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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • deadeloc
    Joined:
    All the fuss...
    All the fuss over the packageing. Remember when we used to not get more than 1 or 2 releases a year. remember One From The Vault? I'm just damn glad we are getting anything. How can you complain about how its packaged, and not mention the FORTY-SEVEN MINUTE Playin' in the Band.Thanks Dave keep up the good work. maybe the acoustic sets of 1970 can find a way out 09-20-1970 is a good start.
  • jimmyjack
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    slipcases or digis or...?
    Lotsa of talk about the quality and size of the box, but what I really want to know is how these individual discs will be packaged! Honestly, it can make or break a purchase of this size for me. I LOATHED the packaging of the GSTL box (I was one of the unlucky many who had to have discs replaced) and don't relish the idea of finding proper jewel cases to house 19 discs, leaving two big empty ornate boxes to take up unnecessary space. That said, this release is catnip for me, as 74-77 are my 'buy on sight' years, so I'm probably going to take the plunge. Also, that 5/22 "Bird Song" is magnificent. Hoping for an 'unboxing' video before I pull the trigger, though.
  • Dennis
    Joined:
    Jim in MD - Random Comments
    >>>>> Bobby is 70 now (I think).. so that means he needs a woman that's 140 years old. And yet on the flip side, he has a bottle and a girl who's just 14!
  • JeffSmith
    Joined:
    The Dyer's Tale, Part 3
    Courtenay Pollock's odyssey continues:https://mailchi.mp/aee6f881eef0/episode-3-the-long-strange-golden-road?…
  • Dark-Star
    Joined:
    I Got Box Set Fever
    Box Set fever, it's driving me crazy! Only one Dark Star, blugh. This thing would be sold out by now if every show had Dark Star! I guess there's no getting around sticking with a common theme. I would have done two shows from 72, two shows from 73, and the two 1974 shows that are left that have a Dark Star that's not released yet, June 23rd and July 25th. Granted we got part of the Dark Star from June 23rd on so many roads, but it's incomplete. Then I would have called the box set "Dark Star Fever" That's a bunch of kidding really. I can't wait for this effing thing to come out!
  • Plasma in a Bottle
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    Got it!
    Just got the scratch to preorder the PNW shows. Can’t believe there were still CDs left! Grew up in the Bay Area, but never saw the band live until the May 19/21 ’74 shows. Only two days apart yet completely different sets, both perfectly attuned to the vibes in those cities: spacey blues in Portland and rock-n-roll in Seattle. No other band could handle that breadth. (Some say the Portland show was boring, but I was trippin’ so it was sweet.) Still waiting for the ’80 show in Portland. Different time, different vibe, but the band opened the 2nd set with Fire On The Mountain just as St. Helens erupted in perfect synchronicity. Drove home wrapped in a fog of volcanic ash!
  • jrf68@hotmail.com
    Joined:
    on a lighter note...
    Epic game of "Tag"...
  • jrf68@hotmail.com
    Joined:
    U.S. Blues
    immigrant children as young as 3 are being ordered into court for their own deportation proceedings,according to attorneys in Texas,California & D.C. WTF ...sorry. Broke one of my own personal rules. But this is bullshit.
  • JimInMD
    Joined:
    Box Sets
    I like Box Sets also. They are deep dives into the music. FW69 was my wake-up. Holy Shit. E72, Winterland 73/77. Warlocks. Spring 90, the cheap seats and the Multi-Track shows. July 78, The 77 Wonders, 30 Trips, etc. Combined they are simply Wowwie Wowwie. What a plethora of incredible shows and discs. They really are my go to when I need inspiration or mood altering inputs. As for packing and artwork, we seem to get that almost for free when you look at the price per disc/show. I do dig it, but I am also running out of space.. my office has become almost a shrine of sorts and I can't bring myself to put up more shelves, it just gets more crowded. I love the artwork of this box, but I hope it is the last large sized offering. I also think the box sets represent the best value, best listening pleasure yielding weapon Dave & Company have to offer. You are either in or you are out.. and if you are in, you might as well be all in. This box is worth it just for PNE alone. '73 and '74, to me, represent a high-water mark.
  • Deadheadbrewer
    Joined:
    Boxed Beauties
    At 48 years of age, there are precious few tangible items in this world that give me that pit-o-the-tummy tickle of pure childlike joy. The gorgeous boxes that carry the wondrous Grateful Dead music are one of the few. Pulling a plastic case off the CD shelf carries none of the magic that carefully opening the past five (or so) GD boxed sets does. The creak of the TTATS hinge brings me peals of laughter, and gently going through the process of pulling out a disc from GSTL builds the anticipation of hearing the music like nothing else. Thank you for the beauteous packaging! Other than people, GD music is the best thing in my life, and I love that it receives such gorgeous attire.
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Weird, that's exactly where I have a skip; Box of Rain Portland 73.
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15 years 11 months
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06/25/85- Blossom 06/27/85- Saratoga 06/28/85- Hershey 06/30/85- Merriweather 07/01/85- Merriweather - Birthday show. A 12 disc box all music edition would nice.
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All great shows.. was at a few and listened to all of these many, many times.. both back in the day on cassette and in modern times, I pulled down what I think is the best version from the archive. We will have to wait and see.. I am enjoying the enthusiasm very much.. they stepped up their game that year for their 20th anniversary and I prefer it for the most part to '83. Be good folks.. Happy Friday. I am finished with my first deep listen to PNE from the box.. on to Portland.
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I've been listening to this box pretty much non stop for the past couple weeks. This is peak dead. And this box is the cherry on top of 25+ years of vault releases. I feel completely content. Whatever comes after this is all gravy. In fact, if nothing came after this I'd be ok too. (that said, how about Gainesville?)
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I received my box and it seems that only one disc is defective. That would be Disc # 5 (disc 1 of the Portland ‘73) BIODTL and China > Rider skips all over the place, and there’s a clearly visible scuff on the disc. So I emailed Dr. Rhino and I got a response saying that a replacement disc would be sent to me “as soon as possible”....... this response feels kinda vague. I’m wondering if as soon as possible means I may be in for a lengthy wait......or does it mean that a new disc # 5 will be sent more or less right away? I guess I’ll find out one way or another.
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https://www.bbc.com/news/science-environment-45600372 Octopuses on ecstasy drug 'become more social' "Gül Dölen, a neuroscientist at Johns Hopkins University School of Medicine who led the study, designed an experiment with three connected water chambers. One of them contained a trapped octopus, and the other a plastic toy. Four other octopuses were placed inside the tank to test their response. Researchers measured how long they spent with the other animal, and how long with the action figure. Then, they were exposed to a liquefied version of MDMA, which they absorbed through their gills, and placed in the chambers again. The study found that all four spent more time in the area with the other octopus than they had before the drugs. "They tended to hug the cage and put their mouth parts on the cage," said Prof Dölen. "This is very similar to how humans react to MDMA; they touch each other frequently," she said."
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12 years 10 months
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For anyone interested in additional 1974 shows Amazon has The Grateful Dead Movie Soundtrack (5 CDs/Compilation) priced at $18.00.
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7 years 4 months
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I ordered 2 of these sets, one for me and a friend and both the Box of Rain on CD 5 have a skip or flub during the first verse. Reading all about this particular error on this disc makes me wonder if this is a cd mastering error or just a small batch of bad discs. Anybody not have this problem on the CD version? is this error present on the HDFlac version as well? Many Thanks!
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Hi! It’s interesting on my Disc 5, Box of Rain plays fine, but BIODTL and China > Rider (the last 3 tracks on the disc), skip all over the place. It’s unlistenable
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More '69-'70 - their best years by far. Please no '80's - their worst years by far!I stopped going to Dead concerts in the '80's because I couldn't bear how bad they got after seeing them in the '70's. Frankly I wish they had quit after 1977. Then Jerry would have been able to do simpler solo stuff and would not have died so early. 1985? No thanks. 1970 YES PLEASE! More like Dick's Pick's #8, the best Dead concert EVER! Jerry was never better, before or after.
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I stopped seeing Dead shows in 84. I just didn't think they were pulling it off anymore (first show was in 76). At the time, they were just another rock show. I was no "Dead Head" though I loved their music. They came around every year so I was lucky enough to see a bunch of shows. Fast forward, now I'm getting on in years. First off, I love listening to mid-80s shows. It's definately a different band. Frankly I'd welcome a box set from any era. Finally got through the (digital flac) NW 73-74 set. This set alone is going to keep this old soul going for a while. I just hope any future box set has a download option. CDs are dead in my dwelling (Except for Dave's because that's the only option). Loads of babble with no direction, I realize.
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i went off the bus in 83 and got back on after the coma in spring 87.i had been trading tapes and keeping up but they didn't come to Boston anymore. meanwhile the Butthole Surfers where wild when pie eyed and as close to an acid test as i ever got and they played Boston in the mid 80s. here's what i remember about the mid 80s, Gracie & Zarkov and their "academic style" papers on their experiments in chemical expansion. i got a copy of this stuffed in tape trade box and loved it. i got back on the bus to find some of this stuff in Shakedown and do some experiments of my own. thanks to the internet it's now a PDF. no Grateful Dead content, but a nice friday night read. https://erowid.org/library/books_online/notes_from_underground.pdf
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Don't let your head explode I don't think that would happen and if it did it wouldn't be the annual box it would have to be a side project. I like the sixties and the eighties I don't care if they weren't playing that well. I don't listen to The Dead just for it's good music. https://archive.org/details/gd1985-06-25.142391.sbd.dalton.miller.clugs… https://archive.org/details/gd1985-06-27.sbd.gmb.79382.flac16 https://archive.org/details/gd1985-06-28.sbd.miller.107066.flac16 https://archive.org/details/gd1985-06-30.sbd.miller.89192.sbeok.flac16 https://archive.org/details/gd1985-07-01.139047.sbd.gastwirt.miller.sir…
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You don't listen for good music? Really? That stopped my mind. Don't know what to say. LOL! When I hear Jerry and/or the Dead playing lousy, it makes me sad.
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next Friday on the late night talk show ,coast to coast with George noory they will be talking about the history of the greatest band ever the grateful dead , very cool check it out I will
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It’s missing 7-2. Anyway, next Box should contain 6-10-76 6-11-76 6-14-76 6-15-76 6-29-76 and maybe some in between. Still spinning the current Box in the living room. In the car been playing the ‘78 Box in chronological order, started 7-8 on the commute home today. Need more Boxes. I like Kayak Guy’s idea of Plangent Boxes every few months.
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My skipping disk has a visible gauge. I will address customer service after I've gotten through the entire box to insure that is the only defect.------------------------ fyi I am not a robot-----------
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....has so many awesome Greatest Stories Ever Told's that I almost can't even handle it.
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15 years
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At 10:30 this morning 80's Fan gave us an update as to where his head is at right now. Mine too, word for word.
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The Dead never took themselves as series musicians and they were more about transportation than music. Plus it's not about what there playing but more about what there not playing. I find that the sixties and eighties have more color. Come on get happy.
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I'm with you Ice cream kid. That June of '76 box would be just exactly perfect in my book. This box hits my sweet spot but even though I've had this week off work I've only listened to half of it so far. Started with an all time favorite, 5-19 and gave it two deep listens. Followed with the next show in the box, 5-21. Sounds better, much better than i remember from the old tapes. Then on to 6-22-73, two deep listens to one of the all time greats. This music is not to be trifled with--I'm taking my time and giving the music my undivided attention. I've got a date Sunday night with 6-24-73.
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I could get into a '76 box set if the audio quality is good. The 1976 show that they released for 30 Trips Around the Sun didn't sound so hot to me. Flat and muddled. I wasn't too keen on Dave's Picks for either. Throwing some shows with some good song variety and at least three Help / Slip / Franklin's and I'm in. Well, I'm in no matter what. Vguy, I'm with you on the GSETs. Cool clear water well you can't always tell. I put all 5 Greatest Stories in a playlist, this is going to be so cool. I will find the greatest Greatest Story.
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9 years
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Has to include 08-04-1976, Roosevelt Stadium, Jersey City NJ. This show is killer. Funky grooves throughout. I love this show. A 1969 Box or a 1976 Box! I would enthusiastically take either one.
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way too early to be talking about this, but it gives you time to check out some stuff on LMA to sample whats in the vault. you have time to make your own. from the june 76 come back tour, aka the "4 sneakers in a tumble dryer period", the FMs are probably the nicest and most likely. 2 Mission in the Rain, 2 Help>Slip>Franklins, the return of Comes a Time... 4 shows 12 CDs. 6/12/76 Boston 6/19/76 Passaic 6/24/76 Philly 6/29/76 Chicago want another one 7/18/76 San Francisco. because they are FMs they should have a better mix than the SBDs that all have high vocals and drums and low guitars and bass because of the small venues played. 1976 SBDs from the small venues all suffer from the enhanced drum sound from the PA mix. the guitars are pushed to the background and only during the jams do Jerry and Bob become easier to hear. sorry no links without etree to paste them from :(
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I got my box from UPS on Sept. 13. I picked it up from their depot which is not far from my home. They tried to deliver it the day before but required me to pay the exact amount of tax etc. in cash at my front door without telling me in advance how much it would cost. Fail, naturally. When I picked it up from their depot I could pay electronically using my bank card. The machine was even good enough to spew out a receipt. Today I received an invoice from UPS for exactly the same amount. This came as something of a surprise, naturally. I guess I will have to call them on Monday and try to get an explanation. If they know I have paid, why send me this invoice and if they don't know that I have paid then they are surely beyond redemption. Just finished listening to the fourth show from the box. So far it has played through the few small scuffs, scratches and fingerprints without skips. The clarity of the sound is indeed amazing as others have said. That the mix is a bit weird in places makes it more interesting, but it can be frustrating when someone disappears completely for a while. The music itself is stellar - no complaints there whatsoever. The mixing 'anomalies' at the very beginning of shows is extreme until they get the mix properly adjusted, but the mix to the 2-track recorder was probably not the most important thing to get right. Next box? Ark please!
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I contacted them last Monday about the disparity in tax and shipping charges across the UK, and they told me they would get back to me-but that they were experiencing more than the average amount of enquiries at the moment. On Friday I contacted them again to see if there was any progress, and they repeated about how busy they are, and asked for information I had already given them. I can understand that they must be busy-especially the complaints department! I am on my last show in the box. I have noticed that, due to the mixes, I have been more aware of different musicians than Jerry to a far higher degree than I normally am. Bob and Phil were well up front during the 1973 shows, and Keith seems to shine on every 1974 show. This separation of instruments seems quite jazz like, to me. When I am listening to a jazz album-"Kind of Blue" was the last one-each instrument is clearly audible-much more so than on rock n' roll records. With a kick ass rock album-something like "Kick Out The Jams" by the MC5, the impact is wholesale, and can't be divided up like it can with jazz. In this box, the 1974 mix seems a bit more rock n' roll to me. They also seem much better shows to me than the 1973 ones-but I have only listened to them all once so far. For the next box-the Ark sounds good. I don't think I would bother with anything after 1974 now.
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For a 50th Anniversary. Well overdue. 3 Apr shows with 3 Dec shows would be a just exactly perfect way to show the progression of the band and set lists during that hallowed 'n heavy year. Please Please Please.
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16 years
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Exact same thing happened to me today. Called UPS and asked about this. Very strange to receive an invoice knowing that I had to pay (‘cash on delivery’) to be handed over the package in the first place. Lady on the phone was helpful, said that their financial department must’ve send an invoice instead of a confirmation of payment. She had heard the same complaint several times lately. I will get called back on Monday. I’m sure that will be the end of this nonsense.
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15 years 6 months
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Fourwindsblow....too much acid? LOL!More about that they are not playing? Really? Not serious musicians? Really? Garcia was about the most serious musician on the planet.
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17 years 3 months
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Would be awesome. A Cal Expo box would be sweet too.
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17 years 2 months
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....lol at heads looking forward to the next box. Demand trumps supply. I would like a Vegas Box, but a plethora of guest star sit in's makes me think that will never happen. 1969 or 1976 would be welcome. Winter '79 would as well.
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15 years 11 months
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Those aren't my words they came right from Jerry himself.
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10 years
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As anyone with a passing knowledge of Philip K. Dick might know- no one can be 100% sure whether they are a robot or not.
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8 years 7 months
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Prolly the best bang for buck retail set still widely avail. Pull the trigger! Steal one! Never enough '74 GoGD in the collection. A stand alone 10-18-74 Dave's Pick with Phil & Ned Set 1.5 would be massive. May need to be a 4CD bonus CD set to get it all. What a show.
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7 years 7 months
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A robot does not know they're a robot, therefore if you do not know if you are a robot, you are a robot. QED
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13 years 7 months
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Hey- I'm not sure if this has already been addressed but I'm just getting to the 5/19/74 show and the vocals for Maybe it Was the Roses and El Paso were so low as to be almost inaudible. Loose Lucy seems to be much better once again. Is this just inherent in the recordings or could I have a bad CD? I can't imagine that the CD would be bad, but the booklet doesn't mention any shortcoming in the recording...a few in vocal recollection, but nothing with the audio. Any help is appreciated. Thanks.
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8 years 7 months
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Drop outs on the master reel. Warts and all. If you get confused let the music play.
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15 years
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That stretch has been referred to as karaoke Dead. The audience hears the vocals fine, you can hear them roar at the vocal crescendos and climaxes. When it goes into Loose Lucy then Money Money the funk is irresistible. The sound quality on these 74 concerts is crazy good.
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7 years 6 months
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We should film it. A prime contender for this years Mystery Science Theater 3000??
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15 years
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I thought it was you but wasn't sure. Great line.
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17 years 2 months
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....I recall getting kinda high and laughing my ass off to those. I also recall getting really high and laughing even more. Great show.
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7 years 9 months
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There is a reboot on Netflix that is just as good...AND ROBOTS!
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17 years 3 months
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I'm not a robert.
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He was a VERY serious musician and the quality of his music mattered a GREAT DEAL to him.He was super bummed when they played bad. Maybe your attitude explains something I never totally understood: why the Dead became MORE popular as their music became worse and worse. The masses don't have the ear to hear what's good or bad. They just liked the "scene" and the music was unimportant.
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Not so sure about that.. I saw a ton of live music during this period.. not just the GD. Seeing a better live act in the 80's than the boys was an elusive task, comparatively they still delivered night after night. If I accept the premise that they had declined (I'd prefer to sidestep that controversy altogether).. Bands that performed better in this era were few and far between. Might I say.. they were still kick ass and if care and attention went into recording shows, I bet opinions would shift too. Their numbers grew gradually, over the years. The term 'on the bus' is exactly correct.. As for the parking lot/zoo scene, I think that's a separate issue than the music.. but I still believe the whole scene was 90%+ about the music. I wouldn't bang on fourwinds for what is clearly word choice and semantics. I think there's a quote from Jerry in Long Strange Trip where he admits he used to sabotage their success. I see this issue as one where there is truth on both sides and reality meets somewhere in the middle. Jerry was a serious musician, Mountain Girl is quick to point out how much he practices and what a professional musician he was, especially in the early years.. up very early every day practicing scales and working out problems. Anyway.. If I had the crystal ball of truth, I bet you two aren't as far apart as it appears and from afar, you both have points..
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