Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

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May 8, 2018 - 4:04pm

3,948 replies

clayv

Joined:
March 14, 2018

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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July 27, 2018 - 7:15pm

#2201

Vguy72

Joined:
June 29, 2007

Hold on hendrixfreak....

....I need to make some more popcorn and mescaline.
July 27, 2018 - 7:04pm

#2202

hendrixfreak

Joined:
February 26, 2014

Noon-ish is not the best time to catch a full-blown show.....

My memory has clearly telescoped events, because I almost think I remember rolling over in my sleeping bag and, for breakfast, snorting a pile of 'chocolate' mescaline off one of those mini-cereal boxes. I definitely took some blotter. But even if we'd 'slept in,' it must of been 10-ish or something. Surely we'd had some water and a snack, probably provided by a merciful neighbor. We were still 15 and we looked like what we were: goddamm-near children! Ah, so I was saying, we dropped acid and snorted mescaline and fired up the pipe with Numero Uno and, hey, is that freakin' Jerry on stage? Wait, Bobby. Phil. Bill. The piano guy. Jer kept dipping his cigarette into a brass ashtray and, when he re-lit it, it flared up. I didn't hit the blow til '75 but later, I thought, freebase. I hope someone can clarify this, but I think I recall the band starting just a bit after NOON(!). As far as I was concerned at the time, they fucking rocked the place for hours. I do recall, as I often feel, feeling goofy about a camera while tripping. But I managed to snap off three shots, of which two survive, which catch the three guitarists blasting away on Playing in the Band, then turning towards each other to converse more intimately, finally arriving in a tight circle and sending tides of sound across the crowd. I think this was the time I experienced Phil's bass as physical, purple pulses in my chest and the realization that vibrations, rather than corporeal reality, were at the heart of existence. I clearly remember the gospel treatment at the end of He's Gone and at the end of Sugar Mag, Weir thrust his arm skyward for stop time, ran back to his amps, downed the rest of a Heineken and raced back to the mic for the coda. Still, I was 15, down front at one of the biggest gatherings of humans in history. I did look back over the crowd, but, as usual, there wasn't much profit in looking back. Not with the Grateful Dead killing it in front of me.
July 27, 2018 - 6:44pm

#2203

hendrixfreak

Joined:
February 26, 2014

The Soundcheck

The Allmans rocked big time. They'd slayed us at RFK after the Dead when, exhausted and dehydrated, we had retreated to the shaded overhang of RFK and been simply psychedelically rolled over by the ABB. They smoked the Dead that day. Back to the Soundcheck. I got up and hiked around the scene while it was still afternoon. A very loose scene with lots of elbow room, cool air, breathing. I returned to our space, easily located, for The Band. It was nearly sunset when the Grateful Dead took the stage. We had all the room we needed. I started the soundcheck boogie-ing upright, shakin it to the rock 'n roll. I had snorted some mescaline and taken maybe a half tab of the blotter. Everyone knew this was unprecedented in GD history. Here we were, groovin' on a cool pine forest evening, high but not pressed and our favorite band was blasting away on the finest sound system we'd ever heard. I do not recall individual songs, just the transition between comprehensible songs and jams that had us smiling for reasons we knew not. [Beautiful Jam from So Many Roads is blasting in the background as I write these words.] I do clearly recall the feeling of complete ease as I nestled down into my sleeping bag, head on cool gallon jug, looking up at the band just jamming away. We rode it out after the band departed and the next thing we knew, it was morning and the crowd was bustling, hustling, and by noon it was show time all over again.
July 27, 2018 - 6:39pm

#2204

icecrmcnkd

Joined:
October 20, 2015

Hendrixfreak

I hope you are writing these in a word processing program and saving them.You probably should combine your memories and pictures and put it out on the internets where it will hopefully be forever preserved. Maybe upload the final version to the archive someday.
July 27, 2018 - 6:32pm

#2205

Trainwrecked

Joined:
February 4, 2018

5/9/77

Any headphone listeners out there? Or maybe you don't need them. I find the bass on this GSTL recording overwhelming. Bertha and Help On the Way are good places to start. I don't get the same thing with the SB I have if this show. I think Jeff Norman boosted it somehow. Anyone else notice it? Garyfarseer - what kind of medicine?
July 27, 2018 - 6:29pm

#2206

hendrixfreak

Joined:
February 26, 2014

The greatest missed show on Earth

Long story shrunk to size... We had to get home on 10 June 1973 because we were exhausted, dehydrated, broke, without tickets, food, water, anything, so we thumbed back and tried to blend into humanity. I was 15. I lived with my parents, of course, and they needed to see some evidence that I was alive. They never even said a word about my setting out for a multi=day excursion in jeans and a t-shirt. We just did it. We heard the 10 June show was smokin' and we were pissed. We were NOT going to be caught short like that again. No effin' way. So when the news broke of a show with all three of the greatest rock bands of that time -- the Grateful Dead, the Allman Brothers and The Band -- we were on it like white on rice. Tickets cost $10.50? We had 'em. And we'd just seen the Allmans at Madison Square Garden in, May? I smuggled in a bong. A young cop caught me. An older cop said, "Let him go. It's a bong. Don't worry about it." Jesus, this whole law enforcement thing was confusing! But my view was broadening... Late July 1973. The older brother of a hot schoolmate of ours was driving to Watkins Glen. We signed on. Me, Mark L, David W, and a few others. We brought our backpacks. We had a little food. A shit-ton of Numero Uno. No alcohol. I had a sheet of blotter. Someone's adept use of the map enabled us to skirt around the worst of the traffic and we actually accessed the grounds in fine fashion, probably 12 hrs ahead of the hoo-ska-boo that eventually developed. The van's inhabitants split into units and we never saw our driver-host again, until a week later, just before the 31 July - 1 August shows back at Roosevelt Stadium. (Biggies, waiting for release...) So we hike over to the "gate," passing food trucks that specialized in big scoops of weed. We snickered, fully equipped. We were still 15. We entered the gates around midday and for some reason no one took my ticket, so I immediately doubled back to the chain link fence and passed my whole ticket to a have-not. Instinct, communal instinct. Later, my parents said that friends of theirs in Europe had seen footage that included my entrance into the concert site. The stage was perhaps 2/3 of a mile away. As we walked down the gently sloping hill towards the stage it was obvious we were a bit early. In earlier shows we were leery of getting too close because of the physical crush, the volume and the collective high that sometimes ... got a bit hairy. But fresh off missing 10 June, we marched down and claimed a beautiful space about 20 yards from the stage, just a bit left of center. On our way, we'd grabbed a few one-gallon water jugs that were set out free by Bill Graham in response to the scene at RFK in DC 6 weeks earlier. I found myself high on mescaline, laying on my sleeping bag with my head resting on a cool one-gallon jug of potable water and passing a doobie when the crowd sputtered and roared. It was late afternoon and the Allman Brothers had just taken the stage.
July 27, 2018 - 6:06pm

#2207

hendrixfreak

Joined:
February 26, 2014

RFK, June 1973

Throughout the fall of 1972 and through the winter-spring of 1973 I had ingested numerous psychedelics, including the wonderful agent known as mescaline and naturally a few substantial doses of the Lady Herself. At one point, with my buddy Moose, we were sitting atop a van-sized boulder in a 2,000 acre wooded preserve near home and we focused on the visual margin between the rock beneath us and the ground in the background and felt that we had lifted the boulder upon which we sat perhaps several inches into the air, then lowered it again to its natural resting place. But I digress... June 1973 and me and David W are hitching to RFK in DC about 200 miles away for the 9-10 June 1973 shows. It's summer. So obviously we go in t-shirts, jeans, sneakers, with a ticket and few single dollars/dead presidents in my pocket. Next to the sheet of oval 4-way blotter. A little smokum in the sock, in case we got stopped. Look, we're 15, okay? 16 was months away. We were just up for adventure, loud rock 'n roll and, um, a closer look at the scene. I remember that some of the serious traveling hippies with LSD-dead eyes were there selling pipes, but also passing them around. We had long hair but we were little kids! These folks looked 50 but were probably 20, i.e., impossibly old, grizzled and of unknown origin. But no one actually bothered us, nor was there any attention. Everyone treated us as adults. So we slept on the ground on the grassy parts outside the stadium that night. No water, no food, no equipment. The next day, temperatures climbed towards 100. We were smoking a joint by the grate that blocked one entrance and a black cop motioned us over. We approached cautiously. "Hand me some of that, will you?" he asked. "WHAAAT???" was our initial reaction, having already experienced the pleasure of being cuffed and harassed by the cops for having a beer in the park. Turned out, cops can be cool, too. We burned two with the cat and we bid each other a good day. He was clearly amused by the scene, but in a groovy way. This was 1973 and racism and violence over the Vietnam War made longhairs outcasts, just like minorities of every stripe, then and now. Short story long, me and David split a 4-way and the Dead played that afternoon, opening for the ABB that night. The lines for water were long. We survived on The Lady, a little water and some "Numero Uno" substance we thought was hash but turned out to be opium. Worked for us that day, though, the heat was excruciating and I'm sure a lot of folks needed help in the heat. I got up close for Chinacat at the end of the first set. I was mesmerized. Bobby played a Gibson SG, which in my mind meant "bass guitar." Phil was playing a big possibly semi-hollowbody bass that said to my untutored eyes, "rhythm guitar." But I was already a huge Phil fan (being a Jer fan was too obvious) and this had me confused. At some point some idiot hurled a lit M-80 onto the stage (June 9, right? obviously in close proximity to July 4??) and it rolled up to Jer. In that day, he had a stage mannerism of sort of shuffling in place and I saw him move his right foot forward in perfect time and using the tip of his cowboy boot sent the live M-80 back out over the crowd. I don't even recall hearing it explode. The music was pretty loud.
July 27, 2018 - 5:47pm

#2208

icecrmcnkd

Joined:
October 20, 2015

Nice warmup HF

Patiently waiting for the grand finale....
July 27, 2018 - 5:39pm

#2209

hendrixfreak

Joined:
February 26, 2014

Backstory and launch....

The briefest of backstories: Six years old in 1964, persuaded my mom to buy me a Beatles LP at the checkout counter of the local discount store. Played it on monaural phonograph with one 12" speaker output. Rocked as child. 13 years old in 1970, convince mom to drive me and a friend to a Chambers Bros concert. We dug the music but were too young for 'action.' 15 years old, summer of '72, catch The Byrds and New York Rock 'n Roll Ensemble at college outside Saugerties NY where The Band rec'd Big Pink five years earlier. We drove by Big Pink. (Still Pink.) We were 15. (An older brother was actually driving...) Since 1971, been spinning American Beauty and Skull & Roses LPs on the same phonograph as in 1964, only now it's in the basement where our ping-pong table and hang-out couch are located. 19 Sept 1972, I jump in a car full of older heads with an ounce of hash in my pocket, 33 days after my 15th birthday, and we proceed to the Roosevelt Stadium in lovely Jersey City, New Jersey, and catch my first Grateful Dead show. I had already been 'experienced,' but did not drop at this show; too chaotic, large crowd, determined to survive and catch my ride home. I listened for familiar songs, jams, anything -- nothing! Everything was different. Records, shme-cords. This scene was crazy. Maybe 10,000 people screamin' high groovin', freakin', dancin', gyratin', handing you things you knew best to pass along... I was alone in the giant crowd with the music louder but sweeter than anything I'd ever heard before. The music rocked, I just couldn't grab onto a big Jerry jabbin' guitar riff that would remind me of Skull & Roses. Obviously, this was no American Beauty. As Jer once said, recording in a studio is like building a ship in a bottle. Playing live is like being on the ocean in an open rowboat. And that's kinda how I felt -- out there, surfin', knew I'd have to get home ... 3 hours into the show, I do remember saying to myself, "Well, all righty then, damn good show, YOU CAN STOP PLAYING ANYTIME, I'M GOOD. GOTTA GET SOME REST... MUST SNAG RIDE HOME..." Part II, coming ...
July 27, 2018 - 5:31pm

#2210

icecrmcnkd

Joined:
October 20, 2015

Thanks dmcvt

The photos of the stage show how high it was. Need safety railings to keep the musicians from falling off.

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

RE: Possessions

I like having the physical thing as well as the digital. I have no real intention of selling the box on ebay as a speculator. Not my jam. I am more likely to give the thing away to a fan as a result of a random conversation. But I do like keeping them sealed. I opened the E72 trunk because at the time, there was no digital download option for the individual shows. Now there is. I've gotten so many free shows over the years it doesn't bother me to pay "twice" for the same thing. I can afford it and it's cool to have the box nice and sealed. At some point in the future there will be a LOT less sealed boxes than opened ones. I like rarity.

Wow!

What a beautiful box, and what a wonderful project! I did not listen to any of the listening parties, nor did I DL the Bird Song they sent a couple of weeks ago, and I am glad that I saved my self for the arrival of the box. On the Vancouver Bird Song, and it is gorgeous! Everything it was hailed to be and more! Really looking forward to digging into this more! Happy listening, DeadLand! Peace

Empty Mail Truck Blues

..but it's still great to read these positive reviews. Keep em coming. Happy day, high hopes for the box. Today feels like that scene in the Grinch when no one got any presents.. and they were joyous nonetheless which lead to the greatest Christmas of all. Still super psyched.. looking forward to tomorrow's mail. (getting the box, carving the roast beast and my heart and mind hopefully growing three times its normal size).

Delivery Notice Jigsaw Puzzle

Me, I'm waiting so patientlyFor my delivery notice to hit the floor I'm just trying to do this jigsaw puzzle Before it rains anymore... iG

5/19/74 Sugaree > El Paso vocal issues

Haven’t heard chatter but seems to be issues with vocals on tracks 122-125. They seem to drop out. Anyone else?

You're not alone Dr Jim - also stay dry my friend

I'm feeling those blues too. Psyched for those who is enjoying it now.Hoping tomorrow is the day - but UPS is still showing waiting to be picked up - but that won't be the first time I got it before UPS knew it was on the way from WMG. Hoping Florence is not a machine to our southeastern friends!

Wow

Snagged the package from the front porch before the wife saw! Thank you, Jesus! No need to explain the content or, more importantly, the cost. The box looks great, although it seems a bit large for the 19 discs. Could have shrunk it a bit. But I have one minor complaint: some dipsh*t taped the protective paper to the top of the box. When removing most of the tape, some of the print came off with it. And there is still some tape stuck to the top that I am afraid to remove! And there is tape goo left where I did manage to get most of it off! When you spend bucks to buy a set like this, you shouldn't expect some ignorant person to mess up the packaging! It really isn't terribly noticeable, but it's kind of like buying a new Maserati and finding a ding in the door. Not pleased.

Thanks Dr Rhino, Mark Pinkus and Dave

Its the best single release event since Europe '72 The Complete Recordings

11110

Arrived a day early...checking it over and ripping now...Wow, this looks great! All smiles here, so far. :-) -edit- God, was I careful with that tape! eeeeeeeee

Packing is suspect? Still a cool box set...

I also had the same issue, however; I’m so used to mail order that I’m almost surgical upon inspection and opening a package. Furthermore, I need to mention that the actual discs are lodged so tight that I’ve almost broken one upon removal. It’s a good thing that CD audio can take the stress of bending; a DVD is not so lucky. I’m not sure how much is done by hand on the assembly; if I recall that some of the Rhino productions are assembled in Mexico. I would pay 5 more bucks to have a quality assembly since these releases are for COLLECTORS, a priority should be there for quality and design. Of which, the overall design package is excessive as have been many of the last releases as well; there is almost no way to preserve the quality because the packaging is so “flimsly” and “delicate”. I suppose it will be like baseball cards in the long run, but why not download the HQ stuff. When will the GDM make that big mainframe of downloads or even better a subscription of HQ streaming of the vault. Only time will tell... PS Yes, it’s the best box set since Europe 72 !!!!!!

"Snagging the box before the wife saw it"....

....been there ummmmm...She still thinks TTATS "only" cost $499.98.My box just left Salt Lake City, here it comes.

ok tracking says...

it's in Phoenix as of 3:00 AM today...that's a 190 miles south of me...maybe tomorrow, for sure Wednesday!!! PSYCH!!!

A little disappointed

That my box is getting here on Thursday especially since I paid for expedited shipping. But alas, only 3 more days at the most. SO ready to dig into this.

Vguy 72,My wife has no idea

Vguy 72, My wife has no idea that there is a copy of the Europe '72 huge box in the house. Figure if I should drop dead, she might sell it to help pay for the kids' college educations. phil_head, If you live in the U.S., you should get a refund for expedited shipping. I'm cheap, so I chose regular and received it today! And a last complaint: whoever quickly uploads tracks into online databases should really check his/her spelling. "El Past"?

Box Set Blues

So like everyone else who enjoys having pretty things I was a little disappointed when I opened the box. The cover of the box had come apart during shipping. It seams the movement inside the shipping box has pulled the seams apart on the corners and is not exactly perfect. I know the music will bring me back home with smiles and life goes on.

Great Box-Set

Just listened to Seattle '73 show and it is awesome. Can't wait to let the rest of this set merinade on my brain. If you have the money, i would definitely buy this box!!

Hot hot hot

These are a few of my favorite things Incredible sound Great set lists Outstanding playing (Bird Song on Vancouver 73, the appregio on China Cat; that’s as far in as I’ve been so far, savoring this shit) Terroir Liner notes by Mr Meriwether (including shoutouts to Gary Snyder) The box (just exactly perfect) This is my wheelhouse, saw all my shows from 70-74 Got the vinyl box of the Portland show too. Looking forward to that with a nice Willamette Valley Pinot and some Blue Dream

I agree

The real-time adjustments to the mix is so much fun. When it finally clicks in it’s like the switch from B&W to color in the Wizard of Oz.

Re: Tape Blues etc.

I don't like the tape and mailing labels either. Careful use of a heat gun removes them without peeling the cardboard. As for hiding things from the wife/husband/gf/bf... why would you ever tell them how much this thing costs or what it is. :D It will only come back to haunt you during divorce proceedings. Careful use of a heat gun removes the tape without damaging the box.

I told Mrs. Vguy what TTATS cost....

....$499.98. I got a discount for being deadicated. Yessir. That's my story and sticking to it.And that Oz reference is 100% correct.

box number

exploring pacific box, where can I find the box number? thanks

Pacific Northwest

Mine arrived on Saturday by 11:00am...just in time to sneak in Vancouver 73 before heading off with my wife and daughter to Taylor Swift for the evening. Box is gorgeous...truly a work of art that can be displayed. Aside from a few very minor blemishes everything seems to be in good shape, although I have only ripped 2 of the shows so far. All CD's are flawless so far and housed very snugly in their digipacks. The wooded box contained only the certificate of authenticity and my number which is #12,963. There are no other "goodie" other than the book which is very nicely done. Overall a beautiful piece that I have already started enjoying immensely. Thank you to Dave and all the other PTB! Vancouver 73.....Monster show with a nice mellow flow and vibe. Sound quality is excellent except for Bertha which is the first track, and as someone else stated, I think they were trying to get the soundboard set up "just exactly right". First set highlights for me are Bird Song & Row Jimmy. Nice China Cat > Rider to get the second set going and it never really slows down from there although that mellow vibe is present throughout. The third disc is phenomenal with highlights for me of He's Gone > Truckin > The Other One, and then a very nice Wharf Rat, followed by a classic ending SugarMags, Casey Jones & Johnny B. Goode......Not a bad way to kick off this box set. So good in fact that I listened to it again on Sunday while prepping for the Chiefs game. Tonight....on to Portland 73.....just hitting China Cat now and let me say....this show is smokin hot people...Monster first set that does not disappoint! If this whole show keeps the pace it will get multiple plays for me! taking a look ahead at that Dark Star > Eyes > China Doll combo, it should be a very nice night indeed. Side Note: Taylor Swift put on a great show...made me happy to make my daughter happy, and quick fun fact.....that show set the all time record for attendance at Arrowhead...more than the Stones two summers ago, more the GOGD, and sadly more than any one game for the Chiefs. Playoffs included! Hope everyone gets their's soon.....Enjoy! KCJ

Has anyone posted scans of the cover art?

I don't understand why GD /Rhino doesn't post scans of the cover art on the CD's. Has anyone posted this yet? Thanks a lot.

Re: KCJ/Krell

CaseyJanes, music to my eyes. Thanks for taking the time. Krell, Jeff Smith is our resident photoshop philanthropist and offered to post high res JPGs as soon as he gets back in town and opens his box. I have a weird feeling even if Rhino did it and posted it somewhere, no one would look in the right place and post here looking for it anyway. They will be here soon, they always appear almost exactly as the releases arrive. It looks like I get mine on Wednesday. With Gordon still pissing on us and Florence on the way.. I will be calling this box Wake of the Flood or Here Comes Sunshine depending on if my house washes away. :D

Uh, oh. CaseyJanes brought up football....

....did you know the Dolphins/Titans game yesterday was officially the longest NFL game ever played? 7 hrs 20 min. Two weather delays due to Lazy Lightin' strikes in the vicinity. I stuck it out like a trooper. Thank God Miami won, otherwise I would've wasted a day....and maybe punched a pillow or two.Flo looks to be a bitch of a storm. My step daughter lives in NC. Sent her some $$ today in case evacuation orders come in. There's $$ for boxes, and there's $$ for family.

Box number

Can be found inside the wooden box insode what turns out to be a CARDBOARD box. Case is beautiful but I was expecting it to be painted wood somehow..

Hear we go, Playing in the Band *

Might as well start with the long ...

If they offered a marble box....

....I would order one. fuck it.

Sublime music, But the packaging, just too much!

Can’t say enough about how much I like this selection. My favorite era. The sound is just pristine. As for this packaging... c’mon Dave! If you want me to keep buying these things every year, then you have to be reasonable about the packaging. it’s not fair to people (like me) who live in apartments and have limited space. Can I suggest two packaging options next time - one with the beautiful packaging (and it is beautiful, really) and one with just the CDs? This will conclude my rant.

Portland OR, 6-24-1973

I haven’t posted in a long time, but now I simply must. I was already familiar with the PNE, 6-22-1973 show, so I started with the Portland OR, 6-24-1973 show. Man oh man! I was really excited to hear the show that followed the famed PNE ‘73 show. Of course, in real time, I’m sure the band didn’t realize how significant a show people would consider PNE ‘73. But the GOGD rolls into Portland and does it again. This show is so good! First, the sound is excellent. Great separation of all the instruments and voices. I love the single drummer line up and this mix really presents it well. The show has a nice and easy vibe. The band’s playing seems effortless and the ballads are beautiful. Jerry, in particular, is in good voice. A special shout out to Phil Lesh. He sings “Box of Rain” as well as can be expected in a live performance. Amazingly, of all the voices on “Box of Rain”, Phil stays in key more than everyone else. Even as others try to tempt him away from the melody with their “not quite in tune” harmonies. Bravo Phil! Ha ha ha. The set list, as many have commented, is so good. This show is perfect for winding down an evening, but engaging enough to keep you pleasantly captivated. The box itself is awesome! I agree, it’s second only to “Europe ‘72 - The Complete Recordings”. Materials aside, the design and layout is pretty cool. It presents the shows as though they are special and to be savored. On a personal note, the color scheme and design of the book took me back to my childhood in the 1970s. So when I opened the box, it immediately gave me a great emotional hit. I was ready to imbibe! Next show on the road trip, Seattle WA, 6-26-1973. And the band played on . . . Peace friends!

Daverock/Simonrob et al

My tracking is now turned on, says its going to be delivered in Sweden tomorrow wednesday! Um, I dont think so...

Excitement

The tracking of my package (for France) is finally activated. The excitement goes up. For me too, the delivery is scheduled for tomorrow, but it is not likely.

2278 has arrived. Check your CDs....have 2 damaged.

Friends, Check all of your CDs. Even a quick glance, you should be able to know, if a problem is potential. Both my dics 14 and 15 are damaged. Nice size scratch on the 14th. The 15th had a splotch on it. Cd will not read. Package is undamaged.

International Shipping

Interesting. It seems Australian orders are due to begin arriving end of this week which would be great if it happens! (Mine is scheduled for Friday.) Fingers crossed.

comments

i think the box is actually the same plywood as the certificate of authenticity box. if you knock on the small box it makes the same sound as the big box, cardboard doesn't make that sound. there is no plastic bag inside the shipping box, so if it gets wet during delivery it won't be good. they should have bagged the contents like they did with the E72 box. they do offer a space saving non deluxe version, which is the downloads. they also offer a 3 CD version and starting to roll out the vinyl versions, where the real profit is made. we should be happy they still offer premium CD sets, soon it will be vinyl boxes and memory sticks only as alternatives to downloads with maybe a pdf of the book that comes with the records. these GD boxes have become a yearly nominee for the grammy for box set packaging, they won't get any less intricate as long as Rhino's trying for the award. the whole idea that originally Rhino wanted a drum for the package and the artist went with a treasure chest instead is probably a good thing as a drum sounds like a dumb package concept. Thanks again Roy for not going with the drum idea.

Alain, Simonrob,Daverock

Just paid Swedish import duties!Perhaps it will come already tomorrow.

ok so now...

...tracking says it arrived in Flagstaff at 3:30 AM today...85 miles south of me so hopefully today is the day!

Dogon-international delivery

It all seems to be gathering momentum in Sweden, which is good to read. Over here,in England, after the initial email a few days ago its all gone quite again. I thought it would pitch up sometime in October, but from what you say-maybe it will be sooner.

Leave it to me

I have all this great new music, I listened to the first show which was just glorious, but now I'm in the mood for some Anthem of the Sun bonus disc live concert music from October 22nd 1967. What the heck's the matter with me. I think the Box itself and the artwork is just awesome! But I will say this, the artwork looks strange on my iTunes when the music is playing and I look up at it. I guess I'm used to skeletons, Stealies, alligators, and Grateful Dead bears. It's very Pacific Northwesty but not very Deady. To me at least.

Been a Long Time Since I Rock 'n Rolled

Haven't been around for awhile. Had a long hospital stay and some surgery. Came through it just fine and haven't been this stoked about the Dead in months. I can't believe I'm staring at 6 brand new fully Normanized shows from 73 / 74. This is the stuff I dare not wish about.

CDs

When it's only vinyl boxes and memory sticks as alternatives to downloads and pdfs of the books that come with the records, it will be the end of my Dead collecting. Maybe it won't be a bad thing: I can finally catch up on the CDs I do have, many of which I have only listened to once or twice. My box is due to arrive today. You guys got me worried about defective discs. :(

Health and Happiness

Sorry to hear Minas, glad it seems you are making a complete recovery. Be good, stay healthy and play Dead. I got my tracking last night, looks like my box shows up tomorrow.

On The Truck

...and out for delivery. Hopefully Iggy snags this off the stoop since it's a bit rainy up here today. She's still rocking that maternity leave. Good to see/hear folks are getting these and experiencing audio epiphanies. I know I have mine coming. As an aside...a day to reflect as well...on all that we have lost and gained over the past 17 years. Be well and look out for one another today, and always. Sixtus

Return of Minas Morgul

Glad you're back Minas. Wondered where you'd been hiding out – so glad you made it back from Mordor! Onward brother! BTW: tracking finally kicked in late yesterday – PNW 73-74 should reach my P.O. by Friday. I should reach my P.O. by Sunday, Monday latest.

Box and other things

Got the box yesterday, everything seems to be in good form. Can't wait to get this ripped so I can dive into it. This box is going on display beside the 30 trips box. on a side note I saw last night the Justin Helton on Instagram is teasing things to be coming soon saying "40 years ago..." Hope all get their box soon and those in the path of Florence make it out unscathed.

reddix/dead NW box set cd cover art posted

I was looking at reddix/dead the other day and someone has posted the cover art for the NW box set. This might help some of you out. Mr. Pete--------> aging hippie

Tracking...

Tracking is indeed now working. The package allegedly left Louisville, KY at 8:47 local time today and will be delivered to me in the Netherlands by the end of the day tomorrow. I will believe it when I see it, but Dogon's comments give me hope. Stranger things have happened - like the pig I just saw fly past my window!

USB sticks of this box set....

I am not a big usb stick kind-of-guy but I do think putting out box sets in this format, as an option, would be a good idea. I am sure that if they put out a "limited" edition of them, say 250 copies, they would sell out very fast.I, personally, like cd/lp configurations. I'm old and like the tactile feeling of holding things in my aging wrinkled hands. I also do NOT like digital books. I guess if I lived in one of those mini houses on wheels I would have to rethink all of this. Still have not gotten my box set yet...suppose to get here Wednesday. I do agree that the packages for the cd's are too small. I do NOT understand why Rhino insists on making them so very tight...not necessary and an extra sixteenth of an inch bigger would not cost them many more. If so, I would gladly pay the five dollars more per box, not to have to feel like I am pulling the cd's out of a tight womb. Hope all of you are safe where the hurricane is gong to hit. Mr. Pete-------------> aging hippie

dogon, dave rock, simonrob, alain

Yes I may expect the box for wednesday 12 in the evening in south of France ? very positive before end of the week. Once I paid tax import, likely The Spring 90 and/either The Other One Boxset. Great 73-74 music on the way, we are the lucky guys...and the taxman forgets us ?

6.22.1973

where the fuck is jerry in the mix. did jill lesh do the mix? fuckin sounds like 1990 box #1.....booo.

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