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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • ArthurDent
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    static in digital audio
    try VLC player, as if you can't play back at the high bit rate, there may be skipping/artifacts. What resolution files ? What player ? Other similar files play ok ?
  • bob t
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    HEC Edmundson 5/21/74
    Just so beautiful sound wise. Not complaining or anything but when I listened to the Weather Report Suite always had that great audience copy where someone yells "Civilization" and "Dark Star, Dark Star" at the start of the Prelude. With that being said... who cares.. heading towards the 46 minute Playing in the Band... Hope everyone who is scheduled for UPS tomorrow gets their box.. Carolina and Mid Atlantic friends please start to prepare.... bob t
  • pzega@comcast.net
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    Pacific Northwest
    I did the digital download and there seems to be a lot of “static” in some of the songs. Do you hear that with the CDs?
  • ArthurDent
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    if you look on eBay for the
    if you look on eBay for the 30 trips "all music" edition, they are for sale for over $1,000. And it's open. Someone has the original box for $5,000. Not that that will sell for that, but the answer to the question - "Why would someone buy something for $200 and not open it?" can be answered by eBay. FYI - All music edition 30 trips is in the store for $699, so it's not exactly unobtainable. I find it amusing that people bitch hard about Dave's picks selling out, yet this has not. I realize the price is more, but the quality and material is stunning. Last Dave's Pick with the audience patch was amusing. I probably wouldn't have bought it singly, but as a subscription I'm ok, as the next release could be 1969 or some other fantastic set. The cost per show for a subscription is reasonable, as with the box set. I wish they would allow owners of the CD's to download at least the 24 bit FLAC, many other (Amazon) CD sellers bundle digital with physical CD purchases. My purchase has shipped, but will not make it from TN to FL for another 3 days, which is seriously annoying. It's not like they had no idea my order from 3 months ago was supposed to ship to arrive on release day.
  • Kayak Guy
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    the Money Money box
    i really like it. the package is a 3D sculpture, totally unneeded, but beautifully done and a pleasure to own. the digipaks are great, the individual disk artwork is great, there is probably a story behind it all i haven't gotten yet. a wonderful mysterious box, the essay is standard Nick Merriwether (Joe Friday) reporting of reviews and interviews, it places the shows in historical context and covers all the factoids about the venues. it also has more art, or the same art in a different context to reinforce the ties between the images and the shows. the sound on the CDs is amazing. Phil is omnipotent, Billy is dancing, Bob is high in the mix, Keith is also very present in the mix, even Donna seems to have been adjusted down to less than overwhelming. it makes me wonder what the previous Dave's releases would have sounded like with a little Plangent processing to the reels. we need a new subscription series of Plangent Processed reels and stop making Dave choose what shows get the inferior processing for Dave's Picks and what gets the Plangent treatment for box sets.
  • MDJim
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    Re: Confused
    I can't explain that.. but it's not that much different than what I do. I open it, rip all the CD's.. read all the stuff, liner notes, newspaper clips, all of it - hopefully uninterrupted.. then pack up the box, set it on a shelf in my office and give it a close listen or three or thirty three.. After that I rarely deal with the physical product, at best once every two to three years. If I lose my music drive and backups at the same time (it has happened), I have the hard media to rip and rebuild.. but I have not opened the E72 Trunk in a couple years. When I last moved about 8 years ago I was listening to CDs primarily when working late, etc. So I kept tossing in CDs. I ended up tearing a couple of the jackets from E72.. so I bought seconds of all the ones I listened to a bunch (perhaps two thirds of the shows). Then I just started listening to digital media. My brother will probably be the beneficiary of the extra CDs I no longer listen to. I do have lots of LPs.. I have been keeping up, but I don't have space to set up my turntable and retro system. None of this makes sense, but I do like the physical media and one day I will no longer work. .. so I plan to revisit all this stuff one year, probably sequentially. I don't think this makes any more sense than what was posted earlier.. I guess the music is most important. ..but one day I will open Bickershaw, re-read those liner notes and a smile will come to my face. It's all good, I guess I am a completist. Perhaps many of us are. I bet there is one or two of us out there that are OCD when it comes to really, really good GD. I'm not sure if I am there yet.. but who knows what tomorrow might bring.
  • simonrob
    Joined:
    Confused...
    Why would anyone pay almost $200 for something that they will never listen to. Like buying a car and putting it in the garage and never driving it. All is ephemeral and material things have no real value whatsoever. Surely these truths are self-evident. Explanations welcome.
  • ticktocktyler
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    RE:Sound Quality?
    PING! That's it exactly. Digital files won't skip. I always back these expensive downloads up. I bought the box as well because I want it. I will never open it so I have what I am calling "Schrodingers Discs". They exist in a state of being both scuffed and not scuffed as I am not opening the box to find out.
  • Butch
    Joined:
    I love it
    Thanks Dave it's everything I ever dreamed of. Life is good.
  • DP36
    Joined:
    Sound Quality?
    Utopia. Only way I can describe what my ears is exeriencin.' This PNW collection sets the bar with sound quality. This sounds as good if not better than Boxilla. Before we get too crazy, lets’s put the TOO and the multitrack recordings aside. With the 90’s box’s not considered, this is it! Sound is rich and upfront. Everyone is heard; balance is excellent to my ears. Rainy weekend in S. Jersey and GOGD PNW blasting on the grande delux all day. I’m caught between CD’s and high-res download with my wallet open and my cash falling out. The Totem will come, I will open it, look at all the trinkets, read the book, and then close the lid. I just think it’s silly to take out a digital copy (CD) of the show and put it into a CD player when I can play the digital files (at 192/24 vs. 44/16) with a tap on the mouse. I’ll clarify; for me it doesn’t work. I’ve said before here that music listening is a lifestyle. We all have our different ways of going about it. I play the downloads, but continue to buy the hard copes. However, Boxilla got me… I had to decide; just could not buy both. I bought the Bolt specifically for the 192/24 and missed out on the physical book and hoopla. No disc skipping with the downloads. Cheers all!
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Of all the official ‘77 releases, Dick’s 34 is my least favorite. It just doesn’t catch my ear the way most shows from this year do. Not sure why. But after Dick’s 3, 10, and 29, it was something of a let down for me. More so alongside the Dave’s and box set ‘77 releases. Guess it’s that subjectivity creeping in again. Glad to see it getting some love on vinyl though.
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Sometimes you get what you are hoping for, and that is the case with this box for me. I was really hoping that we would get a '73 box this year, and the addition of the '74 shows is the icing on the cake. I am currently finishing up a more focused listen of all three of the '73 shows after giving the entire box a quick listen to identify skips or defects, hopefully I didn't miss any. The sound on these shows seems great to me overall, the adjustment during the early songs of each show and the couple of vocal drop outs aren't really even a distraction. Everything sounds clear and distinct, and while Jerry is not at the forefront of the mix on every song, I didn't really ever feel like he was lost in the mix either. The extended jam sequences are so good on the '73 shows that I can't even say that the Dark Star sequence from Portland is the highlight and I love Dark Star. As far as the tempo, I dig the slow tempo stuff from the Dead, whatever the era, and the slow tempo stuff in this box is about perfect. There is, however, plenty of energy on the more up-tempo stuff in these shows. All in all, this whole run just reinforces my love of '73 Dead, a time period that seems like a peak to me. Next up, a more detailed listen to the '74 shows in the box. All of the performances of EOTW from the '74 shows really jumped out at me on my initial listen, so I am eager to give them a more focused listen.
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Good Day All. My apologies for using this forum for what might be an unrelated Grateful Dead question. I am hoping that someone might be able to help. If you can, I would ask that you use a PM for the reply. I am hoping to communicate with someone on this board that would have access to the Northbrook Public Library in Illinois. If you might be able to help I would genuinely appreciate it. My apologies to all for the interruption. As for the PNW box...this very well could be, the most beautiful pieces of art to hold music in. A perfect place for this music...and the box is still available. Difficult to believe! Have a beautiful day. Regards.
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so little time
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I dunno, sounds sweet to me... My box arrived in good condition with one small scuff on one of the discs, nothing to get in a twist about as it plays fine. We are so lucky and spoiled to get this kind of material, most bands don't have anywhere near the amount, and in such great sound quality. Also some charge 2-3 times more. I get the frustration with some of the tunes having dropped vocals, but it doesn't bug me that much within the scope of the whole set. Just my two bits i guess...
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....A chicken farmer walks into a bar, sits next to a woman and orders a glass of champagne. The woman perks up and says, "How about that? I just ordered a glass of champagne, too!" He turns to her and says, "What a coincidence. This is a special day for me, I'm celebrating." "This is a special day for me, too, and I'm also celebrating," says the woman. "What a coincidence," says the man. They clink glasses and he asks, "What are you celebrating?" "My husband and I have been trying to have a child. Today, my gynecologist told me I'm pregnant!" "What a coincidence," says the man. "I'm a chicken farmer. For years all my hens were infertile, but today they're finally fertile." "That's great," says the woman. "How did your chickens become fertile?" "I switched cocks," he replies. "What a coincidence," she said. Hardy har har....
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What´s the odds? After almost exclusively listening to the PNW box over the last two weeks, I went for an Airplane album. At the same moment as Martys You Wear Your Dresses Too Short from Winterland 72 were thundering from my speakers, I read the news about his demise. So sad. In my view his voice was the superior one in JA ... and somehow so ahead of its time. At the end of the song Grace says "Thank you Marty!" Yeah, thank you for your contribution to the psychedelic revolution
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Since I live in Brazil, deliveries take a longer time, but my box have finally arrived. I'm listening to it now, and I can describe it in a word: AMAZING! By the way, my wife (which is only a casual fan) loved the art!
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Yes, thank you Marty! We'll all miss you!
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I'm with charlie3 and all his comments. I love this box. Had a first listen to all shows, very satisfied. I'm taking a break from that era with other years, but soon I will relisten to that most excellent Vancouver 73 show. Love the box.
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When do subscriptions usually come out and do they sell out quick?
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I was also sold at 6 shows from 1973-1974. How can you not be, right? I find it's much easier to fine tune the sound on headphones on a system with an EQ. I suppose that's true of most of these old recordings, but it really helps with the 1973 concerts on the tracks where Jerry isn't quite as loud as usual. Even guitar volume considerations aside, the headphones are an essential listening medium for all shows. I get a hugely different perspective on the music. Headphones. Buy good headphones.
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The Dave’s Picks 2018 subscription announcement came on 10/24 of last year. They usually close it off I think after New Year's. The subscriptions have never sold out. Any of the 18K that are not sold in the preorder session are sold ala carte. They were close to selling out this year. We know this because they told us they were close, and therefore had very few ala cart copies left to sell to people when each release was due to come out. The few ala carte copies for each release sold out in a couple hours. It feels like the Dead are more popular now than any time since Jerry died, at least going by Dave's Picks sales and Dead & Co attendance. I think this may be the year we see a Grateful Dead Dave’s Picks Subscription sellout. Buy it. P.S - better to buy it early because you get it for $99 and free shipping. Later in the subscription sales window the price goes up to $115 and I believe shipping has a cost at that point. Plus even if you were guaranteed an ala carte copy, you only get the bonus disc if you pay for the subscription. And the bonus disk is the best thing since One from the Vault.
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I hope my doing a deep dive into a statement of yours doesn't piss you off, "MindLeftBody". Nothing personal, just a Historygeek being triggered! Seems like pretty good factual support for the importance of this box here: "They're also rarely performed songs like The Race is On, Box of Rain, Money Money, and the only 1973 Bird Song" I was pretty surprised to see that there was only one '73 Bird song! And glad it's on the 3CD set I bought (even if it has that 13:39 stumble-skip in it). Too surprised. I hit THE BOOK for "just the facts". (per DeadBase III, so some numbers may have changed): 87 (55 post-Pig) shows in '72, 73 shows in '73, 40 shows in '74. More than 1866 shows played 65-95. The Race Is On: seems to have been included in a few acoustic sets '69/'70 before entering performance rotation on 3/19/73 for 24 '73 performances and 8 '74 performances. 10/19/74 was the last TRIO until 9/27/80/The Reckoning shows. Box Of Rain: debuted 10/9/72 (about 2 years after the studio version was released!) for 11 '72 performances and 27 '73 performances. From 11/19/72 to 6/26/73 it was NOT played at only 4 shows. It missed 3 shows before being played 7/28/73 for the last time until 3/20/86. Bird Song: after a 14 performance run in '71, Bird song took 11 months off before entering regular rotation for 29 performances in '72 and 12 in '73. 9/15/73 was the last BS until 9/25/80/The Reckoning shows. Maybe the sentence should be: "There are also relatively rarely performed songs like The Race Is On, Box Of Rain, Money Money, and Bird Song". All 4 songs ARE quite rare in terms of 65-95, but two of them were not uncommon during the period covered by this box and 6/26/73BS is NOT the only '73 BS. I started this post because I thought the statement I'm scrutinizing was wrong. After my research and number-crunching, I do agree with the jist of the original statement, despite the, ummm, "factual deviationality" shall we say.
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....that the morning brings. But the heart has it's seasons, it's evenings and songs of it's own.The Grateful Dead help me deal with the stresses of life. And for that, I will always be Grateful.
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There's a BIRD SONG in 30 DAYS OF DEAD (2011) (10 JUNE)!rnb
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There's a BIRD SONG in 30 DAYS OF DEAD (2011) (10 JUNE)!rnb
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30 Days of Dead is all soundboard quality. 6/22/73 is the first produced / engineered version of Bird Song. I think the point being made was that one had to delve into the soundboard archives to hear '73 Bird Song, until now.
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seeing how it's about facts, and your using a Deadbase that came out in 1988, i'll update it to a Deadbase from 1996 and the total listed is 2,314 shows from 1965-95. (that was the factoid that made me dig out my Deadbase 50, it's fukken heavy) the last Birdsong of 1973 is from Providence and only circulates as an AUD, but is worth a listen as it's the last Birdsong until the 1980 acoustic sets. https://archive.org/details/gd73-09-15.aud-sbd.cotsman.16174.sbeok.shnf…
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I really like the duet JG & DG do on Dolly Parton and Porter Wagner's "Tomorrow is Forever". There weren't that many, but each is good. Jerry always took a nice break in there, too. Was looking through my cassettes from ago to find the 6/22/73, Vancouver, show and I found it! maxell UD xl 2, C90 with faded, but legible, writing on it. It's got a 3/82 date of reception on it. The tracks were: Side A: … Bertha BIODTL Deal Mexicali Box of Rain Bird Song The Race is On Side B: Here Comes Sunshine He's Gone/Truckin' What a show!!! Thanks, PTB.
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Listened to the Vancouver '74 show today, and dig the whole show, but man the EOTW is a blissful highlight. And is that a little Slipknot riff in the jam at the end of EOTW?
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....top notch. Lots of truth on that album. Hey. One can't listen to the Dead 24/7....
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Amen to that. Although the first 4 are my favourites. The reissued box set of Paranoid is a corker, with its two live shows from 1970 included.
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Charles Aznavour is dead,
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The gentlemen below are correct: Bird Song: played 301 times total. 13 times in 1973 (Providence was indeed the last until 1980) Race is On: Played 59 times total. 27 times in 1973, 9 times in 1974 (and then no more until they played it 10 times in 1980) Box of Rain: 158 times total. Also 27 times in 1973, and then no more by the dead until 1986. However, Robert Hunter performed it dozens of times from 78-86 before the dead dusted it off. In fact he's performed it 112 times total (the most recent being 2014). caveat: I have only had 1 coffee today so please excuse any errors...
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14 years 9 months
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but I am a "Venusian spy" (name that show)
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14 years 9 months
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5/21/746/24/73 sooooooooooooooooooooooooooooo good
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6/22/73 then 6/26/73 THEN late 69/early 70 things
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...Marty Balin & Charles Aznavour passed away recently. Both ArtistWere truly gifted & beautiful human beings. R.I.P my brothers, peace be with you both. God Bless... : (
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12 years
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would that be the boom anime that makes me think the wrong thing?
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Ice Cream Cone Kid - nice vid clip from the Princeton Record Exchange. (20 South Tulane St, Princeton, NJ) I used to go there a lot when I live in Jersey. Worth the trip if in the area. Again this site has only cost me money. First Dylan's Bootleg 14, then Jimi's Electric Lady, today with the Sabbath "Paranoid" box set. I can't afford to come here anymore! Of course I have to buy Dave's this year since he let me pick all four releases, so there's another chunk of coin in November. For those that care, Lockn 2019 tickets just went on sale (alumni sale) (250 a pop for 4 days!,,, best music deal out there) If in the North Jersey area, my buddies there say "the cosmic Jerry band", has been tearing it up, knocked out a 4 hour show the other night. On the recording quality front, I'm always searching archive for old 78 recording and found this collection the other night at work. Played this collection at the store and was surprised at the general "likes" it got. If so inclined, follow link and listen to the second song, "Am I Blue", by Ethel Waters and Her Ebony 4. A 1929 recording! https://archive.org/details/VINTAGE78RPMRECORDS/New+folder+(2)/Vintage+…
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It's been one week since you looked at me.... Like Kurosawa I make mad films Okay I don't make films But if I did they'd have a samurai Gonna get a set of better clubs Gonna find the kind with tiny nubs Just so my irons aren't always flying off the back swing Gotta get in tune with Sailor Moon Cause that cartoon has got the boom anime babes That make me think the wrong thing
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FYI, "Mac" @ Customer Service is in reality the one and only Dr. Rhino. I know this from a previous encounter that he handled for me beautifully Rock on
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I emailed Dr. Rhino about 3 weeks ago, and after a couple of small status communications from him/her over that time period, my replacement disc #11 from Vancouver 74 arrived, and I finally get to listen to that show in it's entirety. Will be enjoying that starting.....now! Dick's Picks 34 Vinyl to arrive on Thursday! Can't wait for last Dave's announcement of the year. I think he alluded to the fact that we may not see 80's, so I personally am hoping for some '79, '90 or '91..... KCJ
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Replacement disc came today. Received dicks picks 34 vinyl on Sunday. Nice quality pressings. Dont have the CD version so I can’t comment on sound quality compared to that but overall, sound is enjoyable enough
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I was never crazy about this one. Odd choice for vinyl when you stop to think about how many better ones there are. I found the show to be just kind of average for 1977. The best thing about it are the bonus tracks from 11/2 at Seneca. There's a really hot Playing in the Band on Dave's Picks 24 from Berkeley. When I say hot, I mean this is in my top 5 all time. There is an intensity that Jerry and Phil provide, which seems to bring up everybody's game. I haven't listened to this show since it came out, and even then I was preoccupied and never gave it its full due.
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Only Grace, Jack and Jorma left, oh man that hits hard. He tried to help without any thought of his own safety at Altamont, a great singer, RIP Marty Balin, fly high.
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