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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • unkle sam
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    9-2-83
    Just had a listen to this show yesterday. I like the way Wang Dang Doodle starts and slowly builds to start off the show, makes you think something really cool is about to happen. A lack luster first set except for the opener and that great Deal at the end. Second set not so hot either, the pre drums is kinda muddy, the drums is short and goes no where, the space is nice, but really doesn't build to anything either, the post drums with a "new song" delivered like a single, Throwing Stones gets so much better in the late 80's and into the 90's. All in all, I give this show a C average and certainly not the "stunner" it is advertised as. Sure hope the next pick is better than this one. I don't know if any of you were around in the 40's, I wasn't. But I think you can trace Rock and Roll all the way back to then, or even the 30's, or maybe the roaring 20's, hard to say. Of course, back then it was "Heathen" music, "Black" music and a thing that you kept your young children away from, "no son/daughter of mine is going to listen to some muggle smoking darkie music". Segregation was in full swing back then and Rock and Roll was a thing to be feared. It was, after all, youthful rebellion which happens in every generation, that put rock and roll on the map, back then, if our parents hated it, we loved it. There were a lot of us in the 60's and music meant something back then, it was our call to arms, our mantra, we actually thought that music and love could change the world. I'm not a historian nor do I know exactly when rock and roll got it "birth". Glad it did tho, sure was an uptight world full of lies and hate back then, wow, I just got a feeling like I've been here before. I think someone said that they had been following history for X years or some thing like that, gee, they should know ;) But can you believe them? Most that were around then are gone or are so old that they just can't remember, and I can relate to that, memories are very subjective and history books can be distorted, or rewritten. I have had a conversation or two with my 93 year old mother-in-law who was a music teacher all thru the late 50's, 60's and 70's. When she is able to, she remembers rock and roll as a bad thing, one that was openly discouraged and frowned upon, until that "nice gospel singing hill billy" came around. He was "so nice, and good looking too". But that was rock just finally being accepted, not the birth of.
  • daverock
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    Mr Heartbreak
    Thanks for the film clip of Bruce Cockburn. Some beautiful guitar playing-in fact the whole band is good. I've never heard Bob Dylan play like that!
  • garciaddicted
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    Rock 'N' Roll
    "I’ve stolen every lick he ever played", Keith Richards on Chuck Berry "The Shakespeare of rock 'n' roll", Bob Dylan on Chuck Berry "No group, be it Beatles, Dylan or Stones, have ever improved on 'Whole Lotta Shakin'' for my money.” John Lennon
  • frosted
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    Everybody knows who created rock and roll
    Hey hey with the Monkees! What I find odd though is that I cut my teeth on R&R in the late 60s and into the 70s. Back then, we called the 50s the oldies. Elvis, Jerry Lee, Fats Domino, Bill Haley, Buddy Holley, Chuck Berry, Little Richard, Eddie Cochrane, all those guys seemed ancient to us. Thinking about 30s and 40s music back then? Fuggettaboutit. What was that even? Musicians wearing suits with skinny ties, and huge brass bands with our grandparents swirling around the dance floors all dressed up? What gets me is that now the 60s and 70s are more than twice as long ago for today's kids as the 50s were for me, and that seemed pretty far back at the time. So the circle squares, and now I listen to more jazz from the 30s-60s than I do rock and roll from any era, the GOGD being one of the few exceptions. Get off of my lawn!
  • simonrob
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    This is not the place
    for intellectual discussions between non-intellectuals.
  • kyleharmon
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    you all need more Unicorn
    you all need more Unicorn Jesus in your lives and less of this Devil rock music.
  • Angry Jack Straw
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    Good Lord
    Such nonsense. My cat can cut and paste. Stop it. Dave. You disappoint. No knowledge of Bruce? I posted about him during the worthless doors/who tripe.
  • Angry Jack Straw
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    Good Lord
    Such nonsense. My cat can cut and paste. Stop it. Dave. You disappoint. No knowledge of Bruce? I posted about him during the worthless doors/who tripe.
  • Oroborous
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    Dear Butch, DS and Keithfan
    Sorry, I thought we were having a intellectual discussion about opposing theories, not trying to insult one another. So since I now feel insulted. I also feel I have to defend my self..... Please find Butch’s comments in quotes.... “Nobody even said the Beatles invented Rock n roll or coined the term, only that they brought it to life in front of the world. “ So the millions of folks for all the years before the Beatles did not enjoy RR, because it hadn’t yet been brought to life? Even though they did have some success; album sales, performances and quite a bit of airplay, RELETIVELY speaking? Because your statements could be interpreted that RR was such an underground, insignificant thing that not until the Beatles did it become well known? or “given birth” To me that’s an insult to all the men and women who actually made RR, long before the Beatles came along.... “The bottom line is that our generation DID witness the birth of rock and roll, and yes you can use the concept of birth, it's an appropriate form of symbolic language called personification. It's laughable that THAT part of the dicussion even came into question.” As I’ve politely stated, I agree with most of KF’s fine, articulate essay, just not this part. I’m imho, based on reading dozens of RR biographies, the only thing wrong with this is you could say all the same things about Chuck, only on a smaller scale...due to technological and cultural circumstances he had no control over. i understand your point just fine. You don’t need to insult me. Sorry to all you folks if this seems like I’m being snarky etc. Not trying to be, actually having a bit of fun participating in a verbal chess match, mental gymnastics, intellectual discourse etc. Used to stay up and party hard and do this sort of thing about authors, music, movies etc when I went back to collage in my thirties..... “The biggest reasons the Beatles gave birth to it, is 1)they were original,” And Chuck wasn’t? “2)they brought their brand to way more more people, WAY more people,(70 million people, come on now)” Never debated that, if you actually read my post, I ponder whether album sales and/or popularity alone is really a true distinction of what makes one relevant or not. I don’t believe album sales alone is. And comparing album sales from completely different technological and cultural times is like comparing apples to oranges....I’m sorry i obviously did not articulate my point well.. I don’t think that’s a fair, objective measure. “3)they influenced most of the bands that followed after (as well as the popular culture at large).” I have openly agreed with this statement throughout....? “Nobody else went on Ed Sullivan 1st and ushered in a movement in rock pop music. None of their predecessors did that.” Unfortunately I don’t know that much about the show, but I don’t believe in the fifties, a black man, with subversive lyrics was going to get a fair shot at a show of that prominence? I do think I recall reading that they did not want RR, but they felt they needed to make the show more current, to generate ratings, and because RR was already so prevalent in society, they needed to get with the times.....but please don’t quote me on that.....my memory is deteriorating rapidly... I also believe part of the reason Chuck received the airplay he did get, was many didn’t know he was black by his “sound” Another way for the suits to take “race music” and make it popuar with whites, so they could cash in. “They took what was out there, made it their own and in doing so TRANSFORMED rock and popular music. The bands that came after helped continue the movement,” Again, I’ve only supported this sentiment. But I also believe you could say the same, in a different way, about Berry et el... “but there's no question the Beatles brand came first.” This is where we disagree. Again, it’s an insult to all those who were oppressed and struggled through the early years of RR, so that eventually it was legitimized enough so the Beatles could explode and change the world! Kinda like the big brother or sister who breaks in the parents, so the younger siblings have an easier time.... “Millions of people latched on to to the Beatles, not Haley or Berry. “ So again, numbers are your criteria? Apples to Oranges.... “It was their mold that came first and endured” Not unless they had a time machine....sorry, that was snarky. I apologize! “Chuck Berry still hugely important and I love him to death, but he didn't do what the Beatles did” Never said he did. I repeatedly acknowledge that the Beatles were perhaps the greatest band of all time, influentially at least, if not more.... “that wasn't his role. His role may have been even better in the history of rock and roll as he influenced so many. That's not what this discussion was ever about. This discussion was about whether or not our generation was here to witness the birth of rock and roll.” Again, I understand perfectly what this is about. I’m sorry that because we disagree you feel I don’t understand your point, so much so that you have to insult my intelligence.... “The one excellent point I agree with is that Bob Dylan brought a brand that was equally important, but I don't think you could credit him with heralding in the rock movement.” No, not in and of itself, but one could argue that his innovations also had a unmeasurable influence on RR. Perhaps one of the few that came close to the Beatles level of influence? “Oborious, yes Chuck Berry was important and influenced many, but same thing, he wasn't the Beatles” Never said he was, only that he is constantly not given the credit myself, and more importantly, most of the RR elite all state in their books that he deserves, of which being credited as the true Father of RR is one. I believe Rolling Stone said something similar in their tribute to him? I’m sorry, but most of my personal belongings, including my RR library are currently in storage or I would stay up and provide references. . “You seem to be personally offended by all of this,” Not at all. I truly apologize to you, as well as everyone if that’s how this is coming across. I just think your making a generalized statement that ignores a huge block of actual history, which insults those who made it. By doing so, I don't think your theory is logical. “as you are making statements like what if Chuck has been white or what if Elvis wasn't in the right place at the right time. The discussion is about what is not what might have been or could have been. If the queen had balls she'd be king.” How can you not consider what America was like racially in the fifties, and how that would effect the success or failure of a black person? And to compare what a Fearless Black man did, during that repulsive time in our history; actually “give birth to”, basically a whole new cultural scene, and making it popular (sounds familiar?), with a group that did all the great things they did, in part, because of the foundation people like Mr Berry laid for them to build upon, only by comparing popularity or numbers? That’s like saying Miles Davis gave birth to Jazz with Kind of Blue, while all his predecessors, from decades before, did not? “I think where people are getting stuck in this dialogue is that they're feeling like the birth of rock and roll on the world scale should go to (pick your name) instead of the Beatles. There is no single person or band who invented rock and roll, but the Beatles did give birth to it in the larger world, and that was the only point that was being made along with the fact that we were here to witness it.” Sorry, agree with everything except the term birth. I have never disputed the rest. birth bərTH/Submit noun 1. the emergence of a baby or other young from the body of its mother; the start of life as a physically separate being. 1. give birth to (a baby or other young). "she had carried him and birthed him" “A physically SEPARATE being....” Your argument presupposes that the Beatles would be the parent, that gives birth to a new being... Mine presupposes that Chuck was the father that gave birth to the new being. The Beatles were that being when it fully matured, and became an adult force of nature....that went on to conquer the world, in part because of the DNA of the father.....now I may not be right, but I don’t think that’s so hard to follow is it? “V guy you're absolutely right the sensitivity scale is just beyond words. But one thing that is clear if you read through this discussion thread is that words our being misinterpreted even after clarifications are made. It's like there's no effort being made.” Touché my friend, no need to insult. Just because we don’t agree doesn’t mean I don’t understand, and that you need to insult me. You say “potAto”, I say “potaahto” And finally (I promise no more outta me anyway, hopefully I’ve made my point. Not looking to be “right” just properly understood. I don’t think you can fairly critique ones argument if you don’t properly understand it) So finally, I'd just like to state I’m sorry if I’ve bummed folks out. That was never my intent. Especially no bad vibes toward Keithfan. I thoroughly enjoy his articulate posts, and usually agree with like 98% of what he says. Think maybe I’ll just go away for a bit......”you know this space is getting hot” Peace!
  • snafu
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    Mr. Ones and FZ
    We can now shut down this site Mr Ones you have sumed up everyone here no matter what our other disagreements " Music is the Best"
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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Of course, Live Dead D-Star is amazing, so so familiar, too, from back in the day. My favorite, though, has gotta be 8/24/72- just a couple shows before Veneta. First heard that D-Star->Dew on a dead hour so many years ago....amazing stuff. Interesting that Phil recalls that Boise show, huh? And you're right, not so much for the show as for the time period, etc. He's definitely amped for that one, as you can no doubt tell from his opening "announcement."
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2/27/69 (Live/Dead version) is etched in my soul due to the sheer number of times I've heard it in my life but it's still a little undeveloped for me to call it the best. 2/13/70 is the best Dark Star of all time. Rounding out my top 5 would be: 4/8/72 9/21/72 5/11/72 8/27/72 There are obviously several great 73-74 versions of this song (the one on Dave's Picks 9 in particular), but 72 was the peak for me when it comes to Dark Star.
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I can't imagine picking the best 68-74 DStar! 2/13/70, 5/11/72, 8/27/72? Yes! But all the others are great too! I do think DStar is THE song that epitomizes "The Grateful Dead". So, what about the 80s/90s DStars? There's: Oakland Auditorium 12/31/81 Greek Theater, Berkeley 7/13/84 (probably the weakest pre-92 DStar) Hampton 10/9/89 The big return. I dig it! Brendan Byrne 10/16/89 Miami 10/26/89 My personal fave of this period. Oakland 12/31/89 Nassau 3/29/90 Washington, D.C. 7/12/90 My second favorite. (8 with Brent, 5 released officially) NYC 9/20/90 Berlin 10/20/90 London 11/1/90 Denver 12/12/90 Denver 12/14/90 (part 2 of 12/12) Oakland 12/31/90 Greensboro 4/1/91 RFK, Washington, D.C. 6/14/91 Giants 6/17/91 Chicago 6/22/91 Denver 6/28/91 (really just a tease) Shoreline 8/16/91 Shoreline 8/17/91 (part 2 of 8/16) Richfield 9/6/91 (really just a tease) MSG, NYC 9/8/91 MSG, NYC 9/10/91 Boston Garden 9/24/91 Boston Garden 9/26/91 Oakland 10/31/91 Landover 3/9/92 Hamilton, Ontario 3/20/92 Richfield 6/8/92 Charlotte 6/18/92 Pittsburgh 6/22/92 Oakland 12/12/92 Oakland 12/16/92 Landover 3/17/93 Deer Creek 6/23/93 Philadelphia 9/13/93 MSG, NYC 9/22/93 Rosemont 3/16/94 Atlanta 3/30/94 (approx 27 with Vince, 4 released) The 92-94 DStars are all under 15 minutes (12/12/92 is 18 minutes, but in 2 parts). Even with the 80s/90s DStars, my favorites are really just ones that I am more familiar with or heard before my memory bank space for "fave DStar dates" filled up.
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Ditto
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...it's been a while...thought I would repost this one from a few years back, while on the subject of this majestic monster... 4/8/1972 - Wembly Empire Pool, London - 32 mins; intense/fast paced first leg up til about 10 mins then returns to DS theme for 1st verse; spacey post-verse til ~17 min, then pace picks up for a few minutes, followed by a brief meltdown; additional spaciness around 24 mins followed by another full meltdown; interesting groove established around 28 min that has hints of Sugar Mag (into which it segues, flawlessly). No second verse. 4/14/1972 - Tivoli Concert Hall, Copenhagen, DK - 29 mins; loose first 10 mins not overly spacey; gets spacey around 11 mins; interesting groove establishes around 16 min to head into first verse w/interesting beat; heads off into intense nearly 7-minute jam inclusive of a very tight and fast Feelin Groovy jam; final 3 minutes are a meltdown. No second verse. 4/17/1972 - Tivoli Concert Hall, Copenhagen, DK - 31 mins; spacey opening to about 7:30 when first DS theme emerges leading to 1st verse at 9:45. Spacey post-2nd verse tries to take off but melts further around 19 min; returns to a partial groove around 24:30 and closes out with spaceyness in the last 2 mins. No second verse. 4/24/1972 - Rheinhalle, Dusseldorf, Germany - Split by Me & My Uncle; 26 mins 1st half, 14:30 second half. Spacey opening until about 8:45 where it coalesces and falls into first DS theme around 10:15 followed shortly by 1st verse with slow, sparse notes. Spacey feedback following verse until 15:45 and then picks up into an intense, fast paced jam for just under 2 minutes before it becomes dissonant again leading to major meltdown which eventually heads into Me & My Uncle with ease. Second half: spacey reintroduction persists until about 7 mins, where Keith leads-in with some piano phrasing and then the band follows into a tight fast paced jam where Jerry plays some lines back and forth as if in conversation with himself and then maintains an intense level effortlessly segueing into Wharf Rat. No second verse. 4/29/1972 - Musikhalle, Hamburg, Denmark - 30 mins; spacey opening for ~5 mins, then enters a groove and Phil hints at the Feeling Groovy jam until it finally is joined by Jerry a minute later until about 8:00, then the floor drops out into space. DS theme appears at 14 min which leads to first verse. Spacey post-verse noodling leads to major meltdown, settling in at 22 mins with a fat, fast-paced Keith-led groove. Final 4 mins are spacey & lead to major melt #2, dropping into Sugar Mag as DS finally melts away. No second verse. 5/4/1972 - Olympia Theatre, Paris - Split by drums; 19 mins 1st half; 17:34 2nd half. Spacey opening til about 6 mins when fast paced jam kicks in until 11:20, slowing down then resurrecting the DS theme into the first verse. 4 mins of space leads into drums. Second half post-drums is very spacey until 7 mins, then kicks into overdrive with a very high energy jam leading to a phenominal Feelin Groovy Jam for several minutes before settling into the second verse. DS dissipates into the Sugar Mag from E'72. 5/7/1972 - Bickershaw Festival, Wigan, UK - 19:49 mins; decent, coherent jamming for the first several minutes that congeals nicely around 8 minutes. Bottom falls out around 10 mins and leads to some light noodling, cymbal fills and space. DS theme emerges at 14:23 and heads into 1st verse. Space fills the air through the remainder of the song until it totally breaks down into drums. No second verse. 5/11/1972 - Rotterdam Civic Hall, Netherlands - Split by drums; 13:45 mins 1st half; 30:34 mins 2nd half; Opens with a light, airy jam that persists to congeal into a decent groove as it treads in and out of spacey phrasing. This settles into a mysterious sounding jam that grows with intensity without a return to the DS theme before dissolving into drums. Emerging from drums, Phil and Billy duel for 2 minutes before Jerry joins back in with some complimentary thoughts; the DS theme appears around 5 min followed by 1st verse. A few moments of spacey feedback give way to spacey noodling that devolves into a full blow chaotic meltdown, only to emerge around 19:30 into a very nice, fast paced groove that hints at Caution and PITB jams. This eventually dissolves and a light, sparse outro ends the song as it heads off into Sugar Mag. No second verse. 5/18/1972 - Kongressaal, Muenchen, Denmark - 28:20 mins; almost 2 mins of noodling before opening notes from Phil; a loose jam ensues around the DS theme for the next several minutes and then decays. At ~9 min an interesting jam emerges, which eventually settles back into the DS theme and 1st verse around 14:30. The remainder of this DS is borderline chaos as it treads in and out of varying degrees of a meltdown until it settles into Morning Dew. No second verse. 5/23/1972 - The Strand Lyceum, London - 30 mins; Spacey opening minutes lead to tight fast paced jam commencing around 3:30 for two minutes and then it settles into another spacey jam digressing to almost…nothing. Billy and Phil then have a small duel until ~13:30 when the rest of the band fills back into a delicate groove which grows to into a jam reminiscent of the post-Truckin' foray from E'72 until about 17 mins, when they drop into the DS theme and 1st verse. Ensuing is additional delicate spaciness that transgresses into a frenzied meltdown madness, and eventually settles into Morning Dew. No second verse. 5/25/1972 - The Strand Lyceum, London - 34 mins, out of Wharf Rat. Strong opening with a groove almost from the beginning, no noodling around here in the first 7 minutes. Then turns very spacey until 15 mins when DS theme appears, and heads off into 1st verse. Post-verse finds a Billy, Phil, and Keith duel for several minutes. At 21 mins, Phil institutes a mellow Feeling Groovy jam, soon joined by the rest of the band until ~25 mins. Final minutes are dominated by space and then a monumental meltdown before heading off into Sugar Mag. No second verse. 4/14 and 5/4 do it for me... Hope all are Well in Deadland. Sixtus
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I like this list. Adding 10/31/71 and 2/18/71 (including the Wharf Rat and Beautiful Jam sandwich because you can't yank them out). That's one late era DS list, Seth. I question whether I have even listened to them all??? Sounds like a project.
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Daawwwwkkkk Staaar Jeeeerrrryy! So many DS’s, so little time, sigh...2/27/Live Dead has to rank on anyone’s list, no? Gotta love 4/8, hell all E72, especially that 5/11/72, and yaaasss, 8/27/72 even with pole guy! Personally I love the big spacey ones the best, but I never met one I didn’t love!! All y’all have turned me on to some nice, relatively, shorter ones also, like when you don’t have all day but you need a taste o the Star... Really like 10/19/73, hell that whole show just keeps getting better and better for me. SETH, great list. Made me realize I’ve seen besides 1/20/79; - 10/9/89 - 9/6/91 - 3/20/92 and - 6/22/92. Hey I know, not 72-74 quality, but better than a sharp stick in the eye, or a pesky troll up our arse ; ) KAYAK GUY, SIMONROB etc, thanks for the great Bonus list. Like others here I’m awaiting a Real Gone order, including V4 #3 and hoping it would have that 12/6/73... I believe I read here awhile back that these rereleased versions don’t have bonus discs, so won't hold my breath. Really jonesing for that 12/6/73 since those last ten shows of 73 are a bit grail like for me....when are we going to get the other FLA show/DS? JIM; 83. I don’t know, I’ve always really dug that 10/14/83 show, not so much the release. I know I’m extremely biased by being at the show etc. I used to think it was one of my top shows, or at least experiences at a show, (lights, sound, band, us, everyone seemed to be “on” that night) I like the Dicks well enough, but it, like 3/27/88 DL just doesn’t really transpose or come through to me. If I hadn’t been at the shows I wouldn’t know the difference. They just don’t seem to really represent to me anyway, how good these shows were.... I wonder if any one else has experienced this with any releases they attended?
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I've noticed considerable differences between shows I've attended, and the live recordings of them I've heard after the event. Not so much for the Dead, but for many bands. It might be fair to say that a live recording bears the same relationship to the show being recorded, as a photograph does to the object or person being photographed. Thinking about the few Dead shows I have seen and then heard - the recording of the one at Halloween in 1990 at Wembley actually sounded like a better show to me on tape than it did when I was there. When I was there, my mental state and position in the hall-to the far right looking down-on Bruce's side of the stage-interfered with my perception of what was going on. Bruce's piano sounded about 4 times as loud as everything else to me-but on the tape I later heard it seemed mixed in more appropriately.
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That's a great post-thanks. Also a helpful list of post 1989 Stars, form Seth.
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I’ve had that to, show memory is meh, than you hear a decent recording and your like wow.It’s funny how the experiential factors bias us so much, even so many years later..... The piano volume you mentioned was probably due to the hard stereo panning Healy used. I remember Bear always bitching about that and other unwanted side effects of going stereo versus mono point like the wall. But that’s a whole nother looong item that one can look up if interested....
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I like your spirit.. nothing wrong with standing up for what you like.. and you certainly have a valid reason. It could simply be that of the three, Boise was the last one I listened to. On a weird tangent.. not sure if there are any fans of the Freak Brothers out there.. but I just let my cat in from the sweltering heat wave we seem to be in the middle of. One of the revolving Freak Brothers jokes was if you mistreated Fat Freddie's Cat, he would poop in your shoes when you weren't looking. My cat, Bagheera, just tossed her cookies in my birks when I wasn't looking. I'm sure I did something to deserve this, perhaps dissing one show in favor of another? Karma. Certainly made me chuckle.
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Speaking of, check this version out by RW2C- vintage 99: https://www.jambase.com/article/robert-walters-20th-congress-covers-gra… Lovin’ it! Robert Walter: “This is an old recording from 1999 during pre-production for my album Money Shot. We used to play “Dark Star” at the early 20th Congress gigs. It was a good vehicle for long improvisations and actually reminded me of a lot of the jazz and funk records I was listening to. Cheme’s electric sax adds some Eddie Harris influence to it. I didn’t really know too much the Grateful Dead at the time, despite my parents putting them on quite a bit. Playing this song was a gateway for me to get into their vast and unique catalog. I included this to add a little perspective to what I’m doing now.”
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If your cat is seeking revenge, check your headphones before putting them on!
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I have just remembered a sequence in the Dead Movie where Jerry describes a similar feeling about live performance to the one I was trying to decsribe. I think he was talking about the 2/14/68 show, and he describes feeling really disappointed with the performance, and angry with Phil-even throwing him downstairs after the show-only to hear a tape of the show later, and recognise that it was "crackling with energy"-if memory serves me well.
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Daverock, perfect example! Jim, remeber what fat Freddie says, “getting drunk, theeen getting high is like pissing in the wind” Aaah, good ole Gilbert Shelton. Shakedown Street cover artist! Actually have some T-shirt’s by him that my buddy from Austin gave me. Something like “has everyone gone crazy except you and me” Have one copy of T,F.F.B. comix stashed away somewhere? Actually picked it up in a head shop in Virginia Beach during the Hampton run one year. You know, typical dumb ass northerner “it’ll be warm at the beach, it’s march!” Like it’s Fla or something lol idiots! Yeah the last story ended with some wild bonfire debauchery with everyone dancing in a circle round the fire signing “let’s all get drunk and naked, let’s all get drunk and naked, let’s all get drunk and nakeeeeed..... and lie in a great big pile”...which is reasonable ; )
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A bit belatedly, I've noticed that the Dark Star from 4/5/72 from Paris is available on vinyl. Its still possible, just about, to get a copy, so I am hovering. I wondered, if anyone has it, if it has much better-or different-sound to the one on the cd.
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Earlier I listed my top 5 dark stars, none of which appear past 1972 (though as mentioned, there are plenty of great ones in 73 and 74). I loved the late era list as well. However, I think the last "great" dark star came on 10/18/74. While there were really cool or fun or historically significant dark stars post hiatus (NYE 78, 84 encore, 89 breakout, and first one with Branford Marsalis), none of them really blow me away the way the pre-hiatus one do. As much as I love 80s-90s dead, those dark stars were always more cool than great if that makes sense. If anyone can recommend a version that might change my mind I'm all ears! Forgot to mention...loved that Europe 72 Dark Star breakdown! I'd love to see one for The Other One as well. As much as I love the dark stars from that tour, some of the versions of TOO are absolute all-timers...
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Yes, again.. ditto. How could we forget that one. I will toss in 11/8/69 for good measure, but it's the UJB, Eleven, Caution that sizzle in the Dark Star dominated suite (they come in and out of three times that night). We could probably go on with this well into the fall. There are still quite a few out there I have not even listened to yet.. Didn't somebody out there say So Many Dark Stars, So Little Time? So true. Dark Star - Played 231 times. The Other One - Played 587 times.
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if you have a 12 hour fight or insomnia this is a handy composite of 1972 Dark Stars. sort of like Greyfolded without the folds. https://archive.org/details/DarkStar_1972 Version 2: This is V2 of the original 10 hour 1972 Dark Star mix. It has the following benefits over the V1 mix: better mixing - I reviewed every cross fade and adjusted many correct order - a listener pointed out that the V1 had some out of order added missing Dark Stars - added 4 of the 5, one was very poor in quality and not included 10/23/1972. includes Verse 2 vocals 1hr 42min longer! Playlist: 3/23/1972 New York [includes Verse 1] 4/8/1972 London 4/14/1972 Copenhagen 4/17/1972 Copenhagen 4/24/1972 Dusseldorf 4/29/1972 Hamburg 5/4/1972 Paris 5/7/1972 Wigan 5/11/1972 Rotterdam 5/18/1972 Munich 5/23/1972 - London 5/25/1972 - London 7/18/1972 Jersey City 7/26/1972 Portland 8/21/1972 Berkeley 8/24/1972 Berkeley 8/27/1972 Veneta 9/10/1972 Hollywood 9/16/1972 - Boston 9/21/1972 Philadelphia 9/24/1972 - Waterbury 9/27/1972 Jersey City 10/18/1972 St. Louis not included 10/23/1972 10/26/1972 Cincinnati 10/28/1972 Cleveland 11/13/1972 Kansas City 11/19/1972 Houston 11/26/1972 San Antonio 12/11/1972 San Francisco 12/15/1972 Long Beach 7/26/1972 Portland [includes Verse 2]
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I'm ashamed to admit that I walked out of the 2-26-77 Swing Auditorium show in San Bernardino thinking "meh" as I drove back to LA...WTF was wrong with me...listening to improved boards through the years I feel like such a schmuck...I'd like to try and blame extenuating circumstances/distractions but it boils down to me being in a wrong state of mind that night I guess...Jerry should of have tossed me down some stairs....
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September 21, 1972. The Spectrum in Philly. It can be found on Dick's Picks 36. I consider it my fine China. I break it out ever so once in a while...whew! Man, does it just take me away. It has it all. Jazz, acid, blues. The first notes to me I'm being sucked though a terrific vacuum off to a place where everything is going to be strangely all right. And everything is all right. But there's a solid journey in which to partake where drabs of doubt break through. Flowing over sonic waves of fluid emotions permeating from some heavens I am gently guided back down safely one note at a time. Thanks to all have been posting their faves! Cheers all!
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I do have a favourite... but the date/venue escape me presently. It might take a minute or a month to sift through the archives, but I know how it goes and I can cue up parts of it in my head, like a jukebox. When I'm hiking in the woods, I'll play songs, silently, in my head. But is it silent, or just hearing by bypassing the ears? Many mornings I wake up with a song in my head. It's odd, but I like it. And if I don't - I change the song.
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The only CR&S->LLR I know. https://archive.org/details/gd1980-08-30.sbd.miller.110152.flac16 Set 1 Feel Like A Stranger, Peggy-O, Cassidy, Friend Of The Devil, Minglewood Blues, Cold Rain & Snow-> Looks Like Rain, Easy To Love You, Althea, Jack Straw Set 2 Scarlet Begonias-> Fire On The Mountain, CC Rider-> Ramble On Rose, Estimated Prophet-> Eyes Of The World-> Drums-> Not Fade Away-> Black Peter-> Sugar Magnolia, E: One More Saturday Night
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Hi All! I came across this just the other day: http://deadessays.blogspot.com/2017/06/dark-star-catalog-guest-post.html A while back I had a plan to try to time all of the Dark Stars. It was ambitious at best and not likely since I was going to do it on a stay-cation which ended up being cut short. I should have known that someone would have beaten me to the punch. So this link gives one of the best if only comprehensive Dark Star resources I have ever come across. It doesn’t give grades which I will agree with what some have said -that is an impossible task. Anyway this link can be used as a guide if anyone gets wild and decides to go down this path and try put a grade and/or rank on all of them.
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Thanks for posting that link. Fascinating looking at how often it was played, and how its length expanded and contracted. I couldn't pick a favourite version, but the ones I have enjoyed most this year have been the ones played in 1972. The peak years are definitely 1968-1974 for Dark Star, for me. As stated by 80sfan-the versions of "The Other One" were also phenomenal throughout 1972, too. Incredible that they played either one or the other, to such great effect, at almost all their shows throughout the year.
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Ditto on that awesome Dark Star list. That same blog is a 'Go-To' for all things GD-related....so wealthy in knowledge. Looking at the list, one thing caught my eye, early in the listing: it was somewhere between March and June of '68 that Dark Star really started to stretch out - during this brief time, it pretty much doubled in length; starting from roughly the 5-7 minute range (avg) to then up to 15 minutes and well over 10 mins subsequently. A trigger musta popped in there with an epiphany to say, hey, let's jam on this one how 'bout? The overall list is impressive. Those two mentions of '79 Dark Stars also pique my interest - I should listen even if just an aud source methinks. Happy Holiday weekend to USA folks - summer literally has gone by in a snap. Some major things changed on my end over these few short months - for the better - but still, wow it's been quick. Be well All. Sixtus
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Cool indeed. Thanks gratefulhan
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Boise pulled me on quite the enjoyable 80's tangent. I'd probably still be on it except a few of my devices are more geared to 60's and 70's.. this morning the temperature finally broke and I took advantage by taking a long bike ride. My companion was Dave's Picks 19, 1/23/1970. I had forgotten what a fiery China Rider starts that show.. and we have a cryptical, TOO, Dark Star to start what I think is the second set. It had been a while since I listened to that one. Great sound.. maybe not the best 1970 show, but some of the previously released shows that year are giants among the giants. What a nice show. I can't wait to get to disc 3, overflow songs from the next night. 1970 Cumberland Blues anyone? With all these great shows I can't help but think of the a quote from the movie History of the World Part I, "It's good to be the king."
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....I cannot stress enough that you fine people check out that Dark Star from The Family Dog i posted lower down yesterday. Listened to it twice last night and blew my mind each time. Simply dripping in acid. Incredible....
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Looking forward to tipping libations in the rust of summer's evening within the fortnite, my friend. Summer Time, come and go, my oh my! Taking suggestions for a week of luxuriously unrushed stay-cation birthday PTO. Got a bottle of magic-jack and two bucks in my pocket. I'm ready!
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Took DaP 8 out for a spin this afternoon. I forgot how well-played that show was - 3 hours of blissfully loud fun on a beautiful Friday here in the Bay Area. This pick certainly bolsters the case for more matrix releases. Mai Tai time!!
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Yes Vguy72 this is an incredible beautiful performance of Dark Star, and, moreover, the power of the original concept St Stephen - William Tell - The 11. St Stephen particularly great with wailing feedback during the instrumental break. It all comes together during the 11 intro jam, incredible synergy. Potent! Also great by the way, Dave's 10 bonus disc LA 12/11/69
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Bolo is right, that pick is a real good one, but....what about the day before? What about Gainesville? Also, if you liked 8-30-69's dark star, check out 9-1-69's.. in Louisiana of all places, great stuff.
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....I friggin LOVE it. Just listened to it again. Is that a Beautiful Jam they launch into? I believe it is. Impeccable version. These guys never fail to cause my jaw to hit the floor.edit. Checking out the 9.1.69 show now. But what's even more amazing than these Dark Stars, is that they played in SF, then NO two days later. True touring troubadours....
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HI All! I am glad you liked that link to the Dark Star guide. Sixtus is right that the whole blog (called Grateful Dead Guide) is excellent. The creator of that blog has put in some serious time to gather facts about so many things. There are lengthy posts about anything and everything- missing tapes, song debuts, show reviews, etc... Whoever the author is of that blog, I am place them right there up in terms of Grateful Dead Jedi Mastery with the likes Dick, Dave, Mr. Miller, and Voodonola among many others. Wouldn’t it be great to find out that the author of that blog is regular here? I have that tendency like many of you to learn, research, and yes organize things about the Dead. So that blog and all of the content appeals to me for many reasons. I have just begun a little project that I am hoping that if good enough I can submit to that blog as a guest poster. We’ll see if I ever get around to finishing it though. Just in case anyone needs this a link to the blog here it is: http://deadessays.blogspot.com/?m=0
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....the Dead would be a college course I would take. I would probably end up with a solid B however, because they are a tough nut to crack.I'm apparently stuck in 1969. TC makes them a totally different band. See how it is? One could break down months, let alone years. Always evolving and morphing.
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I love this 1970 release too. Keithfan put together a new track order when it first came out and made it available to people who already bought it. Goes like this: Cold Rain & Snow Me & My Uncle I'm a King Be Mason's Children Cumberland Blues China Cat Sunflower I Know You Rider Black Peter Hard to Handle Mama Tried Dire Wolf Good Lovin' (mixed bothers versions) The Other One Dark Star St. Stephen Lovelight Feedback And We Bid You Goodnight Dancing in the Streets I like it because it puts all the short rockers together in the "first set" area. Also gets rid of yellow dog and the maddeningly cut short Casey Jones. Highly recommend.
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.
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I remember that reordering job KF did. The best part is it cut out the teaser licks after each song that was out of order, so it flowed so smooth. LJ, you still have a copy? My phone with it died. I bought the orig.
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"This is all that is currently available from the soundboard" CM Grateful Dead - November 29, 1980 Alligator Alley Gym - Gainesville, FL Recording Info: SBD > Multi-Gen Cassette (Maxell XLII 90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 DVD FLAC) All Transfers and Mastering By Charlie Miller September 12, 2017 Patch Info: (FOB) Beyer M160 > Cassette Master > FLAC (shnid=132457) supplies: Truckin' (4:18 - 6:04) (8:10 - end of track) Drums (0:00 - 0:02) Good Lovin' (0:08 - end of track) Encore Break (complete track) U.S. Blues (complete track) Notes: -- Thanks to Sean Kutzko for the tape -- This is all that is currently available from the soundboard -- Thanks to Jim Wise for the patch source -- Thanks to Joe B. Jones for his input on the pitch correction -- This is 139321 24 bit -> 16 bit Set 2: 01 - Shakedown Street > 02 - Franklin's Tower > 03 - Estimated Prophet > 04 - He's Gone > 05 - Truckin' > 06 - Drums > 07 - Space > 08 - The Other One > 09 - Stella Blue > 10 - Good Lovin' Encore: 11 - Encore Break 12 - Casey Jones Hope there is a complete sbd of this show in the vault. If not this will never be released. Jim Wise has been re-transferring a lot of audience tapes from 80 and 81 in 24bit so I hope there can be more matrix-mixes from this era in the future.
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9/1/66 GD move to 710 Ashbury house 9/1/75 "Blues for Allah" released 9/1/77 "What a Long Strange Trip It's Been" released
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Vguy, thanks for the heads up on this Dark Star. Great one, especially the final 5 minutes. Strange, no vocals on the Eleven - reminiscent of Feb 11 at the Fillmore East.
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