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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • stoltzfus
    Joined:
    she was a girl from Birmingham
    well, Muscle Shoals, actually. Sex Pistols + Donna talk = the quips above. NMTBollocks = masterpiece
  • Oroborous
    Joined:
    Re: itsinmyhead
    Thanks, it’s always nice when someone can relate, especially adding your live experiences. As great as these SB recordings are, I’ve never heard one that sounded like what the show sounded like live in the venue, (usually in front of the mixing board, or even in the front row).... Used to be a musician in a past life too, and though great recordings can be made, dry, direct only or close miked instruments do not sound quite the same as the live sound in the venue. Of course mic tapes can be adversely effected by your position and the venue, your gear, technique and of course your neighbors...... JJEEEEEEERRRRRRRYYYYYYYYYY DAAAAAAAARRRRRRKKKKKKKKK SSSSTTTTTTAAAARRRR LOL always durning the most subtle, quiet, emotional ballad ; ) A&A: yasss that could really be the best for the DG “treatment”. Everyone always thinks of the PITB or Scarlets, which sometimes work, but playing especially, like with this box, can sometimes be a bit too much re-entry shall we say. A&A is perfect for that type of enthusiasm! Makes we want to go Fire up a hot one....... SUGGESTIONS? What’s the hottest Pre-Brent/Vince Around and Around folks?
  • Lovemygirl
    Joined:
    -Dicks picks 34 11/5/77- vinyl release :)
    https://shop.realgonemusic.com/products/grateful-dead-dicks-picks-34-6l… If the saga of the Grateful Dead is a long strange trip, then we’ve definitely been along for part of the ride! First, we brought you the entire Dick’s Picks series of live concerts on CD, all 36 volumes of it, many of them never before available at retail. Then we began putting out the Road Trips series, none of which has ever been in stores before. But now, dear Deadheads and Real Goners, the time has come to take the next step in our evolution as a key source for rare Grateful Dead recordings. It’s time to cross…the vinyl frontier. And we are hoping you will cross it with us, because we aren’t even offering this release to retail until you have had a chance—at a special low price—to snag all 1500 hand-numbered, limited editions of our new 6-LP set, Grateful Dead: Dick’s Picks Vol. 34—Rochester, NY 11/5/77! That’s right…we are finally putting Dick’s Picks on vinyl, and, boy, have we picked the right one. How do we know? You told us! This was by far the best-selling volume on CD from our reissue campaign. And no wonder, it’s from that magical year of 1977, with fiery performances of “Big River,” “Jack Straw,” “Deal,” and “Eyes of the World” powered by a particularly lively Phil Lesh. But for many the highlight will be one of the truly great performances of “The Other One” in the Grateful Dead catalog, 12 minutes of surging intensity and building crescendos. This Pick also included highlights from a 11/2/77 Toronto show, including a great medley of “Estimated Prophet”/”St. Stephen”/”Truckin’”/”Around and Around” (we’ve reconfigured the track listing to put all the bonus tracks at the end of the set for a seamless concert experience). Definitely a great place to begin our journey into the realm of Grateful Dead vinyl! Such a stellar performance deserves a great package with great sound. For this Real Gone release, we’ve enlisted David Glasser at Airshow Mastering to remaster the set for vinyl. David’s had a long association with the Dead; he mastered the soundtrack to last year’s Long Strange Trip documentary among many other projects. For lacquer cutting, we turned to John Golden at Golden Mastering. John has worked with artists as far-ranging as Jonathan Wilson, Sharon Jones & the Dap-Kings, and Soundgarden among many others, and he is our go-to engineer for lacquer cutting. The test pressings were approved by David Glasser, the Grateful Dead’s resident audiovisual archivist David Lemieux, and Gordon Anderson from Real Gone. We’ve pressed the set up on 180-gram vinyl for maximum fidelity, too. And we even scrapped the first pressing because it wasn’t up to our quality standards. As for the packaging, we’ve placed all six LPs inside a hardshell box adorned with the original front cover and a custom back cover featuring a great shot of Jerry Garcia from the show. Inside, you’ll find a 4-page, LP-sized, full-color insert offering photos from the original package along with the original trippy graphics. And, as we mentioned before, each of these limited-edition sets is hand-numbered all the way up to 1500. This set will not be repressed once we run out of the 1500 limited edition copies.
  • itsinmyhead
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    I agree, Oroborous
    I appreciate the breakdown of all the factors that go to the Donna problem.If i may add: I went to many many 70's shows (and then some). Not once did she sound so off, or shrill, as the tapes make it appear nowadays. No one ever left a show criticizing Donna for her 'screams'. Maybe the live loudness of the auditoriums kept it at bay somewhat but nobody who was there was complaining at the time. And some of the best pure rock 'n roll girl screaming i've ever heard was on 'Round & 'Round !!
  • musicnow
    Joined:
    Seattle PITB
    Finally got to the 46 min PITB. Holy crap! They just kept going and going and going! Whew!
  • Vguy72
    Joined:
    The Donna discussions never go away, they just go on hiatus....
    ....I like her, but to be honest, when she unloads one of those screeches, my dogs always give each other the "WTF was that!!" look.
  • daverock
    Joined:
    Donna as back up singer
    I would agree that her greatest moments with the Dead were when she was singing back up. I am thinking particularly of the post retirement Looks Like Rains. Actually, all of the Dead were at their best when they were tightly enmeshed in the whole. Take any one member out of that whole and they always sounded-and probably still do-somewhat diminished.
  • Oroborous
    Joined:
    Sweet Donna Jean
    When I was younger I usually liked the screaming, but have less and less tolerance for it as years go by.That being said, let us remeber ... - Bob can be just as bad on occasion - They are hearing themselves through completely different equipment in a completely different context. I guarantee if you heard much of this live it would not be as prominent and thus not as bad...especially since she was often turned way up to try and make her be heard, which does not translate well to direct recorded tape. Just listen to E72 shows for a better idea of a well balanced vocal mix including DG. - Women often don’t have the same power as men to sing or yell loudly enough so they, and sometimes Bob strain or extend themselves which doesn’t usually sound good, You can even find examples of ol Jer too. (This is not sexist. Some women have a thin or higher range that is harder to be LOUD is all I meant) obviouslly there are many great women singers that have super powerful voices, just not all) - DG obviously could sing or would not have gotten work as a studio singer. In fact most of the work she does with the dead in the studio was awesome. Some folks, and perhaps some women have a harder time singing live in really loud R&R bands. She as well as the rest have admitted as much. - Personally, I’ve rarely heard a female vocalist that meshed well with the dead. Even post dead etc. I did really like that Garcia gal that sang backups in Futhur. Something about the boys to me made it tough for women to mesh, any era...I’m sure there are occasional exceptions, but generally speaking.... - Donna imho was a way better when she was more of a secondary, back up singer (in the dead). I know many feel she was better in the post hiatus band, and in some ways she was. I believe they made monitor/gear and position changes that helped. I think time also helped her learn the material and mesh better. As some mention, the stuff she did that they learned after she joined is often better for her than the “old” stuff they learned before her. But to me, she like some of the other “non-core” dead members over the years were better as secondary players. I didnt always like when they start having these folks become full on participants. But that’s just my worthless OPINION. - Board Recordings. Yes there are some truly jarring instances on this box where it’s tough to take, but that’s more because of technical variables and the idiosyncrasies of SB recordings as much as DG herself. Unfortunately the human mind often focuses on very different, jarring, scary sounds more than soft or soothing. If all you listen for is the ugly stuff, yeah, your not going to like DG. But if you move past that stuff and concentrate on the other, perhaps less dramatic stuff she did, she can be indeed very sweet. - Intoxication;in fact, and as she herself has said, intoxication can often be very detrimental to singing. Hell all music can be sometimes be affected negatively, look what happened to Jer...... Finally, ive talked to a few people who have had a chance to meet her and all have said she is truly a very nice person. So before one is tempted to be negative and perhaps even say something hateful, consider the big picture and all that was involved......
  • DaveStrang
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    Nugent7453 - May '77
    Check your PM.
  • 80sfan
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    Joined:
    In praise of DaP 11 (11/17/72)
    Took a break from listening to the box set….to listen to more grateful dead. I dove into 11/17/72 (DaP 11). This has got to be a top 5 pick. One of the best bird song’s of all time, and perhaps the all-time He’s Gone>Truckin>TOO....wow this is a great one.
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Is anyone else having trouble with 5/21/74 Playing in the Band? The download cuts out at about 20 seconds in and returns with just a few seconds left on the track.
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Download took about an hour. 41.7gb zip file. All 166 FLAC files are in one directory fully tagged with an embedded art image. I separated each show into a separate directory because that's the way my streaming device works best. This sounds INCREDIBLE! These shows are going to get me through this coming New England winter. No additional artwork. Fine with me. It's all about the music.
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17 years 4 months
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5/21/74 Playin' I downloaded seems fine. 46:58, and no problems (except for the yowling that is).
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17 years 3 months
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Jim, same here. July 78 fits right alongside the 77 boxes. I'm also convinced that totem box will vault to bear the top.
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11 years 9 months
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mine will be here Tuesday...had to go in to town today (a 90 mile drive)and I said screw it and shelled out $20 for the three CD Believe It If You Need It for the ride home...listened to the 2nd disc...my my...I'm even more anxious now for delivery...it's good to be DEAD....
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....physical buyers have to Deal with possibly scratched CD's or dislodged glue. Digital buyers have to Deal with download hiccups or digital snafus. The only time it was perfect was when one was in the crowd. I listened to the Spotify Box Of Rain on the way home tonight. Yeah. I peeked.
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13 years 11 months
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I have the same problem scboss12. I got the Apple lossless and the 5/21/74 Playin cuts out at 38 seconds and the rest of the song is missing in action.
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6 years 2 months
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Like others have noted above, age seems to have made what is usually a simple process, in this case placing an order, into a frustrating, futile exercise. I have been trying to order the Pacific Northwest box for more than three hours this evening. I am logged in (obviously) and I can place the item in my cart. The numeral 1 then appears just to the right of the shopping cart icon indicating that there is one item in the cart. However, when I try to checkout, I receive a message that my cart is empty. I can get back to my cart by a number of paths available on the store and/or my browser (Firefox 61.0.2) and the product is still in the cart. I have successfully ordered numerous items from the GD Store over the years - the last set purchased was the Betty Boards. Is this a site gremlin that others have found a work-around? Thanks to the kind people who have taken the time to read my post in the off chance you had encountered the same problem and discovered a solution. Note: when I previewed my post, my status was listed as "offline", although I am able to edit my post without having to provide my credentials by logging in again.
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17 years
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Which shows do you have available? I have most but missed out on a few and would love to fill in a gap or two. Let me know.Thanks, Mike
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17 years 4 months
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....may be part of the problem. I use chrome, and have had no issues.Don't get me wrong. I still use Firefox at times. But it has it's glitches.
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I'm old as well, and have spent way too much time in outer space. To order I used the Chrome browser and it worked with no glitches. Put in my CC and got a final page with three download links. One being some screen saver (pass), a one tune download (pass), and the full download. Click. No problems at all. Download took about an hour. I wasn't logged in when I placed my order, if that matters. That being said, this is just mind blowing. I've been sitting here for five hours listening. Rock, country, bluegrass, jazz, space, what is this place? All of those things but no category one could stuff this music into. It's the GD, in one of their many primes. At least to these old ears. Brings me joy so, who cares.
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I've been working with Chrome for the past two hours and the SSL (and/or TSL) won't engage, leaving the connection unprotected. I can open another tab on the same Chrome browser (I chose the Washington Post) and that connection is encrypted with the SSL protocol. I can't imagine an online store that relies on, and accepts, sensitive credit card information without the use of some form of encryption protecting its patrons. I did create a new user account on dead.net in addition to rebooting my laptop, etc., in the hope that one of these measures would resolve the issue. Oh well, the dead.net store opens in less than five hours. I'll wait until the folks have gotten their coffee at 7 AM and hope the box set hasn't sold out by the time I call. Thanks to all who have offered suggestions and encouragement. I am also grateful that I was able to see Dead & Co. twice in June. My daughter, who is nearing the age of 30, became a Deadhead as she listened to the many tapes I played as I ferried her home from preschool, summer camp, on family trips, etc. We met up at a show this summer that was midway between us, which was perfect since we each drove 250 miles - much better than one of us driving 500 miles, twice. Back to music!
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Same one as copperdomebodhi, I think, about when it will ship to those who haven't already had shipping confirmation. Goes like this: Dear Grateful Dead Fan, Release date is finally here! Thank you for your pre-order of the Pacific Northwest '73-'74 Boxed Set. We have been shipping out orders as quickly as possible and you should be receiving a shipping confirmation email by the end of the day Monday (if you haven't already.) If you live in the US, please reference your shipping confirmation email for tracking information on your shipment. For international orders, please allow 4-6 weeks for delivery. If you have any questions, you may contact Dead@wmgcustomerservice.com. Best Regards, Dead.net Customer Service
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I received an email from dead.net this morning. The shipping of the box should be done "as quickly as possible". I am in France, and for international orders delivery will take 4 to 6 weeks. This is good since I leave the day after tomorrow for 4 weeks of vacation. Good listening to those who will soon be able to listen to these six shows!
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I’ve got the same issue with the 46:58 PITB.....gets to 38 seconds then nothing. Keeps playing and counting off time, but nothing is there. So far it’s the only issue but I’ve only listened to all 3 Eyes and a couple other PITB. Really disappointed as that 47 minute PITB was top of my list! I was not able to complete my purchase with Firefox. Kept giving me an empty cart on checkout. Used Safari and everything worked just exactly perfect. Download only took 17 minutes and I’ve got 166 songs of grateness for the weekend.....EXCEPT the 47 minute PITB I was SO looking forward to.....
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9 years 6 months
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Checked my status and it now says "loaded on delivery vechicle"... I can not wait. Also, I don't remember delivery updates ever being so specific before. I half expect the next one to be "he's literally at your door", or "it's coming from inside your house". Ok I'm delirious. Hope everyone has a great time with this set!
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17 years
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The vinyl sounds beautiful! I'd get immediately if you haven't already. Can't wait for the box set to show up. Sound quality is dynamic and rich...WOW!
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16 years 11 months
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UPS just dropped it off! Really cool-looking, and I'm about to pop in disc 1. Someone below asked about the boxset's weight and measurements. I can't find my tape measure, but the CD version weighs 5.8 lbs. Also, the CDs are in digipaks, so I'm anticipating no glue or scratch issues.
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9 years 6 months
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Holy shit this is going to be a good day. 982/15000
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6 years 2 months
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I find it incredible that they’ve had my money for over two months yet here it is the day after release and they can’t be bothered to send a simple download link.
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13 years 9 months
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I am uploading the PITB track to GDrive. I will send a link to anyone who has a problem with the track.
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7 years 7 months
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Whoo Hoo. Waiting on mine, but glad to see people are beginning to get them. UPS on a Saturday? Not where I live... USPS, yes, but limited.
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8 years
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Please send link. I also purchased digital download and had a problem with this track. Would have been nice if they offered the individual cover art for each of the shows too. Once someone gets around to scanning those would love the artwork. All and all Dave and Co did an amazing job with this set so excited to take it all in. Killer sound!
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7 years 6 months
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I was just wondering if somebody had nice high resolution images of each individual CD cover. I remember somebody posted a link to the pictures they had taken from the Get Shown the Light box set individual CD covers. After I rip the CDs, and put them in my library, I really would like to have artwork for each CD cover that they came in. I am sort of obsessive of how things appear in my library, and would prefer to post the CD cover of each show rather than use the same generic picture posted at the top of this page. Appreciate any help, enjoy the box set, hope it comes soon for everybody! Really looking forward to getting into all these shows, had not heard any of them before.
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17 years 4 months
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....Jesus H Christ with a ham sandwich. It goes to every corner of the universe and back again. There is The Grateful Dead, and then there is every other band ever know in existence. (no. I did't get mine, but listened on Spotify last night).
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13 years 9 months
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Not posting the link here. Don't want to piss off Dead.net. Send me a message here with your email and I will do it that way. Also, it seems like the ALAC version is the one that's messed up. This one is FLAC. Will just require and conversion is all.
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Can you send me the link, too? It looks like my 5/21/74 PITB is blank after thirty-eight seconds. I'm glad I read through the comments here this morning or it might have been a week before I discovered it. Has anyone had problems with any other downloaded tracks? I'm almost finished with 6/22/73 and they are all fine.
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Send me a message here and I will email it to you. I recommend everyone test their files to make sure there are no other problems. Just do a checksum test and that will show any incomplete or truncated files.
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7 years 7 months
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You're probably right. ..but you are doing them a big favor. A small snafu, but I bet frustrating to a few of you out there. They usually make good on this kind of stuff pretty quickly. I can translate flac to alac if no one else knows that trick. No temptation to listen on my end though, until the box pleasantly weights down my front porch. I'm fairly convinced the young VGuy found and knew what all his Christmas presents were by the Friday after Thanksgiving.
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1) delete your browsing history, then tell the browser to accept cookies2) put Box in cart and proceed to checkout When you get the ‘your cart is empty’’ message do one of the following: If there is still a ‘1’ next to the cart icon then click on the cart icon If there is a a ‘0’ or no number next to the cart icon, then click on the SYF icon in the upper left corner Clicking on the SYF icon is what I did last week to order the LST BluRay.
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It always takes a while for delivery to get out to my neck of the woods. This time is even worse. MaryE says I should have a shipping notice on Monday. I'll be out from Wednesday thru next Sunday (16th). If you can wait, I'll scan Roy Henry Vicker's amazing art, color correct and post a dropbox link to hi-res versions as soon as I can. All of you overseas head's stories make my extra week's wait seem like nothin'. Glad we're already hearing glowing reports on the music and the box. As someone posted months ago, the PNW box is based on the traditional bentwood chests of the First Nations of the Pacific Northwest Coast: https://www.donsmaps.com/bentwoodchests.html
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Our blessed Saint Dick said, "BTW, I don't place a whole lot of importance on the 46 min. version of 'Playing in the Band' that occurs on 5/21-Seattle." Maybe he also got the version that cuts off after 38 seconds.
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It's the longest version to be sure, but not the "best" one ever done. Maybe that's what Dick meant.
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6 years 2 months
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It's obviously a bad file. In my library it's only 8Mb when it should be MUCH larger. I opened the zip archive I downloaded and it's only 8Mb in there as well....so there's a mistake. I'm sure they'll offer up a download of the fixed file as soon as they get back in the office. Fortunately, it's the only one....all the other are sizable and look to be complete. I opened the file in Audacity and it's empty from the 38 second mark to the end. Just alot of nothing to play. Okay guys....get us the fixed file!
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6 years 2 months
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It's obviously a bad file. In my library it's only 8Mb when it should be MUCH larger. I opened the zip archive I downloaded and it's only 8Mb in there as well....so there's a mistake. I'm sure they'll offer up a download of the fixed file as soon as they get back in the office. Fortunately, it's the only one....all the other are sizable and look to be complete. I opened the file in Audacity and it's empty from the 38 second mark to the end. Just alot of nothing to play. Okay guys....get us the fixed file!
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6 years 2 months
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It's obviously a bad file. In my library it's only 8Mb when it should be MUCH larger. I opened the zip archive I downloaded and it's only 8Mb in there as well....so there's a mistake. I'm sure they'll offer up a download of the fixed file as soon as they get back in the office. Fortunately, it's the only one....all the other are sizable and look to be complete. I opened the file in Audacity and it's empty from the 38 second mark to the end. Just alot of nothing to play. Okay guys....get us the fixed file! (I did not post this 3 times....the system gave a "Gateway Timeout" then this happened)
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17 years 4 months
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....thanks for the reminder. I totally forgot. As it would so happen, I did have some extra greasy bacon this morning for breakfast so all is good in the world. Serendipity.
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16 years 11 months
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Well, my elation at receiving them this morning is gone. CD 1 played without issue. CD 2, while firmly lodged in the digipak, has an abrasion and some scratches, and thus skipped during Promised Land. So I've now visually inspected all 19 CDs, and #s 9, 10, and 14 are scratched, and 19 has some abrasions. Does anyone know who I contact about this? I've seen comments before saying, don't contact customer service, contact THIS person...
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16 years 11 months
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I realize this is a first-world problem, but it sucks that I paid $200 and waited for months, and listening to the CDs is now a chore that I feel I need to rush through to identify any additional issues. (And I had a similar experience with Get Shown the Light - multiple CDs had glue issues.) Rhino and GD need to start focusing less on fancy packaging and more on CD quality control.
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7 years 3 months
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One corner damaged by UPS and the other is manufacturing defect. I really hope they can send a replacement box so I don’t have to send the whole thing back. That bird song to kick off disc one is incredible!
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11 years 1 month
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From your lips to Dr Rhino's ears. If it were up to me, everything would be in jewel cases, and THIS is the reason. I was one of the victims of the GTSL Gluegate, and had to be sent two replacement discs. Hard to believe that, given the relatively safe packaging of DaP-style cases with spindles, there are still scratches and scuffs on these new discs, but nothing shocks me anymore. Keep us posted! Guess the first thing I'll do when I get my box is inspect all 19 CDs for trouble. Sigh.
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13 years 9 months
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Just my opinion only, but the CD has gone the way of the Dodo. Some of us came from the time of vinyl and made the transition to CD. After a short while, we realized that they were not going to be the best thing since sliced bread. My experience has always been they are delicate. I have had deep scratches in some and they played great and others had light scratches and were coasters. I have always found them to be a hassle. At some point, consumers need to get on board the digital file train. The pandering to neophytes who refuse to learn how to handle digital files needs to stop. CD's are an environmental disaster as well as an outdated medium. The 30 Trips box - despite the ambiguous choice of show release - was actually a cool idea. A USB stick with all the files on that. 24 bit, too. I would love to see all these box sets released as such. In a nice box with all the toys, bells and whistles, a book if applicable and a USB stick. I like many others, like to have "The Thing Of It". But the music doesn't HAVE to be on CD. The vinyl special releases are cool and vinyl as it turns out, was always more durable than CD and it sounds better. But for the masses, why not just leave CD's out of it and start doing USB sticks?
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17 years 4 months
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....USB sticks are easier to lose. For one. Plus, my dog ate one once. lol.
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