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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • Terrapin Moon
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    mine came in today. I haven't
    mine came in today. I haven't played it but I have it ripped and im gonna tear into it after a jaunt on the treadmill with phish. but look I have heard some '70's shows also were jerry was low in the mix, whatever that one 72 dicks picks one is in NJ, whatever that '72 show for daves that's at the academy of music, the Waterbury show for 30 picks, and quite a few shows where jerry's guitar is kinda low for many estimated prophets in the late 70's. its just not 83 but sound quality is really subjective when you get down to it
  • rcollier
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    DaP 1 on Amazon
    Last time I saw Dave’s Picks 1 on Amazon, it was listed at nearly $6000.00. Obviously, I passed on it.
  • Terrapin Moon
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    ok, lmao fourwindsbelow
    ok, lmao fourwindsbelow comment has been the funniest comment I've read in here second to a '90 show comment story that had me in tears of laughter. yeah, cuz these are two track tapes they were never recorded for commercial posterity. but just for reference to listen back to and see what worked and what didn't. any major enjoyment from these two track tapes is purely coincidental.
  • Vguy72
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    Now wait....
    ....are we talking sound quality or performance. Other than the missed verse in Help On The Way, performance was fine for me. Other that the jarring aud splice in Eyes, quality is fine for me. My dogs ran out of the room though and hid under the bed. Should I be concerned?
  • alvarhanso
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    Re: apples and oranges
    There is no debate about multitracks going on here as the Dave's and Dick's Picks were all 2 track recordings with the exception of Dave's 8 which is a 2 track plus an Audience recording for a Matrix. Healy's PA mixes are what sourced this show, and most of the 80s tapes, and, yes, that is a totally different animal than Betty's (or Owsley's or Rex's or Kidd's) 2 track reel to reel recordings that they mixed from a soundboard feed that probably included amp mics mixed into those 2 tracks. And it is this difference (plus the use of cassette masters) that many of us dread. Plus the PA mixes have to have vocals and keyboards pushed up front where that was much less an issue with Keith and a piano that couldn't be plugged in and prior sound rigs. This recording is good in having more low end than is normally heard on these 80s PA mixes, but that could be Mr. Norman's deft touch, rather than a stronger low end mix by Healy this particular night. Owsley denigrated Healy's mixing abilities, claiming "he couldn't mix a cake from a Betty Crocker package", and though I wouldn't go that far, his additions to vocals often detract, as they do here, to me, most obviously on Mama Tried and Big River. And Healy's effects are definitely on the 2 track recordings, because it went through the PA, so he mixed it in there. There may be less in 1983 than in 1988, but it's definitely there, and while it may work for something psychedelic like The Other One, it doesn't sound good on Mama Tried. At all. I totally get different recording techniques yield different results. I also get that Dave also said that this is a better sounding PA mix tape from the 80s, and while that may be completely true, it doesn't mean it's a great sounding tape. I'm not expecting it to sound like Dave's 21 4/2/73, but I don't see why any of us who do not like the sound of this Pick need to adjust our expectations or listen on headphones when we don't like how it spunds in our cars, on our stereos, or on our computers. When the AUD patch in Eyes hit, I thought that sounded good, and that they maybe should've gone Matrix again, though that wouldn't bring the guitars up much, and the vocals would still be well out front. If they want to put out more '80s-'90s shows, that's great. If they sound better than this. I actually would love for them to use the multitracks where they have them, so they can put out some of those later shows. That would give us great sound quality, and if it's picked, usually the playing quality is strong as well. If a crappy board tape surfaced of say 11/8/70 I wouldn't want to pay for it, even though that show is about at the top of my wish list, because I'd rather a somewhat lesser show with much better sound come out. Of course, that's just me, and I am not Rhino's only customer, and this isn't Duane-era ABB we're debating, where you literally have 80-100 tapes floating around in various quality, whereas the Dead have hundreds of high quality tapes, hundreds of mediocre tapes, and hundreds of incomplete or bad sounding tapes. On Phil's Alembic sound on tape versus live, I never got to see him playing the Alembics, so my reference for those is the tapes, and I love the sound that's captured. And it's funny you say that, because a Phish show I went to a few years ago, Mike Gordon onstage sounded just like Phil on tape in the '73-'74 period, and I thought he sounded great, and looked forward to hearing that tone on the board tapes later, but it was gone, replaced by the sound of his direct out and whatever mix the sound guy threw on there, so he sounded like Mike on tape, but live I was blown away by that wooden tone (that's always how I've described it) that sounded just like Phil.
  • fourwindsblow
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    Too Bad
    Healy should have known that years later Dave would release this show and have made the perfect board tape.
  • Terrapin Moon
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    if you need and want your
    if you need and want your digital copies of Dave's Picks to look fancy and have the fantastic artwork that is adorned on the covers, than look no further than www.albumartexchange.com it is free, but you will have to register to download artwork. if you don't register you will have a "watermark" on your artwork and it will look like poo poo
  • head13
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    13022 has landed..
    I think it sounds fantastic, not sure what everybody else is hearing or not hearing but it sounds like they are live in my cave and that’s enough for me!
  • Terrapin Moon
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    I've said it before and i'll
    I've said it before and i'll say it again lol Rhino/Grateful Dead Productions are not responsible for your merchant business on ebay I find that market place shit fuckin hilarious
  • KRIYAS
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    dap 27
    these 80's releases are a real novelty. I like all eras but this will get listened to probably only on the anniversary date. Sorry but like the Boulder release sound is not so great and to me it seems like they're going through the motions, not to mention at like triple time...? Maybe it was just me today or first listen or that I started the day and did enjoy 7/31/74 this morning...
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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I too received that email from dead.net. A thorough decoding of the text tells us this will surely be Boreal Ridge Ski Resort, Donner Summit CA 1985. :D
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12/1/79
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Wasn't she a disco queen in the '70s & '80s?
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Who could ever forget that show? The Bad Girls -> I Know You Rider was so tight! But obviously the Estimated -> Hot Stuff -> Eyes -> Last Dance is what most remember. The post drums Truckin' -> On The Radio was a little sloppy, but fun. They really ended the 2nd set with a flurry as the Around & Around -> She Works Hard For The Money -> Turn On Your Lovelight was mind-bending. The Day Tripper encore is only notable, as it was the last time they played it.
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.
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Now that we got that 83 show released, I think, and this is only my opinion mind you, but I think it's high time for a June 1970 release. June 5, 1970 Acoustic and Electric FW There's probably room for filler from June 4th and/or June 6th...this three-night run was one for the ages. Garcia, so youthful, his voice resonated to the stars where we all dance and twirl in the 21st century. Of course, not sure what all those Hollywood executives feel about spinning multiple nights on one release. Hmmm... WE ALL know Dick Latvala, during his famed tenure used to release partial shows, just to fill a bootleg. Common sense?!?
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Been really entrenched in '83 (as always) and '79. Brent's playing in the Fall of '79 and the band responding accordingly? C'mon...that stuff is trans dimensional. Not enough of it floating around out there. I read a few posts down stating a request of 12/1/79. I have only had a tape of the second set of that show. I still love that show. Beyond stoked to see what we get!
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It's always time for a '69 show.
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Based on absolutely zero evidence . . . I'm guessing spring 79. The last three picks were all fall shows, so why not spring ? 5/4/79 is a good one -- it was a RSD release awhile back. Something from around that time +/- a month. 4/20/84 would also make for a great Pick one of these days. Just because of the date, I bet it would break the record for fastest sellout.
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Rocktober 2018 Rhino/Grateful Dead vinyl releases... -October 2nd- * Grateful Dead – Steal Your Face – 2-LP 140-gram black vinyl. Limited edition of 4,000 copies. * Grateful Dead – Wake Of The Flood – 1-LP 140-gram black vinyl. Limited edition of 4,000 copies. -October 9th- * Grateful Dead – Blues For Allah – 1-LP 140-gram black vinyl. Limited edition of 4,000 copies. * Grateful Dead – From The Mars Hotel – 1-LP 140-gram black vinyl. Limited edition of 4,000 copies. ... Rocktober 2018 vinyl releases every Tuesday in October, check out the full list of band releases... :)
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Since the very last pick was 83, we are not likely to see another Brent era show for a year or two. I would guess another from the returned to the vault batch.
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When I was out having a few beers this past Friday night (October 5) my change came back as a $5 bill from 1985. And this while reading dead.net. So there you have it... indubitably an '85 release will be next!
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When I was out having a few beers this past Friday night (October 5) my change came back as a $5 bill from 1985. And this while reading dead.net. So there you have it... indubitably an '85 release will be next!
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I wouldn't mind any of the suggestions here (I never do). Any '79 is certainly overdue, and 1991 could use some updates to the catalog. I don't think we're going to get a Brent ('79 included) show given the last pick, I guess 1991 is possible. Like I've said before, this year of picks has been somewhat underwhelming. There has always been a tent-pole show (or two!), and I don't think this year has had one yet. You could make argument for 11/6/77, but really it's just the Truckin' (and Passenger and TMNS) that light things up. The double '71 release has two great Other Ones, but I think the rest of the shows are interchangeable with several other Fall '71 releases (although superior to 2017's 1971 duet). 9/2/83 was welcome as it gave us the first official mid-80s show in YEARS and the first official mid 80s HSF yet. But while it's a good pick for the era, I don't think anyone would hold it up as a tent pole show. I think we need something on the level of 1/22/73, 4/2/73, 7/17/76, 2/24/74, 11/17/72, 11/17/72 to complete 2018. Given the previous picks and the box set, I think the years most likely to yield such a show are 1969-1970, 1972 (less likely with DaP 24 from this era), and 1976. Some genius on this board mentioned 11/7/69 with 11/2/69 as filler as a suggestion. I think I would welcome that with open arms!
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The only pick I really didn't care for this year so far was 11-6-77. It was never a tape I spun much of from the 77 choices I have/had. Abq and Boise are both solid damned shows. I was spinning 9/2/83 long before it was slated for any release and I can't say enough how much I dig the early 80's choices Dave's has offered us. I will definitely be renewing my subscription for next year. I have to figure that even if the choice doesn't ring a lofty bell with me initially, it will catch up to me eventually or I will catch up to IT, rather. Somebody said something about some '73 or some '76 shows. I think if they chose from either year it would more than likely be '76 given that they just put out that beautiful PNW Box. I only picked up Believe It If You Need It but I have all of the shows so it isn't too much a bummer. I always love the art work, the liner notes and the remastered sound but I live on a major budget. Any rumors on the forthcoming release will be met with appreciation and maybe light heckling/jest.
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I like this release a lot. The mix is not as good as a 16 track, but you can hear all the instruments, and the band is playing well. Looking forward the that 1979 release next month :>
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You misunderstand me. I also believe that DaP26 and 27 are damn solid shows. Worthy of release and fun listens. I was just pointing out that (in my opinion and my opinion only) that 2018 was lacking a "big show" from the DaP series. By this (arbitrary) designation I mean show of similar stature to 5/25/77, 11/17/73, 11/17/72, 11/4/77, 2/24/74, 7/19/74, 7/17/76, 4/2/73, and 1/22/78. Heck, I'd argue that this years selections are still below 7/31/74, 10/22/71, 2/2/70, 11/30/80, 5/14/74, 12/12/69, 3/28/73, and 8/25/72.
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For me the biggest surprise of the year thus far is that the series had a release from a year more recent than 1981. Not unhappy with the shows thus far but have big expectations for the year ender!
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from either Pigpen or Bruce, show TC some love from 1969...stay away from those reels unless they are Plangent processed before Norman gets his hands on them.
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So looking forward to D.P. 28 but, I almost hate the "NOT knowing" part! I guess I'm just too impatient but I can't help but think they're more of us who feel the same way! I mean how often do people spend $100 without knowing what they are getting???? Food for thought anyways. Oh well I guess I'll wait the 3 weeks and quit my b#%&*ing I mean, they are after all, GRATEFUL DEAD!!!!!
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Sorry, I cannot reveal this information. I am not an employee of Rhino Records, Warner Music Group, the Mexicali pressing plant, or any other party involved in the distribution of this release. I did get the info from an employee, though. Clues: 1.) Brent Mydland is not in the Grateful Dead at this time. 2.) He did not meet any of the players that would form the band "Silver." 3.) The United States of America.
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1. 66-78, 90-95 2. Who is “he,” here? The keyboardist? If so, we know it’s not Hornsby. I also imagine that Keith and Vince may have met members of Silver at one point. That I guess leaves us with Pig Pen? 69er?! (as some have been saying/hoping). 3. Sort of at a loss on clue 3. The show is in USA? Or, maybe American Beauty? Well, we know it was released November 1st; also that Dave’s Pick 28 will be released November 1st. I don’t know, so...let’s say November 70, maybe one from the Cap shows?
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Uh-huh, so he both is and is not BM? At any rate, I also dig 76....
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It's time for 1970, preferably June OR, possibly better, any pristine board from 1969...I'm thinking any of those April 69 shows would send us all into orbit
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Could United States of America relate to the band from 1968? Possible show from '68? Or that the album was from a 1972 show that was not Europe 72, but rather US 1972?
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Could United States of America relate to the band from 1968? Possible show from '68? Or that the album was from a 1972 show that was not Europe 72, but rather US 1972?
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Could United States of America relate to the band from 1968? Possible show from '68? Or that the album was from a 1972 show that was not Europe 72, but rather US 1972?
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Ok, so if Brent wasn't in Silver, and they formed in 1971..... The clue is United States of America... how does that tie to a concert pre-1971? ?? Oh... The only LP released by The United States Of America was in 1968.
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Do not know on the clues, but I can say 1970 is, by far, the most under represented great GD year, in terms of # of live releases & live discs. IMHO, the top GD years would be: 1969, '70, '71, '72, '73, '74, '76, '77, '78, '89, and '90. YMMV. # live releases/discs by my unofficial count, box = release of 5+ discs. 1972: 16.00/119.25, 1 box set 1977: 15.00/72.50, 3 boxes+DP#29 1990: 10.32/64.07, 2 boxes 1973: 11.50/51.00, 1.5 boxes 1974: 13.50/49.00, 0.5 box+GDMSDTRK 1978: 10.00/41.00, 1 box+ Cl Wint 1971: 13.00/36.12, 0 boxes (L&Gent) 1969: 9.50/31.90, 1 box 1976: 8.00/28.00, 0 boxes 1989: 8.68/27.93, 2 boxes 1970: 9.50/20.83, 0 boxes Read there is nothing in the Vault after June. Is that true?
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Do not know on the clues, but I can say 1970 is, by far, the most under represented great GD year, in terms of # of live releases & live discs. IMHO, the top GD years would be: 1969, '70, '71, '72, '73, '74, '76, '77, '78, '89, and '90. YMMV. # live releases/discs by my unofficial count, box = release of 5+ discs. 1972: 16.00/119.25, 1 box set 1977: 15.00/72.50, 3 boxes+DP#29 1990: 10.32/64.07, 2 boxes 1973: 11.50/51.00, 1.5 boxes 1974: 13.50/49.00, 0.5 box+GDMSDTRK 1978: 10.00/41.00, 1 box+ Cl Wint 1971: 13.00/36.12, 0 boxes (L&Gent) 1969: 9.50/31.90, 1 box 1976: 8.00/28.00, 0 boxes 1989: 8.68/27.93, 2 boxes 1970: 9.50/20.83, 0 boxes Read there is nothing in the Vault after June. Is that true?
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Yeah, sorry, that was where I was going with it. The band from California. Years active, 1967-68. Could be a tie in with the 50th anniversary of Anthem of the Sun.
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I am going with a twofer from 1968. I was listening to Dicks Picks 22 a couple days ago.. the sound was good, all things considered. I am guessing a twofer.. two segments making up three discs. The timing seems about right.. and we will get another Dark Star.
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Speculation here seems to have narrowed to 68 or 70. I'm still going with 70. 68 seems too spotty, too many missing and incomplete shows. Here's link to an interesting read on the "Missing 1968 Shows." On that page there's also links to 1969/1970. Seems like there's just a lot more SBDs from 1970. And yes, also seems like pretty much everything after June is missing from the vault. So, we looking at first half 1970??? http://deadessays.blogspot.com/2014/09/missing-1968-shows.html Then again, if ThomasVan is right, 68!
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4/21/70 with filler from 4/22/70.
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what about these: 4/26/68 Electric Factory, Philadelphia, PA 4/27/68 Electric Factory, Philadelphia, PA 4/28/68 Electric Factory, Philadelphia, PA Not even sure if these are available....
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Yes...I like your thinking: Boston Tea Party December 1969 Although Spring 69 was even more psychedelic...4/21 4/22 4/23 Things are heating up...and we'll know Fryday
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2/14,15/69, The Electric Factory a long defunct Philly venue was located at 22nd & Arch. I'm going with the USA clue or if I'm thinking outside the box I'd either go with 5/24/70 or 6/21/71 NOT USA venues. Oh the suspense, I'd still like to see 12/1/79 get the full Norman.
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3-9-8110-16-81 8-22-93 12-1-79 10-15-76 2-26-77 10-29-77 2-9-73 2-15-73 Something from Oct. or Nov. '72 would most definitely satisfy How about the 11-13-72 Board that can't happen?
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Not as a result of anything said the last few days.. I have an itch that either Dave's 28 or 29 will be summer to fall of 72, just because we are due and there are lots of worthy, unreleased shows from this period. Plus, it will beat the drum loudly for next years subscription sales.
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That one replaced the Mississippi/Ohio/Missouri Rivers clue. I don't know about the cover art - but that's easy - skeletons. Skeletons doing what? I like Tim McDonagh art both for Grateful Dead Productions and on his own. Check him out if you haven't already: www.mcdonaghillustration.com This Dave's Picks 28 will delight and disappoint, as it's nearly impossible to please everybody, we are a very diverse audience.
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From Wikipedia, the free encyclopedia: Batdorf & Rodney were an early-1970s folk rock duo consisting of John Batdorf and Mark Rodney. The two began performing in the summer of 1970 in Las Vegas. They toured extensively with many of the most famous acts of the 1970s. Their tours included playing at Carnegie Hall. They issued three albums on three different labels between 1971 and 1975, logging two chart hits during their final year after signing with Arista Records. A track from their third album, "You Are a Song," written by Jim Weatherly, was released as a single and reached number 87 on the U.S. Billboard Hot 100 during the summer of 1975. It also reached #19 on the Canadian Adult Contemporary chart. Their other hit, a non-album single, was an early version of "Somewhere in the Night," which reached number 69 in December of that year. Issued concurrently with Helen Reddy's version, the song became a Top 40 hit for her in 1976 and a Top 10 hit for Barry Manilow in 1979. Another song, "All I Need," reached the Canadian Adult Contemporary chart in 1973, peaking at #79. Batdorf & Rodney disbanded in 1975. Remaining with Arista, Batdorf soon formed the group Silver then released "Wham Bam" in 1976, the most successful single of his career, which reached #16 on the Billboard Hot 100. In 2008, the duo reunited to record an album titled Still Burnin'. ---- Silver was an American 1970s country rock band, best known for their 1976 pop hit "Wham Bam," written by country songwriter Rick Giles. Members of the group included John Batdorf (formerly of Batdorf & Rodney), lead vocals and guitar; Brent Mydland (later of the Grateful Dead), keyboards and vocals; Tom Leadon (brother of the Eagles' Bernie Leadon), bass guitar and vocals; Greg Collier, guitar and vocals; and Harry Stinson, drums and percussion. Phil Hartman designed the cover art for Silver, the quintet's only album. The band's recordings were released on the Arista record label. The single's title, "Wham Bam", was shown as "Wham Bam Shang-A-Lang" and peaked at #16 on the Billboard Hot 100 the week of October 2, 1976. It is ranked as the 70th biggest hit of 1976. Arista executives gave the band the song to record after concluding that none of the other tracks on the album they produced had single potential. Arista head Clive Davis himself co-produced the single with Tom Sellers; the rest of the album was produced by Sellers and Silver. Chicago radio superstation WLS, which gave "Wham Bam" much airplay, ranked the song as the 80th biggest hit of 1976. It peaked at number eight on their surveys of October 23 and 30, 1976. Arista released two further singles by the band, Musician (It's Not an Easy Life) and Memory which featured the non-album track So Much for the Past, written by Brent Mydland, on the B-side. The band can be heard in the 2017 Marvel Studios sequel film, Guardians of the Galaxy Vol. 2, as "Wham Bam Shang-A-Lang" is included on the movie's soundtrack.
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Keep an open mind, and learn to enjoy this show if you don't like it at 1st.
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