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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • Vguy72
    Joined:
    10.1.94's Space into Last Time....
    ....fuckin' Space Invaders video game effects. Liam would be proud. Pissed off of course, but proud....edit. No weed in the wooden box. :( One can't fail for trying.
  • Angry Jack Straw
    Joined:
    Box
    Mine arrived today. Scheduled for Monday, but the UPS truck pulled up around 5:00. Odd for a Saturday. I saw the driver coming up the driveway with a big box in hand so I met him at the door. "I wasn't expecting this until Monday." So you are why I am working today he responded, clearly not happy. "Do you have any pot you can sell me? It's the Grateful Dead." He turns and walks away in disgust. Those who got the download are missing out on a nice box. Even the kids thought it was awesome. Vguy, the number is in a classy little box between the CDs. Similar to a small jewelry box or some place to hide a key. It comes with a cool passage, distinct in Native American undertones. Very well done. I'm holding off on listening until tomorrow. Watching some old episodes of Parts Unknown. Tony was no Jerry, but he was a awesome dude nonetheless. 10/1/94 is the only show from TTATS that I have listened to past 87. Even then I have only listened to the So Many Roads. I have said many times, fall 94 was the dead cat bounce tour. Unexpectedly good.
  • MDJim
    Joined:
    Double Post
    Squirrel
  • LedDed
    Joined:
    They say...
    ...by the way, has anyone figured out yet who "they" are? The grays? The man? The IRS? At any rate, or so I've heard, "they" say that doing the same thing over and over and expecting a different result is the definition of insanity. Hell, I think it's just being a stone-cold gambler. I buy lottery tickets every drawing, using the same numbers, and goddamn it I'm going to hit big one of these decades. Just you wait and see. I really wish my box had arrived today. Alas, it is not to be and I don't know if UPS delivers on Sunday. I've had those non-descript amazon white vans drop stuff on Sunday though, and that feels like Christmas. Although most of my dead.net WEA product arrives via the Good Ol' USPS, and on our street the mail goes into those group box kiosks. You got your box, and on a special day there will be a key waiting inside for one of the parcel boxes (few, and larger). You're always hoping for a key, and when you see it your heart skips a beat. My theory is that the ubiquitous amazon white vans (Sprinters and the like, windowless) are not adorned with "amazon" graphics for several reasons. For one, they'd attract looters and thieves. For another, we'll all get desensitized to them, and one of these times when one pulls up, you'll run out arms wide ready to embrace yet another Grateful Dead offering, and they'll (it's, "them" again) leap out and pull a hood over your head and throw you in the back. When you wake up, tied to a chair in a cold room with only a single, bare light bulb hanging above you, you'll hope like hell Liam Neeson is about to break in and save your ass. \m/
  • MDJim
    Joined:
    GD and OCD
    I have to laugh at these posts.. yesterday a friend of mine sent me an email he got from one of his friends. It's long.. names omitted to protect the guilty. It was written a year or so ago.. so I'm sure it's floated around a bunch. To the author, I hope it's ok to share. The title was Next Level Obsession. ______________________________________________ I love Deadheads with OCD. Not my post but I appreciate the work. Thu Oct 19, 2017 6:49 pm #1 When I was in high school, there was a girl who would always ask me if I had acquired any new Losers of the “sweet Suzy” variety. And so whenever I received a new batch of tapes from some remote part of the country, I’d note any Losers with the “sweet Suzy” verse and then surprise her with one at the next gathering of our mutual group of friends. These gatherings were almost always centrally concerned with new tape acquisitions or new knowledge regarding the Dead. We were a group obsessed with the band and everything swimming through the vast universe of the band, including apparently any Losers with the “sweet Suzy” line. My memory is foggy when it comes to my findings of the “sweet Suzy” Losers, except one distinct time in which I can remember telling her, “Hey, Shannon, I found a ‘sweet Suzy’ for you.” I don’t know which show it was , but I’m pretty certain it was a 1971 Loser. What lives in my memory is precisely where we were and me saying those exact words to her. It must’ve been a revelatory moment for me regarding the rarity of the “sweet Suzy” Losers, for I have never forgotten that moment after 20+ years. Fast forward to a few months ago, in June of 2017, when I found myself thinking of those great tape-trading days of high school, the discoveries, the euphoria of acquiring a new batch of tapes. And for some reason my mind turned to the “sweet Suzy” versions of Loser, and how I would search out copies of this song without a handy Deadbase at my fingertips, nor a more convenient “etree mobile” app which allowed me to effortlessly flip through shows and fast forward to the two particular instances in which “sweet Suzy” is sung with the simply movement of a finger across my iPhone. Wow, how times have changed with regard to searching for a particular part of a song. So a few months ago I decided to complete the project once and for all. I needed to know when “sweet Suzy” died, and I kind of wanted to arrive at a reason for her death. Sadly, I found her apparent death on October 20th, 1974, then realized she had risen from the dead on January 10th, 1979, only to be buried once again for eternity. Even more tragic is the unknown reason for her death. What I did find, however, is an obscure protraction of her death. Think about all the hours I’ve logged listening to “Last fair deal in the country, sweet Suzy!” and the amount of accumulated thoughts about Suzy, what she must’ve looked like to Hunter and Jerry, what she must’ve meant to Jerry on the nights that he sung her into the song with such love and tenderness and longing, what she must have meant to him on the nights that he abandoned her and left the audience singing her in their own empty words, and what he must’ve thought on January 10th, 1979 when he resurrected her one last time. What drove him to do it? The Dead performed Loser 346 times. Only a few of these shows do we not have the recording. I tally 88 known Losers that include the “sweet Suzy” or just “Suzy” line. Remarkably, of the 54 Losers performed in 1971, only one show did not feature the “sweet Suzy” line. That show is 7/2/71 at the Fillmore West, oddly the last show at that venue. The very first Loser performed on 2/18/71 at Port Chester features a “sweet Suzy” in the first slot and a rare “Suzy”-only in the second slot. All three “Suzy”-only versions were sung in the second slot of the song in 1971, but of the three remaining “Suzy”-only versions in 1972 and 1973, Jerry sang it in the first slot of the song. The first show in which Jerry sings “sweet Suzy” in only one of the two slots is the 22nd performance of Loser on 4/21/71 in Providence, Rhode Island, and it appears in the second slot. There are no other shows or patterns in 1971 of note except to say that toward the middle of the year, immediately following the 7/2/71 Fillmore West show, Jerry starts to exclude the “sweet Suzy” line in one of the two slots more frequently. Between 2/18/71 and 5/30/71, Jerry performs Loser 31 times, and he is fairly regular with the “sweet Suzy” line in all of the Loser versions, singing it both times in all but 2 of the 31 times. But once 7/2/71 hits, the remaining 23 performances of the song are variable when it comes to the singing of the line. Between 7/2/71 and 12/31/71, Jerry sings the line twice during the song only 13 of the 23 times. What this means is that Jerry started the slow death of “sweet Suzy” officially on 4/21/71, booted her from the song for the first time altogether on 7/2/71, and then proceeded to ween her from the song thereafter. 1972 sees the demise of Suzy even more. Of the 39 times Loser is played in 1972, only 4 times does Jerry sing “sweet Suzy” in both slots of the song. 13 times he abandons “sweet Suzy” entirely. 1973 isn’t any better. 25 performances, 7 “sweet Suzy” lines, and none of those 7 times does Jerry sing the line in both slots of the song. 1974 saw “sweet Suzy” virtually die. Of the 10 times Loser is performed (remember, there were only 40 shows this year), only 3 times does “sweet Suzy” make her appearance, the last being on 10/20/74 at Winterland, and it’s sung in the second slot of the song. I fitting farewell to the Grateful Dead at the time and to sweet Suzy, whoever she was. And that is all we know of the mysterious girl called Suzy in the song Loser. For the next 4 years and 45 performances of Loser, not a trace of “sweet Suzy” is found – that is, until the first show of 1979, in Uniondale, New York, on January 10th. Making her appearance one more time – and her last time – was “sweet Suzy” in the first slot of the song. It’s so brief and nondescript. If you blink, you miss it in the recording. There’s no emphasis, no powerful resurgence, no eruption from the audience. It comes and goes in a second and a half. And then it vanishes. Ghostlike. Forever. I knew I had never heard a “sweet Suzy” in the 1980s or 1990s, but I wanted to be sure, and so I listened to all the “Last fair deal in the country….” verses (two per song) of all 169 remaining performances. I sometimes dreamed that I’d find one, hidden within a show that was not on many popular radars. I held out hope that there was a version of the song in the post-Brent era that escaped our listening ears because it was a Vince show. No. I sometimes imagined I heard it because I was listening so hard for it. I truly wanted it to be there. I wanted so badly for Jerry to sing those two words again; I’d even take a delayed and whispered “Suzy.” Alas, it wasn’t going to happen. I have thought about so much along the way. I thought how crazy I am for doing this. I thought how empty this project is. I thought how meaningless and stupid and utterly ridiculous….In short, I thought I had perhaps come to an end of sorts with the band. When I began the journey, I actually was listening to 3/24/73 Spectrum and noticed that Jerry had only sung the “sweet Suzy” line in the second slot. And so I wanted to know what other shows in the March/April ’73 period did this. And then I wanted to know all of 1973. And then I decided I’d do all of the Losers and tally them all up. I searched high and low on the Internet to see if someone had already done this. I found no one. But, above all, I felt like I had to do this. I was reminded of my high school years, and always bringing Shannon new “sweet Suzy” Losers. I simply felt it was my calling to know them all. So, Shannon, if you’re out there, and happen to stumble across this, here are all your “sweet Suzy” and “Suzy”-only Losers. Enjoy… Below are the years and dates in which “sweet Suzy” or just “Suzy” appear. After the date, you’ll see a “1” or “2” or “none,” indicating for that particular show where “sweet Suzy” is sung, “1” being the first slot and “2” being the second slot of the song. “None” obviously means neither slot of the song featured this line. If you see a “Suzy” next to either the “1” or “2,” then that means just the rare “Suzy” was sung. For the inaugural Loser on 2/18, I like that “sweet Suzy” was sung in the first slot and just “Suzy” was sung in the second slot. There are a few shows in which we do not have the recording of Loser: 10/21/72, 11/18/72, 9/12/73 (this one is unclear as to whether the song was player there at all, but I kept it in anyway), 9/28/77, and 2/6/79. Other than those, they’re all here. The penultimate note: the Loser from 5/11/78 does not feature a “sweet Suzy” but rather a Jerry “Yeeeeaaaahhh Arrrrgghhhh” which is the only one of its kind. The ultimate note: I have retained the spelling of “Suzy” as this is how it appears in Hunter’s Box of Rain. 1971 (53) 02/18 1 2 "Suzy" 02/19 1 2 02/20 1 2 02/21 1 2 02/23 1 2 02/24 1 2 03/03 1 2 03/14 1 2 "Suzy" 03/18 1 2 03/20 1 2 03/21 1 2 03/24 1 2 04/04 1 2 04/05 1 2 04/06 1 2 04/07 1 2 04/08 1 2 04/12 1 2 04/13 1 2 04/17 1 2 04/18 1 2 04/21 2 04/22 1 2 04/24 1 2 04/25 1 2 04/26 1 2 04/27 1 2 04/28 1 04/29 1 2 05/29 1 2 05/30 1 2 07/02 none 07/31 1 08/05 1 08/06 1 08/14 2 "Suzy" 08/23 1 2 08/24 1 2 08/26 1 10/21 1 2 10/23 1 10/26 1 2 10/29 1 2 10/30 1 2 10/31 1 2 11/06 2 11/07 1 2 11/12 1 2 11/14 1 11/15 1 2 12/06 1 2 12/10 2 12/14 1 2 12/31 1 1972 (24) 01/02 1 2 03/21 2 03/22 none 03/26 1 "Suzy" 2 03/27 1 04/07 1 04/14 1 04/16 1 2 04/24 1 04/26 1 04/29 none 05/10 none 05/13 2 05/26 1 06/17 2 07/18 1 "Suzy" 07/21 1 07/25 none 08/20 1 08/22 1 08/25 2 09/03 none 09/09 none 09/15 none 09/17 none 09/21 2 09/24 2 09/28 none 09/30 2 10/09 1 10/18 1 10/21 ????? 10/23 2 10/27 1 2 11/14 none 11/18 ????? 11/22 none 12/11 none 12/15 none 1973 (7) 02/21 none 02/26 2 03/16 2 03/21 none 03/24 2 03/28 none 05/13 none 05/20 none 05/26 none 06/09 1 06/26 1 07/31 none 09/07 none 09/11 none 09/12 ?????? 09/17 none 09/20 none 09/26 1 "Suzy" 10/21 none 10/27 none 10/29 none 11/10 2 11/23 none 11/30 none 12/06 none 1974 (3) 02/24 none 05/14 1 06/18 1 06/30 none 07/25 none 08/04 none 09/10 none 09/14 none 10/17 none 10/20 2 1975 None 1976 None 1977 None 09/28 ????? 1978 None 05/11 "Yeaaah arrrgghh" 1979 (1) 01/10 1 02/06 ????? 1980 - 1995 None Thanks, xxxxx
  • Vguy72
    Joined:
    10.1.94's intro into Fire On The Mountain....
    ....the midi flute Garcia plays is beautiful. Then it goes into the mutron tone we all know, then back into a mutron/flute thing. Jerry plays two different tones at once. Pretty neat and pretty incredible. Miss you. I can see how someone's first show being this one could hook you. God bless the GOGD.
  • Vguy72
    Joined:
    OCD....
    ....I don't know what you're talking about LedDed. Now exuse me while I rearrange my bookshelves. It's gotta be just exactly perfect. It's for the grater good.
  • LedDed
    Joined:
    "Wait a minute kids while we get this just exactly perfect..."
    I love it when Bob would say that. I wonder if Deadbase lists how many times he spit that out from the stage. It was tongue in cheek, and endearing. This was a raggedy bunch folks. This music was only ever perfect in it's glorious humanness, flaws and warts and all. I play lots of guitar. There's a thing called, "relicing," where you can pay the Fender Custom Shop or some guy in his garage to scuff up your brand-new guitar and make it look old. Like some clown who goes and buys "distressed" jeans at the mall. Please... my guitars get beat up because I play the hell out of them, and except for my Gibsons (only because the string tension against the angled headstock can snap the neck if they fall over), I don't give a shit if one of the kids knocks it off the couch or a drink spills on it or whatever. I love that stuff. Gives an item character. I will no longer even pick up certain people's guitars. I feel they would experience a cardiac event if my nails (I play with a heavy hand) should leave microscopic scratches in the finish. Museum pieces all, never to be - gasp! - really played or used as the medium of expression they were designed for. Just ask the collectors who keep these "investments" in humidors, to be looked at only, and just don't you dare stare too hard in any one place for very long. I bought a brand-new truck in 2002. For months, I would park at the edge of the lot and struggle in vain to keep it perfect. Once I finally let that shit go, it was a tremendous relief. My $100 Jimmy Page coffee table book arrived damaged from UPS, they'd crushed the box and there's about a 1" divot on the cover. So what? Now when my friends thumb through it I don't cringe if they haven't washed their hands. I understand paying money for something and appreciating it being in new condition, but some of this borders on the obsessive and misses the point. Warren Zevon was just like that, with the T-shirts. Joey Ramone. It's OCD and a few other insanities rolled into one. I respect that we are different, and I don't know if I find these gripes with product minutiae annoying or just hysterical... but I guess with the Dead fanbase, you get that in all kinds of ways. One of my discs does have a flaw, there's like a metallic shriek/white noise in some song. Maybe more than one. I wouldn't know which, because with many thousands of songs I just skip ahead to the next one. I can't be bothered enough to care. It's all about the music...
  • LedDed
    Joined:
    First world problems... yawn
    This morning I got up and put on what I thought was a perfectly crisp, clean white T-shirt. Imagine my horror upon discovering a stray eyelash had fallen onto the left shoulder, and to top it off a tiny wrinkle was discovered below the right underarm. Then, at lunch my Big Mac arrived shoddily assembled. The cheese was unevenly melted and not at all centered on the patty! And the pickles had been hastily thrown on and I think there may have even been a few brown sesame seeds atop the bun.
  • cheyler196
    Default Avatar
    Joined:
    First songs from set
    I got this show in a tape trade about 30 years ago (Portland 1974), and it was incomplete, missing 6 or 7 songs. A few years ago, the complete show started circulating and we all discovered that those tracks were omitted because the vocals were seriously low and I guess someone thought they'd do us all a favor and leave them out. The songs that were left out correspond almost exactly to the songs you mentioned. Sounds to me like they did everything they possibly could to match them up with the sound of the rest of the show. It'll never be perfect, but they did a hell of a job and it's nice to hear it sounding so much better. There's just always shit you can't fix when you're working with two-track tapes.
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6 years 7 months

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Axl Rose is widely held in a poor regard by the public due to his myriad of bad behaviours during GNR's peak, circa 1988-1993. He's an amazing lyricist and vocalist. Name one song he doesn't sell on Appetite. That shit is amazing. I love Billie Jean by Michael Jackson. And, The Juice OJ Simpson was not only a powerful, graceful artist on the gridiron, he was a cool-ass dude. My boy used to hook him up in Vail, and let me tell you, The Juice partied. People still love him. One touched little boys and one cut his wife's head off. I know that every man has good and evil in him, that the spirits dance among us, occasionally jumping in at an opportune moment to work their evil as well as lay protection. I still hold these men's work in high regard, because their personal failings do not in any way diminish the greatness they produced - only their legacy as human beings. No matter. Axl Rose capably filled in for the ailing Brian Johnson on the last AC/DC tour. For any fans, Angus, Phil Rudd, Cliff Williams and Stevie Young - and yes, Brian, not Axl - have been in Vancouver recently recording what is likely their last, a tribute to Mal album using his pre-recorded rhythm tracks (primarily from Black Ice pre-production) on every song. \m/
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She did ask ever... someone who has been influenced by having to listen and hear my preferences for almost 20 years. Have to say I wanted to give many answers but never thought about what to say to someone 30 years younger that didn't live through the releases and the times.... thanks again bob t
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....until he bragged about a new Guns N' Roses album that never happened. The fans waited and gave him the benefit of the doubt. Yet here we are. Could he hit octaves? Yes. Could he carry a band? No. As far as him sitting in for Brian Johnson. No. http://www.blabbermouth.net/news/rumor-new-ac-dc-album-to-feature-malco… Malcolm has been sick for awhile. This news is promising.
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Was the day Malcolm Young died. I don't care if anyone likes Axl, respects his work or just blindly hates the hell out of him - it's no skin off my back. Chinese Democracy was released 23 Nov 2008. I hate to do this, but I also love to do it as it's so kick ass, if one person gets turned on then that was the point: https://www.youtube.com/watch?v=lsOGww57eD8 I just love music, and we all have that in common. \m/
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17 years 3 months
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....that shoud be the name of the next AC/DC album. You heard it here first.
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Skin Off My Back, as well as Exile. Who could argue? \m/
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9 years 1 month
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No way I could really settle on a single album, but seeing the choices people made was interesting, definitely some solid selections. Made me consider a few things. Made me realize that as good as Sgt. Peppers and Abbey Road are, my favorite Beatles album would have to be Let It Be. The Two of Us, I Dig a Pony, Across the Universe and I've Got a Feeling all particularly click for me, and the entire album is top shelf. Sounds a little different that other Beatles albums, maybe just a little more raw, but what do I know? For the Dead it would have to be Live Dead, that 2/27/69 Dark Star still sends a shiver up my spine when it starts, and it is still the Dark Star against which all others are measured. An indispensable album, and one that is etched into my brain. Deeply etched into my brain. Perhaps due to my recent Buffalo Springfield box set purchase, it also occurs to me that Buffalo Springfield Again is a contender. From start to finish the album is gorgeous and Rock and Roll Woman evokes childhood memories of hearing that song in pleasant contexts, strikes a chord as it were. Just some thoughts on the near impossible task of selecting a single best album of all time. There can be only one...
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I see that several folks put American Beauty on the top album list, but I didn't notice Workingman's Dead on the list. I like American Beauty, but for whatever reason, I like Workingman's Dead even more - each and every song is great and there is just such a nice, warm folksy feel to the album from start to finish. High Time and Easy Wind always hit the spot for me, and what's not to like about an album that also contains Dire Wolf, Uncle John's Band, Cumberland Blues, Black Peter, and Casey Jones? Workingman's Dead, if you haven't listened to it recently, give it a spin it won't disappoint.
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10 years 6 months
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Real tough, I guess I might suggest Kind of Blue and A Love Supreme as being perfect albums with no filler. I have alot of albums in mind that I consider to be the best by their respective creators, but its harder to pit them against others due to how drastically the musical intent can change. For example Paranoid by Black Sabbath may be their best album, but the musical intent is completely different than say, Os Mutantes self titled debut. I consider both to be just as solid and representative of their creators best, but its hard to compare them in any other way. Then there are albums that I personally enjoy the most but can understand why they aren't usually considered the "best", a few well known examples include 'AoxomoxoA', 'Revolver', 'Blonde on Blonde', 'Axis Bold as Love' and 'Strictly Personal'(Captain Beefheart). I am also among those that enjoy 'Working Man's Dead' over 'American Reality', if just by a hair more. Finally there are albums I personally think of as being masterpieces that many people (quite understandably) may not be able to get into at all, so its hard to choose any of those as the "best". A few of those examples are 'Wee Tam and the Big Huge' by the Incredible String Band, "Piper at the Gates of Dawn" from PF, and 'Black Saint and the Sinner Lady' by Mingus.
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10 years 6 months
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As for the best live album release, that's even harder to choose in my opinion. But the one cd that came immediately to my mind was 'Muleskinner Live: Original Television Soundtrack'. I wouldn't say it's the best ever, but it is one of my most listened to and favorite live recordings. Bill Keith, David Grisman, Peter Rowan, Clarence White, Richard Greene and even Maria Muldaur joins in for a couple tunes near the end.
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9 years 4 months
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Joe's Garage by Frank Zappa.Music is the BEST.
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7 years 7 months
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I am partial to Revolver and Rubber Soul, with The White Album sliding in very close behind. I know Sgt. Peppers is likely the favorite and more ground breaking.. I guess I have a bias to their moment of awakening. I still remember the first time I heard Tomorrow Never Knows. I was like, what??? I guess when it comes to best albums I have a bias on what they mean to me. It would be easier to say American Beauty as the best GD album, but Anthem was groundbreaking. Yes, Anthem is probably a better album but AOS grabbed me, pulled me out of my shoes and transports me to far away, strange lands. American Beauty is like comfort food for the soul.
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13 years 11 months
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If you are looking for some "great" folk music try some old Hoyt Axton cd's. He is one of my "favorite" artists. Hoyt Axton Explodes is worth a few minutes of your time along with Green back dollar. In a few more days the box will be sent. Have a safe Labor Day! Mr. Pete------------> aging hippie
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9 years 1 month
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Not familiar with a lot of Hoyt Axton stuff, but he did write some of my favorite songs done by Three Dog Night, songs Joy to the World and especially Never Been to Spain are great. I'll have to check out some of his other stuff. Dig reading all the choices for best album, it is prompting me to dig out some classics that I haven't listened to in a while. So many choices.
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11 years 4 months
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Between those two I narrowly prefer American Beauty. But they are kinda sorta the same album just Part 1 and Part 2. As of this moment my fave Dead studio release is Wake of the Flood.
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10 years 1 month
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My favourite Dead studio albums are Anthem-the one that got me into them - and American Beauty. Sergeant Pepper is my favourite Beatles album, followed by Revolver, Rubber Soul and Magical Mystery Tour. As far as favourite albums outside The Dead and Beatles, I can remember reading somewhere once that the records that mean the most to us are the ones we heard when we were 15. That places me in 1972, and to some extent, this is true for me. Ziggy Stardust is up there with Sergeant Pepper, to me-in fact all Bowie's albums, up to and including Alladin Sane are special for me. Similarly, Electric Warrior by T.Rex and Space Ritual by Hawkwind. God-those were the days! A combination of the albums, seeing the bands and who I was at the time. I didn't discover The Dead until I was a world weary 19 year old.
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17 years 3 months
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I give Workingman's the nod over American Beauty Rock on
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11 years 9 months
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will always be different when asked...BUT...East West by The Butterfield Blues Band will always be on that list along with Forever Changes by Love...
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16 years 1 month
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I cannot pick which one is better, Workingman's Dead or American Beauty. For me, I see it as one album with Workingman's as part 1 and American as part 2.Also, the original, basic albums fit on one CD-R.
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7 years 7 months
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Some of the better Americana music ever written in my humble opinion. It came at just the right time.
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7 years 7 months
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Some of the better Americana music ever written in my humble opinion. It came at just the right time.
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7 years
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Feel same as born cross-eyed. Both are one big set of music. Like Sgt. Pepper / Magical Mystery Tour.
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11 years 6 months
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Daverocks comment about age relevancy speaks to me... geezer alert for the following... still have almost all my old vinyl, though about unplayable. High Tide and Green Grass by The Stones (1966), then Flowers (1967). The Stones were my gateway into music at 14, through them discovered Muddy and Chuck, first MW was Electric Mud, controversial at the time, people thought Muddy had gone psychedelic. After I listened to Folk Singer, I understood why. Yardbirds Over Under... Cream Disraeli Gears, Hendrix AYE & ABL. I grew up in DC metro area, listened to WHFS and WAMU. When I bought Berry's After School Sessions, it had already been out for almost ten years. Spring 1967, major debate between Surrealistic Pillow and Sargent Peppers, could not afford both, had to save up... Bought Pillow first, Peppers seemed a little overproduced. Soon after, GOGD, Anthem was my first of theirs made me go back asap to grab their first lp. First rock show, Hendrix at the Washington Hilton with Soft Machine March 1968. Later that year, heard Jeff Beck Shapes of Things on the radio, immediately went out and bought Truth. Donovan's Hurdy Gurdy Man made quite an impression. By that time, I had a paper route for the WaPo so i could buy music.
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12 years
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DSOTM and Disraeli Gears get my vote. Low Spark of High Heeled Boys and John Barleycorn Must Die as the most underrated.
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15 years 3 months
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Anything by The Byrds. Fifth Dimension (1966) Younger Than Yesterday (1967) The Notorious Byrd Brothers (1968) That rivals any. The albums that came before and after are really great also.
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7 years
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Odyssey and Oracle - The ZombiesThe Birthday Party - The Idle Race Days of Future Passed - The Moody Blues Pet Sounds - The Beach Boys Turn! Turn! Turn! - The Byrds
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16 years 11 months
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I won't try to determine the "best" studio album but I will say that my "favorite" studio album is either Revolver, Blood on the Tracks, or Abbey Road, depending on my mood. Another great studio gem that's great from start to finish is Layla and other assorted Love Songs. And I can't get enough of Steely Dan's Aja and Kay Lied (the sum is better than it's parts on Katy IMO).Mr. Dc mentioned a couple great jazz albums so I'll add that I love Miles Davis' In a Silent Way.
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9 years 1 month
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American Beauty / Grateful Dead - as great as it is, still like Workingman's Dead better.Revolver / Beatles - Tomorrow Never Knows is definitely fantastic. Greatest Hits / Al Green - good stuff, the Rev. hits the spot sometimes. Pet Sounds / Beach Boys - definitely a masterpiece from start to finish, there is something haunting about Pet Sounds and Caroline, No. Let It Be / Beatles - still my favorite Beatles album, Across the Universe probably my single favorite Beatles tune, and I really like the Beatles. Easy to pick some things to listen to today after reading the best album choices. I think I would add Can't Buy a Thrill, my favorite Steely Dan album, as another contender. With the release date for this PNW box less than a week away, I am starting to fiend.
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17 years 4 months
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Best studio albums my opinion Abbey Road Sgt Pepper Dark Side of The Moon Wish You Were Here American Beauty Ten (Pearl Jam) Layla and other Assorted Love Songs Zeppelin II
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10 years 2 months
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For Beatles, I do love the psychedelic stuff: Strawberry Fields, Walrus, Rain, Tomorrow Never Knows, Across The Universe, Dear Prudence, etc. If I had to pick one album, though, I'd probably go with Abbey Road. Side 2 medley is the perfect culmination of all their mad skills. The Sun King is so cool, with that main hook and then the slow electric strumming on top of it (Lennon plays the main part; not sure if he or George does the dreamy strumming - George definitely plays some lead fills in there, and has credit for playing). In my search to find out, I read that The Sun King was influenced by Fleetwood Mac's Albatross - who knew!
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13 years 11 months
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My Griffin Is Gone.....Hoyt Axton Sit Down Old Friend....Dion East-West....Paul Butterfield Blues Band...East-West is an amazing blues-jazz fusion tune. Pearl Street....Tom Healy Band...I think Hookerfied is one of the best blues tunes period! Lotus....Santana Enjoy the day with your friends and family. Mr. Pete------------> aging hippie
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17 years 4 months
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Little Feat Waiting for ColumbusThe Who Live at Leeds Willie Nelson Stardust Patsy Cline Greatest Hits Bob Marley Exodus ABB FE, Eat A Peach & Duane Allman Anthology #1 Jimi Hendrix Smash Hits & Band of Gypsies Deep Purple Made In Japan BB King Live at the Regal Roy Buchanan Livestock Led Zep 1-5 Stones Ya-ya's Neil Young After the Gold Rush & Everybody Knows ... Derek & the D's Layla & In Concert Duke Ellington Blanton-Webster Count Basie Decca Recordings Charlie Parker Savoy & Dial Diz Odyssey Miles Kind of Blue & Milestones Charlie Christian, Billie, etc Carlos 1st & Abraxas Old & In the Way NRPS Many more ... American Beauty or Workingman's Love Abbey Road
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13 years 11 months
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I'm thinking/hoping to get a shipping notice tomorrow when people go back to work. I'm soooo ready!
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11 years 1 month
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x2, but I think the holiday is gonna screw up the release date. I have a nice long drive coming up on Sunday, hoping it arrives before then but I'm not counting on it
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14 years 9 months
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David Bowie : The Man Who Sold the World (should be part of school curricula everywhere) heard it for the first time this summer WOW Motorhead : Bastards Motorhead : Orgasmatron Mothers of Invention : We're Only in it for the Money Yes : Close the Edge
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17 years 3 months
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....someone here mentioned the other day about waking up with a song their head. A song that lingers for an hour or more. Happens to me all the time. This morning it was this song. Cued up Zenyatta Mondatta after my shower. Followed by Syncronicity. Funny that two of The Police's most popular songs are about stalking and pedophilia. Went right over my head when I was 13. It's funny that the song right after Don't Stand So Close To Me is Driven To Tears. Can't fool me. I'm no psychologist, but I think that is a side effect of a person who enjoys some sort of music to be always playing in the background or foreground. Welcome to my curse.
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17 years 3 months
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....make it so number one. Try as you might, hard to take the 80's out of Vguy. I love my comfort zone. Dancing with the family in the living room on Labor Day to The Go-Go's. Could be worse. Soft spot for Belinda Carlisle.
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6 years 11 months
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This show is one hell of a monster...giving it a second listen as the date approaches. Thank you Oxford 88!!! PM me if you would like a copy! On pins and needles for the new box set....no shipping announcement here?1?1?! KCJ
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17 years 3 months
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....I also recall that show being pretty awesome. Need to refresh the ole synapses.
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7 years 7 months
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Lewiston, Anchorage, Fox Theater, Lakeland, Radio City, Warfield, Cumberland County Civic Center, Cape Cod, Merriweather, SPAC, Richmond, Gainesville, Nassau, Frost, so many Alpines, Greeks, Red Rocks. Gainesville. Early GD was a seismic event, life changing stuff.. but it sort of just kept on going and it was wonderful (at least) to most of us. Think how shitty life would have been if it just ended in 1974. (well more than wonderful up until that point at least). I am grateful the train kept rolling. I have met so many friends that didn't see or hear their first show until 94 or 95 or 2015. I think it's great that the wheels keep on turning. Lewiston ME, great show. Wish I was there and I wish Betty recorded it too (while I'm wishing). Edit: Wait, is this a 73/74 box set thread. I am every bit, wait more excited for this box as I was for the Winterland 73 box. I believe this will prove to be a greater offering than the invention of McDonald's Special Sauce (invented by Esther Glickstein Rose in 1967). This is special stuff.
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14 years 8 months
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it's ALWAYS Workingman's Dead over American Beauty. :)
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16 years 11 months
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Holy shit, sometimes I can't believe the coincidences that occur in Deadland.I just finished the book, The Phantom Punch, about the second Ali-Liston fight and it led me to 9-6-80 which I happen to be listening to (for the first time I'm pretty sure) right now! I'm fucking impressed as hell, Jerry's on fire and Bob sounds great as well. Believe it or not I was actually visiting here tonight specifically to mention this show. Obviously a few of you beat me to it. I've been on a bit of an 80s bender as of late, very unusual for me but inspired by the latest DaP which I really enjoyed. I really like the '89 show from Boxzilla and had to relisten to the '83 show. Have to say that another listen to DaP20 reminded me why that one hasn't moved from the shelf since the first listen. 9-10-91 also got some love as well as a few other partial listens. Anyway, I've been enjoying a bit of 80s because once this new box arrives I will be listening to almost nothing else for perhaps the rest of the year. This is, for my personal preference, my most anticipated box since Winterland '73. Again, I can't believe I came here tonight to comment on what I thought was a relatively random show and there was already a discussion about it in progress. Just a little on the freaky side...
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17 years 3 months
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....for the first time. (His. Not mine. Read the book twice). John Coffey ma'am. Like the drink, but spelt different. My son was blown away. We all need a Mousetown at some point in our lives. Summertime done come and gone my oh my.edit. Stephen King can spin a tale doncha know. double edit. When there's an Alabama->Greatest Story to open the show, look out!
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