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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • Oroborous
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    Robots, dropouts, AUD’s, 28 and 77. DaP 2018
    I am not a robot....or am I??.....ancient alien theorists say YES!! Recent episode speculates that due to new DNA info found theorist believe we were injected long ago by aliens so that basically we’ve become organic robots! Woooooo- spooky lol DROPOUTS remeber folks, any recording is susceptible to dropouts anytime a musician adjusts their volume, especially if the person responsible for the recording is looking after other responsibilities etc. This could be especially true with WOS shows as there was no house mix at all, everything was controlled on stage by the band.....i.e., if say Jerry felt he was too loud and turned down, and no one adjusted tape levels accordingly, he would sound too low on the tape.... AUDS Also, as some have mentioned, drums and vocals (or other “acoustic”) instruments are often mixed louder than guitars that are often already significantly amplified. This is why as KG and others have suggested that matrix or very good AUD recordings can sound much more lifelike or “real” than soundboards..... PREDICTIONS 28: will repeat my predictions from months ago.... 28- will be something from 69-71, but not something that might end up as full treatment box shows...this era is definetly due, and most people like this era so it plays to the masses to end the year/subscription on a high note.... 29- will be 76. This year is also overdue, but it’s perhaps not as popular for some folks. Mellow dead for the winter doldrums.. Of course these too could get flipped so the 69-71 would be the new year/script carrot...in fact I think that makes more sense; 76 for 28 and a 69-71 for 29. 76 might be too divisive for some? 30: 79 is also overdue and gets enough mention here that the mob would not lynch ole Dave and CO. Don’t know the catalog well enough to pick informatively, but personally I think some combination of 1/10/79 and 1/20/79 would make a great spring/bonus release. Last Steve and Dark Stars for a while, as well as some other great nuggets. 1/20 has no Donna so has that historic/different variable. 31: some 91 or other post Brent 90s. (Since there has been a lot of 90 already).Another era that is due and has some great shows! Wild card could be some 89 that’s not multi-box worthy? Of course more 72 is always in play.... 32: will return to one of the BIG? Years or perhaps 69-71 or 91 if not covered earlier as these are certainly due. Wild cards any of the above except 79. I don’t think they would use something possibly divisive for the end of the year. Time will tell and as ole Jim says “I reserve the right to be comepletly wrong” ; )) 77; I know there is a rabid vocal majority that can’t get enough, but for THE REST OF US enough for a while...No offense meant to anyone or their personal tastes, but imho there are a significant number of us that would like to gather a well rounded collection of good shows, that sound decent. They all don’t have to be top shelf (where mama hides the cookies!) multi-trac pristine....MANY of us love ALL years worts and all. Just throwing it out there, no need to tell me how wrong I am and other negative condescension. We’ve all heard it enough ad nauseam! Like going in about fourwindsblow’s mere suggestion of a summer 85 box. To some, we like the dangerous, dirty dead. No one seems to complain about 60s stuff where they sometimes go for it but miss etc. and there are plenty of bad vocals (from all eras!) Some us of feel 85 was similar, that does not make us WRONG, just different than YOU! And like Jim said, Jerry’s voice gained a deep character that a 20 something doesn’t necessarily have. Sometimes it was painful, but some would say something’s actually sounded deeper and more emotional as his voice aged. This is why ALL eras are worth checking out!! You can just listen to something else if you don’t like certain eras. You don’t have to be negative and cut others down. Some asked how we felt about this years releases....I think they were all at least good. Know the 77 is not some folks top pick, but for a 77 I really liked that show. Personally liked the 71s better than last years (a little to white bread). I liked the 83 worts and all because it was something different and was from the year I was finally able to do more than just one off local type shows. Time will tell about 28 but I’m sure as usual Dave will not let us down. I agree though with KG that there should be different tiers or what not for releases. I.e., - Super premium Betty Boards etc, that they could charge more for to cover extra expenses and help fund other, less exconomicalky viable releases like - Doctored matrix and/or AUDs from 80s/90s. Low budget packaging/costs sort of like Dicks or Road trips, or even more so. Stuff that will never be used for Boxes etc. just spit em out so those that want can get something more than the same old stuff...Could do more frequently due to less costs/production etc - Continue Dave’s with his niche.. - Boxes: of course keep the big beautiful stuff coming aka PNW, E72, 69, 90, 89 etc. Don’t see why they couldn’t do this? Obviously there is currently demand, and as I’ve said before, they could choose/schedule run numbers AFTER they receive pre-order funds to maintain costs. You get 10,000 pre orders run that plus a few for late comers. Everybody wins....Big boxes and/or premium releases could still be “numbered”. That is All! Have a Grateful Day!
  • Kayak Guy
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    my grail show for 1991
    it' s only really a 2 disker, but with a little related filler to add the Playin they started the night before and then teased the Dark Star right before the Drums, it makes a nice 3 disk set. April 1, 1991 Greensboro Coliseum - Greensboro, NC SBD -> PCM Master CD1 Set 1: d1t01 - Jack Straw d1t02 - Peggy-O d1t03 - It's All Over Now d1t04 - Candyman d1t05 - Just Like Tom Thumb's Blues d1t06 - Picasso Moon d1t07 - Bird Song CD2 Set 2: d1t08 - China Cat Sunflower -> d1t09 - I Know You Rider d2t01 - Looks Like Rain disk 2 filler to finish off 3/31/91 2nd set from Dick's Pick 17 3. Playin' In The Band > (15:09) 4. Drums > (4:37) 1. Space > (15:20) small splice at 1:46 2. The Wheel > (5:41) 3. Around & Around > (7:51) 4. Johnny B. Goode (5:13) 5. Knockin' On Heaven's Door (8:40) CD3 d2t02 - Dark Star -> d2t03 - Drums -> d2t04 - Space -> d2t05 - Dark Star -> d2t06 - Playing reprise -> d2t07 - Black Peter -> d2t08 - Turn On Your Lovelight d2t09 - It's All Over Now, Baby Blue
  • MDJim
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    91 DATs
    I like the way some of those DATs sound. I wonder why we have seen relatively few shows released from this period. I like the sound quality of the Cal Expo and Shorelines shows from the Spring of '91. Cal expo is sans Hornsby though.. The Boston shows are really good, I am partial to 5/10/91 too but keep in mind I am a big Desolation Row fiend.. which I realize is not everyone's cup of tea. Still.. good point on 1991, we really should have seen a few more shows released from this period, some are quite good.
  • Kayak Guy
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    speculation for 28
    based on the other 2018 choices there is one noticeable absence in the set lists, Dark Star.to close out the year and boost interest in next year there should be a Dark Star on what ever they announce. either a Pigpen or Hornsby era one would be nice. given my lack of enthusiasm for non Plangent processed reels, i would hope for a cassette only Bear tape or one of the DATs from the 1991 tour. like this anniversary show from 27 years ago today. Boston Garden on 1991-09-26 https://archive.org/details/gd1991-09-26.sbd.miller.95534.sbeok.flac16 i wish they would stop wasting the recently returned reels on non Plangent processed releases like this series.
  • Born Cross Eye…
    Joined:
    Possible Dave's Picks 28
    My guess for DaP28: 6/22/76 Tower Theatre Upper Darby, PA (near Philly)Been there, done that, its one of my favorites.
  • Jason K
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    Poor Sound Quality
    Please help me understand how recordings from 1969 sound clear and pristine while recordings from the early 80's, such as DP27, sound horrible. Very disappointed in DP27. Thanks.
  • outpost
    Joined:
    Boston '69
    The Ark and Tea Party shows would make a fantastic box, to compliment the Fillmore Box. Much too good to be diluted as a DaP. Come on ... be bold !
  • novembereleven
    Joined:
    Enjoyed Mr. Jack Straw showing his work for the next pick
    Unfortunately the only ‘76 show I’d be really jazzed about is the 7-18-76. But that isn’t likely to happen as it is a multitrack recording that was used on the King Biscuit Flower Hour. So Dave said when the 7-17-76 show was released, that this excludes it from his show options. Such an epic show, certainly in my all time Top 20, in a year that rarely excites me too much.
  • MDJim
    Joined:
    Official Guess
    I am going with either 79, 80 or 91 as DaP 28 and either fall '72 or fall '71 as DaP 20 to kick off next year's subscription effort. Note: This guess is knowingly incorrect. I have the absolute worst track record at dead.net for sniffing out the next release.
  • wilfredtjones
    Joined:
    1976
    Any chance the returned reels would include the missing tape from 10-15-76? All I've heard from the end of that show is from an AUD source. It would be great if they found tapes from 2-27-77 or 6-4-77, too but chances are fewer that will happen. How about 2-6-79 Tulsa just for curiosity's sake, or more of Carbondale '79 (again, just for curiosity's sake). Speaking of '76, DP 33 might just be the most underrated from that series. Two complete shows in 1 release. That used to be nice and would happen more often: DP 20, 25, 29...
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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WTF?? Couldn't you just have posted the link instead of the whole thing?
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Nothing like a little public self-therapy at the expense of others to build up an illusion of validity and relevance in otherwise pathetic, meaningless lives. So sorry for you brother(s). . .
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If only I could block Terrapin moon and shitderp. That's the real solution here, put a preference section that allows you to input usernames of people who's posts you don't want to see. JimInMD - f*** Terrapin Moon he IS shitderp. Correct me if I'm wrong dreading, but were you just shoving shitderps stupid video links to the bottom of the page? I noticed shitderp posted a couple this morning. Yesterday was nice when the f*** wad thought he was going to lose his account here and didn't post anything.
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This has been a public service message from Democracy Now.......Hopefully we can get back on course,I ignore EVERY troll. and just wait for the majority of folks who post fun, funny, interesting, demented, Etc. things. I'm pretty sure the government is not involved in the selection or release of ANY GD stuff. Peace......"Music is the Best"--FZ
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Not my scene, but it's hard not to feel bad for all involved in the Curveball fiasco. A lot of folks were really looking forward to that, and I have to say that if I, like so many folks, was already onsite waiting when the plug got pulled, AAAAGH! I'm sure something good will come of it all long term, if only in stories about where one was when the show got cancelled, but in the meantime, condolences to the Phish folks.
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8/22/93 8/21 and 22/93 was a whole lotta fun. I had "needed no rest" (wink wink, nudge nudge) the night of the 21st. In that state, I listened to Nirvana's Nevermind ("I'm on a plane, I can't complain", indeed), Led Zeppelin's Physical Graffiti, and other things, including Dead Set, which worked in that set and setting. the 22 started with a long Jack Straw due to Bobby's guitar malfunction during the tune. They vamped for quite a while. Help Slip Frank in set 2...yummy.
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saw a Netflix thing on TV last evening, a show with Steve Martin and Martin Short. very good entertainment. as I sat there, though, I realized my daughter must have thought we were like grandparents watching Lawrence Welk.
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Showitime has an EXCELLENT doc running now, If I Leave Here Tomorrow, about the history of the band HIGHLY recommended, even if you are not a big fan of theirs. These guys made some great music and were pretty down to earth. ALL they knew was music and they are not ashamed to admit it. Rock on
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For those arriving late, here's a quick summary of all forum members' opinions of Dave's Picks Volume 27.
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14 years 9 months
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I heartily encourage you to listen to this show. extremely strong, powerful playing. yet another energetic Big Railroad Blues :)))
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14 years 9 months
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my dog has no nose. "no nose? how does he smell?" bloomin' awful.
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Don't let this gem become a Dave's, it needs the Plangent processing to fully bring out that Betty goodness. https://archive.org/details/gd1977-02-26.sbd.cantor.deibert.83283.flac16 Grateful Dead Live at Swing Auditorium on 1977-02-26 Set 1 Terrapin Station 1st ever New Minglewood Blues They Love Each Other Estimated Prophet 1st Ever Sugaree Mama Tried Deal Playing In The Band -> The Wheel -> Playing In The Band Set 2 Samson And Delilah Tennessee Jed The Music Never Stopped Help On The Way -> Slipknot! -> Franklin's Tower The Promised Land Eyes Of The World -> Jam -> Dancing In The Street -> Around And Around Encore U.S. Blues Identifier gd1977-02-26.sbd.cantor.deibert.83283.flac16 Lineage 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk (Tim Deibert) Location San Bernardino, CA Source Betty Soundboard Taped by Betty Cantor Transferred by Jace and Tim Diebert
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This is not meant as a personal attack but maybe you should have read it and even acted on it. We, the US, got our ideas of the rights of man from the English but we went one step further and wrote it down. The British who have a long and proud history of a liberal constitution but with 2 major flaws. The Primacy of Parliament which givesthem the right to do anything. And a bill of rights that is ephemeral you can't see it therefor the official secrets act. That all said, on this side of the pond there are far too many people including judges willing to ignore Ben Franklin's warning. "Those who would trade liberty for security, deserve neither and will loose both. Me thinks we both need to study up on liberty we're losing it fast
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Not that grate of a song....But it sure got played a lot. They should have dropped Liberty and brought back Day Job. Seems Shirdipshit is trying to prove he’s the coolest kid on the playground. As a general rule of thumb, if you have to try that hard to prove how cool you are, you’re probably pretty much a douche.
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I actually like that song. "Ring that bell for whatever it's worth When Monday comes, don't forget about work By now you know that face on your dollar Got a thumb to its nose and a hand on your collar" those last two lines are so true
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don't feed (acknowledge) the trolls
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And so too, will this odd skirmish that's been going on around here lately. I would suggest, no one any longer antagonize anyone publicly, and, like a child, not getting the attention they crave they will just fade away. It's definitely not cool to hijack and spam these boards. How about, we offer amnesty, and you stop deliberately trying to hi-jack the page and annoy everyone. There must be a reason you were here in the first place - an interest in the Grateful Dead. So you do have some redeeming value as a human being. Why not revisit that, and give us some more classic, rare Jer photos. Something of value. Take my advice, and all is forgiven. \m/
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Pretty sad state of affairs for a man when he has to begin his remarks with "this is not meant to be a personal attack".
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....I would be on board 100% for that show. Plagent or not. Record it on Mayan stones. Just do it. Remember the days when we bantered about Jims time traveling John Deere? I do. I miss that lawn mower. I also recall sharing recipes. Because of food....because it was a beneficial topic.
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...the joyful namechecking of so many Paisley Underground/80s Americana bands. Thin White Rope, Mazzy Star/Opal, etc. Even in this internet/FB age, I don't read much recognition of my personal favorite bands (except the team we all gather here in shared adulation of...). Amidst the ugliness that has dominated these parts this week, another great band was brought up. I have been interested in posting a link to a mindblowing version of "Preaching The Blues". I couldn't find the recording as a YT vid, so I didn't. The band performing is is The Gun Club and their album Miami was linked to here recently.I HEARTILY endorse The Gun Club! Miami is their second album and far from their finest hour. Their first album, Fire Of Love is stunning and their later works are powerful records by a maturing singer/guitarist/songwriter (Jeffrey Lee Pierce) living a maverick life that killed him young. Great starting points are the live albums Dans Kalinda Boom (featuring the band's second major line up with Kid Congo/Congo Powers on the other guitar) or Live in Europe (featuring the band's main 90s line-up and a great song selection). and Daverock/Dogon/Simonrob: Julian Cope, quite good, eh? Favorite: Peggy Suicide or Interpreter? Or a different album? I don't normally bother with minor pleasantries here, but the times seem to call for them, so: Welcome back Dave Duryea and Doc. May Jfr's sabbatical be shorter than either of yours!
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....doh! Forgot about them. Seth knocked his knuckles on the side of my head and reminded me of them. So much music, so little time. And we ALL come here for the music. Psychotics besides....been on a female lead voice thing for a few days now. Fits like a glove. The fifty year olds of us appreciate the 80's. Chaffing the wheat. Big hair, coke, spandex and synth. I need Jim's mower.
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Fine.
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(is it too soon to say) "Get Off My Lawn You Damned Hippies"
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I agree-a brilliant album. I got this when it came out, and it seemed a really refreshing take on the blues. Most white blues bands I had heard up to that point seemed to rely on the virtuosity of lead guitarists-but The Gun Club adopted an irreverent punk attitude which emphasised speed and drama. The whole album is like a catalogue of short sharp shocks. Unfortunately, Miami was a massive let down, and I only heard one after that-The Las Vegas Story. By then they seemed like just another ordinary band. Maybe I got that wrong, and they returned to form later on. It was also through reading interviews with Jeffrey Lee Pierce that I came across the names of Son House and Charley Patton-who I still listen to. And lest it be forgot - Kid Congo/Congo Powers played with The Cramps on their Psychedelic Jungle album. Also a thumbs up for mentioning Julian Cope. But again it tends to be the earlier stuff he cut that I have heard-with The Teardrop Explodes. Their two albums are well worth hearing-Kilimanjaro and Wilder are both great - especially Kilimanjaro. Of the solo albums, the only one I remember hearing is one called "Fried"-which I liked at the time, but haven't heard since about 1989. There were a few good bands in Britain in the 1980s. Echo and the Bunnymen were alright - lead singer Ian McCulloch was in the same band with Julian Cope initially -"Ocean" may be their best album.But the absolute classic from that era, for me, is "Underwater Moonlight" by The Soft Boys. A tremendous Syd Barret inspired album. Leader Robyn Hitchcock went on to develop a solo career inspired by Barret-but the best thing he ever did that I have heard was "Underwater Moonlight". Yet another great album is "Chips off the Chocolate Fireball" by The Dukes of Stratosphere. Its a compilation featuring all of their brilliant EP and all their slightly less brilliant album. They were actually another band-XTC-who pretended to be a group called The Dukes..in order to make a psychedelic album. It works on every level.
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Having just read the posts on the other board about pressing charges, I wondered about the images which are shown down below on this board. Taken out of context, as the images are, they are a clear portrayal of child abuse. Which moves the whole debate into another, more serious area, in terms of breaking the law and the possible consequences of having done so.
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Check your PMs Then your email "This message will self-destruct in *seven* days"
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What happened to this musical messaage board?I don’t think we are in Kansas anymore Toto or is it the other way around :(
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I'm not really one for anniversaries-but 50 years ago today has come to my attention. Incidentally, I got my copy of Two From The Vaults back when it first came out, in the early 1990s. I've only just noticed that it was re-released, with the bonus tracks originally served up as extras on the earlier version of Anthem, added. So-is this upgrade of Two From The Vaults much better than the original version? It probably is, but I'd be interested in finding out for sure.
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...hope this helps you Grateful Dead: Jerry Garcia, Bob Weir (vocals, guitar); Ron "Pig Pen" McKernan (vocals, harmonica, keyboards); Phil Lesh (vocals, bass); Bill Kreutzmann, Mickey Hart (percussion). Engineers: Jeffery Norman, Don Pearson. Recorded live at The Shrine Auditorium, Los Angeles, California on August 23, 1968. Includes liner notes by Harper Barnes, "Maestro" Dan Healy and "Dr." Don Pearson. All tracks have been digitally remastered using HDCD technology. You want prime early Dead, you got it. The August '68 Shrine Auditorium concert captured on TWO FROM THE VAULT is the sort of gloriously extended jam-a-thon for which the Grateful Dead became famous. Multi-part pieces like "That's It for the Other One" are like miniature symphonies, with Garcia's guitar building devilish musical spirals around Phil Lesh's thunderous bass and the two-headed drum team's galloping poly-rhythms. The set's highlight, though, is when Ron "Pigpen" McKernan steps out front for easily the finest "Lovelight" the band's archives have officially released. Strutting like a jive-talking dandy, trading hollers with Bob Weir, and conducting the band's groove as though they were the JB's on acid, Pig demonstrates how he really was the Dead's original captain. As an encore to such raucous behaviour, the hall's custodians turn off the power just as the band starts hitting warp speed on "Morning Dew." Grateful Dead: Jerry Garcia, Bob Weir (vocals, guitar); Ron "Pig Pen" McKernan (vocals, harmonica, keyboards); Phil Lesh (vocals, bass); Bill Kreutzmann, Mickey Hart (percussion). Engineers: Jeffery Norman, Don Pearson. Recorded live at The Shrine Auditorium, Los Angeles, California on August 23, 1968. Includes liner notes by Harper Barnes, "Maestro" Dan Healy and "Dr." Don Pearson. All tracks have been digitally remastered using HDCD technology. You want prime early Dead, you got it. The August '68 Shrine Auditorium concert captured on TWO FROM THE VAULT is the sort of gloriously extended jam-a-thon for which the Grateful Dead became famous. Multi-part pieces like "That's It for the Other One" are like miniature symphonies, with Garcia's guitar building devilish musical spirals around Phil Lesh's thunderous bass and the two-headed drum team's galloping poly-rhythms. The set's highlight, though, is when Ron "Pigpen" McKernan steps out front for easily the finest "Lovelight" the band's archives have officially released. Strutting like a jive-talking dandy, trading hollers with Bob Weir, and conducting the band's groove as though they were the JB's on acid, Pig demonstrates how he really was the Dead's original captain. As an encore to such raucous behaviour, the hall's custodians turn off the power just as the band starts hitting warp speed on "Morning Dew." ...An expanded edition of the album, with a third CD, was released in 2007 featuring the three songs (from August 23, 1968) previously released as bonus tracks on the 2003 reissue of ‘Anthem of the Sun’ Two from the Vault was released by Light in the Attic Records as a four-disc vinyl LP on December 9, 2014 ..,I enjoy the 2007 CD mix very much. I would recommend this release to any Grateful Dead fan! Smile smile smile :) ..,same goes for the vinyl release... Grateful Dead: Jerry Garcia, Bob Weir (vocals, guitar); Ron "Pig Pen" McKernan (vocals, harmonica, keyboards); Phil Lesh (vocals, bass); Bill Kreutzmann, Mickey Hart (percussion). Engineers: Jeffery Norman, Don Pearson. Recorded live at The Shrine Auditorium, Los Angeles, California on August 23, 1968. Includes liner notes by Harper Barnes, "Maestro" Dan Healy and "Dr." Don Pearson. All tracks have been digitally remastered using HDCD technology. You want prime early Dead, you got it. The August '68 Shrine Auditorium concert captured on TWO FROM THE VAULT is the sort of gloriously extended jam-a-thon for which the Grateful Dead became famous. Multi-part pieces like "That's It for the Other One" are like miniature symphonies, with Garcia's guitar building devilish musical spirals around Phil Lesh's thunderous bass and the two-headed drum team's galloping poly-rhythms. The set's highlight, though, is when Ron "Pigpen" McKernan steps out front for easily the finest "Lovelight" the band's archives have officially released. Strutting like a jive-talking dandy, trading hollers with Bob Weir, and conducting the band's groove as though they were the JB's on acid, Pig demonstrates how he really was the Dead's original captain. As an encore to such raucous behaviour, the hall's custodians turn off the power just as the band starts hitting warp speed on "Morning Dew."
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.......what the hell is going on here???
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13 years 5 months
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I had a dream last night that Dave's 28 was 12/5/79 Uptown Theater, and we FINALLY got a Shakedown Street in the series (I know, broken record... :) However, in the clear light of day, I now see that Dave's 28 will be Avalon Ballroom, 4/5/69, with all or the majority of 4/6/69 as bonus material in a wonderfully cleaned-up, pristine remastering. Finally, these past few days, my GD buddy and band-mate has encouraged me to jump ahead a little in This Day in GD History and play the 8/29 and 8/30/80 Philly Spectrum shows... Holy Frijoles, Batman! These shows are fantastic, and the SBDs available on LMA are great! I would love to see these taken, remastered, then released as a mini-box, a la RFK 89. 8/29/80 - https://archive.org/details/gd1980-08-29.sbd.miller.91694.flac16 (Great playing from all, a ton of passion! Rare 2nd set Let it Grow, great He's Gone>TOO>Drums>Space>Wharf Rat,... Check out Candyman, if nothing else...) 8/30/80 - https://archive.org/details/gd1980-08-30.sbd.munder.tetzeli.fix-8875-15… (Killer show top to bottom! One of the most rocking Cold Rains, Estimated jam is off the chain, and the post Space NFA>Black Peter, while commonplace, is exceptional! Jerry is on absolute FIRE!) If anyone is interested, PM me your email address and I can send one, or both, your way! Peace
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10 years 2 months
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I'll pay more attention to that Lovelight tonight. I've always thought of New Potato Caboose as being the highlight of this show. But its all good.
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17 years 4 months
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One was great, especially for its individual and historic natureThree is good, but not one off my favorite releases, but DOS has always rocked my boat! The songs, how they were played, sounds good, and yaasss, great Lovelight. But I’m with Daverock about that whole New Potatoe etc, still just blows me away. Phil on lead bass, phew, gives me chills just talkin bout it! I don’t have the rerelease. Is it worth the upgrade?
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10 years 3 months
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My other favorite Keith. The clip from 5:40 to 6:00 playing Christmas live is the darndest thing I've ever seen from a drummer.
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16 years 2 months
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He'd be a mere 72.The best professional Keith Moon type drummer there ever was. I liked Moonie's drumming on Pinball Wizard and the rest of the Tommy "rock opera." I was a Who fan before the Grateful Dead rammed their Truckin' single in my ears. The only time I saw The Who with Moon was at The Spectrum in December 1975.
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7 years 8 months
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I really appreciate the shout out to Moonie. What a nutter. Read a Keith Moon bio the next time you're bored. What an inspiration. I mean, what a damaged wasted life/amazing drummer rock legend. Reminds me of this great refrigerator magnet we have of like an early 1960s broad tossing her hair back, "I hate being bipolar. It's awesome!" I'm revisiting Steal Your Face. For all the shit thrown on it, I still hold it as one of the Grateful Dead's great performances. I'm not kidding, it's charming warts and overdubs and all. The backstory of how they had to throw this piece of shit together is great. Seriously, I love Steal Your Face. Beats the hell out of anything coming out from new bands today.
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13 years 11 months
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I gotta stick up for Steal Your Face, too. The first car I drove in high school just had an 8-track player and I only ever had 4 tapes for it: "Steal Your Face", Hunter's "Tiger Rose", "Cats Under the Stars", and Jefferson Airplane's "Bark". Those tapes were my driving soundtrack for a couple of years. I LOVED "Steal Your Face". It was the first I ever heard the mellow live sound of 74. The first I ever heard "Black Throated Wind" and "Sugaree". My first live "Stella Blue" and "Ship of Fools". It was the only live Dead I had from 73-74 and for me it was pure gold. "Steal Your Face", "Tiger Rose", and "Cats Under the Stars" all got heavy rotation, but "Bark", not so much, except for "Third Week in the Chelsea"- what a gem of a tune!
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