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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • garciaddicted
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    Rock 'N' Roll
    If you tried to give rock and roll another name, you might call it 'Chuck Berry'- John Lennon
  • hendrixfreak
    Joined:
    You must be kidding....
    "The blues started with field workers on farms who got it from gospel and African roots." Field workers on farms? That's got to be satire, because you've got to be kidding. The blues developed out of field chants -- yes, of African origins -- by slaves on plantations who were systemically murdered, lynched, starved and beaten by armed guards and who were bought and sold as sub-human property. And that went on from the 1600s well into the 1950s, perhaps later. Fixed it for ya.
  • Oroborous
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    Blues
    Think I’d call the blues more like the Gleam in RR daddy’s eye, the weight in his preverbal sack if you will... than the birth...but unquestionably a major genetic element...
  • SPACEBROTHER
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    Birth of rock and roll
    Started with the blues. The blues started with field workers on farms who got it from gospel and African roots.
  • Oroborous
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    Kyle: “are you guys from 1969”
    Nope, 1962, buda da ba bop boom, heyyyyI do recall this thing called pong my cousins had? Probably turned me off of games for life; ) Hell, we didn’t get cable till the late 70s...color tv was out, but didn’t get that till early 70s... My mother RIP, still had rotary phones till the day she died (2016) LOL Computers? I suppose we learned about those from watching the Apollo missions with their real to real,looking behemoths that took up whole buildings....same processing power like in a phone now... When your living through it day to day you don’t necessarily get how much things have changed. Sorta like the quality of Dead recordings and how that has progressed. I don’t think there’s too many old timers out there, that started out desperately grabbing any shitty tape thay could because it wasn’t like they were growing on trees, that ever could have imagined the quality and access we have now..
  • Oroborous
    Joined:
    RR tech/recording etc
    The undisputed father/king? what ever of all that has followed, tech wise, was Les Paul. Fascinating man/story. Looping, multi-tracking, ping ponging, effects you name it. He most likely invented it.
  • Oroborous
    Joined:
    Something new is waiting to be born
    Keithfan, though your essay was very good and spot on, I respectfully disagree with your overall premise.I think if we use the human life cycle for analogy, I’d say that the Beatles were not the birth, but more like late adolescence/early adulthood. The coming of age so to speak. They were learning who they were, about the world, and experimenting accordingly like only adolescent people do. Even the embracing of new technology usually is most prevalent amongst the younger generations (I’m generalizing here folks so spare us the one off examples....like just because George Burns lived to be 10?, doesn’t mean smokings not bad for you, science does not work that way) This is why most of the change and cultural shifts that occur, are usually driven by the exuberant, fresh, eager, teens to thirties folks, who are in the physical primes of their lives.....and the brain is of course a physical thing? So I propose, the real birth, the real father, the real King of RR is Mr Chuck Berry. (I know we can take this a step further, but here I would borrow KF’s embryonic example). Imho, Chuck was the guy who really built the platform that almost all other RR was built on, including the Beatles...Hell there are numerous references by the Beatles saying such....and Elvis...He was more like a little leaguer, while a Chuck was JV, and then the Beatles were Pro ballers.... Elvis did not write music, nor would many consider him a real musician. (Yes he could bang out some rhythms and hide behind the guitar like has been done by many “stars” including today’s Taylor Swift etc) He was basically a fine singer who aspired to, and was courted by Hollywood. No offense meant, his influence was immeasurable. But Chuck did it all, and he mostly did it himself, not through others like Elvis.. From the music, to being his own road manager, even driving himself to gigs, He even embraced new technology of the times too. I think Chuck is one of the most under the radar, yet influential persons of the 20th century..... Hey, if you don’t believe me, research what ALL the greats; Beatles, Dead, Stones you name it, they all acknowledge how much he influenced not only them personally, but RR overall. Which due to the cultural shifts and timing, influenced the whole world in a way many today cannot understand unless they were there. Just like we experienced what it was like when the Beatles did it.... So In other words, this is not really my theory at all. It is just me trying to pass along what I have read..... I’m just spitting out what all our hero’s have already stated.... As you have shone, there is no way to even begin to consider all at least popular music (saying all music might be a stretch...), that occurred during and after the Beatles, without acknowledging their influence. But I propose, that you cannt consider the Beatles, without considering how Chuck is in their DNA! Long live the King “Go Johnny Go! (Perhaps the perfect phrase to encompass all that youth, rebelliousness, RR are all about!) You go boy, indeed...
  • icecrmcnkd
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    Jerry Lee Lewis isn’t rock n roll?
    Beatles were the birth of Pop. Rock n roll had already been born. But honestly, I don’t really care where the ‘official’ start is because I pretty much just listen to Grateful Dead.
  • Dennis
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    keith and R&R birth
    Somethings are hard to pinpoint, but for recording techniques,,, check enoch light's page https://en.wikipedia.org/wiki/Enoch_Light Pioneer in stereo recordings, hell appears to have invented the gatefold album. Also to early 50's rock recordings developed "cheap" effects, I thought I read once about Sun records recording stuff in bathrooms for echo/reverb effect. Maybe someone singing in a concrete hallway. I always think there is a book to be written about pop music and car stereos. I think recording techniques are older than readily available playback. I don't think you could have had pink Floyd in a 3 watt mono 6 inch speaker in your 58 chevy. I think as car playback systems got better the music got more dense(?). Same can be said for movies maybe. Growing up Perry Mason, F troop sound just fine out of a 8 in mono speaker. Can you imagine watching some marvel movie in 19" mono black and white. I don't think I'd say The Beatles were the birth of rock, if the beatles were all that than they stood on the shoulders of giants. The line of music goes back. Hard to pick a start. I think our age determines our view. The first time you said "the music today....." or "the kids today....", your old!
  • KeithFan2112
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    daverock, respectfully
    The birth of Rock and Roll is a matter of perspective to some extent, I agree, but I maintain that the birth of rock, as we know it today, started with the Beatles, and so we witnessed it. Everything prior to that was embryonic (though no less important). R&B, Rocket 88, Rock Around the Clock, Elvis - all cornerstones of the bigger picture, without question, but when I say we witnessed the birth of Rock and Roll, I mean we witnessed the Beatles and all that came after. The Beatles' sound was a truly unique amalgamation of all of those elements you mentioned. None of those elements were singly responsible for contemporary Rock music, but the Beatles were. Further,it was more than The Beatles' sound that was responsible for their unique place in the Rock and Roll annals; it was their integration of new recording technology as well (by that I mean more and more channels to the multi-track, as well as wholly new instruments like the mellotron, as well as tape editing, arrangement, overdubs, etc). The artist push the technology and the technology pushed the artist; this was a symbiotic occurrence that found its way into many early era Rock production ensembles (look at how Pete Townshend introduced minimalist composition technique with organs fed into synthesizers to bring not only new sounds to the rock palette, but to actually create a new mode of rhythm for the genre (i.e. Baba O'Riley & Won't Get Fooled Again). I also mentioned the cultural aspect of rock and roll development. These were children who grew up in the aftermath of World War II. They went on to compose music that was heavily influenced buy current events like the Vietnam War and the Civil Rights Movement. They reflected these issues back to their audience with social commentary, and messages of hope or despair (Sympathy for the Devil, All You Need Is Love). And the liberation of the younger generation from what they felt was a very oppressive older generation. Free love, free sex, individual Independence for young people - this still resonates today. So, yes, I understand your point and I agree that those influences where it important, but in the larger picture it was all in utero development, with Elvis perhaps being the last trimester. And then the Beatles came and changed everything, not just music. We did not Witness the conception of rock and roll, just the birth. And this I maintain can never happen again, because it's already been done. The technology, the social climate, heck, all the guitar riffs. Peace.
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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I would say the author of that article really fails to grasp what an enabler is. what people choose to do when they go to a show is on them. never once heard trey say something like "hey kids! do those fucking drugs! snort it up! shoot it up! waaaay up!" will have to check out a bit of that manson album. but hey you know the author doesn't have to like the band anymore than I have to like The Allman Brothers Band which I don't.
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Simonrob, Daverock,Glad your Daves are getting through without the added cost of import duties etc. Here in Sweden it is now the complete opposite. Each Daves and my recent Anthem attracted duties to the tune of around 8 euros. Rhinos habit of putting a nominal value of 1 dollar on each sending seems to attract attention. The Swedish post office now sends out an invoice while the parcel laguishes in Customs and doesnt release the parcel till payment is made. This process now adds an average delay of an extra two weeks till the sending can be picked up in the next village.
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.
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all that bye bye birdie thing is going to make me think of the parody on family guy when it came out peter was mentally disabled
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Personally I always really liked Barry Meltons guitar, Bruce Barthols bass playing, Chickens non linear drumming and David Cohens guitar and organ playing, but I guess there arnt that many of us fans still around. Time to play Colours for Susan again.
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, er uh, I mean Terrapin,What would happen if three or four of us, or six headed angry Jim, went over to the phish site and posted nothing but GD shit? Just a philosophical question, not being adversarial at all.....seriously, what would happen? Hell im clueless, let’s put it out to the rest of the class, chilrens??? What say all y’all?
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Niiiiiccceeee!
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I have no problem with Phish, and honestly get a lot from people tossing out little nuggets of good music to sample. They are currently touring and from what I hear playing very well. Nothing wrong with some enthusiasm about something you love so long as it doesn't dominate other's inputs. I have a problem with trolling and that Charles Manson complete album YouTube post that was posted just to stir the pot and piss people off. Beyond the pale and extremely tasteless. Trolling just to piss people off and plain hateful. No room for that here.
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posting grateful dead over at phish site? we wouldn't care lol knock yourself out. phish fans are into the Dead in general and if they aren't its because they didn't hear any yet.
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Not So Sweet Martha Lorriane.
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Hi Dogon, good to see you back. Count me as a fan of the Fish, and in particular Barry Melton's guitar playing. As for Fish songs, how about Daevid Allen's "Fred the fish and the chip on his shoulder" from his Bananamoon album. And as for Phish, how could I hate them? I have never heard anything they have done. Not a single note. I suppose I could give them a listen if someone could give me a good reason why I should. Toodle pip!
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Tired of curmudgeonly Dead Heads telling you not to share or speak of phish? then come on down to The Phish Tank Rainbow Phorum page on facebook. where anyone can discuss or share phish. my page is listed as a musician/band and has the rainbow logo
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how about back to the real problem here and the fact Dave's picks is wasting the reels on non plangent processed releases? join me in lobbying for a new series. Plangent Processed Betty Boards subscription series. this is an appeal to the powers that be for a new subscription series of 3 times a year of Plangent processed returned "Betty Boards" available in limited edition CDs and digital download forever. the series can start with 2/26/77 Winterland, which would be a sin not to have Plangent processed and instead used for a Dave's Pick release. as shown with previous releases from the "Bettys" the Plangent process significantly improves the sound from the tapes. by offering limited CD and unlimited digital versions it allows for maximum return of investment for the additional processing costs.
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But, I've dyed my hair brown and my belly piercing was ripped out by a 5 year old long ago. Its kinda like baseball, oops theres that Dead metaphor again. I like the team I like, the sport of baseball is great and I like hearing about other teams to a degree, but dont post about the damn Yankees on the Red Sox forum, especially constantly. That was supposed to be a joke...not sound grumpy. Used to see a lot shirt in the mid 2000s, it was a fork in the road with 2 signs pointing in opposite directions. One said Phish the other said Grateful Dead. The quote at the bottom read "if you get confused, listen to the music play." Phish is good but the Grateful Deads dynamics, group interplay, and the ebb and flow of songs and styles is to me just far superior. Phish honestly just got boring after awhile, Treys space and timing on his playing is rarely where it jives with me in the moment, especially lysergic moments. And I was very into Phish pre-hiatus and before 2.0. Phish is just too much like an 80s hair metal band guitarist that decided to do jazz in a rock format. Not to mention the lyrics, the Dead had Robert Hunter and Phish have Tom Marshall. Marshall doesn't even scratch the surface of the depths of Hunters lyrics, Hunter pulls all of America and the common human experience into his words and beyond, not just personal experiences of private college graduates told with lyrics in nonsense rhymes which have been declining severely in 3.0. Dead lyrics can touch many lives, Phish lyrics are not so universal. Anyways there are many tours pre 2000s break Phish I can get behind, sometimes. Cow funk era is tolerable. The hardcore Phish fans I know get pretty heated too, so dont pretend like deep end GD talk on a current Phish forum would go over with rainbows and unicorns. Phish shows are the only time I've seen someone having a great time only to have some Phish tour head in full uniform say to them something like Trey sucks tonight you should've been here yesterday. Too much piss in the Phish tank for me anymore, and it's a borderline sausage fest, at least more of the ladies still go to see the dead! I guess as I've aged, the Dead have aged with me like a dusty bottle of electric bourbon, but Phish seems more like the kids toy aisle at Walmart, dont forget to buy a trampoline!
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This thread is getting salty. Even Jim done got pissed off. I was having a sort of relevant convo with Oroborous (check your PMs my man :) about this Phish / Dead "controversy". When I started going to a lot of shows in the late 90s, I would see the Allman Brothers religiously (really Terrapin?), Phish, Widespread Panic, String Cheese Incident, moe., later on Umphrey's McGee, STS9, Tauk. These bands all have their loyal fans. What they all have in common is that practically all of those fan bases also are into the Dead. The Dead were like the common denominator of the jam band circuit. Hell they pretty much invented the jam band circuit. I got more interested in the Dead from talking to all these other fans at other shows. Go to any other jam band concert and count the folks in Dead T shirts. Some of them probably weren't born yet to have actually seen the Dead. When I was younger, I really liked Phish. I loved their zany, goofball irreverance. Now that I'm less younger than I used to be, I think I appreciate a little more reverance. Dead songs, for the most part, are earnest. They say what they mean and mean what they say. Phish songs are often ironic. They aren't intended to mean anything except as a vehicle to jam out. When I'm scrolling through here, its usually with my morning coffee, or during lunch, and I'm never going to stop reading and watch an entire concert video, of anyone. I just want to read what other people think about whatever inane topic we're on at the time. That's all. Oh and I still like, but don't love Dave's 27. It is neither the disgraceful embarrassment that some paint it as, nor the most amazing 2 1/2 hours of music ever put down on tape. That's enough for me to keep subscribing. Peace.
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This thread is getting salty. Even Jim done got pissed off. I was having a sort of relevant convo with Oroborous (check your PMs my man :) about this Phish / Dead "controversy". When I started going to a lot of shows in the late 90s, I would see the Allman Brothers religiously (really Terrapin?), Phish, Widespread Panic, String Cheese Incident, moe., later on Umphrey's McGee, STS9, Tauk. These bands all have their loyal fans. What they all have in common is that practically all of those fan bases also are into the Dead. The Dead were like the common denominator of the jam band circuit. Hell they pretty much invented the jam band circuit. I got more interested in the Dead from talking to all these other fans at other shows. Go to any other jam band concert and count the folks in Dead T shirts. Some of them probably weren't born yet to have actually seen the Dead. When I was younger, I really liked Phish. I loved their zany, goofball irreverance. Now that I'm less younger than I used to be, I think I appreciate a little more reverance. Dead songs, for the most part, are earnest. They say what they mean and mean what they say. Phish songs are often ironic. They aren't intended to mean anything except as a vehicle to jam out. When I'm scrolling through here, its usually with my morning coffee, or during lunch, and I'm never going to stop reading and watch an entire concert video, of anyone. I just want to read what other people think about whatever inane topic we're on at the time. That's all. Oh and I still like, but don't love Dave's 27. It is neither the disgraceful embarrassment that some paint it as, nor the most amazing 2 1/2 hours of music ever put down on tape. That's enough for me to keep subscribing. Peace.
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so you want to talk about D & C in Mexico? What a huge ripoff, I was checking the prices, really? to go to Mexico? Bad drinks, crappy weed, no inspections of public facilities. A woman I worked with back in the 00's was electrocuted in a pool in Mexico, no inspections so the wiring was faulty in the pools lighting, she dove in and ZZZZappppp, found her the following am. oh and good luck with any legal action in Mexico, forgetaboutit. Here's a question for the boys, why the hell do this in Mexico? why not Fla or Calif., or somewhere in the good old USA. To go, don't you have to get a passport? plane fare, cost of the show etc... 5 grand easy, are you fricking serious? Another stinking money grab or is it so Bobby can go on vacation? I would laugh if no one showed up. On another subject, phish, they can't hold a candle to the Dead so don't even bring them up, they just ain't that good, plain and simple. Now Fish, there's a band, I hear Barry M. is an attorney now and does a lot of pro bono work. Always loved the way he played. Speaking of Country Joe and the Fish, today is 49th anniversary of Woodstock opening day, they did an awesome set and you can see some of it in the movie. Good times (those were the days, my friends). Any old timers out there got any Woodstock stories? I have one but it would probably burn off both your ears :)
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The new bear sonic journals with the ABB are golden! Thank you Bear, gotta love someone that demands from thenselves that much intention, attention and presence in whatever they do. Great recordings from the maestro himself.
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they are a vast upgrade to what was out there. maybe it is the Plangent processing of the master reels? if they can sound that much better, imagine what the GD portion of the GD February Fillmore shows could sound like? i'd pay for a box of Fillmore 1970 GD sets to replace the Dicks Picks and Bear's choices compilation sets. nonPlangent processed reels are a remix waiting to happen, lets start here.
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Are there any two track releases besides the Winterland 1973 box set that utilized Plangeant? I've read a lot about their technology, and a lot of comments indicate that there is a very specific type of audio anomaly that it corrects best, which I'm sure everyone here has heard of, flutter and wow. From what I've read Plangent is only really necessary when you can hear the deficiencies on the master tapes. It sounds like it is almost a necessity for multitrack sources, but not so much for two track sources that already sound good to the ear. By good to the ear they indicate the absence of flutter and wow, as well as the ability to listen to it loudly without distortion or changes in pitch. In other words, it sounds like you're almost always going to need it for multitrack sourced shows, because it would not be cost-effective to listen to 16 or Four 24 tracks all the way through in a concert to inspect for audible problems, and even if you did have the time, good pitch on one track might not match the pitch of another track which also sounds good to the year. Then when you mix it you realize you have two instruments that are not playing in the same register. It would be cool to compare a soundboard of a two-track to a two track release that's gone through plangent.
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all of the box sets released since the return of the Betty's uses the Plangent processing.in Dave's own words the new box set sounds like new tapes compared to the unplangented versions. the one exception has been the July 1978 box which still hasn't sold out and people think sound sort of meh. only Dave's Picks put out unplangented reels and that is because they aren't in the budget. the new ABB sonic journal is a good example of how the old GDM set has been improved by a Plangent processing of the same reels used for the GDM release.
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WTF happened to this board? Been gone for a week and I come back to read the recent posts, and it's 15 minutes of my life i'll never get back. Minimal thoughtful commentary re: the music. Instead it's dominated by indignant era-griping, indignant Phish promotions, indignant gripes about shows outside the US, douchey trolling, direct personal swipes, indignant retaliations and politically-tinged rants. 90% waste of time and energy - why am I here??? Tempted to drop off like so many others have recently because it just doesn't seem worth the energy. How about we ALL ignore the noise and emotional jockeying and JUST focus on GD music? :O The spirit of this board is to share intelligent feedback re the DaP series and the Dead's music overall. Let's focus, people. SO - In that light.... (deep cleansing breath...) I'm curious what folks think is Jerry's best album? While i love all of them, I go crazy (good crazy) every time I hear "Compliments" (with Let it Rock, Turn on the Bright Lights, Russian Lullabye, Mississippi Moon, etc.) To me this is Jerry's most personal, intimate album. It's what "Thanks I'll Eat It Here" is to Lowell George, or "Laid Back" to Gregg Allman, or "Storyville" to Robbie Robertson (Storyville is a MUST-OWN!). It just feels like a departure from every other album - like a personal diary, doin' it just for you. Can't get enough. PS: I just realized Doc's post below! Hiya Doc! Yes, it's just getting MUCH worse, isn't it? I may join you shortly. I think, like college, it's natural to move on after 4 years and grow up. Pop in for the occasional alumni day.... There's only so much you can gleen from anything - my cup may be full.
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If I had to pick one I'd be deeply conflicted between the first one and Reflections.
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I hope what's left of the insightful posters hereabouts will hang on and let the current round of inane trolling cycle thru. These vacuous postings will, as always, fizzle out (sooner if we just keep on scrolling past). Sorry to read that some/many of you who regularly share unique perspectives about all things Dead are thinking about leaving. Hope you'll weather the summer doldrums at least until PNW sails over on the adjacent thread (trains and cars can't last forever. . . can they?). Onward!
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Rest in peace Queen of Soul. What a voice.. a national treasure, whether you like the Motown sound or not.
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A toss between the 1st album and Cats Under the Stars
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I'm probably the only one that really cares - but they continue to use Audience patches on the official Dead.net release. Dave's Picks #27 has a brief patch in the middle of Eyes. (I haven't finished listening so their maybe more). My problem is that when you are buying these CD's there is an expectation that you are buying SBD quality. If that's not 100% the case, then fine.. but at lease they should disclose it. They continue to not even acknowledge that it's happening. Come on guys - at least start noting the AUD patches.
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"please, Br'er Dave, don't use an AUD patch!" sorry, just too easy. listening to DaP3 shows the difference in sound from that release to DaP27. to me personally, I got used to AUD patches and sound variations when listening to raw tapes and CDs. not ideal, but I can settle for a few variants on these releases. the patch in Eyes on 27 does wake you up (to find out and all that)
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Had a chance for another few listens to this one. I really dig how high up in the mix Bobby is. You can hear what he's doing clearly at pretty much all times. As a big Bobby fan this is great. While he may not be the juggernaut he was from '72-'74 vamping wise, he picks his spots so well and his tone is so distinctive. Great use of the whammy too. I don't think I've ever uttered or typed that last sentence before. : )
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From WarnerMarket; price went up from $699 to $750...wondering if these have all the original box & contents.
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17 years 4 months
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And a tip of the hat to the good Doctor. Don’t know if you’ve been following at all. Been some nice stretches here since you’ve been gone, but alas it seems more and more the shit winds have been blowing....especially lately...anyway, nice to see you, hope your doing well!Hell, ya know things are getting funky when good hearted Jim starts getting cranky! THIN; hang in there bra, strength in numbers! Place wouldn’t be the same without ya. GARCIA; man I hate “favorites”. That being said, I’d have to go with Compliments. I love the wierd stuff on the 1st album, and Cats has some amazing tunes, but as a whole album, I’d have to go with Compliments. Truly outside the box, diverse, sophisticated, ridiculous tight playing....... Edit: I kinda feel like Reflections doesn’t count, more like a Dead album. And I fine one at that, similar to ACE in that respect.... THE QUEEN; rock on Lady Soul. Mucho R-E-S-P-E-C-To, sock it to me indeed! DAVES; as I may have posted not long ago, have been able to snag some missing Dave’s, Dicks and Road Trips lately. Awesome Dead from 68, 73, 74, 82, 83, 88, with 69, 91 and of course the big dawg (NW box) all arriving soonish..... Haven’t had tons of time to really dig in, but so far have dug it all, especially Dave’s 16 & 13. Can’t believe I missed all that back when.... 16 is really blowing me away....as I’ve said, late 73 is perhaps my personal “favorite”, gawd there’s that word again, but I’ve somehow not been privy to much from the rest of the year. THAT HAS TO CHANGE! Cannot put into words how much I’m itching for this Big Dawg!! CPATROCKS; no more complaining, that seems to be a trend here lately. Nothing but wha, wha, wha, cheese and rice, like I think STOLTZY and Vguy said, what the fuck else can you get for 25 bucks that gives so much reoccurring value, pleasure, and sometimes “unbridled” enthusiasm. This is supposed to be entertainment......also, question for you, hell let’s throw this one out to everyone out there in the cheap seats. Would you rather they not release good shows because they might need a patch? Let’s take 27 off the table. Let’s say some killer Beatty from seventy what ever, would all y’all rather not have something released at all because of patches? STOLTZY; Hamel-Head, sounds like some kind of disease, perhaps obtained due to too much camel-toe. Ouch, sorry, this is what happens when Vguy ain’t around to fill the humor spot of our program ; ) Katec (?); welcome to Vail. Didn’t think we had those kinds of snakes up here, too cold? Hope you get to enjoy our little neighborhood and not stuck with too much trebajo! Perhaps you’ll be around for the 17&18th JG biff day bash shows this weekend. Should be sweet, hear talk of “special guests” Ok, back to work, for fucks sake play nice chilrens! Perhaps if we all make an effort to mostly say nice/positive things, and bite the perverbial tongue and keep the negative to yourself? Just a thought, free society and all, but when several of our long time top members here start saying adios, There is a problem, and no offense meant, but some folks aren’t helping all that...... So light up Jim’s irritable bowl, fire up some Reathra, and lay back and groove on a rainy day my brothers and sisters....
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11 years 2 months
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all that fancy paints as fair she takes her Fan and throws it in the Lion's Den" Garcia #1 Reflections #2 Cats Under the Stars #3 RIP ~ Aretha Franklin https://www.dailymotion.com/video/x5wa29x "The storyteller makes no choice soon you will not hear his voice his job is to shed light and not to master" ~ 4.19.82
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13 years 4 months
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- Old and In The Way- Garcia (1st LP) - Reflections / Cats Under the Stars (tie, Mission in the Rain could yield a slight edge though)
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17 years 4 months
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....will be driving my Spotify on my work computer today. All day.
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7 years 3 months
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If you ignore them. They need the attention to flourish and survive. I really do know how to spell. Disappear. See??
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14 years 9 months
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a release which sounds really good. and there is some nice playing, of course. When I listen to these two shows, I feel like they are sooooo close to the X factor, but not quite "there". Having said that, I bet next time it will take me to the moon. a strong release. good setlists, and early versions of several songs make it a keeper. plus, it's live Dead.
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14 years 9 months
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Upon random occasion, I feel a mite peckish for the Melvins. For your consideration and kind interest: https://www.youtube.com/watch?v=AEGT0qNNKU4 I bid you a splendid afternoon, good sirs (and any ma'ams who can stand this board of questionable repute), Col. Horatio Phelatio Dinklesworth, Esq.
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6 years 7 months
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I know we are not supposed to talk about Phish too much round here, but just was reading that the 3-day Curveball festival was cancelled at Watkins Glen one day prior to day 1, with some Phans already there and many of course en route. I cant imagine how upsetting that would be to the many people for whom this was probably the big planned event of their summer (time wise, vacation wise, money-wise). Really sucks. Imagine heading for 3 days and nights outdoors to see Jerry and the boys, only to have it all cancelled the day before. Sucks for the band too. I am sure they are quite upset, and I am sure they will still be subject to many nasty trolling comments from disappointed Phans - though the band obviously cannot control flooding, water problems or water contamination, or control State health laws and public official decisions, etc. I wish the Phans and the band well during this upsetting setback for them all! 09/20/70 for DaP 28!! I think 11/08/70 is impossible or that would be my first choice.
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13 years 4 months
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A great show.. I was there! Psychedelic as I recall.
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