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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • Vguy72
    Joined:
    Hold on hendrixfreak....
    ....I need to make some more popcorn and mescaline.
  • hendrixfreak
    Joined:
    Noon-ish is not the best time to catch a full-blown show.....
    My memory has clearly telescoped events, because I almost think I remember rolling over in my sleeping bag and, for breakfast, snorting a pile of 'chocolate' mescaline off one of those mini-cereal boxes. I definitely took some blotter. But even if we'd 'slept in,' it must of been 10-ish or something. Surely we'd had some water and a snack, probably provided by a merciful neighbor. We were still 15 and we looked like what we were: goddamm-near children! Ah, so I was saying, we dropped acid and snorted mescaline and fired up the pipe with Numero Uno and, hey, is that freakin' Jerry on stage? Wait, Bobby. Phil. Bill. The piano guy. Jer kept dipping his cigarette into a brass ashtray and, when he re-lit it, it flared up. I didn't hit the blow til '75 but later, I thought, freebase. I hope someone can clarify this, but I think I recall the band starting just a bit after NOON(!). As far as I was concerned at the time, they fucking rocked the place for hours. I do recall, as I often feel, feeling goofy about a camera while tripping. But I managed to snap off three shots, of which two survive, which catch the three guitarists blasting away on Playing in the Band, then turning towards each other to converse more intimately, finally arriving in a tight circle and sending tides of sound across the crowd. I think this was the time I experienced Phil's bass as physical, purple pulses in my chest and the realization that vibrations, rather than corporeal reality, were at the heart of existence. I clearly remember the gospel treatment at the end of He's Gone and at the end of Sugar Mag, Weir thrust his arm skyward for stop time, ran back to his amps, downed the rest of a Heineken and raced back to the mic for the coda. Still, I was 15, down front at one of the biggest gatherings of humans in history. I did look back over the crowd, but, as usual, there wasn't much profit in looking back. Not with the Grateful Dead killing it in front of me.
  • hendrixfreak
    Joined:
    The Soundcheck
    The Allmans rocked big time. They'd slayed us at RFK after the Dead when, exhausted and dehydrated, we had retreated to the shaded overhang of RFK and been simply psychedelically rolled over by the ABB. They smoked the Dead that day. Back to the Soundcheck. I got up and hiked around the scene while it was still afternoon. A very loose scene with lots of elbow room, cool air, breathing. I returned to our space, easily located, for The Band. It was nearly sunset when the Grateful Dead took the stage. We had all the room we needed. I started the soundcheck boogie-ing upright, shakin it to the rock 'n roll. I had snorted some mescaline and taken maybe a half tab of the blotter. Everyone knew this was unprecedented in GD history. Here we were, groovin' on a cool pine forest evening, high but not pressed and our favorite band was blasting away on the finest sound system we'd ever heard. I do not recall individual songs, just the transition between comprehensible songs and jams that had us smiling for reasons we knew not. [Beautiful Jam from So Many Roads is blasting in the background as I write these words.] I do clearly recall the feeling of complete ease as I nestled down into my sleeping bag, head on cool gallon jug, looking up at the band just jamming away. We rode it out after the band departed and the next thing we knew, it was morning and the crowd was bustling, hustling, and by noon it was show time all over again.
  • icecrmcnkd
    Joined:
    Hendrixfreak
    I hope you are writing these in a word processing program and saving them.You probably should combine your memories and pictures and put it out on the internets where it will hopefully be forever preserved. Maybe upload the final version to the archive someday.
  • Trainwrecked
    Joined:
    5/9/77
    Any headphone listeners out there? Or maybe you don't need them. I find the bass on this GSTL recording overwhelming. Bertha and Help On the Way are good places to start. I don't get the same thing with the SB I have if this show. I think Jeff Norman boosted it somehow. Anyone else notice it? Garyfarseer - what kind of medicine?
  • hendrixfreak
    Joined:
    The greatest missed show on Earth
    Long story shrunk to size... We had to get home on 10 June 1973 because we were exhausted, dehydrated, broke, without tickets, food, water, anything, so we thumbed back and tried to blend into humanity. I was 15. I lived with my parents, of course, and they needed to see some evidence that I was alive. They never even said a word about my setting out for a multi=day excursion in jeans and a t-shirt. We just did it. We heard the 10 June show was smokin' and we were pissed. We were NOT going to be caught short like that again. No effin' way. So when the news broke of a show with all three of the greatest rock bands of that time -- the Grateful Dead, the Allman Brothers and The Band -- we were on it like white on rice. Tickets cost $10.50? We had 'em. And we'd just seen the Allmans at Madison Square Garden in, May? I smuggled in a bong. A young cop caught me. An older cop said, "Let him go. It's a bong. Don't worry about it." Jesus, this whole law enforcement thing was confusing! But my view was broadening... Late July 1973. The older brother of a hot schoolmate of ours was driving to Watkins Glen. We signed on. Me, Mark L, David W, and a few others. We brought our backpacks. We had a little food. A shit-ton of Numero Uno. No alcohol. I had a sheet of blotter. Someone's adept use of the map enabled us to skirt around the worst of the traffic and we actually accessed the grounds in fine fashion, probably 12 hrs ahead of the hoo-ska-boo that eventually developed. The van's inhabitants split into units and we never saw our driver-host again, until a week later, just before the 31 July - 1 August shows back at Roosevelt Stadium. (Biggies, waiting for release...) So we hike over to the "gate," passing food trucks that specialized in big scoops of weed. We snickered, fully equipped. We were still 15. We entered the gates around midday and for some reason no one took my ticket, so I immediately doubled back to the chain link fence and passed my whole ticket to a have-not. Instinct, communal instinct. Later, my parents said that friends of theirs in Europe had seen footage that included my entrance into the concert site. The stage was perhaps 2/3 of a mile away. As we walked down the gently sloping hill towards the stage it was obvious we were a bit early. In earlier shows we were leery of getting too close because of the physical crush, the volume and the collective high that sometimes ... got a bit hairy. But fresh off missing 10 June, we marched down and claimed a beautiful space about 20 yards from the stage, just a bit left of center. On our way, we'd grabbed a few one-gallon water jugs that were set out free by Bill Graham in response to the scene at RFK in DC 6 weeks earlier. I found myself high on mescaline, laying on my sleeping bag with my head resting on a cool one-gallon jug of potable water and passing a doobie when the crowd sputtered and roared. It was late afternoon and the Allman Brothers had just taken the stage.
  • hendrixfreak
    Joined:
    RFK, June 1973
    Throughout the fall of 1972 and through the winter-spring of 1973 I had ingested numerous psychedelics, including the wonderful agent known as mescaline and naturally a few substantial doses of the Lady Herself. At one point, with my buddy Moose, we were sitting atop a van-sized boulder in a 2,000 acre wooded preserve near home and we focused on the visual margin between the rock beneath us and the ground in the background and felt that we had lifted the boulder upon which we sat perhaps several inches into the air, then lowered it again to its natural resting place. But I digress... June 1973 and me and David W are hitching to RFK in DC about 200 miles away for the 9-10 June 1973 shows. It's summer. So obviously we go in t-shirts, jeans, sneakers, with a ticket and few single dollars/dead presidents in my pocket. Next to the sheet of oval 4-way blotter. A little smokum in the sock, in case we got stopped. Look, we're 15, okay? 16 was months away. We were just up for adventure, loud rock 'n roll and, um, a closer look at the scene. I remember that some of the serious traveling hippies with LSD-dead eyes were there selling pipes, but also passing them around. We had long hair but we were little kids! These folks looked 50 but were probably 20, i.e., impossibly old, grizzled and of unknown origin. But no one actually bothered us, nor was there any attention. Everyone treated us as adults. So we slept on the ground on the grassy parts outside the stadium that night. No water, no food, no equipment. The next day, temperatures climbed towards 100. We were smoking a joint by the grate that blocked one entrance and a black cop motioned us over. We approached cautiously. "Hand me some of that, will you?" he asked. "WHAAAT???" was our initial reaction, having already experienced the pleasure of being cuffed and harassed by the cops for having a beer in the park. Turned out, cops can be cool, too. We burned two with the cat and we bid each other a good day. He was clearly amused by the scene, but in a groovy way. This was 1973 and racism and violence over the Vietnam War made longhairs outcasts, just like minorities of every stripe, then and now. Short story long, me and David split a 4-way and the Dead played that afternoon, opening for the ABB that night. The lines for water were long. We survived on The Lady, a little water and some "Numero Uno" substance we thought was hash but turned out to be opium. Worked for us that day, though, the heat was excruciating and I'm sure a lot of folks needed help in the heat. I got up close for Chinacat at the end of the first set. I was mesmerized. Bobby played a Gibson SG, which in my mind meant "bass guitar." Phil was playing a big possibly semi-hollowbody bass that said to my untutored eyes, "rhythm guitar." But I was already a huge Phil fan (being a Jer fan was too obvious) and this had me confused. At some point some idiot hurled a lit M-80 onto the stage (June 9, right? obviously in close proximity to July 4??) and it rolled up to Jer. In that day, he had a stage mannerism of sort of shuffling in place and I saw him move his right foot forward in perfect time and using the tip of his cowboy boot sent the live M-80 back out over the crowd. I don't even recall hearing it explode. The music was pretty loud.
  • icecrmcnkd
    Joined:
    Nice warmup HF
    Patiently waiting for the grand finale....
  • hendrixfreak
    Joined:
    Backstory and launch....
    The briefest of backstories: Six years old in 1964, persuaded my mom to buy me a Beatles LP at the checkout counter of the local discount store. Played it on monaural phonograph with one 12" speaker output. Rocked as child. 13 years old in 1970, convince mom to drive me and a friend to a Chambers Bros concert. We dug the music but were too young for 'action.' 15 years old, summer of '72, catch The Byrds and New York Rock 'n Roll Ensemble at college outside Saugerties NY where The Band rec'd Big Pink five years earlier. We drove by Big Pink. (Still Pink.) We were 15. (An older brother was actually driving...) Since 1971, been spinning American Beauty and Skull & Roses LPs on the same phonograph as in 1964, only now it's in the basement where our ping-pong table and hang-out couch are located. 19 Sept 1972, I jump in a car full of older heads with an ounce of hash in my pocket, 33 days after my 15th birthday, and we proceed to the Roosevelt Stadium in lovely Jersey City, New Jersey, and catch my first Grateful Dead show. I had already been 'experienced,' but did not drop at this show; too chaotic, large crowd, determined to survive and catch my ride home. I listened for familiar songs, jams, anything -- nothing! Everything was different. Records, shme-cords. This scene was crazy. Maybe 10,000 people screamin' high groovin', freakin', dancin', gyratin', handing you things you knew best to pass along... I was alone in the giant crowd with the music louder but sweeter than anything I'd ever heard before. The music rocked, I just couldn't grab onto a big Jerry jabbin' guitar riff that would remind me of Skull & Roses. Obviously, this was no American Beauty. As Jer once said, recording in a studio is like building a ship in a bottle. Playing live is like being on the ocean in an open rowboat. And that's kinda how I felt -- out there, surfin', knew I'd have to get home ... 3 hours into the show, I do remember saying to myself, "Well, all righty then, damn good show, YOU CAN STOP PLAYING ANYTIME, I'M GOOD. GOTTA GET SOME REST... MUST SNAG RIDE HOME..." Part II, coming ...
  • icecrmcnkd
    Joined:
    Thanks dmcvt
    The photos of the stage show how high it was. Need safety railings to keep the musicians from falling off.
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Mine would look very similar, but I can never decide if FW69 or E72 is tops. They flip flop. Note for note, FW69 is the one, but the sheer volume of glory in E72 is hard to overlook. I'd probably knock 30 Trips down to behind GSTL too, but again, it's splitting hairs.
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16 years 8 months
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I hate to be a complainer but I am really annoyed here. If the release date is 9/7/18, shouldn't the set be shipped in time to arrive today??? Dave's Pick always arrive on release day. I've got some cool stuff happening this weekend that I've been envisioning this set being the soundtrack for. Now I get my shipping notice and it's going to arrive on Monday? To say that I'm bummed is an understatement. I guess I'll try to psych myself up for receiving in time for the...middle of the work week.
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unless you are really new here, this happens every box release.based on past experiences since rhino licensed the vault, this seems to be the usual release day stuff. paying extra to get it expedited, makes you think you might get it on release day, but expedited shipping only works once it has already gone on sale and is in the warehouse. there is no difference in delivery time on preorders, everything goes out UPS at the same time the day before it goes on sale. preordering a digital set is a crap shoot, people are still waiting for the July 1978 flacs that they preordered. CA time is when the digital links will go online, not east coast, so another 2 hours before the download links get activated.
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7 years 11 months
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No working link yet. 9:40 EST. I do, however, get an unwanted jpg of western rock formations that automatically downloads every time I reload this page, so there's that..... Edit: I don't intend this as a complaint (well, I wasn't loving the automatic jpg download, but that seems to have stopped), but as a confirmation that JB was not alone. Eagerly awaiting.
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8 years 5 months
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After about 3 months of waiting for this box of wonders, I think we can wait a couple more days.. I too was hoping for it today but got my notice last night- due to be delivered Monday. Its not just you, but its a couple days Cant wait to rip into this thing!
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9 years 5 months
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Looks like I'm getting my copy on Saturday end of day. Which means my Saturday night looks like this: 1. Headphones 2. Red wine that is all.
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7 years 5 months
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If you are desperate and willing to sacrifice audio quality it is up on Spotify...
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12 years
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Pretty accurate list. I actually prefer the first May 77 box set to GSTL, but not enough to squabble about. For me, the gap between the top two and the rest of the releases is pretty wide.
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9 years
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I have just started the first show and they are still trying to get the mix right on Bertha I can tell already that this box is without a doubt the best sounding officially released 73 shows.
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7 years 6 months
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Now we're talking. Encouraging news... in the end it's all about the sound. I am holding hope that someone gets the physical box today. ...but really, we have already waited 45 years for this, what's another day or two. I love it all, but this box scratches my sweet spot.
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It's doubtful it means anything. I suspect shipping at Rhino is something akin to hurry up then wait. They don't do these mass mailings every day so they likely task rotate a small staff to handle these releases. When things ship, I bet they can get pretty overwhelmed and have to burn the midnight oil just to get through the week. I still haven't received my shipping notice yet. Vegas odds I get the box before the shipping notice? 3-1? Where's VGuy when you need him?
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17 years 3 months
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....that trying to figure out Rhino/Dead.net's shipping/notices is an exercise in futility. Any why the hell did i just watch the reveal video? I promised myself i wouldn't.My arrival date just got bumped up from the 12th to the 11th, which is Mickey's birthday, which is cool. It's also my wedding anniversay, which is even cooler.
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17 years 3 months
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How and where did your download link arrive? thanks, b
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17 years 4 months
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PM me the details and I'll see what's going on.
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17 years 3 months
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Email with redemption code just arrived. Hey now! Hey! b
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6 years 8 months
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Email with redemption code arrived about two minutes ago. Downloading now. Gonna be a Grate weekend...
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17 years 3 months
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....what's in that wooden cigar box looking thing?edit. The Believe It If You Need It 3-disc set is up and running on Spotify if anyone wants to cheat.
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12 years 11 months
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Usually has some small items in there like ticket stubs, mini hand bills, patches, stickers, back stage passes. etc. One of the 90's boxes had a set of dice. Usually a mystery
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17 years 4 months
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It's really impressive. I think this is the best artwork for any of the sets that have come out...i love it.....kudos!!!
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6 years 7 months
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For those who haven't yet received a shipping notice, what's your order status when you look it up on the website? Mine's still listed as "not shipped."
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8 years 5 months
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PACIFIC NORTHWEST '73-'74: THE COMPLETE RECORDINGS BOXED SET: The music the Dead made during those six Pacific Northwest shows remains clear and powerful, more than forty years after the last notes rang out in the Hec Edmundson Pavilion in Seattle, WA. The release of these recordings fills in important parts of the official record. They show a band diving deeper into music, and if that’s driven in part by the need to escape from everything offstage, that simply underscores their ability to soar above even the most chaotic pressures when they performed. Time and age may have turned their stage into a crucible, increasingly removed from its genesis as an altar, as it had been in the Haight, but it was still capable of transforming them all, still capable of being a chalice inviting everyone to sip. - Nicholas G. Meriwether, A Key to Every Door: The Grateful Dead in the Pacific Northwest, 1973–1974
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11 years 11 months
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Problem with old, can't remember shit. I guess I ordered the 6 lp collection AND the box set. Appears the LP's will be here today. :-( The box looks slated for Monday. Unless I'm still wrong! Oh, I too fell for the reveal. Looks very nice, I gonna need a bigger shelf. :-)
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@shaggyfraggle: Received my email on 9/6 @ 1809 central. Tracking status shows it left La Vergne, TN that night at 2055. My orders almost always arrive a couple days later than most being in the Kansas City area; however, it's currently expected for Monday delivery. Hope your status has updated by now. Kind of surprised there's still boxes available.
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12 years 11 months
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Mine is still listed as "Not Shipped" as well. Has anyone received a shipping notice?
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12 years 11 months
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Mine is still listed as "Not Shipped" as well. Has anyone received a shipping notice?
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12 years 10 months
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I believe people have been receiving shipping notices starting mid-week. I received mine late Thurs. and slated for delivery on Tues. 9/11. I don't think you'll get a notice until it actually ships. Others including myself have gotten the notice AFTER receiving the physical product.
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11 years 11 months
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… walked downstairs and there was UPS throwing package on porch. It was the LP collection. I laughed because the UPS man NEVER shows up BEFORE I go to work. Then here he is today dropping it off at noon! Bet the box will not be here before I leave for work:-)
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6 years 11 months
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Couldn’t wait any longer...Spotify version is on and sounding Grate to these ears... UPS says Noon-4 tomorrow!
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8 years 5 months
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...the Dead have been cleaning out their inventory over the past year or two from their own official website store.- No more Europe 72’ individual performances for sale - the Grateful Dead movie soundtrack/ 5 cd boxset is sold out. It took a long time and this past few months I had a feeling this package would sell out due to the release of the 73’-74’ Pacific northwest tour Box set which was officially released today. - and some more official releases that at the moment have slipped my mind. I’m getting old lol ha ha...I’ll just keep on smiling !!! :) Ps. I have a coupled sealed Europe 72‘ performances for sale if anyone’s interested. Send me a pm and maybe I can help a fellow sister or brother Grateful Dead fan. Any way, I hope everyone has a grateful weekend! Peace be with you all... :)
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7 years 6 months
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I took the afternoon off and kayaked the river I live on.. We put on perfectly timed as to crawl out of the river and meet the UPS guy, hopeful for a delivery. Denied!!! Oh well.. sometime next week. No listening party for me, no 73/74 for me until the great box arrives. Keep the reviews coming should anyone get theirs.
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15 years 1 month
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Have you attempted to download? I have, from three different networks. All fail. Every time. Disappointing to say the least. Why aren't they offering a download manager for a 42 GB download??
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15 years 1 month
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BWhite, you should receive an email with a redemption code and a link. Enter the code at the link and then get another email with the download link. Not sure how that is adding any layer of security....you do have to enter your email address (which of course you know because you have access to the email account) and your zip code. So I guess the entire convoluted process does insure that you know your zip code.
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6 years 8 months
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Mine downloaded in about half an hour without a hitch. Sounds as smooth and sweet as expected. Ought to hold me over until the actual box set arrives on Tuesday (though tracking shows it moving pretty quickly, so hoping for sooner).
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15 years 1 month
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30 minutes requires about a 1 GB connection. Nice. I also tried over a 1 GB fiber link....failed every time. Frustrating.
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14 years 8 months
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unintentional, but there it is.
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17 years 2 months
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Jim, great list. I'm partial to May 77 over GSTL but can't quibble. But no July 78 box? I would put that above Warlocks and both S90s...
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16 years 1 month
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One Kind Favor, For those who are lucky enough to be getting this box on Saturday, I and others would like to know the dimensions of this box. (*)Length x (*)Width x (*)Height. (*)is the measurement in inches or in metric. The total weight, including the packaging, should be about 8 lbs./3.6 kg. For me it's about storage, and because I like the physical real-life box and the art. I like many others will have to wait until Tuesday when the box should arrive.
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7 years 6 months
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Thanks claney! July 78 definitely belongs in there.. I like it at least equal to the 77 boxes. I don't know how I left that one off. 30 lashings, starting... ouch!
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17 years 3 months
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Just received an e-mail from Dead.net. Says they're hoping to get everyone a shipping notice by the end of the day on Monday. Downloaders - did you get artwork for the individual shows?
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081227931391
Product Magento URL
https://store.dead.net/pacific-northwest-73-74-the-complete-recordings-19-cd-boxed-set-1.html