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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • Oroborous
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    Robots, dropouts, AUD’s, 28 and 77. DaP 2018
    I am not a robot....or am I??.....ancient alien theorists say YES!! Recent episode speculates that due to new DNA info found theorist believe we were injected long ago by aliens so that basically we’ve become organic robots! Woooooo- spooky lol DROPOUTS remeber folks, any recording is susceptible to dropouts anytime a musician adjusts their volume, especially if the person responsible for the recording is looking after other responsibilities etc. This could be especially true with WOS shows as there was no house mix at all, everything was controlled on stage by the band.....i.e., if say Jerry felt he was too loud and turned down, and no one adjusted tape levels accordingly, he would sound too low on the tape.... AUDS Also, as some have mentioned, drums and vocals (or other “acoustic”) instruments are often mixed louder than guitars that are often already significantly amplified. This is why as KG and others have suggested that matrix or very good AUD recordings can sound much more lifelike or “real” than soundboards..... PREDICTIONS 28: will repeat my predictions from months ago.... 28- will be something from 69-71, but not something that might end up as full treatment box shows...this era is definetly due, and most people like this era so it plays to the masses to end the year/subscription on a high note.... 29- will be 76. This year is also overdue, but it’s perhaps not as popular for some folks. Mellow dead for the winter doldrums.. Of course these too could get flipped so the 69-71 would be the new year/script carrot...in fact I think that makes more sense; 76 for 28 and a 69-71 for 29. 76 might be too divisive for some? 30: 79 is also overdue and gets enough mention here that the mob would not lynch ole Dave and CO. Don’t know the catalog well enough to pick informatively, but personally I think some combination of 1/10/79 and 1/20/79 would make a great spring/bonus release. Last Steve and Dark Stars for a while, as well as some other great nuggets. 1/20 has no Donna so has that historic/different variable. 31: some 91 or other post Brent 90s. (Since there has been a lot of 90 already).Another era that is due and has some great shows! Wild card could be some 89 that’s not multi-box worthy? Of course more 72 is always in play.... 32: will return to one of the BIG? Years or perhaps 69-71 or 91 if not covered earlier as these are certainly due. Wild cards any of the above except 79. I don’t think they would use something possibly divisive for the end of the year. Time will tell and as ole Jim says “I reserve the right to be comepletly wrong” ; )) 77; I know there is a rabid vocal majority that can’t get enough, but for THE REST OF US enough for a while...No offense meant to anyone or their personal tastes, but imho there are a significant number of us that would like to gather a well rounded collection of good shows, that sound decent. They all don’t have to be top shelf (where mama hides the cookies!) multi-trac pristine....MANY of us love ALL years worts and all. Just throwing it out there, no need to tell me how wrong I am and other negative condescension. We’ve all heard it enough ad nauseam! Like going in about fourwindsblow’s mere suggestion of a summer 85 box. To some, we like the dangerous, dirty dead. No one seems to complain about 60s stuff where they sometimes go for it but miss etc. and there are plenty of bad vocals (from all eras!) Some us of feel 85 was similar, that does not make us WRONG, just different than YOU! And like Jim said, Jerry’s voice gained a deep character that a 20 something doesn’t necessarily have. Sometimes it was painful, but some would say something’s actually sounded deeper and more emotional as his voice aged. This is why ALL eras are worth checking out!! You can just listen to something else if you don’t like certain eras. You don’t have to be negative and cut others down. Some asked how we felt about this years releases....I think they were all at least good. Know the 77 is not some folks top pick, but for a 77 I really liked that show. Personally liked the 71s better than last years (a little to white bread). I liked the 83 worts and all because it was something different and was from the year I was finally able to do more than just one off local type shows. Time will tell about 28 but I’m sure as usual Dave will not let us down. I agree though with KG that there should be different tiers or what not for releases. I.e., - Super premium Betty Boards etc, that they could charge more for to cover extra expenses and help fund other, less exconomicalky viable releases like - Doctored matrix and/or AUDs from 80s/90s. Low budget packaging/costs sort of like Dicks or Road trips, or even more so. Stuff that will never be used for Boxes etc. just spit em out so those that want can get something more than the same old stuff...Could do more frequently due to less costs/production etc - Continue Dave’s with his niche.. - Boxes: of course keep the big beautiful stuff coming aka PNW, E72, 69, 90, 89 etc. Don’t see why they couldn’t do this? Obviously there is currently demand, and as I’ve said before, they could choose/schedule run numbers AFTER they receive pre-order funds to maintain costs. You get 10,000 pre orders run that plus a few for late comers. Everybody wins....Big boxes and/or premium releases could still be “numbered”. That is All! Have a Grateful Day!
  • Kayak Guy
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    my grail show for 1991
    it' s only really a 2 disker, but with a little related filler to add the Playin they started the night before and then teased the Dark Star right before the Drums, it makes a nice 3 disk set. April 1, 1991 Greensboro Coliseum - Greensboro, NC SBD -> PCM Master CD1 Set 1: d1t01 - Jack Straw d1t02 - Peggy-O d1t03 - It's All Over Now d1t04 - Candyman d1t05 - Just Like Tom Thumb's Blues d1t06 - Picasso Moon d1t07 - Bird Song CD2 Set 2: d1t08 - China Cat Sunflower -> d1t09 - I Know You Rider d2t01 - Looks Like Rain disk 2 filler to finish off 3/31/91 2nd set from Dick's Pick 17 3. Playin' In The Band > (15:09) 4. Drums > (4:37) 1. Space > (15:20) small splice at 1:46 2. The Wheel > (5:41) 3. Around & Around > (7:51) 4. Johnny B. Goode (5:13) 5. Knockin' On Heaven's Door (8:40) CD3 d2t02 - Dark Star -> d2t03 - Drums -> d2t04 - Space -> d2t05 - Dark Star -> d2t06 - Playing reprise -> d2t07 - Black Peter -> d2t08 - Turn On Your Lovelight d2t09 - It's All Over Now, Baby Blue
  • MDJim
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    91 DATs
    I like the way some of those DATs sound. I wonder why we have seen relatively few shows released from this period. I like the sound quality of the Cal Expo and Shorelines shows from the Spring of '91. Cal expo is sans Hornsby though.. The Boston shows are really good, I am partial to 5/10/91 too but keep in mind I am a big Desolation Row fiend.. which I realize is not everyone's cup of tea. Still.. good point on 1991, we really should have seen a few more shows released from this period, some are quite good.
  • Kayak Guy
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    speculation for 28
    based on the other 2018 choices there is one noticeable absence in the set lists, Dark Star.to close out the year and boost interest in next year there should be a Dark Star on what ever they announce. either a Pigpen or Hornsby era one would be nice. given my lack of enthusiasm for non Plangent processed reels, i would hope for a cassette only Bear tape or one of the DATs from the 1991 tour. like this anniversary show from 27 years ago today. Boston Garden on 1991-09-26 https://archive.org/details/gd1991-09-26.sbd.miller.95534.sbeok.flac16 i wish they would stop wasting the recently returned reels on non Plangent processed releases like this series.
  • Born Cross Eye…
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    Possible Dave's Picks 28
    My guess for DaP28: 6/22/76 Tower Theatre Upper Darby, PA (near Philly)Been there, done that, its one of my favorites.
  • Jason K
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    Poor Sound Quality
    Please help me understand how recordings from 1969 sound clear and pristine while recordings from the early 80's, such as DP27, sound horrible. Very disappointed in DP27. Thanks.
  • outpost
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    Boston '69
    The Ark and Tea Party shows would make a fantastic box, to compliment the Fillmore Box. Much too good to be diluted as a DaP. Come on ... be bold !
  • novembereleven
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    Enjoyed Mr. Jack Straw showing his work for the next pick
    Unfortunately the only ‘76 show I’d be really jazzed about is the 7-18-76. But that isn’t likely to happen as it is a multitrack recording that was used on the King Biscuit Flower Hour. So Dave said when the 7-17-76 show was released, that this excludes it from his show options. Such an epic show, certainly in my all time Top 20, in a year that rarely excites me too much.
  • MDJim
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    Official Guess
    I am going with either 79, 80 or 91 as DaP 28 and either fall '72 or fall '71 as DaP 20 to kick off next year's subscription effort. Note: This guess is knowingly incorrect. I have the absolute worst track record at dead.net for sniffing out the next release.
  • wilfredtjones
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    1976
    Any chance the returned reels would include the missing tape from 10-15-76? All I've heard from the end of that show is from an AUD source. It would be great if they found tapes from 2-27-77 or 6-4-77, too but chances are fewer that will happen. How about 2-6-79 Tulsa just for curiosity's sake, or more of Carbondale '79 (again, just for curiosity's sake). Speaking of '76, DP 33 might just be the most underrated from that series. Two complete shows in 1 release. That used to be nice and would happen more often: DP 20, 25, 29...
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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I too received that email from dead.net. A thorough decoding of the text tells us this will surely be Boreal Ridge Ski Resort, Donner Summit CA 1985. :D
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12/1/79
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Wasn't she a disco queen in the '70s & '80s?
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Who could ever forget that show? The Bad Girls -> I Know You Rider was so tight! But obviously the Estimated -> Hot Stuff -> Eyes -> Last Dance is what most remember. The post drums Truckin' -> On The Radio was a little sloppy, but fun. They really ended the 2nd set with a flurry as the Around & Around -> She Works Hard For The Money -> Turn On Your Lovelight was mind-bending. The Day Tripper encore is only notable, as it was the last time they played it.
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.
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Now that we got that 83 show released, I think, and this is only my opinion mind you, but I think it's high time for a June 1970 release. June 5, 1970 Acoustic and Electric FW There's probably room for filler from June 4th and/or June 6th...this three-night run was one for the ages. Garcia, so youthful, his voice resonated to the stars where we all dance and twirl in the 21st century. Of course, not sure what all those Hollywood executives feel about spinning multiple nights on one release. Hmmm... WE ALL know Dick Latvala, during his famed tenure used to release partial shows, just to fill a bootleg. Common sense?!?
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Been really entrenched in '83 (as always) and '79. Brent's playing in the Fall of '79 and the band responding accordingly? C'mon...that stuff is trans dimensional. Not enough of it floating around out there. I read a few posts down stating a request of 12/1/79. I have only had a tape of the second set of that show. I still love that show. Beyond stoked to see what we get!
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It's always time for a '69 show.
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Based on absolutely zero evidence . . . I'm guessing spring 79. The last three picks were all fall shows, so why not spring ? 5/4/79 is a good one -- it was a RSD release awhile back. Something from around that time +/- a month. 4/20/84 would also make for a great Pick one of these days. Just because of the date, I bet it would break the record for fastest sellout.
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Rocktober 2018 Rhino/Grateful Dead vinyl releases... -October 2nd- * Grateful Dead – Steal Your Face – 2-LP 140-gram black vinyl. Limited edition of 4,000 copies. * Grateful Dead – Wake Of The Flood – 1-LP 140-gram black vinyl. Limited edition of 4,000 copies. -October 9th- * Grateful Dead – Blues For Allah – 1-LP 140-gram black vinyl. Limited edition of 4,000 copies. * Grateful Dead – From The Mars Hotel – 1-LP 140-gram black vinyl. Limited edition of 4,000 copies. ... Rocktober 2018 vinyl releases every Tuesday in October, check out the full list of band releases... :)
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Since the very last pick was 83, we are not likely to see another Brent era show for a year or two. I would guess another from the returned to the vault batch.
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When I was out having a few beers this past Friday night (October 5) my change came back as a $5 bill from 1985. And this while reading dead.net. So there you have it... indubitably an '85 release will be next!
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When I was out having a few beers this past Friday night (October 5) my change came back as a $5 bill from 1985. And this while reading dead.net. So there you have it... indubitably an '85 release will be next!
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I wouldn't mind any of the suggestions here (I never do). Any '79 is certainly overdue, and 1991 could use some updates to the catalog. I don't think we're going to get a Brent ('79 included) show given the last pick, I guess 1991 is possible. Like I've said before, this year of picks has been somewhat underwhelming. There has always been a tent-pole show (or two!), and I don't think this year has had one yet. You could make argument for 11/6/77, but really it's just the Truckin' (and Passenger and TMNS) that light things up. The double '71 release has two great Other Ones, but I think the rest of the shows are interchangeable with several other Fall '71 releases (although superior to 2017's 1971 duet). 9/2/83 was welcome as it gave us the first official mid-80s show in YEARS and the first official mid 80s HSF yet. But while it's a good pick for the era, I don't think anyone would hold it up as a tent pole show. I think we need something on the level of 1/22/73, 4/2/73, 7/17/76, 2/24/74, 11/17/72, 11/17/72 to complete 2018. Given the previous picks and the box set, I think the years most likely to yield such a show are 1969-1970, 1972 (less likely with DaP 24 from this era), and 1976. Some genius on this board mentioned 11/7/69 with 11/2/69 as filler as a suggestion. I think I would welcome that with open arms!
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The only pick I really didn't care for this year so far was 11-6-77. It was never a tape I spun much of from the 77 choices I have/had. Abq and Boise are both solid damned shows. I was spinning 9/2/83 long before it was slated for any release and I can't say enough how much I dig the early 80's choices Dave's has offered us. I will definitely be renewing my subscription for next year. I have to figure that even if the choice doesn't ring a lofty bell with me initially, it will catch up to me eventually or I will catch up to IT, rather. Somebody said something about some '73 or some '76 shows. I think if they chose from either year it would more than likely be '76 given that they just put out that beautiful PNW Box. I only picked up Believe It If You Need It but I have all of the shows so it isn't too much a bummer. I always love the art work, the liner notes and the remastered sound but I live on a major budget. Any rumors on the forthcoming release will be met with appreciation and maybe light heckling/jest.
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I like this release a lot. The mix is not as good as a 16 track, but you can hear all the instruments, and the band is playing well. Looking forward the that 1979 release next month :>
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You misunderstand me. I also believe that DaP26 and 27 are damn solid shows. Worthy of release and fun listens. I was just pointing out that (in my opinion and my opinion only) that 2018 was lacking a "big show" from the DaP series. By this (arbitrary) designation I mean show of similar stature to 5/25/77, 11/17/73, 11/17/72, 11/4/77, 2/24/74, 7/19/74, 7/17/76, 4/2/73, and 1/22/78. Heck, I'd argue that this years selections are still below 7/31/74, 10/22/71, 2/2/70, 11/30/80, 5/14/74, 12/12/69, 3/28/73, and 8/25/72.
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For me the biggest surprise of the year thus far is that the series had a release from a year more recent than 1981. Not unhappy with the shows thus far but have big expectations for the year ender!
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from either Pigpen or Bruce, show TC some love from 1969...stay away from those reels unless they are Plangent processed before Norman gets his hands on them.
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So looking forward to D.P. 28 but, I almost hate the "NOT knowing" part! I guess I'm just too impatient but I can't help but think they're more of us who feel the same way! I mean how often do people spend $100 without knowing what they are getting???? Food for thought anyways. Oh well I guess I'll wait the 3 weeks and quit my b#%&*ing I mean, they are after all, GRATEFUL DEAD!!!!!
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Sorry, I cannot reveal this information. I am not an employee of Rhino Records, Warner Music Group, the Mexicali pressing plant, or any other party involved in the distribution of this release. I did get the info from an employee, though. Clues: 1.) Brent Mydland is not in the Grateful Dead at this time. 2.) He did not meet any of the players that would form the band "Silver." 3.) The United States of America.
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1. 66-78, 90-95 2. Who is “he,” here? The keyboardist? If so, we know it’s not Hornsby. I also imagine that Keith and Vince may have met members of Silver at one point. That I guess leaves us with Pig Pen? 69er?! (as some have been saying/hoping). 3. Sort of at a loss on clue 3. The show is in USA? Or, maybe American Beauty? Well, we know it was released November 1st; also that Dave’s Pick 28 will be released November 1st. I don’t know, so...let’s say November 70, maybe one from the Cap shows?
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Uh-huh, so he both is and is not BM? At any rate, I also dig 76....
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...I get it. So, my guess on 1970 still stands.
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It's time for 1970, preferably June OR, possibly better, any pristine board from 1969...I'm thinking any of those April 69 shows would send us all into orbit
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Could United States of America relate to the band from 1968? Possible show from '68? Or that the album was from a 1972 show that was not Europe 72, but rather US 1972?
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Could United States of America relate to the band from 1968? Possible show from '68? Or that the album was from a 1972 show that was not Europe 72, but rather US 1972?
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Could United States of America relate to the band from 1968? Possible show from '68? Or that the album was from a 1972 show that was not Europe 72, but rather US 1972?
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Ok, so if Brent wasn't in Silver, and they formed in 1971..... The clue is United States of America... how does that tie to a concert pre-1971? ?? Oh... The only LP released by The United States Of America was in 1968.
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Do not know on the clues, but I can say 1970 is, by far, the most under represented great GD year, in terms of # of live releases & live discs. IMHO, the top GD years would be: 1969, '70, '71, '72, '73, '74, '76, '77, '78, '89, and '90. YMMV. # live releases/discs by my unofficial count, box = release of 5+ discs. 1972: 16.00/119.25, 1 box set 1977: 15.00/72.50, 3 boxes+DP#29 1990: 10.32/64.07, 2 boxes 1973: 11.50/51.00, 1.5 boxes 1974: 13.50/49.00, 0.5 box+GDMSDTRK 1978: 10.00/41.00, 1 box+ Cl Wint 1971: 13.00/36.12, 0 boxes (L&Gent) 1969: 9.50/31.90, 1 box 1976: 8.00/28.00, 0 boxes 1989: 8.68/27.93, 2 boxes 1970: 9.50/20.83, 0 boxes Read there is nothing in the Vault after June. Is that true?
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Do not know on the clues, but I can say 1970 is, by far, the most under represented great GD year, in terms of # of live releases & live discs. IMHO, the top GD years would be: 1969, '70, '71, '72, '73, '74, '76, '77, '78, '89, and '90. YMMV. # live releases/discs by my unofficial count, box = release of 5+ discs. 1972: 16.00/119.25, 1 box set 1977: 15.00/72.50, 3 boxes+DP#29 1990: 10.32/64.07, 2 boxes 1973: 11.50/51.00, 1.5 boxes 1974: 13.50/49.00, 0.5 box+GDMSDTRK 1978: 10.00/41.00, 1 box+ Cl Wint 1971: 13.00/36.12, 0 boxes (L&Gent) 1969: 9.50/31.90, 1 box 1976: 8.00/28.00, 0 boxes 1989: 8.68/27.93, 2 boxes 1970: 9.50/20.83, 0 boxes Read there is nothing in the Vault after June. Is that true?
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Yeah, sorry, that was where I was going with it. The band from California. Years active, 1967-68. Could be a tie in with the 50th anniversary of Anthem of the Sun.
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I am going with a twofer from 1968. I was listening to Dicks Picks 22 a couple days ago.. the sound was good, all things considered. I am guessing a twofer.. two segments making up three discs. The timing seems about right.. and we will get another Dark Star.
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Speculation here seems to have narrowed to 68 or 70. I'm still going with 70. 68 seems too spotty, too many missing and incomplete shows. Here's link to an interesting read on the "Missing 1968 Shows." On that page there's also links to 1969/1970. Seems like there's just a lot more SBDs from 1970. And yes, also seems like pretty much everything after June is missing from the vault. So, we looking at first half 1970??? http://deadessays.blogspot.com/2014/09/missing-1968-shows.html Then again, if ThomasVan is right, 68!
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4/21/70 with filler from 4/22/70.
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what about these: 4/26/68 Electric Factory, Philadelphia, PA 4/27/68 Electric Factory, Philadelphia, PA 4/28/68 Electric Factory, Philadelphia, PA Not even sure if these are available....
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Yes...I like your thinking: Boston Tea Party December 1969 Although Spring 69 was even more psychedelic...4/21 4/22 4/23 Things are heating up...and we'll know Fryday
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2/14,15/69, The Electric Factory a long defunct Philly venue was located at 22nd & Arch. I'm going with the USA clue or if I'm thinking outside the box I'd either go with 5/24/70 or 6/21/71 NOT USA venues. Oh the suspense, I'd still like to see 12/1/79 get the full Norman.
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3-9-8110-16-81 8-22-93 12-1-79 10-15-76 2-26-77 10-29-77 2-9-73 2-15-73 Something from Oct. or Nov. '72 would most definitely satisfy How about the 11-13-72 Board that can't happen?
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Not as a result of anything said the last few days.. I have an itch that either Dave's 28 or 29 will be summer to fall of 72, just because we are due and there are lots of worthy, unreleased shows from this period. Plus, it will beat the drum loudly for next years subscription sales.
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That one replaced the Mississippi/Ohio/Missouri Rivers clue. I don't know about the cover art - but that's easy - skeletons. Skeletons doing what? I like Tim McDonagh art both for Grateful Dead Productions and on his own. Check him out if you haven't already: www.mcdonaghillustration.com This Dave's Picks 28 will delight and disappoint, as it's nearly impossible to please everybody, we are a very diverse audience.
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From Wikipedia, the free encyclopedia: Batdorf & Rodney were an early-1970s folk rock duo consisting of John Batdorf and Mark Rodney. The two began performing in the summer of 1970 in Las Vegas. They toured extensively with many of the most famous acts of the 1970s. Their tours included playing at Carnegie Hall. They issued three albums on three different labels between 1971 and 1975, logging two chart hits during their final year after signing with Arista Records. A track from their third album, "You Are a Song," written by Jim Weatherly, was released as a single and reached number 87 on the U.S. Billboard Hot 100 during the summer of 1975. It also reached #19 on the Canadian Adult Contemporary chart. Their other hit, a non-album single, was an early version of "Somewhere in the Night," which reached number 69 in December of that year. Issued concurrently with Helen Reddy's version, the song became a Top 40 hit for her in 1976 and a Top 10 hit for Barry Manilow in 1979. Another song, "All I Need," reached the Canadian Adult Contemporary chart in 1973, peaking at #79. Batdorf & Rodney disbanded in 1975. Remaining with Arista, Batdorf soon formed the group Silver then released "Wham Bam" in 1976, the most successful single of his career, which reached #16 on the Billboard Hot 100. In 2008, the duo reunited to record an album titled Still Burnin'. ---- Silver was an American 1970s country rock band, best known for their 1976 pop hit "Wham Bam," written by country songwriter Rick Giles. Members of the group included John Batdorf (formerly of Batdorf & Rodney), lead vocals and guitar; Brent Mydland (later of the Grateful Dead), keyboards and vocals; Tom Leadon (brother of the Eagles' Bernie Leadon), bass guitar and vocals; Greg Collier, guitar and vocals; and Harry Stinson, drums and percussion. Phil Hartman designed the cover art for Silver, the quintet's only album. The band's recordings were released on the Arista record label. The single's title, "Wham Bam", was shown as "Wham Bam Shang-A-Lang" and peaked at #16 on the Billboard Hot 100 the week of October 2, 1976. It is ranked as the 70th biggest hit of 1976. Arista executives gave the band the song to record after concluding that none of the other tracks on the album they produced had single potential. Arista head Clive Davis himself co-produced the single with Tom Sellers; the rest of the album was produced by Sellers and Silver. Chicago radio superstation WLS, which gave "Wham Bam" much airplay, ranked the song as the 80th biggest hit of 1976. It peaked at number eight on their surveys of October 23 and 30, 1976. Arista released two further singles by the band, Musician (It's Not an Easy Life) and Memory which featured the non-album track So Much for the Past, written by Brent Mydland, on the B-side. The band can be heard in the 2017 Marvel Studios sequel film, Guardians of the Galaxy Vol. 2, as "Wham Bam Shang-A-Lang" is included on the movie's soundtrack.
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