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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • #3181
    unkle sam
    Joined:
    stick
    I agree, but it's been up there for a long, long time lol. The band gives half a performance, gives no refund, should be the headline. These guys ain't got a lot of fans as it is, and now they just lost a bunch more. What does 11 oclock curfew have to do with it? The entire situation was handled badly, I feel for any and all who got ripped off for their second set. And yet, nothing from the band, silence, take the money and run. Why? don't they all have enough? definitely not in the true spirit of the Grateful Dead. If they are truly afraid of the elements, why give an outdoor show? Save your money, buy this box instead, a lot more fun and you get Jerry and Phil too. Support Owsley foundation, that Allmans at the Filmore in 1970? Sounds great, they were a jam band back then too.
  • #3182
    hendrixfreak
    Joined:
    best info on ABB archival release
    The discussion sez Plangent Processes & Jeffrey Norman are on the job, working from original tapes. The 1997 compilation was from 2/11 and 2/14. So 2/13 untapped so far. And unreleased material from 2/11 and 2/14. I lied: apparently July is the announcement of one of the three releases coming this year. I would guess that would be ABB, the band with the biggest fan base. But I'd be curious what else is coming because Owsley's tapes are so well recorded. http://forums.stevehoffman.tv/threads/bears-sonic-journals-allman-broth… Did I just read that Jimi's Axis: Bold as Love is "good," but Dylan & Dead are "great"? Then again, I am hendrixfreak...
  • #3183
    stoltzfus
    Joined:
    well, someone's got a stick up they angry @$$
    good morning, everyone my morning musings: 5/18/72: first set feels tense and clumsy. Second set is glorious. Jimi Bold as Love album: for years it was "ok, but overall, meh". then listened to it yesterday while doing things around the house. _yeah_. good stuff. Dylan and the Dead: found an old random CD of D&tD 7/4/87. GREAT stuff. I typically do not like guest artists, but this is different. D&C at the Gorge this evening. wish I cared. but I don't. at least there's no chance of a rainout. :) Anthem reissue coming soon. What will DaP27 be? if you need a palate cleanser, listen to Motorhead. "rejoice, rejoice, we have no choice, but to carry on"
  • #3184
    cub
    Default Avatar
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    Keithfan My Man
    From a Jerry fan So.. I was at that Dead n Co. mess in Camden on June 2nd which was purchased with funds from a cancelled Ft Lauderdale show December 2017. Well the wait was not worth it! Within mins. of 10pm Lights-On, Camden police were walking the concrete tunnel/sidewalk around the base of mud-hill yelling "SHOWS OVER - GO HOME" At almost the same time, however most of the paid venue staff in red shirts were getting conflicting information thru their coms and told us to "Remain inside, the show would continue". All said with a straight face as the band's bus quietly exited for hotel before any of us could get to our cars neatly parked just across the street. We were held in there for 1 hour! Some packed into the bathroom/vending area with NO return to the venues many empty seats. WTF was that about? Camden is alot of gypsy park lots $30 one day, VIP $70 the next. Zero for us cause we are from S. Jersey.(leukemia piss pot of deregulation) There was no reason to prevent people from leaving the venue except to keep others from the hill, outside. The lighting which was sporadic at best was mostly across the river in Philly n gone by then. I'm done with Dead n Co. (weak tea) No more shows for me and who needs em' with NUGS n edibles n legalization. The 80's Dead-Belt was a great alternative to college and Taper was a good fit for me. But when you don't make a single stage announcement to Bid Us Good'Night and just split the scene, well allow us to do the same. PS: I ordered my box too.
  • #3185
    hendrixfreak
    Joined:
    Allmans & RogueDeadGuy
    Hey bro, the Owsley Foundation only announced that the ABB set was coming, plus two other release announcements, all in July. No preorder as they haven't actually launched these releases. However, it looks like a one-disc compilation is listed on Amazon, but no set list, so impossible to tell what it is. The ABB release from 2/70 is -- I paraphrase -- all the existing material from their three sets over the three nights. So it doesn't sound like they have complete sets. But if the ABB played (3) 90-minute sets (minimum) and the OF has only half that material, they'd have two solid hours. The 1997 release was 72 minutes. So maybe they have another disc or two of material? In any case, this will be Owsley-recorded original ABB on several discs. We already have a compilation from 1997, with more to come, presumably delivered as 2/11, 2/13 and 2/14 -- i.e., properly archived and presented. We're talkin' about a fresh archival release of Duane Allman and his boys opening for the GD at the Fillmore East in February 1970. Need I say more?
  • #3186
    Thin
    Joined:
    This box is amazing - 2 boxes in one.
    So not only are the shows and sound quality amazing, but the box itself is as well. I just looked into this artists past work - I gotta say I'm intrigued. I'm simply giddy about his release. I would have been ecstatic if they just released the 3 '73 shows, then the other 3 '74 shows next year. But instead we get them together. THANK YOU Dave & Co for all you do. I'm listening to a lot of NON 73-74 until this comes out.... I LOVE 1973! Looser and jazzier than any other year. Anyone who doesn't get this will be disappointed when it finally sells out. Again, the box alone will be highly sought after item for years to come. And the 6 shows inside are amazing - an absolute gem.
  • #3187
    daverock
    Joined:
    73-74 is okay by me
    Having criticized the potential size of this box-I feel I must add that this is a very minor consideration for me. The music is what counts, and I agree with Jim that 1973-1974 are for me very exciting years-even the mistakes are valid as they are part and parcel of the experimental approach that yielded such gems. So however they are housed-as long as they play alright-that's alright with me. I was also interested to read of release of the rest of The Allmans sets from the Fillmore 1970. Hope they come out on cd, though.
  • #3188
    JimInMD
    Joined:
    Re: rdevil
    Well put. I seem to have more internal hype for this than it seems permeates through this thread. I suspect this will not be sold out by the time it hits the streets and I expect some added hype once people get their first complete listens. I get more exited over 73 and 74 then I do about 77. Less predictable, more exploratory and jazzy. It doesn't bother me when the miss the mark as they seem to just recoil and spring out all over again until they scratch that sweet spot. I had to run some errands during the lunchtime show on Sirius.. today's concert was 4/5/71 at the Manhattan Center. It reminded me of the 76 conversation the other day. Some liked 76 and some didn't.. (surprise). I think was the Ice Cream Cone Kid that commented on variety. I think 1971 was to 1972 as 76 was to 77. Breaking out new material and new equipment, testing new arrangements and by the end of the year they were able to make sense of it all and the following year was built on the accumulated strength. Like 68 was to 69, etc. I am very happy they continued to experiment and reinvent themselves and I am ore than happy to spend an evening revisiting these shows. I like the follow the progression and hear the learning curve real time. There's revelations baked into those early moments.
  • #3189
    rdevil
    Joined:
    6-28-74
    Haven't been posting here much the past year and a half but felt compelled to sing the praises of 6-28-74. I remember the joy of discovery when I first got that tape many years ago. I'm a strongly opinionated "complete show guy" but DiP12 is among the best releases I have. Sugar Mags through the end is just incredible and the "jam" on disc 3 is just exactly what I love the most about this band. This really is what it is all about for me.I know that everyone has their sweet spot but I'm WAY more excited about this box than the GSTL box (not that I don't dig that one, I do). I just feel that 6-22-73 and 5-19-74 are perfect examples of the many shows that are much better than any played after the hiatus. It's cool with me if you have a different opinion, it really is. But seeing "6-28" just made me want to share my passion.
  • #3190
    Angry Jack Straw
    Joined:
    Still whining about the rainout, huh?
    Get over it. 11:00 hard curfew. Well known. And not being treated properly? Good one. NJ is the biggest pisshole the band ever played. Totally obnoxious and abusive security.
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Submitted by clayv on
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Dead Store Products

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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7 years 8 months

Submitted by LedDed on Sat, 09/01/2018 - 18:44

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Axl Rose is widely held in a poor regard by the public due to his myriad of bad behaviours during GNR's peak, circa 1988-1993. He's an amazing lyricist and vocalist. Name one song he doesn't sell on Appetite. That shit is amazing. I love Billie Jean by Michael Jackson. And, The Juice OJ Simpson was not only a powerful, graceful artist on the gridiron, he was a cool-ass dude. My boy used to hook him up in Vail, and let me tell you, The Juice partied. People still love him. One touched little boys and one cut his wife's head off. I know that every man has good and evil in him, that the spirits dance among us, occasionally jumping in at an opportune moment to work their evil as well as lay protection. I still hold these men's work in high regard, because their personal failings do not in any way diminish the greatness they produced - only their legacy as human beings. No matter. Axl Rose capably filled in for the ailing Brian Johnson on the last AC/DC tour. For any fans, Angus, Phil Rudd, Cliff Williams and Stevie Young - and yes, Brian, not Axl - have been in Vancouver recently recording what is likely their last, a tribute to Mal album using his pre-recorded rhythm tracks (primarily from Black Ice pre-production) on every song. \m/
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Submitted by bob t on Sat, 09/01/2018 - 18:51

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She did ask ever... someone who has been influenced by having to listen and hear my preferences for almost 20 years. Have to say I wanted to give many answers but never thought about what to say to someone 30 years younger that didn't live through the releases and the times.... thanks again bob t
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17 years 3 months

Submitted by Vguy72 on Sat, 09/01/2018 - 18:56

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....until he bragged about a new Guns N' Roses album that never happened. The fans waited and gave him the benefit of the doubt. Yet here we are. Could he hit octaves? Yes. Could he carry a band? No. As far as him sitting in for Brian Johnson. No. http://www.blabbermouth.net/news/rumor-new-ac-dc-album-to-feature-malco… Malcolm has been sick for awhile. This news is promising.
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7 years 8 months

Submitted by LedDed on Sat, 09/01/2018 - 19:03

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Was the day Malcolm Young died. I don't care if anyone likes Axl, respects his work or just blindly hates the hell out of him - it's no skin off my back. Chinese Democracy was released 23 Nov 2008. I hate to do this, but I also love to do it as it's so kick ass, if one person gets turned on then that was the point: https://www.youtube.com/watch?v=lsOGww57eD8 I just love music, and we all have that in common. \m/
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17 years 3 months

Submitted by Vguy72 on Sat, 09/01/2018 - 19:05

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....that shoud be the name of the next AC/DC album. You heard it here first.
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7 years 8 months

Submitted by LedDed on Sat, 09/01/2018 - 20:30

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Skin Off My Back, as well as Exile. Who could argue? \m/
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9 years 1 month

Submitted by Charlie3 on Sat, 09/01/2018 - 23:00

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No way I could really settle on a single album, but seeing the choices people made was interesting, definitely some solid selections. Made me consider a few things. Made me realize that as good as Sgt. Peppers and Abbey Road are, my favorite Beatles album would have to be Let It Be. The Two of Us, I Dig a Pony, Across the Universe and I've Got a Feeling all particularly click for me, and the entire album is top shelf. Sounds a little different that other Beatles albums, maybe just a little more raw, but what do I know? For the Dead it would have to be Live Dead, that 2/27/69 Dark Star still sends a shiver up my spine when it starts, and it is still the Dark Star against which all others are measured. An indispensable album, and one that is etched into my brain. Deeply etched into my brain. Perhaps due to my recent Buffalo Springfield box set purchase, it also occurs to me that Buffalo Springfield Again is a contender. From start to finish the album is gorgeous and Rock and Roll Woman evokes childhood memories of hearing that song in pleasant contexts, strikes a chord as it were. Just some thoughts on the near impossible task of selecting a single best album of all time. There can be only one...
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9 years 1 month

Submitted by Charlie3 on Sat, 09/01/2018 - 23:14

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I see that several folks put American Beauty on the top album list, but I didn't notice Workingman's Dead on the list. I like American Beauty, but for whatever reason, I like Workingman's Dead even more - each and every song is great and there is just such a nice, warm folksy feel to the album from start to finish. High Time and Easy Wind always hit the spot for me, and what's not to like about an album that also contains Dire Wolf, Uncle John's Band, Cumberland Blues, Black Peter, and Casey Jones? Workingman's Dead, if you haven't listened to it recently, give it a spin it won't disappoint.
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10 years 6 months

Submitted by Mr.Dc on Sun, 09/02/2018 - 02:10

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Real tough, I guess I might suggest Kind of Blue and A Love Supreme as being perfect albums with no filler. I have alot of albums in mind that I consider to be the best by their respective creators, but its harder to pit them against others due to how drastically the musical intent can change. For example Paranoid by Black Sabbath may be their best album, but the musical intent is completely different than say, Os Mutantes self titled debut. I consider both to be just as solid and representative of their creators best, but its hard to compare them in any other way. Then there are albums that I personally enjoy the most but can understand why they aren't usually considered the "best", a few well known examples include 'AoxomoxoA', 'Revolver', 'Blonde on Blonde', 'Axis Bold as Love' and 'Strictly Personal'(Captain Beefheart). I am also among those that enjoy 'Working Man's Dead' over 'American Reality', if just by a hair more. Finally there are albums I personally think of as being masterpieces that many people (quite understandably) may not be able to get into at all, so its hard to choose any of those as the "best". A few of those examples are 'Wee Tam and the Big Huge' by the Incredible String Band, "Piper at the Gates of Dawn" from PF, and 'Black Saint and the Sinner Lady' by Mingus.
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10 years 6 months

Submitted by Mr.Dc on Sun, 09/02/2018 - 07:51

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As for the best live album release, that's even harder to choose in my opinion. But the one cd that came immediately to my mind was 'Muleskinner Live: Original Television Soundtrack'. I wouldn't say it's the best ever, but it is one of my most listened to and favorite live recordings. Bill Keith, David Grisman, Peter Rowan, Clarence White, Richard Greene and even Maria Muldaur joins in for a couple tunes near the end.
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9 years 4 months

Submitted by Kayak Guy on Sun, 09/02/2018 - 03:05

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Joe's Garage by Frank Zappa.Music is the BEST.
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7 years 7 months

Submitted by MDJim on Sun, 09/02/2018 - 06:05

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I am partial to Revolver and Rubber Soul, with The White Album sliding in very close behind. I know Sgt. Peppers is likely the favorite and more ground breaking.. I guess I have a bias to their moment of awakening. I still remember the first time I heard Tomorrow Never Knows. I was like, what??? I guess when it comes to best albums I have a bias on what they mean to me. It would be easier to say American Beauty as the best GD album, but Anthem was groundbreaking. Yes, Anthem is probably a better album but AOS grabbed me, pulled me out of my shoes and transports me to far away, strange lands. American Beauty is like comfort food for the soul.
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13 years 11 months

Submitted by Mr. Pete on Sun, 09/02/2018 - 06:40

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If you are looking for some "great" folk music try some old Hoyt Axton cd's. He is one of my "favorite" artists. Hoyt Axton Explodes is worth a few minutes of your time along with Green back dollar. In a few more days the box will be sent. Have a safe Labor Day! Mr. Pete------------> aging hippie
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9 years 1 month

Submitted by Charlie3 on Sun, 09/02/2018 - 10:26

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Not familiar with a lot of Hoyt Axton stuff, but he did write some of my favorite songs done by Three Dog Night, songs Joy to the World and especially Never Been to Spain are great. I'll have to check out some of his other stuff. Dig reading all the choices for best album, it is prompting me to dig out some classics that I haven't listened to in a while. So many choices.
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11 years 5 months

Submitted by Drifter's Escape on Sun, 09/02/2018 - 10:30

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Between those two I narrowly prefer American Beauty. But they are kinda sorta the same album just Part 1 and Part 2. As of this moment my fave Dead studio release is Wake of the Flood.
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10 years 1 month

Submitted by daverock on Sun, 09/02/2018 - 11:35

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My favourite Dead studio albums are Anthem-the one that got me into them - and American Beauty. Sergeant Pepper is my favourite Beatles album, followed by Revolver, Rubber Soul and Magical Mystery Tour. As far as favourite albums outside The Dead and Beatles, I can remember reading somewhere once that the records that mean the most to us are the ones we heard when we were 15. That places me in 1972, and to some extent, this is true for me. Ziggy Stardust is up there with Sergeant Pepper, to me-in fact all Bowie's albums, up to and including Alladin Sane are special for me. Similarly, Electric Warrior by T.Rex and Space Ritual by Hawkwind. God-those were the days! A combination of the albums, seeing the bands and who I was at the time. I didn't discover The Dead until I was a world weary 19 year old.
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17 years 4 months

Submitted by hbob1995 on Sun, 09/02/2018 - 11:54

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I give Workingman's the nod over American Beauty Rock on
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11 years 9 months

Submitted by nappyrags on Sun, 09/02/2018 - 12:28

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will always be different when asked...BUT...East West by The Butterfield Blues Band will always be on that list along with Forever Changes by Love...
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16 years 2 months

Submitted by Born Cross Eye… on Sun, 09/02/2018 - 12:30

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I cannot pick which one is better, Workingman's Dead or American Beauty. For me, I see it as one album with Workingman's as part 1 and American as part 2.Also, the original, basic albums fit on one CD-R.
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7 years 7 months

Submitted by MDJim on Sun, 09/02/2018 - 13:03

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Some of the better Americana music ever written in my humble opinion. It came at just the right time.
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7 years 7 months

Submitted by MDJim on Sun, 09/02/2018 - 13:03

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Some of the better Americana music ever written in my humble opinion. It came at just the right time.
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7 years

Submitted by Mind-Left-Body on Sun, 09/02/2018 - 13:25

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Feel same as born cross-eyed. Both are one big set of music. Like Sgt. Pepper / Magical Mystery Tour.
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11 years 6 months

Submitted by dmcvt on Sun, 09/02/2018 - 14:25

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Daverocks comment about age relevancy speaks to me... geezer alert for the following... still have almost all my old vinyl, though about unplayable. High Tide and Green Grass by The Stones (1966), then Flowers (1967). The Stones were my gateway into music at 14, through them discovered Muddy and Chuck, first MW was Electric Mud, controversial at the time, people thought Muddy had gone psychedelic. After I listened to Folk Singer, I understood why. Yardbirds Over Under... Cream Disraeli Gears, Hendrix AYE & ABL. I grew up in DC metro area, listened to WHFS and WAMU. When I bought Berry's After School Sessions, it had already been out for almost ten years. Spring 1967, major debate between Surrealistic Pillow and Sargent Peppers, could not afford both, had to save up... Bought Pillow first, Peppers seemed a little overproduced. Soon after, GOGD, Anthem was my first of theirs made me go back asap to grab their first lp. First rock show, Hendrix at the Washington Hilton with Soft Machine March 1968. Later that year, heard Jeff Beck Shapes of Things on the radio, immediately went out and bought Truth. Donovan's Hurdy Gurdy Man made quite an impression. By that time, I had a paper route for the WaPo so i could buy music.
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12 years

Submitted by Angry Jack Straw on Sun, 09/02/2018 - 17:34

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DSOTM and Disraeli Gears get my vote. Low Spark of High Heeled Boys and John Barleycorn Must Die as the most underrated.
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15 years 3 months

Submitted by Younger_than_Y… on Sun, 09/02/2018 - 18:27

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Anything by The Byrds. Fifth Dimension (1966) Younger Than Yesterday (1967) The Notorious Byrd Brothers (1968) That rivals any. The albums that came before and after are really great also.
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7 years

Submitted by firstnamerichard on Sun, 09/02/2018 - 18:41

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Odyssey and Oracle - The ZombiesThe Birthday Party - The Idle Race Days of Future Passed - The Moody Blues Pet Sounds - The Beach Boys Turn! Turn! Turn! - The Byrds
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16 years 11 months

Submitted by rdevil on Sun, 09/02/2018 - 21:37

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I won't try to determine the "best" studio album but I will say that my "favorite" studio album is either Revolver, Blood on the Tracks, or Abbey Road, depending on my mood. Another great studio gem that's great from start to finish is Layla and other assorted Love Songs. And I can't get enough of Steely Dan's Aja and Kay Lied (the sum is better than it's parts on Katy IMO).Mr. Dc mentioned a couple great jazz albums so I'll add that I love Miles Davis' In a Silent Way.
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9 years 1 month

Submitted by Charlie3 on Sun, 09/02/2018 - 23:43

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American Beauty / Grateful Dead - as great as it is, still like Workingman's Dead better.Revolver / Beatles - Tomorrow Never Knows is definitely fantastic. Greatest Hits / Al Green - good stuff, the Rev. hits the spot sometimes. Pet Sounds / Beach Boys - definitely a masterpiece from start to finish, there is something haunting about Pet Sounds and Caroline, No. Let It Be / Beatles - still my favorite Beatles album, Across the Universe probably my single favorite Beatles tune, and I really like the Beatles. Easy to pick some things to listen to today after reading the best album choices. I think I would add Can't Buy a Thrill, my favorite Steely Dan album, as another contender. With the release date for this PNW box less than a week away, I am starting to fiend.
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17 years 4 months

Submitted by Duece on Mon, 09/03/2018 - 05:38

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Best studio albums my opinion Abbey Road Sgt Pepper Dark Side of The Moon Wish You Were Here American Beauty Ten (Pearl Jam) Layla and other Assorted Love Songs Zeppelin II
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10 years 2 months

Submitted by KeithFan2112 on Mon, 09/03/2018 - 07:48

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For Beatles, I do love the psychedelic stuff: Strawberry Fields, Walrus, Rain, Tomorrow Never Knows, Across The Universe, Dear Prudence, etc. If I had to pick one album, though, I'd probably go with Abbey Road. Side 2 medley is the perfect culmination of all their mad skills. The Sun King is so cool, with that main hook and then the slow electric strumming on top of it (Lennon plays the main part; not sure if he or George does the dreamy strumming - George definitely plays some lead fills in there, and has credit for playing). In my search to find out, I read that The Sun King was influenced by Fleetwood Mac's Albatross - who knew!
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13 years 11 months

Submitted by Mr. Pete on Mon, 09/03/2018 - 08:27

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My Griffin Is Gone.....Hoyt Axton Sit Down Old Friend....Dion East-West....Paul Butterfield Blues Band...East-West is an amazing blues-jazz fusion tune. Pearl Street....Tom Healy Band...I think Hookerfied is one of the best blues tunes period! Lotus....Santana Enjoy the day with your friends and family. Mr. Pete------------> aging hippie
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17 years 4 months

Submitted by Deadicated on Mon, 09/03/2018 - 08:51

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Little Feat Waiting for ColumbusThe Who Live at Leeds Willie Nelson Stardust Patsy Cline Greatest Hits Bob Marley Exodus ABB FE, Eat A Peach & Duane Allman Anthology #1 Jimi Hendrix Smash Hits & Band of Gypsies Deep Purple Made In Japan BB King Live at the Regal Roy Buchanan Livestock Led Zep 1-5 Stones Ya-ya's Neil Young After the Gold Rush & Everybody Knows ... Derek & the D's Layla & In Concert Duke Ellington Blanton-Webster Count Basie Decca Recordings Charlie Parker Savoy & Dial Diz Odyssey Miles Kind of Blue & Milestones Charlie Christian, Billie, etc Carlos 1st & Abraxas Old & In the Way NRPS Many more ... American Beauty or Workingman's Love Abbey Road
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13 years 11 months

Submitted by nitecat on Mon, 09/03/2018 - 09:05

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I'm thinking/hoping to get a shipping notice tomorrow when people go back to work. I'm soooo ready!
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11 years 1 month

Submitted by jimmyjack on Mon, 09/03/2018 - 09:34

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x2, but I think the holiday is gonna screw up the release date. I have a nice long drive coming up on Sunday, hoping it arrives before then but I'm not counting on it
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14 years 9 months

Submitted by stoltzfus on Mon, 09/03/2018 - 10:25

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David Bowie : The Man Who Sold the World (should be part of school curricula everywhere) heard it for the first time this summer WOW Motorhead : Bastards Motorhead : Orgasmatron Mothers of Invention : We're Only in it for the Money Yes : Close the Edge
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17 years 3 months

Submitted by Vguy72 on Mon, 09/03/2018 - 12:05

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....someone here mentioned the other day about waking up with a song their head. A song that lingers for an hour or more. Happens to me all the time. This morning it was this song. Cued up Zenyatta Mondatta after my shower. Followed by Syncronicity. Funny that two of The Police's most popular songs are about stalking and pedophilia. Went right over my head when I was 13. It's funny that the song right after Don't Stand So Close To Me is Driven To Tears. Can't fool me. I'm no psychologist, but I think that is a side effect of a person who enjoys some sort of music to be always playing in the background or foreground. Welcome to my curse.
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17 years 3 months

Submitted by Vguy72 on Mon, 09/03/2018 - 12:16

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....make it so number one. Try as you might, hard to take the 80's out of Vguy. I love my comfort zone. Dancing with the family in the living room on Labor Day to The Go-Go's. Could be worse. Soft spot for Belinda Carlisle.
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6 years 11 months

Submitted by CaseyJanes on Mon, 09/03/2018 - 12:39

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This show is one hell of a monster...giving it a second listen as the date approaches. Thank you Oxford 88!!! PM me if you would like a copy! On pins and needles for the new box set....no shipping announcement here?1?1?! KCJ
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17 years 3 months

Submitted by Vguy72 on Mon, 09/03/2018 - 12:57

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....I also recall that show being pretty awesome. Need to refresh the ole synapses.
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7 years 7 months

Submitted by MDJim on Tue, 09/04/2018 - 07:47

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Lewiston, Anchorage, Fox Theater, Lakeland, Radio City, Warfield, Cumberland County Civic Center, Cape Cod, Merriweather, SPAC, Richmond, Gainesville, Nassau, Frost, so many Alpines, Greeks, Red Rocks. Gainesville. Early GD was a seismic event, life changing stuff.. but it sort of just kept on going and it was wonderful (at least) to most of us. Think how shitty life would have been if it just ended in 1974. (well more than wonderful up until that point at least). I am grateful the train kept rolling. I have met so many friends that didn't see or hear their first show until 94 or 95 or 2015. I think it's great that the wheels keep on turning. Lewiston ME, great show. Wish I was there and I wish Betty recorded it too (while I'm wishing). Edit: Wait, is this a 73/74 box set thread. I am every bit, wait more excited for this box as I was for the Winterland 73 box. I believe this will prove to be a greater offering than the invention of McDonald's Special Sauce (invented by Esther Glickstein Rose in 1967). This is special stuff.
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14 years 8 months

Submitted by Deadheadbrewer on Mon, 09/03/2018 - 21:40

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it's ALWAYS Workingman's Dead over American Beauty. :)
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16 years 11 months

Submitted by rdevil on Mon, 09/03/2018 - 22:04

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Holy shit, sometimes I can't believe the coincidences that occur in Deadland.I just finished the book, The Phantom Punch, about the second Ali-Liston fight and it led me to 9-6-80 which I happen to be listening to (for the first time I'm pretty sure) right now! I'm fucking impressed as hell, Jerry's on fire and Bob sounds great as well. Believe it or not I was actually visiting here tonight specifically to mention this show. Obviously a few of you beat me to it. I've been on a bit of an 80s bender as of late, very unusual for me but inspired by the latest DaP which I really enjoyed. I really like the '89 show from Boxzilla and had to relisten to the '83 show. Have to say that another listen to DaP20 reminded me why that one hasn't moved from the shelf since the first listen. 9-10-91 also got some love as well as a few other partial listens. Anyway, I've been enjoying a bit of 80s because once this new box arrives I will be listening to almost nothing else for perhaps the rest of the year. This is, for my personal preference, my most anticipated box since Winterland '73. Again, I can't believe I came here tonight to comment on what I thought was a relatively random show and there was already a discussion about it in progress. Just a little on the freaky side...
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17 years 3 months

Submitted by Vguy72 on Mon, 09/03/2018 - 22:12

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....for the first time. (His. Not mine. Read the book twice). John Coffey ma'am. Like the drink, but spelt different. My son was blown away. We all need a Mousetown at some point in our lives. Summertime done come and gone my oh my.edit. Stephen King can spin a tale doncha know. double edit. When there's an Alabama->Greatest Story to open the show, look out!
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