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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • unkle sam
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    9-2-83
    Just had a listen to this show yesterday. I like the way Wang Dang Doodle starts and slowly builds to start off the show, makes you think something really cool is about to happen. A lack luster first set except for the opener and that great Deal at the end. Second set not so hot either, the pre drums is kinda muddy, the drums is short and goes no where, the space is nice, but really doesn't build to anything either, the post drums with a "new song" delivered like a single, Throwing Stones gets so much better in the late 80's and into the 90's. All in all, I give this show a C average and certainly not the "stunner" it is advertised as. Sure hope the next pick is better than this one. I don't know if any of you were around in the 40's, I wasn't. But I think you can trace Rock and Roll all the way back to then, or even the 30's, or maybe the roaring 20's, hard to say. Of course, back then it was "Heathen" music, "Black" music and a thing that you kept your young children away from, "no son/daughter of mine is going to listen to some muggle smoking darkie music". Segregation was in full swing back then and Rock and Roll was a thing to be feared. It was, after all, youthful rebellion which happens in every generation, that put rock and roll on the map, back then, if our parents hated it, we loved it. There were a lot of us in the 60's and music meant something back then, it was our call to arms, our mantra, we actually thought that music and love could change the world. I'm not a historian nor do I know exactly when rock and roll got it "birth". Glad it did tho, sure was an uptight world full of lies and hate back then, wow, I just got a feeling like I've been here before. I think someone said that they had been following history for X years or some thing like that, gee, they should know ;) But can you believe them? Most that were around then are gone or are so old that they just can't remember, and I can relate to that, memories are very subjective and history books can be distorted, or rewritten. I have had a conversation or two with my 93 year old mother-in-law who was a music teacher all thru the late 50's, 60's and 70's. When she is able to, she remembers rock and roll as a bad thing, one that was openly discouraged and frowned upon, until that "nice gospel singing hill billy" came around. He was "so nice, and good looking too". But that was rock just finally being accepted, not the birth of.
  • daverock
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    Mr Heartbreak
    Thanks for the film clip of Bruce Cockburn. Some beautiful guitar playing-in fact the whole band is good. I've never heard Bob Dylan play like that!
  • garciaddicted
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    Rock 'N' Roll
    "I’ve stolen every lick he ever played", Keith Richards on Chuck Berry "The Shakespeare of rock 'n' roll", Bob Dylan on Chuck Berry "No group, be it Beatles, Dylan or Stones, have ever improved on 'Whole Lotta Shakin'' for my money.” John Lennon
  • frosted
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    Everybody knows who created rock and roll
    Hey hey with the Monkees! What I find odd though is that I cut my teeth on R&R in the late 60s and into the 70s. Back then, we called the 50s the oldies. Elvis, Jerry Lee, Fats Domino, Bill Haley, Buddy Holley, Chuck Berry, Little Richard, Eddie Cochrane, all those guys seemed ancient to us. Thinking about 30s and 40s music back then? Fuggettaboutit. What was that even? Musicians wearing suits with skinny ties, and huge brass bands with our grandparents swirling around the dance floors all dressed up? What gets me is that now the 60s and 70s are more than twice as long ago for today's kids as the 50s were for me, and that seemed pretty far back at the time. So the circle squares, and now I listen to more jazz from the 30s-60s than I do rock and roll from any era, the GOGD being one of the few exceptions. Get off of my lawn!
  • simonrob
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    This is not the place
    for intellectual discussions between non-intellectuals.
  • kyleharmon
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    you all need more Unicorn
    you all need more Unicorn Jesus in your lives and less of this Devil rock music.
  • Angry Jack Straw
    Joined:
    Good Lord
    Such nonsense. My cat can cut and paste. Stop it. Dave. You disappoint. No knowledge of Bruce? I posted about him during the worthless doors/who tripe.
  • Angry Jack Straw
    Joined:
    Good Lord
    Such nonsense. My cat can cut and paste. Stop it. Dave. You disappoint. No knowledge of Bruce? I posted about him during the worthless doors/who tripe.
  • Oroborous
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    Dear Butch, DS and Keithfan
    Sorry, I thought we were having a intellectual discussion about opposing theories, not trying to insult one another. So since I now feel insulted. I also feel I have to defend my self..... Please find Butch’s comments in quotes.... “Nobody even said the Beatles invented Rock n roll or coined the term, only that they brought it to life in front of the world. “ So the millions of folks for all the years before the Beatles did not enjoy RR, because it hadn’t yet been brought to life? Even though they did have some success; album sales, performances and quite a bit of airplay, RELETIVELY speaking? Because your statements could be interpreted that RR was such an underground, insignificant thing that not until the Beatles did it become well known? or “given birth” To me that’s an insult to all the men and women who actually made RR, long before the Beatles came along.... “The bottom line is that our generation DID witness the birth of rock and roll, and yes you can use the concept of birth, it's an appropriate form of symbolic language called personification. It's laughable that THAT part of the dicussion even came into question.” As I’ve politely stated, I agree with most of KF’s fine, articulate essay, just not this part. I’m imho, based on reading dozens of RR biographies, the only thing wrong with this is you could say all the same things about Chuck, only on a smaller scale...due to technological and cultural circumstances he had no control over. i understand your point just fine. You don’t need to insult me. Sorry to all you folks if this seems like I’m being snarky etc. Not trying to be, actually having a bit of fun participating in a verbal chess match, mental gymnastics, intellectual discourse etc. Used to stay up and party hard and do this sort of thing about authors, music, movies etc when I went back to collage in my thirties..... “The biggest reasons the Beatles gave birth to it, is 1)they were original,” And Chuck wasn’t? “2)they brought their brand to way more more people, WAY more people,(70 million people, come on now)” Never debated that, if you actually read my post, I ponder whether album sales and/or popularity alone is really a true distinction of what makes one relevant or not. I don’t believe album sales alone is. And comparing album sales from completely different technological and cultural times is like comparing apples to oranges....I’m sorry i obviously did not articulate my point well.. I don’t think that’s a fair, objective measure. “3)they influenced most of the bands that followed after (as well as the popular culture at large).” I have openly agreed with this statement throughout....? “Nobody else went on Ed Sullivan 1st and ushered in a movement in rock pop music. None of their predecessors did that.” Unfortunately I don’t know that much about the show, but I don’t believe in the fifties, a black man, with subversive lyrics was going to get a fair shot at a show of that prominence? I do think I recall reading that they did not want RR, but they felt they needed to make the show more current, to generate ratings, and because RR was already so prevalent in society, they needed to get with the times.....but please don’t quote me on that.....my memory is deteriorating rapidly... I also believe part of the reason Chuck received the airplay he did get, was many didn’t know he was black by his “sound” Another way for the suits to take “race music” and make it popuar with whites, so they could cash in. “They took what was out there, made it their own and in doing so TRANSFORMED rock and popular music. The bands that came after helped continue the movement,” Again, I’ve only supported this sentiment. But I also believe you could say the same, in a different way, about Berry et el... “but there's no question the Beatles brand came first.” This is where we disagree. Again, it’s an insult to all those who were oppressed and struggled through the early years of RR, so that eventually it was legitimized enough so the Beatles could explode and change the world! Kinda like the big brother or sister who breaks in the parents, so the younger siblings have an easier time.... “Millions of people latched on to to the Beatles, not Haley or Berry. “ So again, numbers are your criteria? Apples to Oranges.... “It was their mold that came first and endured” Not unless they had a time machine....sorry, that was snarky. I apologize! “Chuck Berry still hugely important and I love him to death, but he didn't do what the Beatles did” Never said he did. I repeatedly acknowledge that the Beatles were perhaps the greatest band of all time, influentially at least, if not more.... “that wasn't his role. His role may have been even better in the history of rock and roll as he influenced so many. That's not what this discussion was ever about. This discussion was about whether or not our generation was here to witness the birth of rock and roll.” Again, I understand perfectly what this is about. I’m sorry that because we disagree you feel I don’t understand your point, so much so that you have to insult my intelligence.... “The one excellent point I agree with is that Bob Dylan brought a brand that was equally important, but I don't think you could credit him with heralding in the rock movement.” No, not in and of itself, but one could argue that his innovations also had a unmeasurable influence on RR. Perhaps one of the few that came close to the Beatles level of influence? “Oborious, yes Chuck Berry was important and influenced many, but same thing, he wasn't the Beatles” Never said he was, only that he is constantly not given the credit myself, and more importantly, most of the RR elite all state in their books that he deserves, of which being credited as the true Father of RR is one. I believe Rolling Stone said something similar in their tribute to him? I’m sorry, but most of my personal belongings, including my RR library are currently in storage or I would stay up and provide references. . “You seem to be personally offended by all of this,” Not at all. I truly apologize to you, as well as everyone if that’s how this is coming across. I just think your making a generalized statement that ignores a huge block of actual history, which insults those who made it. By doing so, I don't think your theory is logical. “as you are making statements like what if Chuck has been white or what if Elvis wasn't in the right place at the right time. The discussion is about what is not what might have been or could have been. If the queen had balls she'd be king.” How can you not consider what America was like racially in the fifties, and how that would effect the success or failure of a black person? And to compare what a Fearless Black man did, during that repulsive time in our history; actually “give birth to”, basically a whole new cultural scene, and making it popular (sounds familiar?), with a group that did all the great things they did, in part, because of the foundation people like Mr Berry laid for them to build upon, only by comparing popularity or numbers? That’s like saying Miles Davis gave birth to Jazz with Kind of Blue, while all his predecessors, from decades before, did not? “I think where people are getting stuck in this dialogue is that they're feeling like the birth of rock and roll on the world scale should go to (pick your name) instead of the Beatles. There is no single person or band who invented rock and roll, but the Beatles did give birth to it in the larger world, and that was the only point that was being made along with the fact that we were here to witness it.” Sorry, agree with everything except the term birth. I have never disputed the rest. birth bərTH/Submit noun 1. the emergence of a baby or other young from the body of its mother; the start of life as a physically separate being. 1. give birth to (a baby or other young). "she had carried him and birthed him" “A physically SEPARATE being....” Your argument presupposes that the Beatles would be the parent, that gives birth to a new being... Mine presupposes that Chuck was the father that gave birth to the new being. The Beatles were that being when it fully matured, and became an adult force of nature....that went on to conquer the world, in part because of the DNA of the father.....now I may not be right, but I don’t think that’s so hard to follow is it? “V guy you're absolutely right the sensitivity scale is just beyond words. But one thing that is clear if you read through this discussion thread is that words our being misinterpreted even after clarifications are made. It's like there's no effort being made.” Touché my friend, no need to insult. Just because we don’t agree doesn’t mean I don’t understand, and that you need to insult me. You say “potAto”, I say “potaahto” And finally (I promise no more outta me anyway, hopefully I’ve made my point. Not looking to be “right” just properly understood. I don’t think you can fairly critique ones argument if you don’t properly understand it) So finally, I'd just like to state I’m sorry if I’ve bummed folks out. That was never my intent. Especially no bad vibes toward Keithfan. I thoroughly enjoy his articulate posts, and usually agree with like 98% of what he says. Think maybe I’ll just go away for a bit......”you know this space is getting hot” Peace!
  • snafu
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    Mr. Ones and FZ
    We can now shut down this site Mr Ones you have sumed up everyone here no matter what our other disagreements " Music is the Best"
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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Unless you are a compulsive completist.. I wouldn't bother. It's ok..
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...the albums song selections were mostly picked by Phil and the others were picked by Garcia... :)Since the official release, there has been complaints and praises for the LP... I for one dig it, I love this LP ! At the time of production, quadraphonic technology appeared ascendant. In anticipation, the album was mixed for the QS standard – one of several competing vinyl matrix formats. Rather than a dedicated stereo mix, during mastering the quadraphonic mix was folded down to two channels. Lesh explained that he and Bear decided to mix "the whole thing in 'quad' ... Band chronicler Blair Jackson explained why Lesh's method for song choice didn't mesh with Deadhead expectation: "[It] had none of the natural flow of a Grateful Dead concert. It was as if someone had thrown all the songs into a hat and then pulled them out randomly, which is not the way the Grateful Dead operated at all. Their sets, while definitely eclectic, were built piece by piece according to what songs felt right to play at the moment. Garcia's choices would affect Weir's choices and vice versa. Steal Your Face consisted mainly of short songs that were usually played in the lighter first set, and it was devoid of any extended improvisation. Considering the material that was available from that five-night run, the song selection was mystifying to say the least."[13] Garcia saw the album as a specific statement from the same era as the movie, noting "[Phil] picked out what he liked for his own reasons. If anyone wants to have some concept of what Phil likes, that's a good album. ... We don't interfere with each other on that level."[13]
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....Steal Your Face has no flow. (I read between the lines). Glad you like it. I tolerate it. It's right up there with What A Long Strange Trip It's Been. With the plethora of realeases over the last 16 years, they both collect quite a bit of dust, even though the music is clean. ....the again, good luck guessing a JRAD setlist. Ghaa!
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This album is my least favorite live Grateful Dead album, however this reissue sounds excellent. The sound is far superior to the original 1976 release, and more than a few steps above the 1989 Compact Disc 1st edition issue. I agree that the Mississippi from 10/19/74 is a good performance, especially the sound on this on reissued LP. Why I don't like Steal Your Face is because of the song sequence, it is not very compelling to me, not even after 42 years. It just doesn't stand up to Live/Dead, Skullfuck & Europe '72. I bought the original LP not long after my 6/22/76 and 6/24/76 shows at the Tower Theater in Upper Darby, near Philadelphia, Pa. Yes, I have all three versions: the original 1976 album, the 1989 CD, and this 2017 remastered LP.
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....a few heads stated they felt Garcia was playing a different song during the Boise Throwing Stones. No he wasn't. He was playing the Boise Throwing Stones. Does that make sense? Makes sense to me. And the GDTRFB leaves no prisoners. Everyone is released! Ghaaa!
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I'm not so keen on Steal Your Face either, I'm afraid. I was really surprised when I started listening to tapes, years later, just how good those October 1974 shows were-and how mis-represented they had been on Steal Your Face. I have felt this about other official live albums they released in their life time, too. Bears Choice is a bit of a shocker-considering some of the music played at those shows, and while Skull and Roses and Europe 72 are okay (especially the last two sides of the old album of Europe 72) they are again much weaker than the shows they were culled from. Again-especially Europe 72-I have listened to every show from the European tour this year-and every one is stellar. But you would never realise just how good the tour was listening to the old Europe 72 album. It seems as though the band thought the record buying public would prefer to hear their songs, rather than their jams. The one live album that has stood the test of time for me unquestionably, is Live Dead. They got THAT one right.
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....got them all right. Next year, they're gonna bust out the AoxomoxoA and Live/Dead 50th's. Ohhhh shit. Better buckle up. AoxomoxoA is my favorite studio release btw.
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....Baby Blue. A treasure. And a tear ran down my face, because it was stolen.
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...I also have love for ‘Bears’s Choice’, This release is also not very welcomed in the Dead’s fan base, but there’s some there that grabs me; you can hear the wooden floor planks and all...
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You know how offensive at least one of this community's core members finds Manson.Please be kind. If you need to oppose JimInMD's outburst (and you have been here long enough to know that Jim is NOT one of our easy-to-rile members, but rather a voice of reason in our often stormy environs) WRITE something. Posting another Manson vid seems really dickish to me. I almost wrote something against Jim's response to your first Manson post (freedom, historical significance, outsider culture, yadda yadda). Now I am really glad I didn't.
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....has no place here. Fuck that asshole. You want the truth? There aren't many people that would have me put on some leather gloves, so my knuckles wouldn't be tarnished as I pounded his smirky face into a bloody pulp. The veil is lifted. Have fun in hell you piece of shit. (someone had to say it). Fact of life. Some people just need to get their ass kicked. (I speak for the trees). Problem?
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....is head and shoulders above SYF. Who knew there were so many other choices/USDA prime cuts out there back when it was originally released? We are a spoiled lot....Oh yeah. I would pay to see Manson thrown into a wood chipper. Is there a problem?
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I think we'd feel entirely different about SYF if it had a third disc. What would have been the perfect jams?
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I wouldnt listen to the Beach Boys then cuz Charles Manson known as "The Wizard" befriended a beach boy at the time and co wrote a beach boys song and its now uncredited. that same beach boy slept with a gun under his pillow ever since. read Marilyn Manson's biography his "My Monkey" incorporates elements of that there "mechanical Man" song. played it. I don't even know what to say about it. it's like this big sprawled out rambling mess lol "I sent my monkey off to the country now my monkey's dead" WHAT??? lol and now monkey gone to heaven. shirdeep is communicating and that message is: Monkey
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.... I've done that. Long story. Last five.The Bangles - Different Light Megadeth - Youthinasia GOGD - 4.15.70 Rush - Farewell To Kings The Cars - Panorama and so it goes....
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....don't laugh. Good vibes in that record. Such good vibes, they were invited to open for the GOGD. That says something. Dust it off and walk like an Egyptian.
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I don't always listen to new releases right away. I had an idea that Bob's recent, "Blue Mountain," was full of boring acoustic campfire songs with, perhaps, lyrical wonder but no musical spark. That was about half true. A solid album and graced by two brilliantly produced nuggets, "Lay My Lily Down," and "Ghost Towns." I won't post links, youtube it if you want. I am shocked that Bob has, at least on these two tunes and to a perhaps lesser extent on others, adopted the pillow over the microphone dull, decades old ambiance reminiscent of recent T-Bone Burnett productions, Daniel Lanois, Robert Plant, etc. I don't know what to call it, so I'll call it "contemporary music by current artists making classy recordings that sound decades old and give me hope that great music will continue." God Bless everyone. Happy Sunday.
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Hi Vguy72 - you mentioned in a post about the 50th anniversary reissues. Do you know if the live albums are going to be reissued or is it just the studio? Cheers
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Two live Dead albums I did like-and still do-are Historic Dead and Vintage Dead. Slightly shady releases, but for live albums from 1966 they sound really good. Unlike the later ones I mentioned, these do seem to accurately reflect the bands sound and style, as subsequently revealed on tapes from the year in question. I don't think they have ever been released on cd, either.
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Can you please stop posting all of the YouTube links. They're distracting and not relevant to any Grateful Dead discussion. Thank you.
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I have this on an LP which is an old radio station promo copy. Its all beat up, and doesn't sound so good anymore. Probably been played 100s of times. I'm tempted to hear a good, new copy. I think the format of the album is well suited for an LP. Its mostly shorter songs, not twenty minute jams. It doesn't "feel" like a live set --- more like an album that happens to be live tracks. Which is okay sometimes. 20-25 minutes of an upbeat, bouncy side while I'm grilling some steaks is perfect. I like the E72 LP for the same reason. Also, curiously, that album isn't on Spotify. Almost everything else that's a general release is. Neither is the GD movie soundtrack, which is what you go to for the live show feel from that run. Maybe they're holding it back for a box set release later :)))))
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When I saw Bob live in Dallas for this cowboy tour, Lay My Lily Down was one of my fav's that night. When I got the show I played the living shit out of that tune. Just my two cents, but I'm ok with Sheepdip posting youtube vids. I certainly don't check them all out, but they're easy enough to scroll by and once an awhile you get shown some good stuff you didn't know about. Once again, just my two cents. Two more days of work, then off to Lockn, yeah!
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I am happy for the 80's fans who have waited long for something from this era. I think I would have had a really good time if I had been at the show, this must be great as a souvenir and a slice of history for those lucky enough to have access to Dead shows at that time (they had given up on Europe by then). Listening now in a quiet room on a good hi-fi though, it is all to easy to be distracted by the deterioration of so many things from the 'Golden Era'(as I perceive it). I enjoyed it more than I thought and maybe now and then might give it another spin. No complaints though. I am happy to pay my subs and get to focus 4 times a year on a selected show from the vault, whether I end up listening to it once or 100 times.
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Once I awhile shirdeeps vids are ok, but they're getting to be several times a day of nothing about the Dead. Charles Manson? Had his minions string up a woman 8 months pregnant over a rafter and stab her death as she begged for her baby's life. Fuck him and fuck shirdeep for posting this garbage. Shirdeep used to be cool when he posted rare Dead pics, but he's devolved.
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Butch, right on fuck that spoiled little bitch! Sorry folks that’s what happens when you poison the Golden well with hate! SYF, I will not argue with the critical comments. Would just mention, again, about keeping perspective. The methodology employed for live albums has mostly been to record as much material as possible, using the best equipment possible (budget etc) and then cull the supposed “best” versions of songs, add a little crowd mix and fade in out overlaps to give the “product” the feeling of an actual concert. Hell King Biscuit Flour Hour used to do the same thing I.e., 5/80 (recorded that off the radio on graduation night whilrpe my giant extended family was all out in the back yard, hee-hee, what a freak! But I digress. So yeah, it has no natural flow, and of course anything from then without big jams is just......? But there are some great versions, and if it was redone as well as the Movie Soundtrack, well..... Mainly though I love this album for nostalgia. It brings back so many memories from when I was 14 and just getting on board. Have always loved the pictures; Bill with that giant bong, Phil with the different colored socks, and man nothing filled the imagination of a budding audio geek like those pics of TWOS! Remember youngins’ there was no internet, and the dead was hardly the well known entity they would become, for good or for ill? That album and a few others were like are only gateway to the dead! So looking at those pics, and digging that amazing, now iconic art...and of course what that album jacket as well as Skull fuck got used for, perhaps more than to retrieve the platter, ahem, yeah..... I will always have a spot deep in my heart for this and skullfuck if only because of what they meant to me at that time in my life etc. Today, hands down, imho, Live Dead will always be the benchmark for not only live dead “albums” but perhaps the greatest live album ever! I dug it then, but still a little to green behind the gills to fully “get it” then. That did change with time, like the first time I “saw the electric light shine” and after getting dropped off at home very late, put on the headphones and figured, “I should probably listen to live dead” Amazing, also, seemed like it was only ten minutes long LOL Tried playing my electric with no amp, but thought I was making too much noise and would awaken the rents, who would instantly KNOW! LMAO! Too funny, cause I lived in the basement with a literal McIntosh, JBL wall of sound, used to come home baracho at all hours, worked as a roadie and sound tech, so again, coming and going at all hours, and they never got up. But of course that night I was sure they’d be on to me! I distinctly remeber after like 12 hours or so thinking “ah, this is what they mean by your either on the bus or off” like, this is never going to end LOL. You know, it will be less there, but it’s always going to be there! NOTE; I personally really think Nightfall of Diamonds is right up there in the top echelon; an actual full show, not cut ups, great audio, super set list. I think this one really flies under the radar. NEW SERIES; I’ve been saying this for years. Not specifically like who was it Kayak Guy? with the Betty Special Select concept, but the general idea of more releases, even if you have different tiers or levels of product. The super multi’s, that deserve the extra care and exspense get released say 4 or 5 times a year, with a box or 2 for the top tier, with perhaps a level, or two more below, including a quick and dirty Cassete SB type level ala 27. Those could certainly be pumped out a bit more steadily. If it’s a matter of staff, Hell im qualified and available. Me and Vguy will spit out enough product to make you dizzy! I fully understand and agree with who ever (sorry?? Memory shot) laid out the great marketing plan that is probably in play about releasing older stuff first since it will attract folks from tha era, as well as the rest, before all us geezers croak, while saving the later years for the youngins from that era. Makes sense, no matter what your fav, I think most folks really love to get official releases of shows they were at, in any form. But they are gambling on this remaining as vibrant, and thus as economically viable, as it is now. Why not get as much out now as possible? What if suddenly they lose their audience? I believe after the band folded, that was sort of the goal. I believe I read something from Mickey about trying to make every show somehow available ala cart so folks could just order what ever they pleased. But then Phil put the kibosh on it with “Im not selling the catalog to a Corp/won’t ever let trucking apear on a Chevy commercial” etc.. At the time that kinda made sense, just like finding someone to Front the huge digitizing costs etc to make it available made some sense. But much time has passed since then, and tech and the music industry have radically changed. So yeah, why the hell not have tiered releases, priced and released according. As our lovely English friends might say RIGHT, BRILLIANT!
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Some are really good-the blues and jazz ones from a while back were great. And that one of King Crimson with Adrian Belew on vocals was alright. I don't think shirdeep posted any of these-he has different taste to me-but hey ho. I wasn't so keen on seeing Mansons face peering out at me when I scrolled down, mind you.
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I have all four kiss solo albums. I still have yet to give a full listen to Peter's and Ace's.
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SYF is on Spotify although it isn’t named as such - it’s listed as Grateful Dead Records collection and is with the other albums issued on Record Store Day as a box set, Mars, Wake of the Flood, Blues for Allah although these again are not listed under their actual original titles. SYF is actually called live at Winterland San Francisco CA 10-20/74 after each individual song title.
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.
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“English pig dog, I fart in your general,direction,Your mother was a hamster, and your father smelled of Elderberries!
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to have a little fun....The dead heads will put you on the rocks!
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6 years 7 months
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felt like I was watching a Time Life compilation late night infomercial. but wait! there's more....
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....thanx. Like I said a few days ago, social media is a cancer. Behold it in all it's glory. My safe corner of the internet is compromised. Way to go home.. . "Who do you think you are? What do you mean when you put us all down Walking round in circles Your nose to the ground You think you're saying something Because you're making a sound You say you've seen it all You don't care to see no more But you don't get up an go until they throw you out the door." ....Looks like Vince is the smartest man in the room right now. Shazam.
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:D
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17 years 4 months
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....so the Mets and Phillies played a game that counts, on a little league field in front of a bunch of fans. Some of which are little league players. There is hope in the world.
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so are you being all butt hurt with me cuz im not exactly throwing a temper tantrum over someone posting up a manson video days ago, and was curious as to what something might sound like, and not joining mob rule on "hey fuck shirdeep"?
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Smiling on a cloudy day.
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6 years 7 months
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yeah im sure its totally over my head. im pretty sure I hit the nail on the head lol moving on.
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