching a ride in a box car that I can't remember.
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Not metaphorical, real The title refers to the then-new A subway service that runs through New York City, going at that time from eastern Brooklyn, on the Fulton Street Line opened in 1936, up into Harlem and northern Manhattan, using the Eighth Avenue Line in Manhattan opened in 1932.
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Having listened to as much MC5 (hi Zally) as I can recently, I think I should reappear to plug their excellent "Thunder Express". Its about a car, not a train. But it moves like a train.
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Night Train and Crazy Train were the ones I meant as metaphorical. I probably put that sentence in the wrong spot, after the things it was referring to. Should have led with that. Tom Waits Downtown Train is really about stalking someone at a subway stop too. King of the Road is the old timey song I was trying to think of. Lots of train references.
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We can't leave out Jimmie. "Waiting on a Train" "Hobo Bill's Last Ride" among others. Dang, there's lots of great songs about trains.
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..can't forget Flatt & Scruggs when it comes to train songs. I'm sure I forgot a few.. Big Black Train Last Train to Clarksville Bummin' an Old Freight Train Petticoat Junction Mule Train ?? The Train that Carried My Girl From Town Train Number 1262 East Bound Train Train 45 Train of Love Blue Train Night Train to Memphis Adding New Potato Caboose to the list too.
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Moving on to books, "Train Dreams" by Denis Johnson is worth reading. As is the same author's "Jesus' Son". A great writer.
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.... From Poor Valley. A rarely played gem from the JGB.
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It was an awful awful joke. Vguy I am not. I am, however, familiar with Pete, The Who, and protagonist Jimmy's story, and I did get quite a chuckle out of it once I'd read what I'd written. I guess that either makes me a narcissist or the funniest guy in the room. fourwinds - I will give you the Magic Bus (turned train) for the low low price of - you guessed it, 100 English pounds! But wait.... Isn't it the Magic Ferry?
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Didn't the Monkeys have a song about a train?
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Festival Express!!!!!! Janis: “next time you throw a train, invite me!”
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Ha.. classic. I became exactly that happy the day my number quit appearing in the phone book. Now it appears only the really poor volunteer fire departments, cancer charities, disabled cops & vets (apparently without insurance) and credit card companies with much better rates than I currently have can access my phone records. Joy. Edit: A preemptive comment on disabled civil servants, hats off.. you have my support. I just don't trust telemarketers that somehow get my phone number can call me fifteen times a year. Most times very little money trickles down to the folks that need it and executives and shell companies gobble what they can first. No attempt on my part to be unkind.. I feel my $50 to archive.org each year is well spent.
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Hellbound Train - Savoy Brown
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funny game...downtown train -T waits marrakesh express -Crosby steals the cash big railroad blues Spike Driver Blues Last train to Hicksville -Dan Hicks Monkey & the engineer Hear my train a comin -Jimi Hendrix would it be easier with car Baby you can drive...
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Have these been mentioned? Texas eagle - Steve Earle Another journey by train - The Cure Train Song - Nick Cave and the Bad Seeds Whistlin' past the graveyard - Tom Waits From Mrs. loudmouth: Peace Train - Cat Stevens Isn't John Henry about building train tracks?
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Savoy Brown- Hellbound TrainWarren Zevon- Nightime in the switching Yard Chris Stapleton- Midnight Train To Memphis Saxon- Princess of the Night
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