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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • 80sfan
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    amazon
    curious what else will appear on that page...definitely worth bookmarking. Hey maybe a Dave's Picks 1 will show up and some lucky guy will be in the right place at the right time (a man can dream).
  • simonrob
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    JeffSmith - "Limited Edition" means what!?
    I fully agree with what you said including the bit where you said "Maybe/hopefully these again-available releases were withheld from initial sale as potential replacements. Who knows?". I hope you are right, but what nobody yet seems to have discovered is if these items actually do have a number printed on 'em. In the past some people who have received replacements for damaged sets have allegedly received unnumbered ones suggesting they are from a back-up stock. It remains to be seen if these WarnerMarket items are like this. There is also the question about when an item is sold out. If it is claimed to be a limited edition of, say, 18000 when do they say it is sold out? When they have received 18000 orders? Surely not, unless they have extra back-up stock for lost-in-the-post and damaged products. These would surely have to be unnumbered. Maybe they shut up shop when they have received 17500 orders and hold the remainder back as replacements. It is something we as mere punters are not privy to so it is hard to speculate on how the mighty Warner/Rhino machine works. Also, this appearance on Amazon begs the question: "Why now?".
  • alvarhanso
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    Re: Back to the future with stereo
    My listen has been on my computer system (good speakers, but not through my studio monitors), and mainly in the car. It's not my ears, it's the tapes. I'll take you at your word that the keyboards are lower on headphones, but I must ask do you really blast a show into your headphones as you would your stereo or in your car? I could check the sound on the living room stereo, but I don't think Jerry's guitar will suddenly spring into focus over Brent vamping, and I also doubt it will remove the Healy effects on the vocals. (I can't believe it took over 10 years of him adding that stuff to question him about it.) Just because somebody recorded something on reel to reel doesn't mean I have to listen to it that way for it to sound good. I don't buy that argument. Otherwise, I'd just find some old blank Maxells and dub this show and try it that way.
  • stoltzfus
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    last night
    went to a "Zoo Tunes" show at (you guessed it) the zoo. X and Psychedelic Furs X RROOCCKKSS. what a great band. so much great rock n roll. Hall of Fame worthy. so good. yes. they should have been the headliners. Psychedelic Furs: some good tunes, and an overall good sound. Richard Butler has a great voice. A band I liked from a distance, but never "got into". overall a great time. of course, these bands formed when I was in 7th grade. 7th grade. 1977. wow. they didn't hit their respective strides until 1980 or a little later. but still.
  • sonomajon
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    Agreed
    I tried again to listen to this show...It is an assault on my ears...Not only is the mix horrific there is no cohesion to the playing at all. The sum is definitely not greater than the parts...I too cannot understand why this would be released...I listened to 5-3-72 to cleanse the sonic palette...
  • twoswans
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    What was Dave thinking
    This show from 83 is without question my least favorite Dave’s Picks. The band is clearly high on mass quantities of cocane. I’ve never heard anything like it. Every song is so fast they lack any groove or substance. Disc three is the only saving grace of this release. The jam out of space with Jerry and Bob is captivating and the band finally eases off on the gas pedal long enough to keep the show in our collection. Maybe Dave needs to get back to the great shows from the 60’s and 70’s next time. Peace
  • thursday's child
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    first listen.....
    ......it's ok. But if this is the best of the mid 80's that Dave can find..........YMMV
  • frosted
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    DaP 27 first impressions
    I listened to discs 1 and 2 in the car yesterday. My car system always sounds worse than my headphones, so here were my first thoughts from the car listening. I'm not much of an 80s fan, but I was pulled into this one by some of the previews I'd heard, and was going to get it regardless because I subscribe. -I liked the energy level -The drums sounded sloppy -Like others said, it was harder than usual to distinguish Garcia's and Weir's guitars -Garcia sounded like he was rushing the vocals and his usual soulfulness suffered somewhat from that. That's aside from the fact that his 80s voice had strained compared to the 70s. -Phil sounded like he was playing simpler lines than usual. Maybe the tune selection on disc 1 impacted that though. -I liked the LLR version, usually not a favorite, but they did some different things with it instrumentally. -Brent's keyboards, again never a favorite, were too prominent for me. Then this morning I listened to much of disc 2 again, plus disc 3, all on headphones at home: -What a difference! Sound is so much better and the instruments much more balanced. I could make out the guitars more clearly. The drums did not sound as sloppy and unfocused, though on disc 3 I did detect a bit of the mid-80's pop music influence big drum sound. -Garcia's vocals sounded better to me on Black Peter and It's all over now baby blue. He took his time, and let his deeper register bring out more of the soulfulness. Those songs are designed to be that way though. I actually liked the Black Peter better than some 70s versions I've heard where it sounds like he's straining. I don't say that about too many 80s shows' tunes. -Brent's keyboards sounded better balanced in the mix on headphones than in the car. -It's all over now baby blue has always been one of my favorite encores. I'd rather end that way than with a Chuck Berry rocker most of the time. This one didn't have quite the deep mystery of some of the 60s versions, but I enjoyed it. Overall, I will probably pull this one out semi-regularly. Though I'll still go back mostly to 60s and 70s, this was a pretty good job for the sound quality issues that the 80s presented. Not at all unhappy with this choice.
  • mustin321
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    #482 has arrived -- (lowest number I've got so far)
    This show kicks so much ass! The entire 1st set is really solid and energetic. Love the Wang Dang Doodle opener. Seems to set the tone for the whole show. New Minglewood Blues really rocks too. What can't be said about the 2nd set? The Help>Slip>Franklin's is a good as any others I've ever heard, if not one of the best. The jam out out of Eyes is absolutely insane...Bobby and Brent playing off of each other in a very unique and energetic way. Gives a great contrast to show considering Jerry was playing so well and throwing down sick solos on every single song, a nice reminder that everyone else was shining that night. And then the Space is very melodic and lovely...just great, interesting, & unique stuff.
  • Cousins Of The…
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    Thin: Bobby Slide
    I couldn't have said it better!Another side effect of The Slide, is that Bobby played it on top of Jerry soloing, at the same volume. But that was mid-78 to 79; thankfully, by 1980, the Slide appeared only for a few solos in Rooster, Minglewood and later Walking Blues.
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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I too received that email from dead.net. A thorough decoding of the text tells us this will surely be Boreal Ridge Ski Resort, Donner Summit CA 1985. :D
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12/1/79
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Wasn't she a disco queen in the '70s & '80s?
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Who could ever forget that show? The Bad Girls -> I Know You Rider was so tight! But obviously the Estimated -> Hot Stuff -> Eyes -> Last Dance is what most remember. The post drums Truckin' -> On The Radio was a little sloppy, but fun. They really ended the 2nd set with a flurry as the Around & Around -> She Works Hard For The Money -> Turn On Your Lovelight was mind-bending. The Day Tripper encore is only notable, as it was the last time they played it.
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.
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Now that we got that 83 show released, I think, and this is only my opinion mind you, but I think it's high time for a June 1970 release. June 5, 1970 Acoustic and Electric FW There's probably room for filler from June 4th and/or June 6th...this three-night run was one for the ages. Garcia, so youthful, his voice resonated to the stars where we all dance and twirl in the 21st century. Of course, not sure what all those Hollywood executives feel about spinning multiple nights on one release. Hmmm... WE ALL know Dick Latvala, during his famed tenure used to release partial shows, just to fill a bootleg. Common sense?!?
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Been really entrenched in '83 (as always) and '79. Brent's playing in the Fall of '79 and the band responding accordingly? C'mon...that stuff is trans dimensional. Not enough of it floating around out there. I read a few posts down stating a request of 12/1/79. I have only had a tape of the second set of that show. I still love that show. Beyond stoked to see what we get!
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It's always time for a '69 show.
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Based on absolutely zero evidence . . . I'm guessing spring 79. The last three picks were all fall shows, so why not spring ? 5/4/79 is a good one -- it was a RSD release awhile back. Something from around that time +/- a month. 4/20/84 would also make for a great Pick one of these days. Just because of the date, I bet it would break the record for fastest sellout.
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Rocktober 2018 Rhino/Grateful Dead vinyl releases... -October 2nd- * Grateful Dead – Steal Your Face – 2-LP 140-gram black vinyl. Limited edition of 4,000 copies. * Grateful Dead – Wake Of The Flood – 1-LP 140-gram black vinyl. Limited edition of 4,000 copies. -October 9th- * Grateful Dead – Blues For Allah – 1-LP 140-gram black vinyl. Limited edition of 4,000 copies. * Grateful Dead – From The Mars Hotel – 1-LP 140-gram black vinyl. Limited edition of 4,000 copies. ... Rocktober 2018 vinyl releases every Tuesday in October, check out the full list of band releases... :)
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Since the very last pick was 83, we are not likely to see another Brent era show for a year or two. I would guess another from the returned to the vault batch.
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When I was out having a few beers this past Friday night (October 5) my change came back as a $5 bill from 1985. And this while reading dead.net. So there you have it... indubitably an '85 release will be next!
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When I was out having a few beers this past Friday night (October 5) my change came back as a $5 bill from 1985. And this while reading dead.net. So there you have it... indubitably an '85 release will be next!
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I wouldn't mind any of the suggestions here (I never do). Any '79 is certainly overdue, and 1991 could use some updates to the catalog. I don't think we're going to get a Brent ('79 included) show given the last pick, I guess 1991 is possible. Like I've said before, this year of picks has been somewhat underwhelming. There has always been a tent-pole show (or two!), and I don't think this year has had one yet. You could make argument for 11/6/77, but really it's just the Truckin' (and Passenger and TMNS) that light things up. The double '71 release has two great Other Ones, but I think the rest of the shows are interchangeable with several other Fall '71 releases (although superior to 2017's 1971 duet). 9/2/83 was welcome as it gave us the first official mid-80s show in YEARS and the first official mid 80s HSF yet. But while it's a good pick for the era, I don't think anyone would hold it up as a tent pole show. I think we need something on the level of 1/22/73, 4/2/73, 7/17/76, 2/24/74, 11/17/72, 11/17/72 to complete 2018. Given the previous picks and the box set, I think the years most likely to yield such a show are 1969-1970, 1972 (less likely with DaP 24 from this era), and 1976. Some genius on this board mentioned 11/7/69 with 11/2/69 as filler as a suggestion. I think I would welcome that with open arms!
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The only pick I really didn't care for this year so far was 11-6-77. It was never a tape I spun much of from the 77 choices I have/had. Abq and Boise are both solid damned shows. I was spinning 9/2/83 long before it was slated for any release and I can't say enough how much I dig the early 80's choices Dave's has offered us. I will definitely be renewing my subscription for next year. I have to figure that even if the choice doesn't ring a lofty bell with me initially, it will catch up to me eventually or I will catch up to IT, rather. Somebody said something about some '73 or some '76 shows. I think if they chose from either year it would more than likely be '76 given that they just put out that beautiful PNW Box. I only picked up Believe It If You Need It but I have all of the shows so it isn't too much a bummer. I always love the art work, the liner notes and the remastered sound but I live on a major budget. Any rumors on the forthcoming release will be met with appreciation and maybe light heckling/jest.
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I like this release a lot. The mix is not as good as a 16 track, but you can hear all the instruments, and the band is playing well. Looking forward the that 1979 release next month :>
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You misunderstand me. I also believe that DaP26 and 27 are damn solid shows. Worthy of release and fun listens. I was just pointing out that (in my opinion and my opinion only) that 2018 was lacking a "big show" from the DaP series. By this (arbitrary) designation I mean show of similar stature to 5/25/77, 11/17/73, 11/17/72, 11/4/77, 2/24/74, 7/19/74, 7/17/76, 4/2/73, and 1/22/78. Heck, I'd argue that this years selections are still below 7/31/74, 10/22/71, 2/2/70, 11/30/80, 5/14/74, 12/12/69, 3/28/73, and 8/25/72.
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For me the biggest surprise of the year thus far is that the series had a release from a year more recent than 1981. Not unhappy with the shows thus far but have big expectations for the year ender!
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from either Pigpen or Bruce, show TC some love from 1969...stay away from those reels unless they are Plangent processed before Norman gets his hands on them.
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So looking forward to D.P. 28 but, I almost hate the "NOT knowing" part! I guess I'm just too impatient but I can't help but think they're more of us who feel the same way! I mean how often do people spend $100 without knowing what they are getting???? Food for thought anyways. Oh well I guess I'll wait the 3 weeks and quit my b#%&*ing I mean, they are after all, GRATEFUL DEAD!!!!!
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Sorry, I cannot reveal this information. I am not an employee of Rhino Records, Warner Music Group, the Mexicali pressing plant, or any other party involved in the distribution of this release. I did get the info from an employee, though. Clues: 1.) Brent Mydland is not in the Grateful Dead at this time. 2.) He did not meet any of the players that would form the band "Silver." 3.) The United States of America.
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1. 66-78, 90-95 2. Who is “he,” here? The keyboardist? If so, we know it’s not Hornsby. I also imagine that Keith and Vince may have met members of Silver at one point. That I guess leaves us with Pig Pen? 69er?! (as some have been saying/hoping). 3. Sort of at a loss on clue 3. The show is in USA? Or, maybe American Beauty? Well, we know it was released November 1st; also that Dave’s Pick 28 will be released November 1st. I don’t know, so...let’s say November 70, maybe one from the Cap shows?
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Uh-huh, so he both is and is not BM? At any rate, I also dig 76....
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It's time for 1970, preferably June OR, possibly better, any pristine board from 1969...I'm thinking any of those April 69 shows would send us all into orbit
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Could United States of America relate to the band from 1968? Possible show from '68? Or that the album was from a 1972 show that was not Europe 72, but rather US 1972?
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Could United States of America relate to the band from 1968? Possible show from '68? Or that the album was from a 1972 show that was not Europe 72, but rather US 1972?
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Could United States of America relate to the band from 1968? Possible show from '68? Or that the album was from a 1972 show that was not Europe 72, but rather US 1972?
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Ok, so if Brent wasn't in Silver, and they formed in 1971..... The clue is United States of America... how does that tie to a concert pre-1971? ?? Oh... The only LP released by The United States Of America was in 1968.
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Do not know on the clues, but I can say 1970 is, by far, the most under represented great GD year, in terms of # of live releases & live discs. IMHO, the top GD years would be: 1969, '70, '71, '72, '73, '74, '76, '77, '78, '89, and '90. YMMV. # live releases/discs by my unofficial count, box = release of 5+ discs. 1972: 16.00/119.25, 1 box set 1977: 15.00/72.50, 3 boxes+DP#29 1990: 10.32/64.07, 2 boxes 1973: 11.50/51.00, 1.5 boxes 1974: 13.50/49.00, 0.5 box+GDMSDTRK 1978: 10.00/41.00, 1 box+ Cl Wint 1971: 13.00/36.12, 0 boxes (L&Gent) 1969: 9.50/31.90, 1 box 1976: 8.00/28.00, 0 boxes 1989: 8.68/27.93, 2 boxes 1970: 9.50/20.83, 0 boxes Read there is nothing in the Vault after June. Is that true?
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Do not know on the clues, but I can say 1970 is, by far, the most under represented great GD year, in terms of # of live releases & live discs. IMHO, the top GD years would be: 1969, '70, '71, '72, '73, '74, '76, '77, '78, '89, and '90. YMMV. # live releases/discs by my unofficial count, box = release of 5+ discs. 1972: 16.00/119.25, 1 box set 1977: 15.00/72.50, 3 boxes+DP#29 1990: 10.32/64.07, 2 boxes 1973: 11.50/51.00, 1.5 boxes 1974: 13.50/49.00, 0.5 box+GDMSDTRK 1978: 10.00/41.00, 1 box+ Cl Wint 1971: 13.00/36.12, 0 boxes (L&Gent) 1969: 9.50/31.90, 1 box 1976: 8.00/28.00, 0 boxes 1989: 8.68/27.93, 2 boxes 1970: 9.50/20.83, 0 boxes Read there is nothing in the Vault after June. Is that true?
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Yeah, sorry, that was where I was going with it. The band from California. Years active, 1967-68. Could be a tie in with the 50th anniversary of Anthem of the Sun.
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I am going with a twofer from 1968. I was listening to Dicks Picks 22 a couple days ago.. the sound was good, all things considered. I am guessing a twofer.. two segments making up three discs. The timing seems about right.. and we will get another Dark Star.
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Speculation here seems to have narrowed to 68 or 70. I'm still going with 70. 68 seems too spotty, too many missing and incomplete shows. Here's link to an interesting read on the "Missing 1968 Shows." On that page there's also links to 1969/1970. Seems like there's just a lot more SBDs from 1970. And yes, also seems like pretty much everything after June is missing from the vault. So, we looking at first half 1970??? http://deadessays.blogspot.com/2014/09/missing-1968-shows.html Then again, if ThomasVan is right, 68!
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4/21/70 with filler from 4/22/70.
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what about these: 4/26/68 Electric Factory, Philadelphia, PA 4/27/68 Electric Factory, Philadelphia, PA 4/28/68 Electric Factory, Philadelphia, PA Not even sure if these are available....
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Yes...I like your thinking: Boston Tea Party December 1969 Although Spring 69 was even more psychedelic...4/21 4/22 4/23 Things are heating up...and we'll know Fryday
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2/14,15/69, The Electric Factory a long defunct Philly venue was located at 22nd & Arch. I'm going with the USA clue or if I'm thinking outside the box I'd either go with 5/24/70 or 6/21/71 NOT USA venues. Oh the suspense, I'd still like to see 12/1/79 get the full Norman.
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3-9-8110-16-81 8-22-93 12-1-79 10-15-76 2-26-77 10-29-77 2-9-73 2-15-73 Something from Oct. or Nov. '72 would most definitely satisfy How about the 11-13-72 Board that can't happen?
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Not as a result of anything said the last few days.. I have an itch that either Dave's 28 or 29 will be summer to fall of 72, just because we are due and there are lots of worthy, unreleased shows from this period. Plus, it will beat the drum loudly for next years subscription sales.
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That one replaced the Mississippi/Ohio/Missouri Rivers clue. I don't know about the cover art - but that's easy - skeletons. Skeletons doing what? I like Tim McDonagh art both for Grateful Dead Productions and on his own. Check him out if you haven't already: www.mcdonaghillustration.com This Dave's Picks 28 will delight and disappoint, as it's nearly impossible to please everybody, we are a very diverse audience.
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From Wikipedia, the free encyclopedia: Batdorf & Rodney were an early-1970s folk rock duo consisting of John Batdorf and Mark Rodney. The two began performing in the summer of 1970 in Las Vegas. They toured extensively with many of the most famous acts of the 1970s. Their tours included playing at Carnegie Hall. They issued three albums on three different labels between 1971 and 1975, logging two chart hits during their final year after signing with Arista Records. A track from their third album, "You Are a Song," written by Jim Weatherly, was released as a single and reached number 87 on the U.S. Billboard Hot 100 during the summer of 1975. It also reached #19 on the Canadian Adult Contemporary chart. Their other hit, a non-album single, was an early version of "Somewhere in the Night," which reached number 69 in December of that year. Issued concurrently with Helen Reddy's version, the song became a Top 40 hit for her in 1976 and a Top 10 hit for Barry Manilow in 1979. Another song, "All I Need," reached the Canadian Adult Contemporary chart in 1973, peaking at #79. Batdorf & Rodney disbanded in 1975. Remaining with Arista, Batdorf soon formed the group Silver then released "Wham Bam" in 1976, the most successful single of his career, which reached #16 on the Billboard Hot 100. In 2008, the duo reunited to record an album titled Still Burnin'. ---- Silver was an American 1970s country rock band, best known for their 1976 pop hit "Wham Bam," written by country songwriter Rick Giles. Members of the group included John Batdorf (formerly of Batdorf & Rodney), lead vocals and guitar; Brent Mydland (later of the Grateful Dead), keyboards and vocals; Tom Leadon (brother of the Eagles' Bernie Leadon), bass guitar and vocals; Greg Collier, guitar and vocals; and Harry Stinson, drums and percussion. Phil Hartman designed the cover art for Silver, the quintet's only album. The band's recordings were released on the Arista record label. The single's title, "Wham Bam", was shown as "Wham Bam Shang-A-Lang" and peaked at #16 on the Billboard Hot 100 the week of October 2, 1976. It is ranked as the 70th biggest hit of 1976. Arista executives gave the band the song to record after concluding that none of the other tracks on the album they produced had single potential. Arista head Clive Davis himself co-produced the single with Tom Sellers; the rest of the album was produced by Sellers and Silver. Chicago radio superstation WLS, which gave "Wham Bam" much airplay, ranked the song as the 80th biggest hit of 1976. It peaked at number eight on their surveys of October 23 and 30, 1976. Arista released two further singles by the band, Musician (It's Not an Easy Life) and Memory which featured the non-album track So Much for the Past, written by Brent Mydland, on the B-side. The band can be heard in the 2017 Marvel Studios sequel film, Guardians of the Galaxy Vol. 2, as "Wham Bam Shang-A-Lang" is included on the movie's soundtrack.
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Keep an open mind, and learn to enjoy this show if you don't like it at 1st.
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