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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • #2201
    Vguy72
    Joined:
    Hold on hendrixfreak....
    ....I need to make some more popcorn and mescaline.
  • #2202
    hendrixfreak
    Joined:
    Noon-ish is not the best time to catch a full-blown show.....
    My memory has clearly telescoped events, because I almost think I remember rolling over in my sleeping bag and, for breakfast, snorting a pile of 'chocolate' mescaline off one of those mini-cereal boxes. I definitely took some blotter. But even if we'd 'slept in,' it must of been 10-ish or something. Surely we'd had some water and a snack, probably provided by a merciful neighbor. We were still 15 and we looked like what we were: goddamm-near children! Ah, so I was saying, we dropped acid and snorted mescaline and fired up the pipe with Numero Uno and, hey, is that freakin' Jerry on stage? Wait, Bobby. Phil. Bill. The piano guy. Jer kept dipping his cigarette into a brass ashtray and, when he re-lit it, it flared up. I didn't hit the blow til '75 but later, I thought, freebase. I hope someone can clarify this, but I think I recall the band starting just a bit after NOON(!). As far as I was concerned at the time, they fucking rocked the place for hours. I do recall, as I often feel, feeling goofy about a camera while tripping. But I managed to snap off three shots, of which two survive, which catch the three guitarists blasting away on Playing in the Band, then turning towards each other to converse more intimately, finally arriving in a tight circle and sending tides of sound across the crowd. I think this was the time I experienced Phil's bass as physical, purple pulses in my chest and the realization that vibrations, rather than corporeal reality, were at the heart of existence. I clearly remember the gospel treatment at the end of He's Gone and at the end of Sugar Mag, Weir thrust his arm skyward for stop time, ran back to his amps, downed the rest of a Heineken and raced back to the mic for the coda. Still, I was 15, down front at one of the biggest gatherings of humans in history. I did look back over the crowd, but, as usual, there wasn't much profit in looking back. Not with the Grateful Dead killing it in front of me.
  • #2203
    hendrixfreak
    Joined:
    The Soundcheck
    The Allmans rocked big time. They'd slayed us at RFK after the Dead when, exhausted and dehydrated, we had retreated to the shaded overhang of RFK and been simply psychedelically rolled over by the ABB. They smoked the Dead that day. Back to the Soundcheck. I got up and hiked around the scene while it was still afternoon. A very loose scene with lots of elbow room, cool air, breathing. I returned to our space, easily located, for The Band. It was nearly sunset when the Grateful Dead took the stage. We had all the room we needed. I started the soundcheck boogie-ing upright, shakin it to the rock 'n roll. I had snorted some mescaline and taken maybe a half tab of the blotter. Everyone knew this was unprecedented in GD history. Here we were, groovin' on a cool pine forest evening, high but not pressed and our favorite band was blasting away on the finest sound system we'd ever heard. I do not recall individual songs, just the transition between comprehensible songs and jams that had us smiling for reasons we knew not. [Beautiful Jam from So Many Roads is blasting in the background as I write these words.] I do clearly recall the feeling of complete ease as I nestled down into my sleeping bag, head on cool gallon jug, looking up at the band just jamming away. We rode it out after the band departed and the next thing we knew, it was morning and the crowd was bustling, hustling, and by noon it was show time all over again.
  • #2204
    icecrmcnkd
    Joined:
    Hendrixfreak
    I hope you are writing these in a word processing program and saving them.You probably should combine your memories and pictures and put it out on the internets where it will hopefully be forever preserved. Maybe upload the final version to the archive someday.
  • #2205
    Trainwrecked
    Joined:
    5/9/77
    Any headphone listeners out there? Or maybe you don't need them. I find the bass on this GSTL recording overwhelming. Bertha and Help On the Way are good places to start. I don't get the same thing with the SB I have if this show. I think Jeff Norman boosted it somehow. Anyone else notice it? Garyfarseer - what kind of medicine?
  • #2206
    hendrixfreak
    Joined:
    The greatest missed show on Earth
    Long story shrunk to size... We had to get home on 10 June 1973 because we were exhausted, dehydrated, broke, without tickets, food, water, anything, so we thumbed back and tried to blend into humanity. I was 15. I lived with my parents, of course, and they needed to see some evidence that I was alive. They never even said a word about my setting out for a multi=day excursion in jeans and a t-shirt. We just did it. We heard the 10 June show was smokin' and we were pissed. We were NOT going to be caught short like that again. No effin' way. So when the news broke of a show with all three of the greatest rock bands of that time -- the Grateful Dead, the Allman Brothers and The Band -- we were on it like white on rice. Tickets cost $10.50? We had 'em. And we'd just seen the Allmans at Madison Square Garden in, May? I smuggled in a bong. A young cop caught me. An older cop said, "Let him go. It's a bong. Don't worry about it." Jesus, this whole law enforcement thing was confusing! But my view was broadening... Late July 1973. The older brother of a hot schoolmate of ours was driving to Watkins Glen. We signed on. Me, Mark L, David W, and a few others. We brought our backpacks. We had a little food. A shit-ton of Numero Uno. No alcohol. I had a sheet of blotter. Someone's adept use of the map enabled us to skirt around the worst of the traffic and we actually accessed the grounds in fine fashion, probably 12 hrs ahead of the hoo-ska-boo that eventually developed. The van's inhabitants split into units and we never saw our driver-host again, until a week later, just before the 31 July - 1 August shows back at Roosevelt Stadium. (Biggies, waiting for release...) So we hike over to the "gate," passing food trucks that specialized in big scoops of weed. We snickered, fully equipped. We were still 15. We entered the gates around midday and for some reason no one took my ticket, so I immediately doubled back to the chain link fence and passed my whole ticket to a have-not. Instinct, communal instinct. Later, my parents said that friends of theirs in Europe had seen footage that included my entrance into the concert site. The stage was perhaps 2/3 of a mile away. As we walked down the gently sloping hill towards the stage it was obvious we were a bit early. In earlier shows we were leery of getting too close because of the physical crush, the volume and the collective high that sometimes ... got a bit hairy. But fresh off missing 10 June, we marched down and claimed a beautiful space about 20 yards from the stage, just a bit left of center. On our way, we'd grabbed a few one-gallon water jugs that were set out free by Bill Graham in response to the scene at RFK in DC 6 weeks earlier. I found myself high on mescaline, laying on my sleeping bag with my head resting on a cool one-gallon jug of potable water and passing a doobie when the crowd sputtered and roared. It was late afternoon and the Allman Brothers had just taken the stage.
  • #2207
    hendrixfreak
    Joined:
    RFK, June 1973
    Throughout the fall of 1972 and through the winter-spring of 1973 I had ingested numerous psychedelics, including the wonderful agent known as mescaline and naturally a few substantial doses of the Lady Herself. At one point, with my buddy Moose, we were sitting atop a van-sized boulder in a 2,000 acre wooded preserve near home and we focused on the visual margin between the rock beneath us and the ground in the background and felt that we had lifted the boulder upon which we sat perhaps several inches into the air, then lowered it again to its natural resting place. But I digress... June 1973 and me and David W are hitching to RFK in DC about 200 miles away for the 9-10 June 1973 shows. It's summer. So obviously we go in t-shirts, jeans, sneakers, with a ticket and few single dollars/dead presidents in my pocket. Next to the sheet of oval 4-way blotter. A little smokum in the sock, in case we got stopped. Look, we're 15, okay? 16 was months away. We were just up for adventure, loud rock 'n roll and, um, a closer look at the scene. I remember that some of the serious traveling hippies with LSD-dead eyes were there selling pipes, but also passing them around. We had long hair but we were little kids! These folks looked 50 but were probably 20, i.e., impossibly old, grizzled and of unknown origin. But no one actually bothered us, nor was there any attention. Everyone treated us as adults. So we slept on the ground on the grassy parts outside the stadium that night. No water, no food, no equipment. The next day, temperatures climbed towards 100. We were smoking a joint by the grate that blocked one entrance and a black cop motioned us over. We approached cautiously. "Hand me some of that, will you?" he asked. "WHAAAT???" was our initial reaction, having already experienced the pleasure of being cuffed and harassed by the cops for having a beer in the park. Turned out, cops can be cool, too. We burned two with the cat and we bid each other a good day. He was clearly amused by the scene, but in a groovy way. This was 1973 and racism and violence over the Vietnam War made longhairs outcasts, just like minorities of every stripe, then and now. Short story long, me and David split a 4-way and the Dead played that afternoon, opening for the ABB that night. The lines for water were long. We survived on The Lady, a little water and some "Numero Uno" substance we thought was hash but turned out to be opium. Worked for us that day, though, the heat was excruciating and I'm sure a lot of folks needed help in the heat. I got up close for Chinacat at the end of the first set. I was mesmerized. Bobby played a Gibson SG, which in my mind meant "bass guitar." Phil was playing a big possibly semi-hollowbody bass that said to my untutored eyes, "rhythm guitar." But I was already a huge Phil fan (being a Jer fan was too obvious) and this had me confused. At some point some idiot hurled a lit M-80 onto the stage (June 9, right? obviously in close proximity to July 4??) and it rolled up to Jer. In that day, he had a stage mannerism of sort of shuffling in place and I saw him move his right foot forward in perfect time and using the tip of his cowboy boot sent the live M-80 back out over the crowd. I don't even recall hearing it explode. The music was pretty loud.
  • #2208
    icecrmcnkd
    Joined:
    Nice warmup HF
    Patiently waiting for the grand finale....
  • #2209
    hendrixfreak
    Joined:
    Backstory and launch....
    The briefest of backstories: Six years old in 1964, persuaded my mom to buy me a Beatles LP at the checkout counter of the local discount store. Played it on monaural phonograph with one 12" speaker output. Rocked as child. 13 years old in 1970, convince mom to drive me and a friend to a Chambers Bros concert. We dug the music but were too young for 'action.' 15 years old, summer of '72, catch The Byrds and New York Rock 'n Roll Ensemble at college outside Saugerties NY where The Band rec'd Big Pink five years earlier. We drove by Big Pink. (Still Pink.) We were 15. (An older brother was actually driving...) Since 1971, been spinning American Beauty and Skull & Roses LPs on the same phonograph as in 1964, only now it's in the basement where our ping-pong table and hang-out couch are located. 19 Sept 1972, I jump in a car full of older heads with an ounce of hash in my pocket, 33 days after my 15th birthday, and we proceed to the Roosevelt Stadium in lovely Jersey City, New Jersey, and catch my first Grateful Dead show. I had already been 'experienced,' but did not drop at this show; too chaotic, large crowd, determined to survive and catch my ride home. I listened for familiar songs, jams, anything -- nothing! Everything was different. Records, shme-cords. This scene was crazy. Maybe 10,000 people screamin' high groovin', freakin', dancin', gyratin', handing you things you knew best to pass along... I was alone in the giant crowd with the music louder but sweeter than anything I'd ever heard before. The music rocked, I just couldn't grab onto a big Jerry jabbin' guitar riff that would remind me of Skull & Roses. Obviously, this was no American Beauty. As Jer once said, recording in a studio is like building a ship in a bottle. Playing live is like being on the ocean in an open rowboat. And that's kinda how I felt -- out there, surfin', knew I'd have to get home ... 3 hours into the show, I do remember saying to myself, "Well, all righty then, damn good show, YOU CAN STOP PLAYING ANYTIME, I'M GOOD. GOTTA GET SOME REST... MUST SNAG RIDE HOME..." Part II, coming ...
  • #2210
    icecrmcnkd
    Joined:
    Thanks dmcvt
    The photos of the stage show how high it was. Need safety railings to keep the musicians from falling off.
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Submitted by clayv on
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Dead Store Products

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Submitted by scboss12 on Fri, 09/07/2018 - 18:06

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Is anyone else having trouble with 5/21/74 Playing in the Band? The download cuts out at about 20 seconds in and returns with just a few seconds left on the track.
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17 years 2 months

Submitted by MadDoc on Fri, 09/07/2018 - 18:11

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Download took about an hour. 41.7gb zip file. All 166 FLAC files are in one directory fully tagged with an embedded art image. I separated each show into a separate directory because that's the way my streaming device works best. This sounds INCREDIBLE! These shows are going to get me through this coming New England winter. No additional artwork. Fine with me. It's all about the music.
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17 years 2 months

Submitted by MadDoc on Fri, 09/07/2018 - 18:20

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5/21/74 Playin' I downloaded seems fine. 46:58, and no problems (except for the yowling that is).
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Submitted by claney on Fri, 09/07/2018 - 18:32

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Jim, same here. July 78 fits right alongside the 77 boxes. I'm also convinced that totem box will vault to bear the top.
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11 years 7 months

Submitted by nappyrags on Fri, 09/07/2018 - 18:53

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mine will be here Tuesday...had to go in to town today (a 90 mile drive)and I said screw it and shelled out $20 for the three CD Believe It If You Need It for the ride home...listened to the 2nd disc...my my...I'm even more anxious now for delivery...it's good to be DEAD....
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17 years 2 months

Submitted by Vguy72 on Fri, 09/07/2018 - 19:33

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....physical buyers have to Deal with possibly scratched CD's or dislodged glue. Digital buyers have to Deal with download hiccups or digital snafus. The only time it was perfect was when one was in the crowd. I listened to the Spotify Box Of Rain on the way home tonight. Yeah. I peeked.
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13 years 10 months

Submitted by Gollum on Fri, 09/07/2018 - 20:54

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I have the same problem scboss12. I got the Apple lossless and the 5/21/74 Playin cuts out at 38 seconds and the rest of the song is missing in action.
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6 years

Submitted by august_88 on Fri, 09/07/2018 - 21:07

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Like others have noted above, age seems to have made what is usually a simple process, in this case placing an order, into a frustrating, futile exercise. I have been trying to order the Pacific Northwest box for more than three hours this evening. I am logged in (obviously) and I can place the item in my cart. The numeral 1 then appears just to the right of the shopping cart icon indicating that there is one item in the cart. However, when I try to checkout, I receive a message that my cart is empty. I can get back to my cart by a number of paths available on the store and/or my browser (Firefox 61.0.2) and the product is still in the cart. I have successfully ordered numerous items from the GD Store over the years - the last set purchased was the Betty Boards. Is this a site gremlin that others have found a work-around? Thanks to the kind people who have taken the time to read my post in the off chance you had encountered the same problem and discovered a solution. Note: when I previewed my post, my status was listed as "offline", although I am able to edit my post without having to provide my credentials by logging in again.
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16 years 10 months

Submitted by rdevil on Fri, 09/07/2018 - 21:21

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Which shows do you have available? I have most but missed out on a few and would love to fill in a gap or two. Let me know.Thanks, Mike
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Submitted by Vguy72 on Fri, 09/07/2018 - 21:31

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....may be part of the problem. I use chrome, and have had no issues.Don't get me wrong. I still use Firefox at times. But it has it's glitches.
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Submitted by MadDoc on Fri, 09/07/2018 - 22:00

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I'm old as well, and have spent way too much time in outer space. To order I used the Chrome browser and it worked with no glitches. Put in my CC and got a final page with three download links. One being some screen saver (pass), a one tune download (pass), and the full download. Click. No problems at all. Download took about an hour. I wasn't logged in when I placed my order, if that matters. That being said, this is just mind blowing. I've been sitting here for five hours listening. Rock, country, bluegrass, jazz, space, what is this place? All of those things but no category one could stuff this music into. It's the GD, in one of their many primes. At least to these old ears. Brings me joy so, who cares.
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6 years

Submitted by august_88 on Fri, 09/07/2018 - 23:53

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I've been working with Chrome for the past two hours and the SSL (and/or TSL) won't engage, leaving the connection unprotected. I can open another tab on the same Chrome browser (I chose the Washington Post) and that connection is encrypted with the SSL protocol. I can't imagine an online store that relies on, and accepts, sensitive credit card information without the use of some form of encryption protecting its patrons. I did create a new user account on dead.net in addition to rebooting my laptop, etc., in the hope that one of these measures would resolve the issue. Oh well, the dead.net store opens in less than five hours. I'll wait until the folks have gotten their coffee at 7 AM and hope the box set hasn't sold out by the time I call. Thanks to all who have offered suggestions and encouragement. I am also grateful that I was able to see Dead & Co. twice in June. My daughter, who is nearing the age of 30, became a Deadhead as she listened to the many tapes I played as I ferried her home from preschool, summer camp, on family trips, etc. We met up at a show this summer that was midway between us, which was perfect since we each drove 250 miles - much better than one of us driving 500 miles, twice. Back to music!
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17 years 3 months

Submitted by simonrob on Fri, 09/07/2018 - 23:56

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Same one as copperdomebodhi, I think, about when it will ship to those who haven't already had shipping confirmation. Goes like this: Dear Grateful Dead Fan, Release date is finally here! Thank you for your pre-order of the Pacific Northwest '73-'74 Boxed Set. We have been shipping out orders as quickly as possible and you should be receiving a shipping confirmation email by the end of the day Monday (if you haven't already.) If you live in the US, please reference your shipping confirmation email for tracking information on your shipment. For international orders, please allow 4-6 weeks for delivery. If you have any questions, you may contact Dead@wmgcustomerservice.com. Best Regards, Dead.net Customer Service
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17 years 3 months

Submitted by Alain on Sat, 09/08/2018 - 00:12

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I received an email from dead.net this morning. The shipping of the box should be done "as quickly as possible". I am in France, and for international orders delivery will take 4 to 6 weeks. This is good since I leave the day after tomorrow for 4 weeks of vacation. Good listening to those who will soon be able to listen to these six shows!
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6 years

Submitted by Fred-Garvin on Sat, 09/08/2018 - 00:13

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I’ve got the same issue with the 46:58 PITB.....gets to 38 seconds then nothing. Keeps playing and counting off time, but nothing is there. So far it’s the only issue but I’ve only listened to all 3 Eyes and a couple other PITB. Really disappointed as that 47 minute PITB was top of my list! I was not able to complete my purchase with Firefox. Kept giving me an empty cart on checkout. Used Safari and everything worked just exactly perfect. Download only took 17 minutes and I’ve got 166 songs of grateness for the weekend.....EXCEPT the 47 minute PITB I was SO looking forward to.....
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9 years 5 months

Submitted by 80sfan on Sat, 09/08/2018 - 04:30

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Checked my status and it now says "loaded on delivery vechicle"... I can not wait. Also, I don't remember delivery updates ever being so specific before. I half expect the next one to be "he's literally at your door", or "it's coming from inside your house". Ok I'm delirious. Hope everyone has a great time with this set!
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16 years 11 months

Submitted by direwulf on Sat, 09/08/2018 - 06:46

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The vinyl sounds beautiful! I'd get immediately if you haven't already. Can't wait for the box set to show up. Sound quality is dynamic and rich...WOW!
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16 years 10 months

Submitted by Ben68 on Sat, 09/08/2018 - 08:00

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UPS just dropped it off! Really cool-looking, and I'm about to pop in disc 1. Someone below asked about the boxset's weight and measurements. I can't find my tape measure, but the CD version weighs 5.8 lbs. Also, the CDs are in digipaks, so I'm anticipating no glue or scratch issues.
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9 years 5 months

Submitted by 80sfan on Sat, 09/08/2018 - 08:09

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Holy shit this is going to be a good day. 982/15000
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6 years

Submitted by acustomer on Sat, 09/08/2018 - 08:10

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I find it incredible that they’ve had my money for over two months yet here it is the day after release and they can’t be bothered to send a simple download link.
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13 years 8 months

Submitted by ticktocktyler on Sat, 09/08/2018 - 08:22

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I am uploading the PITB track to GDrive. I will send a link to anyone who has a problem with the track.
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7 years 6 months

Submitted by MDJim on Sat, 09/08/2018 - 08:49

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Whoo Hoo. Waiting on mine, but glad to see people are beginning to get them. UPS on a Saturday? Not where I live... USPS, yes, but limited.
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7 years 10 months

Submitted by scarrolla on Sat, 09/08/2018 - 08:54

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Please send link. I also purchased digital download and had a problem with this track. Would have been nice if they offered the individual cover art for each of the shows too. Once someone gets around to scanning those would love the artwork. All and all Dave and Co did an amazing job with this set so excited to take it all in. Killer sound!
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Submitted by KY_HalfStep on Sat, 09/08/2018 - 08:57

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I was just wondering if somebody had nice high resolution images of each individual CD cover. I remember somebody posted a link to the pictures they had taken from the Get Shown the Light box set individual CD covers. After I rip the CDs, and put them in my library, I really would like to have artwork for each CD cover that they came in. I am sort of obsessive of how things appear in my library, and would prefer to post the CD cover of each show rather than use the same generic picture posted at the top of this page. Appreciate any help, enjoy the box set, hope it comes soon for everybody! Really looking forward to getting into all these shows, had not heard any of them before.
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Submitted by Vguy72 on Sat, 09/08/2018 - 08:59

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....Jesus H Christ with a ham sandwich. It goes to every corner of the universe and back again. There is The Grateful Dead, and then there is every other band ever know in existence. (no. I did't get mine, but listened on Spotify last night).
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Submitted by ticktocktyler on Sat, 09/08/2018 - 09:02

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Not posting the link here. Don't want to piss off Dead.net. Send me a message here with your email and I will do it that way. Also, it seems like the ALAC version is the one that's messed up. This one is FLAC. Will just require and conversion is all.
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Submitted by deliveryman1970 on Sat, 09/08/2018 - 09:03

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Can you send me the link, too? It looks like my 5/21/74 PITB is blank after thirty-eight seconds. I'm glad I read through the comments here this morning or it might have been a week before I discovered it. Has anyone had problems with any other downloaded tracks? I'm almost finished with 6/22/73 and they are all fine.
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Submitted by ticktocktyler on Sat, 09/08/2018 - 09:09

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Send me a message here and I will email it to you. I recommend everyone test their files to make sure there are no other problems. Just do a checksum test and that will show any incomplete or truncated files.
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7 years 6 months

Submitted by MDJim on Sat, 09/08/2018 - 09:16

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You're probably right. ..but you are doing them a big favor. A small snafu, but I bet frustrating to a few of you out there. They usually make good on this kind of stuff pretty quickly. I can translate flac to alac if no one else knows that trick. No temptation to listen on my end though, until the box pleasantly weights down my front porch. I'm fairly convinced the young VGuy found and knew what all his Christmas presents were by the Friday after Thanksgiving.
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Submitted by icecrmcnkd on Sat, 09/08/2018 - 09:13

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1) delete your browsing history, then tell the browser to accept cookies2) put Box in cart and proceed to checkout When you get the ‘your cart is empty’’ message do one of the following: If there is still a ‘1’ next to the cart icon then click on the cart icon If there is a a ‘0’ or no number next to the cart icon, then click on the SYF icon in the upper left corner Clicking on the SYF icon is what I did last week to order the LST BluRay.
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Submitted by JeffSmith on Sat, 09/08/2018 - 09:27

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It always takes a while for delivery to get out to my neck of the woods. This time is even worse. MaryE says I should have a shipping notice on Monday. I'll be out from Wednesday thru next Sunday (16th). If you can wait, I'll scan Roy Henry Vicker's amazing art, color correct and post a dropbox link to hi-res versions as soon as I can. All of you overseas head's stories make my extra week's wait seem like nothin'. Glad we're already hearing glowing reports on the music and the box. As someone posted months ago, the PNW box is based on the traditional bentwood chests of the First Nations of the Pacific Northwest Coast: https://www.donsmaps.com/bentwoodchests.html
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Submitted by ShaggyFraggle on Sat, 09/08/2018 - 09:38

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Our blessed Saint Dick said, "BTW, I don't place a whole lot of importance on the 46 min. version of 'Playing in the Band' that occurs on 5/21-Seattle." Maybe he also got the version that cuts off after 38 seconds.
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Submitted by ticktocktyler on Sat, 09/08/2018 - 09:54

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It's the longest version to be sure, but not the "best" one ever done. Maybe that's what Dick meant.
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Submitted by Fred-Garvin on Sat, 09/08/2018 - 10:56

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It's obviously a bad file. In my library it's only 8Mb when it should be MUCH larger. I opened the zip archive I downloaded and it's only 8Mb in there as well....so there's a mistake. I'm sure they'll offer up a download of the fixed file as soon as they get back in the office. Fortunately, it's the only one....all the other are sizable and look to be complete. I opened the file in Audacity and it's empty from the 38 second mark to the end. Just alot of nothing to play. Okay guys....get us the fixed file!
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Submitted by Fred-Garvin on Sat, 09/08/2018 - 10:57

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It's obviously a bad file. In my library it's only 8Mb when it should be MUCH larger. I opened the zip archive I downloaded and it's only 8Mb in there as well....so there's a mistake. I'm sure they'll offer up a download of the fixed file as soon as they get back in the office. Fortunately, it's the only one....all the other are sizable and look to be complete. I opened the file in Audacity and it's empty from the 38 second mark to the end. Just alot of nothing to play. Okay guys....get us the fixed file!
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Submitted by Fred-Garvin on Sat, 09/08/2018 - 10:59

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It's obviously a bad file. In my library it's only 8Mb when it should be MUCH larger. I opened the zip archive I downloaded and it's only 8Mb in there as well....so there's a mistake. I'm sure they'll offer up a download of the fixed file as soon as they get back in the office. Fortunately, it's the only one....all the other are sizable and look to be complete. I opened the file in Audacity and it's empty from the 38 second mark to the end. Just alot of nothing to play. Okay guys....get us the fixed file! (I did not post this 3 times....the system gave a "Gateway Timeout" then this happened)
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Submitted by Vguy72 on Sat, 09/08/2018 - 11:00

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....thanks for the reminder. I totally forgot. As it would so happen, I did have some extra greasy bacon this morning for breakfast so all is good in the world. Serendipity.
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16 years 10 months

Submitted by Ben68 on Sat, 09/08/2018 - 11:05

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Well, my elation at receiving them this morning is gone. CD 1 played without issue. CD 2, while firmly lodged in the digipak, has an abrasion and some scratches, and thus skipped during Promised Land. So I've now visually inspected all 19 CDs, and #s 9, 10, and 14 are scratched, and 19 has some abrasions. Does anyone know who I contact about this? I've seen comments before saying, don't contact customer service, contact THIS person...
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Submitted by Ben68 on Sat, 09/08/2018 - 11:20

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I realize this is a first-world problem, but it sucks that I paid $200 and waited for months, and listening to the CDs is now a chore that I feel I need to rush through to identify any additional issues. (And I had a similar experience with Get Shown the Light - multiple CDs had glue issues.) Rhino and GD need to start focusing less on fancy packaging and more on CD quality control.
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Submitted by DeadAreMyDealers on Sat, 09/08/2018 - 12:08

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One corner damaged by UPS and the other is manufacturing defect. I really hope they can send a replacement box so I don’t have to send the whole thing back. That bird song to kick off disc one is incredible!
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Submitted by jimmyjack on Sat, 09/08/2018 - 12:39

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From your lips to Dr Rhino's ears. If it were up to me, everything would be in jewel cases, and THIS is the reason. I was one of the victims of the GTSL Gluegate, and had to be sent two replacement discs. Hard to believe that, given the relatively safe packaging of DaP-style cases with spindles, there are still scratches and scuffs on these new discs, but nothing shocks me anymore. Keep us posted! Guess the first thing I'll do when I get my box is inspect all 19 CDs for trouble. Sigh.
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Submitted by ticktocktyler on Sat, 09/08/2018 - 12:41

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Just my opinion only, but the CD has gone the way of the Dodo. Some of us came from the time of vinyl and made the transition to CD. After a short while, we realized that they were not going to be the best thing since sliced bread. My experience has always been they are delicate. I have had deep scratches in some and they played great and others had light scratches and were coasters. I have always found them to be a hassle. At some point, consumers need to get on board the digital file train. The pandering to neophytes who refuse to learn how to handle digital files needs to stop. CD's are an environmental disaster as well as an outdated medium. The 30 Trips box - despite the ambiguous choice of show release - was actually a cool idea. A USB stick with all the files on that. 24 bit, too. I would love to see all these box sets released as such. In a nice box with all the toys, bells and whistles, a book if applicable and a USB stick. I like many others, like to have "The Thing Of It". But the music doesn't HAVE to be on CD. The vinyl special releases are cool and vinyl as it turns out, was always more durable than CD and it sounds better. But for the masses, why not just leave CD's out of it and start doing USB sticks?
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Submitted by Vguy72 on Sat, 09/08/2018 - 13:12

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....USB sticks are easier to lose. For one. Plus, my dog ate one once. lol.
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