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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • kyleharmon
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    i never played A Link to the
    i never played A Link to the Past and I never knew who Bruce Cockburn was and somehow when my life flashes before me I wont be thinking I wasted my life because of it
  • Thin
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    couple reactions:
    "The blues started with field workers on farms who got it from gospel and African roots". Seriously??? Thank you HendrixFreak for the correction - holy moly, how far can we disassociate the musical contributions of slaves? Let's give then credit... I think they earned it, no? Mononhahela regarding your 1980 dilemma... stay loud on the topic until your miracle appears. Unless you're dying for the actual article, in which case go ahead and spend the $40 (but that's a lot of money). Sixtus re: 2/15/73 Dark Star.. the accessible melodic ones are my favs. Thanks for the signpost. I believe the Wembley 4/7 or 8/72 Dark Star is also very melodic.... love that one. Anybody notice something different????
  • simonrob
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    Labels...
    Now it is plain for all to see the problems that arise from trying to label different types of music. So whatever happened to country rock, for instance. Were the Beatles rock'n'roll? Who cares. Daverock, your ignorance of who Bruce Cockburn is, is indeed inexcusable. To put another pointless label on him, he could be called the Canadian Bob Dylan, but then again...
  • daverock
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    Bob Dylan Mr Heartbreak....Bruce Cockburn?
    Yes, I'd go along with what you say about his Bobness. To me, he raised the bar lyrically in the same way Hendrix did instrumentally. Maybe people who would otherwise never have considered setting their poems to music did so as a result of Dylan. This wasn't always a good thing, mind you.Incidentally, excuse my ignorance...but who's Bruce Cockburn?
  • highstrikerjay
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    1983
    In anticipation of 09/02/83, I've been listening to some other well regarded fall '83 shows today, notably 09/06/83 and 10/11/83. If 09/02/83 is cut from the same cloth, it will be a solid pick. Totally digging those other 83 shows (as I do the other official releases from '83 - 10/14 and 10/21). Next up while I wait for DaP 27, I think I'll spin 10/17/83. Don't compare '83 to shows from '67 to '79, just enjoy them for what they are. Also perhaps not as cleanly played or recorded as '87-'89, but more crispy in between song jams in '83 IMO than in those later years. Bless the digital archives!!
  • kyleharmon
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    for you, Orosbouros
  • Dark-Star
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    Semantic tangeant
    Rock music, pop music, Prog music blah blah blah. The point that was being made is that our generation and our parents generation were around for the invention of rock pop Prog whatever you want to call it music. it's not classical it's not baroque,it's not rap. We were around when the artists were alive and their records were being made and our parents played their records and we played their records. In 200 years there may not be anything that sounds even remotely like this, yet we were here to see live concerts of it. In 200 years they will most likely look back on the Beatles And The Rolling Stones and Elvis and say wow to have been alive when all of that was happening, all of that great music. Nobody's trying to identify when the first rock record was made. A point was made that the elements that came together to make modern rock and roll were a perfect storm that will never happen again, and WE got to live to see it. And to say The Beatles weren't a rock band, well by that logic I could listen to Dead Flowers by the Stones and say they're not a rock band. Or I could listen to the Song is Over by The Who and say that's easy listening. Or I could listen to That's the Way by Led Zeppelin and say they're not rock they're folk. I'm starting to hear hairs being split just to split hairs. We got to see all of these people while they were alive that's the point. And the styles they developed will never be redone again because all of the things that went into making it are already done. It was clearly stated that the Beatles brought it to the world and they did. It was never said that they did it without anyone's influence. Mind left body I thought you made a good point. Birth is bringing it to the world which is what the Beatles did and continued to do until their breakup. It's nonsense to attribute the explosion of pop / rock music to anyone other than the Beatles. Without the Beatles it would have all remained esoteric. And yes other bands picked up where they left off and carried the torch. The Beatles brought it to the world. And to be honest I don't even like the Beatles that much. The White Album should have been cut in half, and the first five albums I'm mostly throwaways and are summed up in the one red greatest hits album. Sergeant Pepper Magical Mystery Tour and Abbey Road are pretty good. My point is I don't even like him that much but I know what their role was in the birth of rock and roll music.
  • Mr_Heartbreak
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    Changing the Course of Rock History
    Interesting discussion of rock history, but I think everyone here is forgetting the man who changed the course of music forever: Mr. Robert Zimmerman, aka, Bob Dylan. He turned on the Beatles. Before Dylan, they were "She loves you, yeah, yeah, yeah." After Dylan, they began to see song lyrics as poetry, an art form. Jimi Hendrix? Same thing. Look at the covers: Like A Rolling Stone, arguably the most important song in rock history; All Along the Watchtower; Drifters' Escape. etc, etc. The Dead? Don't even get me started. Without Dylan, Robert Hunter and Jerry Garcia never would have gone beyond playing some old folk and bluegrass tunes together. Look at the covers with them, too: they were covering It's All Over Now Baby Blue when they were still playing tiny venues in 1966. Meanwhile, Dylan was conquering Europe on a mass scale. Dylan pushed everyone: the Stones, the Byrds, the Doors. Without Dylan's massive influence, going back as far as '63, songs played on the radio - rock and pop alike - would always have remained boy/girl love songs and cheesy pop. Without Dylan, we never would have had the Dead as we know them, or the Beatles (beyond the first couple albums), Bruce Cockburn, Hendrix, or any form of prog rock. Dylan is The Godfather of all modern music that has lyrics with any depth whatsoever.
  • daverock
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    Rock n' roll
    Some great views expressed on here on this subject. I love The Beatles, and there is no question that they started life as a rock n' roll group. And that they periodically revisited it to great effect-especially on "The Beatles For Sale". But the music that they will be remembered for is not, to me, rock n' roll-or rock. It is pop music. That isn't a bad thing-but its what it is. No way hozay is "Sergeant Pepper" rock n' roll. Actually there is more of a case for claiming that The Beatles invented prog rock than rock n' roll. Finer men than me have tried to identify the first rock n' roll record. But for what its worth, Robert Johnson definitely played with more rhythm than earlier country bluesman. Fast forward to 1948, and we have John Lee Hooker and Muddy Waters playing electric guitars with a much heavier beat. Any of these artists could be credited with starting rock-but its probably Elvis Presley and Chuck Berry, both seemingly independently of each other, mixing country with blues to create what is known as rock n' roll today. After the pop of the early 60s, the man who really invented "rock" as we know it today, and as distinct from "rock n 'roll" was surely Jimi Hendrix. He brought his blues and soul chops to London in 1966, added the volume and power chords associated with Pete Townsend, the craziness of Jeff Beck, wrapped it all up in ball and kicked it out of the park. A far greater influence than The Beatles-every band I saw in the 70s owed something to him. There is surely room for ongoing development, too. Rock n' roll is a hybrid of earlier musical forms, from different cultures, combined together to create something new. Its a great blueprint for the future.
  • Mind-Left-Body
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    KF completely on target
    What I took from Keith fan's essay is that the Beatles did not invent the first rock and roll song, they took all of the primal elements that define today's rock and roll from various sources and put them together into one whole and brought music that had rock elements from an esoteric underground entity to a worldwide industry. While you all make good points about the history of rock in general, I don't believe that Keith fan means to say none of that is true, only that it was the precursor to what has become today's rock and roll music. The rock music of the 60s and 70s and 80s and 90s is molded after the Beatles and their contemporaries like the Rolling Stones and The Kinks and The Who and many others, not Elvis not Jerry Lee Lewis not Bill Haley, not anything before the Beatles. What I see in some of the counterpoints being raised here are people missing points in the original article. For example someone might respond to my comments by saying lots of musicians were influenced by Elvis so how can I say that modern music wasn't in part due to Elvis's career? The answer is, that's not what I'm saying. I am saying that modern music doesn't take on the arrangement and style of Elvis, it takes on that of The Beatles and their contemporaries. And the contemporaries that I mentioned worked off of The Beatles and took their lead from the Beatles and then added their own elements. The artists before the Beatles that some people mentioned, collectively produced elements that the Beatles then unified and brought pop sensibility to. This brought about a seismic shift in the way the bands that were the Beatles contemporaries approached music. In the late 60s and early 70s they all fed off of each other, but it started with the Beatles. And those other bands contributed to the continued development, such as the Rolling Stones, The Who, Led Zeppelin The Grateful Dead Etc. The Beatles were the birth of rock and roll. They did not write the first rock song, they put the puzzle together and industrialized it. In doing that, there was a birth. Nobody is wrong here in any of the smaller points they've made about the significant contributions of some artists who came before The Beatles. The over arching main point though is that the Beatles brought it all together and introduced it to the world. The embryo analogy was spot-on. In its simplest manifestation you could say that without the Beatles there would be no Rolling Stones or Who or Zeppelin as we know them today. If they were to exist at all, meaning if they were able to even break out of the underground, the Stones would sound like their first record which was all R&B covers, Led Zeppelin 1 would all sound like you shook me and I can't quit you baby, and The Who would all be like shout and shimmy and I'm a man. Rock music as we know it today would not sound as it does today without the Beatles. But if you take away any one single other group that was mentioned pre-beatles, The Beatles would still have been the Beatles. I'll stop rambling now. I just have always connected with what Keith fan said here but I can't say it as eloquently. And then I saw some responses that didn't seem to get the point. I mean everyone's disputing the term birth. Birth is not the invention of something. Birth is to bring something to the world. The Beatles didnt invent rock, they brought rock to the world (and with a genetic makeup that was all their own). That's what I took from Keith fans original comment when he said we witnessed the birth of rock and roll. That we did. We didn't witness the conception of rock and roll we witness the birth. That's what I took Keith fan correct me if I'm wrong.
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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I too received that email from dead.net. A thorough decoding of the text tells us this will surely be Boreal Ridge Ski Resort, Donner Summit CA 1985. :D
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12/1/79
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Wasn't she a disco queen in the '70s & '80s?
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Who could ever forget that show? The Bad Girls -> I Know You Rider was so tight! But obviously the Estimated -> Hot Stuff -> Eyes -> Last Dance is what most remember. The post drums Truckin' -> On The Radio was a little sloppy, but fun. They really ended the 2nd set with a flurry as the Around & Around -> She Works Hard For The Money -> Turn On Your Lovelight was mind-bending. The Day Tripper encore is only notable, as it was the last time they played it.
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.
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Now that we got that 83 show released, I think, and this is only my opinion mind you, but I think it's high time for a June 1970 release. June 5, 1970 Acoustic and Electric FW There's probably room for filler from June 4th and/or June 6th...this three-night run was one for the ages. Garcia, so youthful, his voice resonated to the stars where we all dance and twirl in the 21st century. Of course, not sure what all those Hollywood executives feel about spinning multiple nights on one release. Hmmm... WE ALL know Dick Latvala, during his famed tenure used to release partial shows, just to fill a bootleg. Common sense?!?
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Been really entrenched in '83 (as always) and '79. Brent's playing in the Fall of '79 and the band responding accordingly? C'mon...that stuff is trans dimensional. Not enough of it floating around out there. I read a few posts down stating a request of 12/1/79. I have only had a tape of the second set of that show. I still love that show. Beyond stoked to see what we get!
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It's always time for a '69 show.
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Based on absolutely zero evidence . . . I'm guessing spring 79. The last three picks were all fall shows, so why not spring ? 5/4/79 is a good one -- it was a RSD release awhile back. Something from around that time +/- a month. 4/20/84 would also make for a great Pick one of these days. Just because of the date, I bet it would break the record for fastest sellout.
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Rocktober 2018 Rhino/Grateful Dead vinyl releases... -October 2nd- * Grateful Dead – Steal Your Face – 2-LP 140-gram black vinyl. Limited edition of 4,000 copies. * Grateful Dead – Wake Of The Flood – 1-LP 140-gram black vinyl. Limited edition of 4,000 copies. -October 9th- * Grateful Dead – Blues For Allah – 1-LP 140-gram black vinyl. Limited edition of 4,000 copies. * Grateful Dead – From The Mars Hotel – 1-LP 140-gram black vinyl. Limited edition of 4,000 copies. ... Rocktober 2018 vinyl releases every Tuesday in October, check out the full list of band releases... :)
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Since the very last pick was 83, we are not likely to see another Brent era show for a year or two. I would guess another from the returned to the vault batch.
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When I was out having a few beers this past Friday night (October 5) my change came back as a $5 bill from 1985. And this while reading dead.net. So there you have it... indubitably an '85 release will be next!
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When I was out having a few beers this past Friday night (October 5) my change came back as a $5 bill from 1985. And this while reading dead.net. So there you have it... indubitably an '85 release will be next!
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I wouldn't mind any of the suggestions here (I never do). Any '79 is certainly overdue, and 1991 could use some updates to the catalog. I don't think we're going to get a Brent ('79 included) show given the last pick, I guess 1991 is possible. Like I've said before, this year of picks has been somewhat underwhelming. There has always been a tent-pole show (or two!), and I don't think this year has had one yet. You could make argument for 11/6/77, but really it's just the Truckin' (and Passenger and TMNS) that light things up. The double '71 release has two great Other Ones, but I think the rest of the shows are interchangeable with several other Fall '71 releases (although superior to 2017's 1971 duet). 9/2/83 was welcome as it gave us the first official mid-80s show in YEARS and the first official mid 80s HSF yet. But while it's a good pick for the era, I don't think anyone would hold it up as a tent pole show. I think we need something on the level of 1/22/73, 4/2/73, 7/17/76, 2/24/74, 11/17/72, 11/17/72 to complete 2018. Given the previous picks and the box set, I think the years most likely to yield such a show are 1969-1970, 1972 (less likely with DaP 24 from this era), and 1976. Some genius on this board mentioned 11/7/69 with 11/2/69 as filler as a suggestion. I think I would welcome that with open arms!
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The only pick I really didn't care for this year so far was 11-6-77. It was never a tape I spun much of from the 77 choices I have/had. Abq and Boise are both solid damned shows. I was spinning 9/2/83 long before it was slated for any release and I can't say enough how much I dig the early 80's choices Dave's has offered us. I will definitely be renewing my subscription for next year. I have to figure that even if the choice doesn't ring a lofty bell with me initially, it will catch up to me eventually or I will catch up to IT, rather. Somebody said something about some '73 or some '76 shows. I think if they chose from either year it would more than likely be '76 given that they just put out that beautiful PNW Box. I only picked up Believe It If You Need It but I have all of the shows so it isn't too much a bummer. I always love the art work, the liner notes and the remastered sound but I live on a major budget. Any rumors on the forthcoming release will be met with appreciation and maybe light heckling/jest.
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I like this release a lot. The mix is not as good as a 16 track, but you can hear all the instruments, and the band is playing well. Looking forward the that 1979 release next month :>
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You misunderstand me. I also believe that DaP26 and 27 are damn solid shows. Worthy of release and fun listens. I was just pointing out that (in my opinion and my opinion only) that 2018 was lacking a "big show" from the DaP series. By this (arbitrary) designation I mean show of similar stature to 5/25/77, 11/17/73, 11/17/72, 11/4/77, 2/24/74, 7/19/74, 7/17/76, 4/2/73, and 1/22/78. Heck, I'd argue that this years selections are still below 7/31/74, 10/22/71, 2/2/70, 11/30/80, 5/14/74, 12/12/69, 3/28/73, and 8/25/72.
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For me the biggest surprise of the year thus far is that the series had a release from a year more recent than 1981. Not unhappy with the shows thus far but have big expectations for the year ender!
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from either Pigpen or Bruce, show TC some love from 1969...stay away from those reels unless they are Plangent processed before Norman gets his hands on them.
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So looking forward to D.P. 28 but, I almost hate the "NOT knowing" part! I guess I'm just too impatient but I can't help but think they're more of us who feel the same way! I mean how often do people spend $100 without knowing what they are getting???? Food for thought anyways. Oh well I guess I'll wait the 3 weeks and quit my b#%&*ing I mean, they are after all, GRATEFUL DEAD!!!!!
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Sorry, I cannot reveal this information. I am not an employee of Rhino Records, Warner Music Group, the Mexicali pressing plant, or any other party involved in the distribution of this release. I did get the info from an employee, though. Clues: 1.) Brent Mydland is not in the Grateful Dead at this time. 2.) He did not meet any of the players that would form the band "Silver." 3.) The United States of America.
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1. 66-78, 90-95 2. Who is “he,” here? The keyboardist? If so, we know it’s not Hornsby. I also imagine that Keith and Vince may have met members of Silver at one point. That I guess leaves us with Pig Pen? 69er?! (as some have been saying/hoping). 3. Sort of at a loss on clue 3. The show is in USA? Or, maybe American Beauty? Well, we know it was released November 1st; also that Dave’s Pick 28 will be released November 1st. I don’t know, so...let’s say November 70, maybe one from the Cap shows?
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Uh-huh, so he both is and is not BM? At any rate, I also dig 76....
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...I get it. So, my guess on 1970 still stands.
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It's time for 1970, preferably June OR, possibly better, any pristine board from 1969...I'm thinking any of those April 69 shows would send us all into orbit
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Could United States of America relate to the band from 1968? Possible show from '68? Or that the album was from a 1972 show that was not Europe 72, but rather US 1972?
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Could United States of America relate to the band from 1968? Possible show from '68? Or that the album was from a 1972 show that was not Europe 72, but rather US 1972?
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Could United States of America relate to the band from 1968? Possible show from '68? Or that the album was from a 1972 show that was not Europe 72, but rather US 1972?
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Ok, so if Brent wasn't in Silver, and they formed in 1971..... The clue is United States of America... how does that tie to a concert pre-1971? ?? Oh... The only LP released by The United States Of America was in 1968.
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Do not know on the clues, but I can say 1970 is, by far, the most under represented great GD year, in terms of # of live releases & live discs. IMHO, the top GD years would be: 1969, '70, '71, '72, '73, '74, '76, '77, '78, '89, and '90. YMMV. # live releases/discs by my unofficial count, box = release of 5+ discs. 1972: 16.00/119.25, 1 box set 1977: 15.00/72.50, 3 boxes+DP#29 1990: 10.32/64.07, 2 boxes 1973: 11.50/51.00, 1.5 boxes 1974: 13.50/49.00, 0.5 box+GDMSDTRK 1978: 10.00/41.00, 1 box+ Cl Wint 1971: 13.00/36.12, 0 boxes (L&Gent) 1969: 9.50/31.90, 1 box 1976: 8.00/28.00, 0 boxes 1989: 8.68/27.93, 2 boxes 1970: 9.50/20.83, 0 boxes Read there is nothing in the Vault after June. Is that true?
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Do not know on the clues, but I can say 1970 is, by far, the most under represented great GD year, in terms of # of live releases & live discs. IMHO, the top GD years would be: 1969, '70, '71, '72, '73, '74, '76, '77, '78, '89, and '90. YMMV. # live releases/discs by my unofficial count, box = release of 5+ discs. 1972: 16.00/119.25, 1 box set 1977: 15.00/72.50, 3 boxes+DP#29 1990: 10.32/64.07, 2 boxes 1973: 11.50/51.00, 1.5 boxes 1974: 13.50/49.00, 0.5 box+GDMSDTRK 1978: 10.00/41.00, 1 box+ Cl Wint 1971: 13.00/36.12, 0 boxes (L&Gent) 1969: 9.50/31.90, 1 box 1976: 8.00/28.00, 0 boxes 1989: 8.68/27.93, 2 boxes 1970: 9.50/20.83, 0 boxes Read there is nothing in the Vault after June. Is that true?
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Yeah, sorry, that was where I was going with it. The band from California. Years active, 1967-68. Could be a tie in with the 50th anniversary of Anthem of the Sun.
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I am going with a twofer from 1968. I was listening to Dicks Picks 22 a couple days ago.. the sound was good, all things considered. I am guessing a twofer.. two segments making up three discs. The timing seems about right.. and we will get another Dark Star.
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Speculation here seems to have narrowed to 68 or 70. I'm still going with 70. 68 seems too spotty, too many missing and incomplete shows. Here's link to an interesting read on the "Missing 1968 Shows." On that page there's also links to 1969/1970. Seems like there's just a lot more SBDs from 1970. And yes, also seems like pretty much everything after June is missing from the vault. So, we looking at first half 1970??? http://deadessays.blogspot.com/2014/09/missing-1968-shows.html Then again, if ThomasVan is right, 68!
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4/21/70 with filler from 4/22/70.
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what about these: 4/26/68 Electric Factory, Philadelphia, PA 4/27/68 Electric Factory, Philadelphia, PA 4/28/68 Electric Factory, Philadelphia, PA Not even sure if these are available....
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Yes...I like your thinking: Boston Tea Party December 1969 Although Spring 69 was even more psychedelic...4/21 4/22 4/23 Things are heating up...and we'll know Fryday
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2/14,15/69, The Electric Factory a long defunct Philly venue was located at 22nd & Arch. I'm going with the USA clue or if I'm thinking outside the box I'd either go with 5/24/70 or 6/21/71 NOT USA venues. Oh the suspense, I'd still like to see 12/1/79 get the full Norman.
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3-9-8110-16-81 8-22-93 12-1-79 10-15-76 2-26-77 10-29-77 2-9-73 2-15-73 Something from Oct. or Nov. '72 would most definitely satisfy How about the 11-13-72 Board that can't happen?
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Not as a result of anything said the last few days.. I have an itch that either Dave's 28 or 29 will be summer to fall of 72, just because we are due and there are lots of worthy, unreleased shows from this period. Plus, it will beat the drum loudly for next years subscription sales.
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That one replaced the Mississippi/Ohio/Missouri Rivers clue. I don't know about the cover art - but that's easy - skeletons. Skeletons doing what? I like Tim McDonagh art both for Grateful Dead Productions and on his own. Check him out if you haven't already: www.mcdonaghillustration.com This Dave's Picks 28 will delight and disappoint, as it's nearly impossible to please everybody, we are a very diverse audience.
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From Wikipedia, the free encyclopedia: Batdorf & Rodney were an early-1970s folk rock duo consisting of John Batdorf and Mark Rodney. The two began performing in the summer of 1970 in Las Vegas. They toured extensively with many of the most famous acts of the 1970s. Their tours included playing at Carnegie Hall. They issued three albums on three different labels between 1971 and 1975, logging two chart hits during their final year after signing with Arista Records. A track from their third album, "You Are a Song," written by Jim Weatherly, was released as a single and reached number 87 on the U.S. Billboard Hot 100 during the summer of 1975. It also reached #19 on the Canadian Adult Contemporary chart. Their other hit, a non-album single, was an early version of "Somewhere in the Night," which reached number 69 in December of that year. Issued concurrently with Helen Reddy's version, the song became a Top 40 hit for her in 1976 and a Top 10 hit for Barry Manilow in 1979. Another song, "All I Need," reached the Canadian Adult Contemporary chart in 1973, peaking at #79. Batdorf & Rodney disbanded in 1975. Remaining with Arista, Batdorf soon formed the group Silver then released "Wham Bam" in 1976, the most successful single of his career, which reached #16 on the Billboard Hot 100. In 2008, the duo reunited to record an album titled Still Burnin'. ---- Silver was an American 1970s country rock band, best known for their 1976 pop hit "Wham Bam," written by country songwriter Rick Giles. Members of the group included John Batdorf (formerly of Batdorf & Rodney), lead vocals and guitar; Brent Mydland (later of the Grateful Dead), keyboards and vocals; Tom Leadon (brother of the Eagles' Bernie Leadon), bass guitar and vocals; Greg Collier, guitar and vocals; and Harry Stinson, drums and percussion. Phil Hartman designed the cover art for Silver, the quintet's only album. The band's recordings were released on the Arista record label. The single's title, "Wham Bam", was shown as "Wham Bam Shang-A-Lang" and peaked at #16 on the Billboard Hot 100 the week of October 2, 1976. It is ranked as the 70th biggest hit of 1976. Arista executives gave the band the song to record after concluding that none of the other tracks on the album they produced had single potential. Arista head Clive Davis himself co-produced the single with Tom Sellers; the rest of the album was produced by Sellers and Silver. Chicago radio superstation WLS, which gave "Wham Bam" much airplay, ranked the song as the 80th biggest hit of 1976. It peaked at number eight on their surveys of October 23 and 30, 1976. Arista released two further singles by the band, Musician (It's Not an Easy Life) and Memory which featured the non-album track So Much for the Past, written by Brent Mydland, on the B-side. The band can be heard in the 2017 Marvel Studios sequel film, Guardians of the Galaxy Vol. 2, as "Wham Bam Shang-A-Lang" is included on the movie's soundtrack.
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