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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • unkle sam
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    9-2-83
    Just had a listen to this show yesterday. I like the way Wang Dang Doodle starts and slowly builds to start off the show, makes you think something really cool is about to happen. A lack luster first set except for the opener and that great Deal at the end. Second set not so hot either, the pre drums is kinda muddy, the drums is short and goes no where, the space is nice, but really doesn't build to anything either, the post drums with a "new song" delivered like a single, Throwing Stones gets so much better in the late 80's and into the 90's. All in all, I give this show a C average and certainly not the "stunner" it is advertised as. Sure hope the next pick is better than this one. I don't know if any of you were around in the 40's, I wasn't. But I think you can trace Rock and Roll all the way back to then, or even the 30's, or maybe the roaring 20's, hard to say. Of course, back then it was "Heathen" music, "Black" music and a thing that you kept your young children away from, "no son/daughter of mine is going to listen to some muggle smoking darkie music". Segregation was in full swing back then and Rock and Roll was a thing to be feared. It was, after all, youthful rebellion which happens in every generation, that put rock and roll on the map, back then, if our parents hated it, we loved it. There were a lot of us in the 60's and music meant something back then, it was our call to arms, our mantra, we actually thought that music and love could change the world. I'm not a historian nor do I know exactly when rock and roll got it "birth". Glad it did tho, sure was an uptight world full of lies and hate back then, wow, I just got a feeling like I've been here before. I think someone said that they had been following history for X years or some thing like that, gee, they should know ;) But can you believe them? Most that were around then are gone or are so old that they just can't remember, and I can relate to that, memories are very subjective and history books can be distorted, or rewritten. I have had a conversation or two with my 93 year old mother-in-law who was a music teacher all thru the late 50's, 60's and 70's. When she is able to, she remembers rock and roll as a bad thing, one that was openly discouraged and frowned upon, until that "nice gospel singing hill billy" came around. He was "so nice, and good looking too". But that was rock just finally being accepted, not the birth of.
  • daverock
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    Mr Heartbreak
    Thanks for the film clip of Bruce Cockburn. Some beautiful guitar playing-in fact the whole band is good. I've never heard Bob Dylan play like that!
  • garciaddicted
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    Rock 'N' Roll
    "I’ve stolen every lick he ever played", Keith Richards on Chuck Berry "The Shakespeare of rock 'n' roll", Bob Dylan on Chuck Berry "No group, be it Beatles, Dylan or Stones, have ever improved on 'Whole Lotta Shakin'' for my money.” John Lennon
  • frosted
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    Everybody knows who created rock and roll
    Hey hey with the Monkees! What I find odd though is that I cut my teeth on R&R in the late 60s and into the 70s. Back then, we called the 50s the oldies. Elvis, Jerry Lee, Fats Domino, Bill Haley, Buddy Holley, Chuck Berry, Little Richard, Eddie Cochrane, all those guys seemed ancient to us. Thinking about 30s and 40s music back then? Fuggettaboutit. What was that even? Musicians wearing suits with skinny ties, and huge brass bands with our grandparents swirling around the dance floors all dressed up? What gets me is that now the 60s and 70s are more than twice as long ago for today's kids as the 50s were for me, and that seemed pretty far back at the time. So the circle squares, and now I listen to more jazz from the 30s-60s than I do rock and roll from any era, the GOGD being one of the few exceptions. Get off of my lawn!
  • simonrob
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    This is not the place
    for intellectual discussions between non-intellectuals.
  • kyleharmon
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    you all need more Unicorn
    you all need more Unicorn Jesus in your lives and less of this Devil rock music.
  • Angry Jack Straw
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    Good Lord
    Such nonsense. My cat can cut and paste. Stop it. Dave. You disappoint. No knowledge of Bruce? I posted about him during the worthless doors/who tripe.
  • Angry Jack Straw
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    Good Lord
    Such nonsense. My cat can cut and paste. Stop it. Dave. You disappoint. No knowledge of Bruce? I posted about him during the worthless doors/who tripe.
  • Oroborous
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    Dear Butch, DS and Keithfan
    Sorry, I thought we were having a intellectual discussion about opposing theories, not trying to insult one another. So since I now feel insulted. I also feel I have to defend my self..... Please find Butch’s comments in quotes.... “Nobody even said the Beatles invented Rock n roll or coined the term, only that they brought it to life in front of the world. “ So the millions of folks for all the years before the Beatles did not enjoy RR, because it hadn’t yet been brought to life? Even though they did have some success; album sales, performances and quite a bit of airplay, RELETIVELY speaking? Because your statements could be interpreted that RR was such an underground, insignificant thing that not until the Beatles did it become well known? or “given birth” To me that’s an insult to all the men and women who actually made RR, long before the Beatles came along.... “The bottom line is that our generation DID witness the birth of rock and roll, and yes you can use the concept of birth, it's an appropriate form of symbolic language called personification. It's laughable that THAT part of the dicussion even came into question.” As I’ve politely stated, I agree with most of KF’s fine, articulate essay, just not this part. I’m imho, based on reading dozens of RR biographies, the only thing wrong with this is you could say all the same things about Chuck, only on a smaller scale...due to technological and cultural circumstances he had no control over. i understand your point just fine. You don’t need to insult me. Sorry to all you folks if this seems like I’m being snarky etc. Not trying to be, actually having a bit of fun participating in a verbal chess match, mental gymnastics, intellectual discourse etc. Used to stay up and party hard and do this sort of thing about authors, music, movies etc when I went back to collage in my thirties..... “The biggest reasons the Beatles gave birth to it, is 1)they were original,” And Chuck wasn’t? “2)they brought their brand to way more more people, WAY more people,(70 million people, come on now)” Never debated that, if you actually read my post, I ponder whether album sales and/or popularity alone is really a true distinction of what makes one relevant or not. I don’t believe album sales alone is. And comparing album sales from completely different technological and cultural times is like comparing apples to oranges....I’m sorry i obviously did not articulate my point well.. I don’t think that’s a fair, objective measure. “3)they influenced most of the bands that followed after (as well as the popular culture at large).” I have openly agreed with this statement throughout....? “Nobody else went on Ed Sullivan 1st and ushered in a movement in rock pop music. None of their predecessors did that.” Unfortunately I don’t know that much about the show, but I don’t believe in the fifties, a black man, with subversive lyrics was going to get a fair shot at a show of that prominence? I do think I recall reading that they did not want RR, but they felt they needed to make the show more current, to generate ratings, and because RR was already so prevalent in society, they needed to get with the times.....but please don’t quote me on that.....my memory is deteriorating rapidly... I also believe part of the reason Chuck received the airplay he did get, was many didn’t know he was black by his “sound” Another way for the suits to take “race music” and make it popuar with whites, so they could cash in. “They took what was out there, made it their own and in doing so TRANSFORMED rock and popular music. The bands that came after helped continue the movement,” Again, I’ve only supported this sentiment. But I also believe you could say the same, in a different way, about Berry et el... “but there's no question the Beatles brand came first.” This is where we disagree. Again, it’s an insult to all those who were oppressed and struggled through the early years of RR, so that eventually it was legitimized enough so the Beatles could explode and change the world! Kinda like the big brother or sister who breaks in the parents, so the younger siblings have an easier time.... “Millions of people latched on to to the Beatles, not Haley or Berry. “ So again, numbers are your criteria? Apples to Oranges.... “It was their mold that came first and endured” Not unless they had a time machine....sorry, that was snarky. I apologize! “Chuck Berry still hugely important and I love him to death, but he didn't do what the Beatles did” Never said he did. I repeatedly acknowledge that the Beatles were perhaps the greatest band of all time, influentially at least, if not more.... “that wasn't his role. His role may have been even better in the history of rock and roll as he influenced so many. That's not what this discussion was ever about. This discussion was about whether or not our generation was here to witness the birth of rock and roll.” Again, I understand perfectly what this is about. I’m sorry that because we disagree you feel I don’t understand your point, so much so that you have to insult my intelligence.... “The one excellent point I agree with is that Bob Dylan brought a brand that was equally important, but I don't think you could credit him with heralding in the rock movement.” No, not in and of itself, but one could argue that his innovations also had a unmeasurable influence on RR. Perhaps one of the few that came close to the Beatles level of influence? “Oborious, yes Chuck Berry was important and influenced many, but same thing, he wasn't the Beatles” Never said he was, only that he is constantly not given the credit myself, and more importantly, most of the RR elite all state in their books that he deserves, of which being credited as the true Father of RR is one. I believe Rolling Stone said something similar in their tribute to him? I’m sorry, but most of my personal belongings, including my RR library are currently in storage or I would stay up and provide references. . “You seem to be personally offended by all of this,” Not at all. I truly apologize to you, as well as everyone if that’s how this is coming across. I just think your making a generalized statement that ignores a huge block of actual history, which insults those who made it. By doing so, I don't think your theory is logical. “as you are making statements like what if Chuck has been white or what if Elvis wasn't in the right place at the right time. The discussion is about what is not what might have been or could have been. If the queen had balls she'd be king.” How can you not consider what America was like racially in the fifties, and how that would effect the success or failure of a black person? And to compare what a Fearless Black man did, during that repulsive time in our history; actually “give birth to”, basically a whole new cultural scene, and making it popular (sounds familiar?), with a group that did all the great things they did, in part, because of the foundation people like Mr Berry laid for them to build upon, only by comparing popularity or numbers? That’s like saying Miles Davis gave birth to Jazz with Kind of Blue, while all his predecessors, from decades before, did not? “I think where people are getting stuck in this dialogue is that they're feeling like the birth of rock and roll on the world scale should go to (pick your name) instead of the Beatles. There is no single person or band who invented rock and roll, but the Beatles did give birth to it in the larger world, and that was the only point that was being made along with the fact that we were here to witness it.” Sorry, agree with everything except the term birth. I have never disputed the rest. birth bərTH/Submit noun 1. the emergence of a baby or other young from the body of its mother; the start of life as a physically separate being. 1. give birth to (a baby or other young). "she had carried him and birthed him" “A physically SEPARATE being....” Your argument presupposes that the Beatles would be the parent, that gives birth to a new being... Mine presupposes that Chuck was the father that gave birth to the new being. The Beatles were that being when it fully matured, and became an adult force of nature....that went on to conquer the world, in part because of the DNA of the father.....now I may not be right, but I don’t think that’s so hard to follow is it? “V guy you're absolutely right the sensitivity scale is just beyond words. But one thing that is clear if you read through this discussion thread is that words our being misinterpreted even after clarifications are made. It's like there's no effort being made.” Touché my friend, no need to insult. Just because we don’t agree doesn’t mean I don’t understand, and that you need to insult me. You say “potAto”, I say “potaahto” And finally (I promise no more outta me anyway, hopefully I’ve made my point. Not looking to be “right” just properly understood. I don’t think you can fairly critique ones argument if you don’t properly understand it) So finally, I'd just like to state I’m sorry if I’ve bummed folks out. That was never my intent. Especially no bad vibes toward Keithfan. I thoroughly enjoy his articulate posts, and usually agree with like 98% of what he says. Think maybe I’ll just go away for a bit......”you know this space is getting hot” Peace!
  • snafu
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    Mr. Ones and FZ
    We can now shut down this site Mr Ones you have sumed up everyone here no matter what our other disagreements " Music is the Best"
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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WTF?? Couldn't you just have posted the link instead of the whole thing?
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Nothing like a little public self-therapy at the expense of others to build up an illusion of validity and relevance in otherwise pathetic, meaningless lives. So sorry for you brother(s). . .
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If only I could block Terrapin moon and shitderp. That's the real solution here, put a preference section that allows you to input usernames of people who's posts you don't want to see. JimInMD - f*** Terrapin Moon he IS shitderp. Correct me if I'm wrong dreading, but were you just shoving shitderps stupid video links to the bottom of the page? I noticed shitderp posted a couple this morning. Yesterday was nice when the f*** wad thought he was going to lose his account here and didn't post anything.
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This has been a public service message from Democracy Now.......Hopefully we can get back on course,I ignore EVERY troll. and just wait for the majority of folks who post fun, funny, interesting, demented, Etc. things. I'm pretty sure the government is not involved in the selection or release of ANY GD stuff. Peace......"Music is the Best"--FZ
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Not my scene, but it's hard not to feel bad for all involved in the Curveball fiasco. A lot of folks were really looking forward to that, and I have to say that if I, like so many folks, was already onsite waiting when the plug got pulled, AAAAGH! I'm sure something good will come of it all long term, if only in stories about where one was when the show got cancelled, but in the meantime, condolences to the Phish folks.
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8/22/93 8/21 and 22/93 was a whole lotta fun. I had "needed no rest" (wink wink, nudge nudge) the night of the 21st. In that state, I listened to Nirvana's Nevermind ("I'm on a plane, I can't complain", indeed), Led Zeppelin's Physical Graffiti, and other things, including Dead Set, which worked in that set and setting. the 22 started with a long Jack Straw due to Bobby's guitar malfunction during the tune. They vamped for quite a while. Help Slip Frank in set 2...yummy.
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saw a Netflix thing on TV last evening, a show with Steve Martin and Martin Short. very good entertainment. as I sat there, though, I realized my daughter must have thought we were like grandparents watching Lawrence Welk.
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Showitime has an EXCELLENT doc running now, If I Leave Here Tomorrow, about the history of the band HIGHLY recommended, even if you are not a big fan of theirs. These guys made some great music and were pretty down to earth. ALL they knew was music and they are not ashamed to admit it. Rock on
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For those arriving late, here's a quick summary of all forum members' opinions of Dave's Picks Volume 27.
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I heartily encourage you to listen to this show. extremely strong, powerful playing. yet another energetic Big Railroad Blues :)))
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my dog has no nose. "no nose? how does he smell?" bloomin' awful.
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Don't let this gem become a Dave's, it needs the Plangent processing to fully bring out that Betty goodness. https://archive.org/details/gd1977-02-26.sbd.cantor.deibert.83283.flac16 Grateful Dead Live at Swing Auditorium on 1977-02-26 Set 1 Terrapin Station 1st ever New Minglewood Blues They Love Each Other Estimated Prophet 1st Ever Sugaree Mama Tried Deal Playing In The Band -> The Wheel -> Playing In The Band Set 2 Samson And Delilah Tennessee Jed The Music Never Stopped Help On The Way -> Slipknot! -> Franklin's Tower The Promised Land Eyes Of The World -> Jam -> Dancing In The Street -> Around And Around Encore U.S. Blues Identifier gd1977-02-26.sbd.cantor.deibert.83283.flac16 Lineage 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk (Tim Deibert) Location San Bernardino, CA Source Betty Soundboard Taped by Betty Cantor Transferred by Jace and Tim Diebert
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This is not meant as a personal attack but maybe you should have read it and even acted on it. We, the US, got our ideas of the rights of man from the English but we went one step further and wrote it down. The British who have a long and proud history of a liberal constitution but with 2 major flaws. The Primacy of Parliament which givesthem the right to do anything. And a bill of rights that is ephemeral you can't see it therefor the official secrets act. That all said, on this side of the pond there are far too many people including judges willing to ignore Ben Franklin's warning. "Those who would trade liberty for security, deserve neither and will loose both. Me thinks we both need to study up on liberty we're losing it fast
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Not that grate of a song....But it sure got played a lot. They should have dropped Liberty and brought back Day Job. Seems Shirdipshit is trying to prove he’s the coolest kid on the playground. As a general rule of thumb, if you have to try that hard to prove how cool you are, you’re probably pretty much a douche.
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I actually like that song. "Ring that bell for whatever it's worth When Monday comes, don't forget about work By now you know that face on your dollar Got a thumb to its nose and a hand on your collar" those last two lines are so true
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don't feed (acknowledge) the trolls
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And so too, will this odd skirmish that's been going on around here lately. I would suggest, no one any longer antagonize anyone publicly, and, like a child, not getting the attention they crave they will just fade away. It's definitely not cool to hijack and spam these boards. How about, we offer amnesty, and you stop deliberately trying to hi-jack the page and annoy everyone. There must be a reason you were here in the first place - an interest in the Grateful Dead. So you do have some redeeming value as a human being. Why not revisit that, and give us some more classic, rare Jer photos. Something of value. Take my advice, and all is forgiven. \m/
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Pretty sad state of affairs for a man when he has to begin his remarks with "this is not meant to be a personal attack".
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....I would be on board 100% for that show. Plagent or not. Record it on Mayan stones. Just do it. Remember the days when we bantered about Jims time traveling John Deere? I do. I miss that lawn mower. I also recall sharing recipes. Because of food....because it was a beneficial topic.
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...the joyful namechecking of so many Paisley Underground/80s Americana bands. Thin White Rope, Mazzy Star/Opal, etc. Even in this internet/FB age, I don't read much recognition of my personal favorite bands (except the team we all gather here in shared adulation of...). Amidst the ugliness that has dominated these parts this week, another great band was brought up. I have been interested in posting a link to a mindblowing version of "Preaching The Blues". I couldn't find the recording as a YT vid, so I didn't. The band performing is is The Gun Club and their album Miami was linked to here recently.I HEARTILY endorse The Gun Club! Miami is their second album and far from their finest hour. Their first album, Fire Of Love is stunning and their later works are powerful records by a maturing singer/guitarist/songwriter (Jeffrey Lee Pierce) living a maverick life that killed him young. Great starting points are the live albums Dans Kalinda Boom (featuring the band's second major line up with Kid Congo/Congo Powers on the other guitar) or Live in Europe (featuring the band's main 90s line-up and a great song selection). and Daverock/Dogon/Simonrob: Julian Cope, quite good, eh? Favorite: Peggy Suicide or Interpreter? Or a different album? I don't normally bother with minor pleasantries here, but the times seem to call for them, so: Welcome back Dave Duryea and Doc. May Jfr's sabbatical be shorter than either of yours!
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....doh! Forgot about them. Seth knocked his knuckles on the side of my head and reminded me of them. So much music, so little time. And we ALL come here for the music. Psychotics besides....been on a female lead voice thing for a few days now. Fits like a glove. The fifty year olds of us appreciate the 80's. Chaffing the wheat. Big hair, coke, spandex and synth. I need Jim's mower.
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Fine.
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(is it too soon to say) "Get Off My Lawn You Damned Hippies"
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I agree-a brilliant album. I got this when it came out, and it seemed a really refreshing take on the blues. Most white blues bands I had heard up to that point seemed to rely on the virtuosity of lead guitarists-but The Gun Club adopted an irreverent punk attitude which emphasised speed and drama. The whole album is like a catalogue of short sharp shocks. Unfortunately, Miami was a massive let down, and I only heard one after that-The Las Vegas Story. By then they seemed like just another ordinary band. Maybe I got that wrong, and they returned to form later on. It was also through reading interviews with Jeffrey Lee Pierce that I came across the names of Son House and Charley Patton-who I still listen to. And lest it be forgot - Kid Congo/Congo Powers played with The Cramps on their Psychedelic Jungle album. Also a thumbs up for mentioning Julian Cope. But again it tends to be the earlier stuff he cut that I have heard-with The Teardrop Explodes. Their two albums are well worth hearing-Kilimanjaro and Wilder are both great - especially Kilimanjaro. Of the solo albums, the only one I remember hearing is one called "Fried"-which I liked at the time, but haven't heard since about 1989. There were a few good bands in Britain in the 1980s. Echo and the Bunnymen were alright - lead singer Ian McCulloch was in the same band with Julian Cope initially -"Ocean" may be their best album.But the absolute classic from that era, for me, is "Underwater Moonlight" by The Soft Boys. A tremendous Syd Barret inspired album. Leader Robyn Hitchcock went on to develop a solo career inspired by Barret-but the best thing he ever did that I have heard was "Underwater Moonlight". Yet another great album is "Chips off the Chocolate Fireball" by The Dukes of Stratosphere. Its a compilation featuring all of their brilliant EP and all their slightly less brilliant album. They were actually another band-XTC-who pretended to be a group called The Dukes..in order to make a psychedelic album. It works on every level.
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Having just read the posts on the other board about pressing charges, I wondered about the images which are shown down below on this board. Taken out of context, as the images are, they are a clear portrayal of child abuse. Which moves the whole debate into another, more serious area, in terms of breaking the law and the possible consequences of having done so.
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Check your PMs Then your email "This message will self-destruct in *seven* days"
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What happened to this musical messaage board?I don’t think we are in Kansas anymore Toto or is it the other way around :(
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I'm not really one for anniversaries-but 50 years ago today has come to my attention. Incidentally, I got my copy of Two From The Vaults back when it first came out, in the early 1990s. I've only just noticed that it was re-released, with the bonus tracks originally served up as extras on the earlier version of Anthem, added. So-is this upgrade of Two From The Vaults much better than the original version? It probably is, but I'd be interested in finding out for sure.
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...hope this helps you Grateful Dead: Jerry Garcia, Bob Weir (vocals, guitar); Ron "Pig Pen" McKernan (vocals, harmonica, keyboards); Phil Lesh (vocals, bass); Bill Kreutzmann, Mickey Hart (percussion). Engineers: Jeffery Norman, Don Pearson. Recorded live at The Shrine Auditorium, Los Angeles, California on August 23, 1968. Includes liner notes by Harper Barnes, "Maestro" Dan Healy and "Dr." Don Pearson. All tracks have been digitally remastered using HDCD technology. You want prime early Dead, you got it. The August '68 Shrine Auditorium concert captured on TWO FROM THE VAULT is the sort of gloriously extended jam-a-thon for which the Grateful Dead became famous. Multi-part pieces like "That's It for the Other One" are like miniature symphonies, with Garcia's guitar building devilish musical spirals around Phil Lesh's thunderous bass and the two-headed drum team's galloping poly-rhythms. The set's highlight, though, is when Ron "Pigpen" McKernan steps out front for easily the finest "Lovelight" the band's archives have officially released. Strutting like a jive-talking dandy, trading hollers with Bob Weir, and conducting the band's groove as though they were the JB's on acid, Pig demonstrates how he really was the Dead's original captain. As an encore to such raucous behaviour, the hall's custodians turn off the power just as the band starts hitting warp speed on "Morning Dew." Grateful Dead: Jerry Garcia, Bob Weir (vocals, guitar); Ron "Pig Pen" McKernan (vocals, harmonica, keyboards); Phil Lesh (vocals, bass); Bill Kreutzmann, Mickey Hart (percussion). Engineers: Jeffery Norman, Don Pearson. Recorded live at The Shrine Auditorium, Los Angeles, California on August 23, 1968. Includes liner notes by Harper Barnes, "Maestro" Dan Healy and "Dr." Don Pearson. All tracks have been digitally remastered using HDCD technology. You want prime early Dead, you got it. The August '68 Shrine Auditorium concert captured on TWO FROM THE VAULT is the sort of gloriously extended jam-a-thon for which the Grateful Dead became famous. Multi-part pieces like "That's It for the Other One" are like miniature symphonies, with Garcia's guitar building devilish musical spirals around Phil Lesh's thunderous bass and the two-headed drum team's galloping poly-rhythms. The set's highlight, though, is when Ron "Pigpen" McKernan steps out front for easily the finest "Lovelight" the band's archives have officially released. Strutting like a jive-talking dandy, trading hollers with Bob Weir, and conducting the band's groove as though they were the JB's on acid, Pig demonstrates how he really was the Dead's original captain. As an encore to such raucous behaviour, the hall's custodians turn off the power just as the band starts hitting warp speed on "Morning Dew." ...An expanded edition of the album, with a third CD, was released in 2007 featuring the three songs (from August 23, 1968) previously released as bonus tracks on the 2003 reissue of ‘Anthem of the Sun’ Two from the Vault was released by Light in the Attic Records as a four-disc vinyl LP on December 9, 2014 ..,I enjoy the 2007 CD mix very much. I would recommend this release to any Grateful Dead fan! Smile smile smile :) ..,same goes for the vinyl release... Grateful Dead: Jerry Garcia, Bob Weir (vocals, guitar); Ron "Pig Pen" McKernan (vocals, harmonica, keyboards); Phil Lesh (vocals, bass); Bill Kreutzmann, Mickey Hart (percussion). Engineers: Jeffery Norman, Don Pearson. Recorded live at The Shrine Auditorium, Los Angeles, California on August 23, 1968. Includes liner notes by Harper Barnes, "Maestro" Dan Healy and "Dr." Don Pearson. All tracks have been digitally remastered using HDCD technology. You want prime early Dead, you got it. The August '68 Shrine Auditorium concert captured on TWO FROM THE VAULT is the sort of gloriously extended jam-a-thon for which the Grateful Dead became famous. Multi-part pieces like "That's It for the Other One" are like miniature symphonies, with Garcia's guitar building devilish musical spirals around Phil Lesh's thunderous bass and the two-headed drum team's galloping poly-rhythms. The set's highlight, though, is when Ron "Pigpen" McKernan steps out front for easily the finest "Lovelight" the band's archives have officially released. Strutting like a jive-talking dandy, trading hollers with Bob Weir, and conducting the band's groove as though they were the JB's on acid, Pig demonstrates how he really was the Dead's original captain. As an encore to such raucous behaviour, the hall's custodians turn off the power just as the band starts hitting warp speed on "Morning Dew."
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12 years 5 months
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.......what the hell is going on here???
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13 years 4 months
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I had a dream last night that Dave's 28 was 12/5/79 Uptown Theater, and we FINALLY got a Shakedown Street in the series (I know, broken record... :) However, in the clear light of day, I now see that Dave's 28 will be Avalon Ballroom, 4/5/69, with all or the majority of 4/6/69 as bonus material in a wonderfully cleaned-up, pristine remastering. Finally, these past few days, my GD buddy and band-mate has encouraged me to jump ahead a little in This Day in GD History and play the 8/29 and 8/30/80 Philly Spectrum shows... Holy Frijoles, Batman! These shows are fantastic, and the SBDs available on LMA are great! I would love to see these taken, remastered, then released as a mini-box, a la RFK 89. 8/29/80 - https://archive.org/details/gd1980-08-29.sbd.miller.91694.flac16 (Great playing from all, a ton of passion! Rare 2nd set Let it Grow, great He's Gone>TOO>Drums>Space>Wharf Rat,... Check out Candyman, if nothing else...) 8/30/80 - https://archive.org/details/gd1980-08-30.sbd.munder.tetzeli.fix-8875-15… (Killer show top to bottom! One of the most rocking Cold Rains, Estimated jam is off the chain, and the post Space NFA>Black Peter, while commonplace, is exceptional! Jerry is on absolute FIRE!) If anyone is interested, PM me your email address and I can send one, or both, your way! Peace
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10 years
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I'll pay more attention to that Lovelight tonight. I've always thought of New Potato Caboose as being the highlight of this show. But its all good.
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17 years 2 months
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One was great, especially for its individual and historic natureThree is good, but not one off my favorite releases, but DOS has always rocked my boat! The songs, how they were played, sounds good, and yaasss, great Lovelight. But I’m with Daverock about that whole New Potatoe etc, still just blows me away. Phil on lead bass, phew, gives me chills just talkin bout it! I don’t have the rerelease. Is it worth the upgrade?
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10 years 1 month
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My other favorite Keith. The clip from 5:40 to 6:00 playing Christmas live is the darndest thing I've ever seen from a drummer.
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16 years
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He'd be a mere 72.The best professional Keith Moon type drummer there ever was. I liked Moonie's drumming on Pinball Wizard and the rest of the Tommy "rock opera." I was a Who fan before the Grateful Dead rammed their Truckin' single in my ears. The only time I saw The Who with Moon was at The Spectrum in December 1975.
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7 years 6 months
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I really appreciate the shout out to Moonie. What a nutter. Read a Keith Moon bio the next time you're bored. What an inspiration. I mean, what a damaged wasted life/amazing drummer rock legend. Reminds me of this great refrigerator magnet we have of like an early 1960s broad tossing her hair back, "I hate being bipolar. It's awesome!" I'm revisiting Steal Your Face. For all the shit thrown on it, I still hold it as one of the Grateful Dead's great performances. I'm not kidding, it's charming warts and overdubs and all. The backstory of how they had to throw this piece of shit together is great. Seriously, I love Steal Your Face. Beats the hell out of anything coming out from new bands today.
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13 years 9 months
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I gotta stick up for Steal Your Face, too. The first car I drove in high school just had an 8-track player and I only ever had 4 tapes for it: "Steal Your Face", Hunter's "Tiger Rose", "Cats Under the Stars", and Jefferson Airplane's "Bark". Those tapes were my driving soundtrack for a couple of years. I LOVED "Steal Your Face". It was the first I ever heard the mellow live sound of 74. The first I ever heard "Black Throated Wind" and "Sugaree". My first live "Stella Blue" and "Ship of Fools". It was the only live Dead I had from 73-74 and for me it was pure gold. "Steal Your Face", "Tiger Rose", and "Cats Under the Stars" all got heavy rotation, but "Bark", not so much, except for "Third Week in the Chelsea"- what a gem of a tune!
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