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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • ArthurDent
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    static in digital audio
    try VLC player, as if you can't play back at the high bit rate, there may be skipping/artifacts. What resolution files ? What player ? Other similar files play ok ?
  • bob t
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    HEC Edmundson 5/21/74
    Just so beautiful sound wise. Not complaining or anything but when I listened to the Weather Report Suite always had that great audience copy where someone yells "Civilization" and "Dark Star, Dark Star" at the start of the Prelude. With that being said... who cares.. heading towards the 46 minute Playing in the Band... Hope everyone who is scheduled for UPS tomorrow gets their box.. Carolina and Mid Atlantic friends please start to prepare.... bob t
  • pzega@comcast.net
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    Pacific Northwest
    I did the digital download and there seems to be a lot of “static” in some of the songs. Do you hear that with the CDs?
  • ArthurDent
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    if you look on eBay for the
    if you look on eBay for the 30 trips "all music" edition, they are for sale for over $1,000. And it's open. Someone has the original box for $5,000. Not that that will sell for that, but the answer to the question - "Why would someone buy something for $200 and not open it?" can be answered by eBay. FYI - All music edition 30 trips is in the store for $699, so it's not exactly unobtainable. I find it amusing that people bitch hard about Dave's picks selling out, yet this has not. I realize the price is more, but the quality and material is stunning. Last Dave's Pick with the audience patch was amusing. I probably wouldn't have bought it singly, but as a subscription I'm ok, as the next release could be 1969 or some other fantastic set. The cost per show for a subscription is reasonable, as with the box set. I wish they would allow owners of the CD's to download at least the 24 bit FLAC, many other (Amazon) CD sellers bundle digital with physical CD purchases. My purchase has shipped, but will not make it from TN to FL for another 3 days, which is seriously annoying. It's not like they had no idea my order from 3 months ago was supposed to ship to arrive on release day.
  • Kayak Guy
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    the Money Money box
    i really like it. the package is a 3D sculpture, totally unneeded, but beautifully done and a pleasure to own. the digipaks are great, the individual disk artwork is great, there is probably a story behind it all i haven't gotten yet. a wonderful mysterious box, the essay is standard Nick Merriwether (Joe Friday) reporting of reviews and interviews, it places the shows in historical context and covers all the factoids about the venues. it also has more art, or the same art in a different context to reinforce the ties between the images and the shows. the sound on the CDs is amazing. Phil is omnipotent, Billy is dancing, Bob is high in the mix, Keith is also very present in the mix, even Donna seems to have been adjusted down to less than overwhelming. it makes me wonder what the previous Dave's releases would have sounded like with a little Plangent processing to the reels. we need a new subscription series of Plangent Processed reels and stop making Dave choose what shows get the inferior processing for Dave's Picks and what gets the Plangent treatment for box sets.
  • MDJim
    Joined:
    Re: Confused
    I can't explain that.. but it's not that much different than what I do. I open it, rip all the CD's.. read all the stuff, liner notes, newspaper clips, all of it - hopefully uninterrupted.. then pack up the box, set it on a shelf in my office and give it a close listen or three or thirty three.. After that I rarely deal with the physical product, at best once every two to three years. If I lose my music drive and backups at the same time (it has happened), I have the hard media to rip and rebuild.. but I have not opened the E72 Trunk in a couple years. When I last moved about 8 years ago I was listening to CDs primarily when working late, etc. So I kept tossing in CDs. I ended up tearing a couple of the jackets from E72.. so I bought seconds of all the ones I listened to a bunch (perhaps two thirds of the shows). Then I just started listening to digital media. My brother will probably be the beneficiary of the extra CDs I no longer listen to. I do have lots of LPs.. I have been keeping up, but I don't have space to set up my turntable and retro system. None of this makes sense, but I do like the physical media and one day I will no longer work. .. so I plan to revisit all this stuff one year, probably sequentially. I don't think this makes any more sense than what was posted earlier.. I guess the music is most important. ..but one day I will open Bickershaw, re-read those liner notes and a smile will come to my face. It's all good, I guess I am a completist. Perhaps many of us are. I bet there is one or two of us out there that are OCD when it comes to really, really good GD. I'm not sure if I am there yet.. but who knows what tomorrow might bring.
  • simonrob
    Joined:
    Confused...
    Why would anyone pay almost $200 for something that they will never listen to. Like buying a car and putting it in the garage and never driving it. All is ephemeral and material things have no real value whatsoever. Surely these truths are self-evident. Explanations welcome.
  • ticktocktyler
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    RE:Sound Quality?
    PING! That's it exactly. Digital files won't skip. I always back these expensive downloads up. I bought the box as well because I want it. I will never open it so I have what I am calling "Schrodingers Discs". They exist in a state of being both scuffed and not scuffed as I am not opening the box to find out.
  • Butch
    Joined:
    I love it
    Thanks Dave it's everything I ever dreamed of. Life is good.
  • DP36
    Joined:
    Sound Quality?
    Utopia. Only way I can describe what my ears is exeriencin.' This PNW collection sets the bar with sound quality. This sounds as good if not better than Boxilla. Before we get too crazy, lets’s put the TOO and the multitrack recordings aside. With the 90’s box’s not considered, this is it! Sound is rich and upfront. Everyone is heard; balance is excellent to my ears. Rainy weekend in S. Jersey and GOGD PNW blasting on the grande delux all day. I’m caught between CD’s and high-res download with my wallet open and my cash falling out. The Totem will come, I will open it, look at all the trinkets, read the book, and then close the lid. I just think it’s silly to take out a digital copy (CD) of the show and put it into a CD player when I can play the digital files (at 192/24 vs. 44/16) with a tap on the mouse. I’ll clarify; for me it doesn’t work. I’ve said before here that music listening is a lifestyle. We all have our different ways of going about it. I play the downloads, but continue to buy the hard copes. However, Boxilla got me… I had to decide; just could not buy both. I bought the Bolt specifically for the 192/24 and missed out on the physical book and hoopla. No disc skipping with the downloads. Cheers all!
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Michelle Shocked - The L&N Don't Stop Here Anymore edit - oh yeah, the monkees, last train to clarksville
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Trains stir the imagination of places to go, places you've been. The power, the sound. TCM has a short they run about the train in movies and lord knows they are the subject of many a photo/painting/puzzles. More than a few movies about trains. Deadheads are by nature a wanderlust group, so I understand the connection. Musician have always had the connection, the timing of the steam, the clack of the tracks. “You know what the three most exciting sounds in the world are? Anchor chains, plane motors & train whistles” – George Bailey (from It’s a Wonderful Life)
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Since Jerry covers this, it should be ok.
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Casey Jones-The Grateful Dead.
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Now we're talking: Casey Jones ("Driving that train, high on cocaine") Caution (Do Not Stop On Tracks) (song title) China Cat Sunflower ("double-E waterfall" - as in "flaggin' down the double-E") He's Gone ("Like a steam locomotive rolling down the track") Jack Straw ("Gotta go to Tulsa, first train we can ride") Lazy River Road ("Bright blue box cars, train by train") Might As Well ("Long train running from coast to coast") New Potato Caboose (song title) New Speedway Boogie ("This train's got to run today") So Many Roads ("Thought I heard that KC whistle moaning sweet and low") Tennessee Jed ("Listen to the whistle of the evening train") Terrapin Station ("But the train's put its brakes on and the whistle is screaming") They Love Each Other ("It's nothing they explain, it's like a diesel train") Tons Of Steel ("She's more a roller-coaster than the train I used to know") Unbroken Chain ("Ride you out on a cold railroad and nail you to a cross") Not to mention so, so many covers. http://deadessays.blogspot.com/2012/11/the-grateful-dead-and-trains-gue…
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"That Train Don't Run Here Anymore"
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City of New Orleans = Steve Goodman. Don't know him? Look it up. Great Writer 5:15 The Who. Most definitely about a train. NOT a Ferry!!!!!! Great Movie too "Quadrophenia". Sting makes a very funny Ace Face Age=Wisdom
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....I'm shocked that no one has mentioned Locomotive Breath. If I need to mention the band, I'm doubly shocked.
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Another Rush song... A Passage to Bangkok We're on the train to Bangkok Aboard the Thailand Express We'll hit the stops along the way We only stop for the best
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13 years 9 months
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TO CLARKSVILLE....... OK can we now switch tracks and bring the conversation back to THE WHO vs. DOORS topic?? KIDDING!!!!!
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Someone mentioned movies with trains. Instantly I thought of "Silver Streak". That was one of the very first movies I saw with a friend without any parents. We loved it! I think we saw it 3 times and we knew all the big scenes. It was 1976 so we were about 11. We didn't know what to make of the intimate scenes with Jill Clayburgh and Gene Wilder. A man and a woman alone, acting goofy, with odd music. Their encounters seemed very mysterious, but somehow important. I suppose that movie planted the seeds for my lifelong love of train travel. I'm looking forward to seeing the new Branagh "Murder on the Orient Express". Has anyone seen it? (please no spoilers, I haven't seen the original!)
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I feel like you will dig this movie!
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Movie; The Cassandra CrossingSong; the Petticoat Junction theme song.
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MST3K had an episode featuring a movie called "The Dead Talk Back". One of the skits had the host and robots dressed in tye dye and they sang a song called "Cosmic Freight Train." The one 'bot, Crow was dressed like Jerry and did a looooong solo. The other two began a game of chess while the solo played on and on. Look for it....It's really funny!
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Aretha Franklin
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Spinning the hits. She's sensational. How good it is to live in an age of recording. May she rest in peace. She sure delivered the goods. Caught her live in 1991 in Gary, Indiana, on a hot summer night in a modest-sized, sweltering theater. Word was, they wouldn't use air conditioning, which the theater had, because she said it would mess with her voice. Everyone looked at each other like, "Whatever the Queen wants is fine with me." She rocked the joint.
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Rolling Stones Silver Train and No Expectations. Don't recall reading those yet. Love in Vain was mentioned.
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Would be nice if these starting shipping in order to arrive before Labor Day weekend. A nice long weekend to absorb this would be ideal, but most likely will not be the case.
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Had some time to dig around for the articles I mentioned this morning. The list is from an unconfirmed source on the Steve Hoffman site. By unconfirmed, I mean I don't know where he got it or if it's 100% accurate. I know for sure E72 Complete, Winterland 1973, and both May 1977 box sets. The reason I excluded Winterland '73 from my "examples" of the quality benefits Plangent provides, is because I also recall it was recorded on some kind of wider, faster super-tape than most Grateful Dead two-tracks, so that's two significant a variable to ignore if one is interested in an apples to apples comparison of with / without Plangent. I think the best comparison is yet to come, with the Pacific NW Box set. Will it sound better than DaP 21? (which is, in my opinion, the best sounding UN-Plangented two-track from 1973). Edit: With regard to the list of releases that were Plangented, The July 1978 Box set was spoken about on the Steve Hoffman Forum as though it was, but I don't see Plangent mentioned anywhere on the dead.net page where it's up for sale. Both May 1977 sale pages mention Plangent. I have to assume then that July 1978 was not, unless someone has the CD case in front of them and tell us otherwise. The Plangent website: https://www.plangentprocesses.com/ Interview with Jamie Howarth (Plangent CEO) https://audiophilereview.com/analog/plangent---a-better-way-to-transfer… Discussion Thread on Plangent from the Steve Hoffman forum. Includes a list of releases: http://forums.stevehoffman.tv/threads/the-plangent-process.399347/ Live at the Cow Palace: New Year's Eve 1976 Winterland 1973: The Complete Recordings Rocking the Cradle: Egypt 1978 Winterland June 1977: The Complete Recordings Formerly the Warlocks Europe '72: The Complete Recordings– and subsequent compilation and single shows Dark Star single May 1977 Sunshine Daydream 30 Trips Around the Sun: The Definitive Live Story 1965–1995 – partially, for the non-cassette and non-DAT tape shows – and subsequent compilation partially. May 1977: Get Shown The Light
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Tape-to-Digital Transfer and Wow-and Flutter Correction: John K. Chester and Jamie Howarth, Plangent Processes
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Glad to see the rumors of your demise were greatly exaggerated.Hope all is well.
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But only the 7/8/78 show has that listed. the box info doesn't mention it. http://www.dead.net/store/1970s/red-rocks-amphitheatre-july-1978-box?in… The ABB CD was good enough proof for my ears. it's a waste to release the Betty reels without the Plangent process. give the returned tapes their own series, make it downloadable, 3 times a year every 4 months. with Dave's Picks every 3 months and a box it's almost a release a month.
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I like the way you think.
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Kiss, largely theater. Their first double LP live album is pure hard rock, on par with bands like VH, AC/DC, and Aerosmith. I think one would need to enjoy that record to go any deeper into their catalog. Frehley is the only guy in the band with any real talent. He carried the band through the 70s in my opinion. Even with the unique theater aspect, I don't think they would have made it out of New York without him.
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I would definitely invest in that series. I don't think they would ever make it download only or even as an option. Too much of a piracy risk. They would be sure to lose out on money and it costs more to put it through Plangent. I was looking at July 1978 sales page, and it's had the message that the download option is being fixed for a year I think. I don't think they're fixing it, I think they're waiting to sell it out first. Once the physical stuff that they invested in is gone, then a little piracy isn't going to hurt them as much. For my part, I buy everything. I could handle a release a month! What about the Kidd Candelaria tapes though? And Bear. I would pretty much take anything from the 60s and 70s, regardless of who recorded it.
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because the returned tapes were not in the vault when Dave's Picks was set up those reels in the vault were considered fair game. the Betty's are different and only returned recently and being mined for box sets and Dave's, but the Dave's don't get Plangented because it isn't in the budget. the difference in the ABB reels is amazing compared to the old GDM copy. downloads are for anyone that wants to get them on Itunes or Amazon to cover the added processing costs. no cover art, just a generic reel cover with the date and info. they could call it Dave's Private Stock or Dave's Premium...
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My info comes from page 48 of the booklet included in the box.
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I concur.. please spare no expense to bring these master reels to life. You might just get only one chance, so make it count. I would add, I believe Jeffrey Norman has gotten better at his job, so the sonic upgrade likely has two components. Spare no expense, this is the stuff of history.
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good to have you back ;) my copy is in the storage room and just went from the online data. July 1978 is a great box and deserved to be Plangented. now what about 4/2/73?
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Ha! the gloves are off. i actually enjoyed "Muskrat" and Paper Roses", Jim! You forgot Terry Jacks "Seasons in the Sun" and Bay City Rollers "Saturday Night"
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Lets hope it ends before that. :D But thanks for bringing in some much needed good spirit.
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....I totally recall watching that at my babysitters when I was sevenish. She was a sweet older lady named Lettie. She had pomegranate trees in her backyard and a very pink bathroom that smelled like lilacs. She also had Donohue and the Price Is Right timed to the second. She also made the best toast. The mind is an incredible force....little did I know that the Dead were coming off their hiatus. Stupid seven year old me. I bet I could still find her house if I tried.
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Jim you're right! Once it is released it seems that any opportunity to improve quality with mastering techniques is lost. If it just didn't exist at the time of release (FW69) then c'est la vie, but skipping it because it is not in the budget, well that just hurts. Charge us more, we will pay it I am sure; I will at least! Advertise that the cost is $1 more per disc because of remastering costs. I bet you get more praise and additional sales because of that than gripes! Spring 90 comes to mind on this issue. The fact that they didn't utilize the multi-track tapes just kills me. The proof is in the pudding when comparing to the follow up Spring 90 TOO release. Lost opportunity indeed - no multi-track master should ever be released without full remastering!!
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Purchase remastered Plangent Dick's Picks. I'm not sure how much improvement 1978 July would get, but Dick's Picks would be incredible.
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it's not about redoing the old CDs, though the ABB Fillmore East 1970 sonic journals would make a good case for a redo of Bear's Choice and the Dick's Picks compilations. this is about a new series with the returned Betty reels and not allowing them to be used for Dave's Picks which doesn't get Plangent processing. old reels and cassettes are fine for Dave's Picks as nice Rhino handmade bootlegs without having the Plangent processing in the budget or time frame. the recently returned Betty's, as they have shown in the recent boxes, are significantly improved by the Plangent process. it's a waste to use them for Dave's and makes me wonder how 1/22/78 might have sounded with the Plangent processing. stop making Dave choose which Betty reels get the regular process, when they all deserve the Plangent process. 12,000 CD runs then digital download for ever as flac or alac to cover the added processing costs. generic tape box labels like the original Dick's Picks for the cover art in the same digipaks as Dave's Picks, every 4 months delivered to your mailbox for say $99 a year or $35 as a single show. they could call it Däve's Choice Cuts or Däve's Premium.
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Is 1 per month too much to ask? Warner needs to buy several Plangent devices. They can afford it, and I’m sure they have a lot of reels they could use them for after they are done with the GD vault.
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...new LP coming this October 2018, I love this album!!! “A breakout from the Grateful Dead Records Collection. The live double-album, which was released in 1976 was actually recorded in October 1974 in San Francisco at the Winterland Ballroom. The show was initially part of a “Farewell Run” before the band went on hiatus.” https://www.bullmoose.com/p/27810057/grateful-dead-steal-your-face-rock… Rocktober 2018 Exclusive LP ROCK GRATEFUL DEAD PRODUCTION 78948 UPC: 603497861255 Release Date: 10/2/2018 LIST PRICE: $34.98 Plus* remastered wake of the flood LP blues for allah LP Mars hotel LP
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