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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • garciaddicted
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    Rock 'N' Roll
    If you tried to give rock and roll another name, you might call it 'Chuck Berry'- John Lennon
  • hendrixfreak
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    You must be kidding....
    "The blues started with field workers on farms who got it from gospel and African roots." Field workers on farms? That's got to be satire, because you've got to be kidding. The blues developed out of field chants -- yes, of African origins -- by slaves on plantations who were systemically murdered, lynched, starved and beaten by armed guards and who were bought and sold as sub-human property. And that went on from the 1600s well into the 1950s, perhaps later. Fixed it for ya.
  • Oroborous
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    Blues
    Think I’d call the blues more like the Gleam in RR daddy’s eye, the weight in his preverbal sack if you will... than the birth...but unquestionably a major genetic element...
  • SPACEBROTHER
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    Birth of rock and roll
    Started with the blues. The blues started with field workers on farms who got it from gospel and African roots.
  • Oroborous
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    Kyle: “are you guys from 1969”
    Nope, 1962, buda da ba bop boom, heyyyyI do recall this thing called pong my cousins had? Probably turned me off of games for life; ) Hell, we didn’t get cable till the late 70s...color tv was out, but didn’t get that till early 70s... My mother RIP, still had rotary phones till the day she died (2016) LOL Computers? I suppose we learned about those from watching the Apollo missions with their real to real,looking behemoths that took up whole buildings....same processing power like in a phone now... When your living through it day to day you don’t necessarily get how much things have changed. Sorta like the quality of Dead recordings and how that has progressed. I don’t think there’s too many old timers out there, that started out desperately grabbing any shitty tape thay could because it wasn’t like they were growing on trees, that ever could have imagined the quality and access we have now..
  • Oroborous
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    RR tech/recording etc
    The undisputed father/king? what ever of all that has followed, tech wise, was Les Paul. Fascinating man/story. Looping, multi-tracking, ping ponging, effects you name it. He most likely invented it.
  • Oroborous
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    Something new is waiting to be born
    Keithfan, though your essay was very good and spot on, I respectfully disagree with your overall premise.I think if we use the human life cycle for analogy, I’d say that the Beatles were not the birth, but more like late adolescence/early adulthood. The coming of age so to speak. They were learning who they were, about the world, and experimenting accordingly like only adolescent people do. Even the embracing of new technology usually is most prevalent amongst the younger generations (I’m generalizing here folks so spare us the one off examples....like just because George Burns lived to be 10?, doesn’t mean smokings not bad for you, science does not work that way) This is why most of the change and cultural shifts that occur, are usually driven by the exuberant, fresh, eager, teens to thirties folks, who are in the physical primes of their lives.....and the brain is of course a physical thing? So I propose, the real birth, the real father, the real King of RR is Mr Chuck Berry. (I know we can take this a step further, but here I would borrow KF’s embryonic example). Imho, Chuck was the guy who really built the platform that almost all other RR was built on, including the Beatles...Hell there are numerous references by the Beatles saying such....and Elvis...He was more like a little leaguer, while a Chuck was JV, and then the Beatles were Pro ballers.... Elvis did not write music, nor would many consider him a real musician. (Yes he could bang out some rhythms and hide behind the guitar like has been done by many “stars” including today’s Taylor Swift etc) He was basically a fine singer who aspired to, and was courted by Hollywood. No offense meant, his influence was immeasurable. But Chuck did it all, and he mostly did it himself, not through others like Elvis.. From the music, to being his own road manager, even driving himself to gigs, He even embraced new technology of the times too. I think Chuck is one of the most under the radar, yet influential persons of the 20th century..... Hey, if you don’t believe me, research what ALL the greats; Beatles, Dead, Stones you name it, they all acknowledge how much he influenced not only them personally, but RR overall. Which due to the cultural shifts and timing, influenced the whole world in a way many today cannot understand unless they were there. Just like we experienced what it was like when the Beatles did it.... So In other words, this is not really my theory at all. It is just me trying to pass along what I have read..... I’m just spitting out what all our hero’s have already stated.... As you have shone, there is no way to even begin to consider all at least popular music (saying all music might be a stretch...), that occurred during and after the Beatles, without acknowledging their influence. But I propose, that you cannt consider the Beatles, without considering how Chuck is in their DNA! Long live the King “Go Johnny Go! (Perhaps the perfect phrase to encompass all that youth, rebelliousness, RR are all about!) You go boy, indeed...
  • icecrmcnkd
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    Jerry Lee Lewis isn’t rock n roll?
    Beatles were the birth of Pop. Rock n roll had already been born. But honestly, I don’t really care where the ‘official’ start is because I pretty much just listen to Grateful Dead.
  • Dennis
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    keith and R&R birth
    Somethings are hard to pinpoint, but for recording techniques,,, check enoch light's page https://en.wikipedia.org/wiki/Enoch_Light Pioneer in stereo recordings, hell appears to have invented the gatefold album. Also to early 50's rock recordings developed "cheap" effects, I thought I read once about Sun records recording stuff in bathrooms for echo/reverb effect. Maybe someone singing in a concrete hallway. I always think there is a book to be written about pop music and car stereos. I think recording techniques are older than readily available playback. I don't think you could have had pink Floyd in a 3 watt mono 6 inch speaker in your 58 chevy. I think as car playback systems got better the music got more dense(?). Same can be said for movies maybe. Growing up Perry Mason, F troop sound just fine out of a 8 in mono speaker. Can you imagine watching some marvel movie in 19" mono black and white. I don't think I'd say The Beatles were the birth of rock, if the beatles were all that than they stood on the shoulders of giants. The line of music goes back. Hard to pick a start. I think our age determines our view. The first time you said "the music today....." or "the kids today....", your old!
  • KeithFan2112
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    daverock, respectfully
    The birth of Rock and Roll is a matter of perspective to some extent, I agree, but I maintain that the birth of rock, as we know it today, started with the Beatles, and so we witnessed it. Everything prior to that was embryonic (though no less important). R&B, Rocket 88, Rock Around the Clock, Elvis - all cornerstones of the bigger picture, without question, but when I say we witnessed the birth of Rock and Roll, I mean we witnessed the Beatles and all that came after. The Beatles' sound was a truly unique amalgamation of all of those elements you mentioned. None of those elements were singly responsible for contemporary Rock music, but the Beatles were. Further,it was more than The Beatles' sound that was responsible for their unique place in the Rock and Roll annals; it was their integration of new recording technology as well (by that I mean more and more channels to the multi-track, as well as wholly new instruments like the mellotron, as well as tape editing, arrangement, overdubs, etc). The artist push the technology and the technology pushed the artist; this was a symbiotic occurrence that found its way into many early era Rock production ensembles (look at how Pete Townshend introduced minimalist composition technique with organs fed into synthesizers to bring not only new sounds to the rock palette, but to actually create a new mode of rhythm for the genre (i.e. Baba O'Riley & Won't Get Fooled Again). I also mentioned the cultural aspect of rock and roll development. These were children who grew up in the aftermath of World War II. They went on to compose music that was heavily influenced buy current events like the Vietnam War and the Civil Rights Movement. They reflected these issues back to their audience with social commentary, and messages of hope or despair (Sympathy for the Devil, All You Need Is Love). And the liberation of the younger generation from what they felt was a very oppressive older generation. Free love, free sex, individual Independence for young people - this still resonates today. So, yes, I understand your point and I agree that those influences where it important, but in the larger picture it was all in utero development, with Elvis perhaps being the last trimester. And then the Beatles came and changed everything, not just music. We did not Witness the conception of rock and roll, just the birth. And this I maintain can never happen again, because it's already been done. The technology, the social climate, heck, all the guitar riffs. Peace.
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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My best guess is Las Vegas Ice Palace, March 29th, 1969.......not sure how that fits with the USA clue, but seems to fit OK with the other 2 clues? Santana opened for the GOGD along with a local Vegas band called The Free Circus....Batdorf and Rodney formed in Vegas shortly after thisand would have played this venue many times. Seems they opened for many bands in the 70's but could not find any reference of them opening for the Grateful Dead. We will know soon! KCJ
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My best guess is Las Vegas Ice Palace, March 29th, 1969.......not sure how that fits with the USA clue, but seems to fit OK with the other 2 clues? Santana opened for the GOGD along with a local Vegas band called The Free Circus....Batdorf and Rodney formed in Vegas shortly after thisand would have played this venue many times. Seems they opened for many bands in the 70's but could not find any reference of them opening for the Grateful Dead. We will know soon! KCJ
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10/02/76- River Front Coliseum - Cincinnati, OH
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Another '76 show from the Boston Music Hall would be nice. I mean, since we're speculating. But I'm open to whatever comes my way.
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"DP 28 Guess10/02/76- River Front Coliseum - Cincinnati, OH" I believe this show was part of the 30 Trips box set. I would not mind getting the night previous, 10/1/1976, Market Square Arena, Indianapolis. It would be two releases in a row centered on Help>Slip>Franklin's, but I don't have a problem with that! If you want a Cincy show, how about 4/8/89? That's a fun one.
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"DP 28 Guess10/02/76- River Front Coliseum - Cincinnati, OH" I believe this show was part of the 30 Trips box set. I would not mind getting the night previous, 10/1/1976, Market Square Arena, Indianapolis. It would be two releases in a row centered on Help>Slip>Franklin's, but I don't have a problem with that! If you want a Cincy show, how about 4/8/89? That's a fun one.
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"DP 28 Guess10/02/76- River Front Coliseum - Cincinnati, OH" I believe this show was part of the 30 Trips box set. I would not mind getting the night previous, 10/1/1976, Market Square Arena, Indianapolis. It would be two releases in a row centered on Help>Slip>Franklin's, but I don't have a problem with that! If you want a Cincy show, how about 4/8/89? That's a fun one.
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"DP 28 Guess10/02/76- River Front Coliseum - Cincinnati, OH" I believe this show was part of the 30 Trips box set. I would not mind getting the night previous, 10/1/1976, Market Square Arena, Indianapolis. It would be two releases in a row centered on Help>Slip>Franklin's, but I don't have a problem with that! If you want a Cincy show, how about 4/8/89? That's a fun one.
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Cobo Arena, Detroit, 10/3/76 was included in the 30 Trips box. Though either 10/1 or 10/2 would definitely be a welcome addition (for me at least). That 10/1 Market Square is a sweet ride for sure.
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sorry about duplicates, not sure what happened
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If we're speculating, listing our wish-list, and talking 76 and h/s/f, give us 8/4! Otherwise, I can't imagine another 77 for this year, but that Dekalb 77 call would be amazing. Both are pretty well-circulated boards already, I've got some XLIIs of them somewhere or other, so perhaps unnecessary or not in line with the DP mission...anyway, soon!
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First and only Silver LP was released in 1976. Has to be. I'd almost put money on it now. 8-4-76 would be massive.
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Please and thank you on the idea of 8/4/76! Whether it's Dave's 28, I don't know, but it should be released. If it was the 29th, that would entice a lot of subscribers. I'm hoping for 1968-70 for this one. I don't think all of the Houseboat Tapes have been put out, but based on the liner notes to DaP 6, don't know whether there's even enough material for another full show release. I would imagine that consisted of mainly late '69-early '70 material, since it yielded material from 12/11-12, 20, 21/69, and 2/2/70 (DaP 19 doesn't mention being from that batch, but fits the bill otherwise). So far, IMO, DaP 26 has been the peak in this year, and I'd like to see another show like that, fairly unknown, an uncirculated sbd, and a glorious performance. DaP 25 was an underwhelming Pick to me. It has a legendary status, but I thought the fire went out after Jack Straw and only really rekindled with Truckin'. Also, the last Dark Star in the series was DaP 19, so we're due another one. We shall soon find out what it will be, and in the meantime, hopefully everyone in the path of Michael stays safe. It should be here tomorrow, and apparently they're warning of tornadoes as the bigger danger to us. Luckily we escaped Matthew and Florence relatively unscathed, hoping for that trend to continue.
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I'm going with 7/4/69 at the Electric Theater in Chicago. Only pre-80's July 4th show to my knowledge (which is what I'm guessing the United States of America clue is referring to). A short show, so probably will be combined with another show, perhaps the 7/5/69 show at same venue.
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Since we’re all speculating on the clues, here’s my (admittedly self serving guess). According to the clues and Wikipedia, all Brent signs point to a pre-1971 show. A lot happened in the United States between ‘65 and ‘70, perhaps more than any 5 year period in modern history, but not one event objectively screams USA more than the next. So, I’m presuming this reference is music related. So here’s my take. jimmy Hendrix played (arguably) the most epic Star Spangled Banner ever at Woodstock. Jimmy passed away on 9/18/70. That same night, the Grateful Dead played a pretty epic show that, at least in my opinion, contains one of the best dancin’ in the streets ever. And with that, I look forward to being pleasantly disappointed because I have no doubt that I’m wrong. But it sure is fun to guess. Look forward to the release, whatever it may be.
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Here's another possibility;Any of the shows from June '76 at the Tower Theatre in Philly it covers BOTH the Bicentennial year & birthplace of the USA in the Bicentennial year. Any show from this 4 show run would make a great release although I tend to lean toward 6/23 the 2nd set is one long JAMfest, 6/23 also features an odd pairing of Crazy Fingers>Comes A Time in the 1st set. I'd like to see any one of these shows get Normanized.
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10/15/76Shrine Auditorium - Los Angeles, CA Last show of the year and Fall tour. Dave has a knack for releasing those type shows. That Set 2 looks just dreamy! Philly in June '76 works for me too. Totally. Philly ALWAYS seemed to get the best outta Bertha & the Boys!!
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Needless to say, most shows were played in the USA. I used the too generic USA as a clue because using "Mississippi/Ohio/Missouri Rivers" would be too easy. The word "clue" is a clue itself, as the revealing date email itself. It's very good to know geography and to read maps. Can you read the alpha/numeric answer now?
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I just wished I could give a clue on the year or the month or date of the show, but I was not allowed to do so.Again, this installment of the Dave's Picks Series will delight many, and many others will complain that another show close to this date is more worthy of release than this show that was selected.
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2/7/69 early and late. https://archive.org/details/gd1969-02-07.137392.sbd.wise.sirmick.sbeok… Set 1 Early show: Dark Star> St. Stephen> The Eleven> Turn On Your Love Light Set 2 Late show: Cryptical Envelopment> Drums> The Other One> Cryptical Envelopment> Death Don't Have No Mercy, Alligator> Drums> Drummers' Chant> Jam> China Cat Jam> Jam> Caution (Do Not Stop On Tracks)> Feedback> And We Bid You Good Night Other artist(s): The Velvet Underground; The Fugs and its a cassette master.
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6/xx/76 Auditorium Theater - Chicago, IL
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Is there a Sitting On Top Of The World in this show? Or is it 12/12/73? Or is it 10/12/68? Or is it 12/31/69? Boston Tea Party. Email announcement states last Daves of 2018. This is the last show of 1969. Boston Tea Party-USA. Some People might like 12/30/69 better. Pre-Brent era. Slewfoot lyrics about frozen river.
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Hmm, seem to be coalescing around 69, 70, 76. 12/31/69 sounds like good call, wharfrat. Bicentennial 76, rtcampbel, also sounds good, and I love that su76 Chicago run. Though doesn’t seem to jive with the other clues (pre-71). 6/26/76 US Blues encore. Great, great show. 76 is mixed year for heads. I love that mellower, looser sound. Not everyone does. Also, I think 6/29 is better (the wheel from so many roads) and of course many have discussed 8/4.
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so perfect filler would be this 80 minute show from the night before it from St Louis. https://archive.org/details/gd1969-02-06.137394.sbd.wise.sirmick.sbeok… Morning Dew, Dark Star > St. Stephen > The Eleven > Turn On Your Love Light > Drums > Turn On Your Love Light, Cryptical Envelopment > Drums > The Other One > Cryptical Envelopment > Feedback > And We Bid You Good Night
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Alpha/numeric answer?!
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Of selling this stuff when you try to buy it the minute it goes on sale and it's SOLD OUT? Make more you idiots or stop the obvious corruption.
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46th Street Rock Palace? Though I thought there were only poorly circulated AUDs. Who knows! (Also, just a few days after the Cap 70 shows.)
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"Check me if I'm wrong Sandy" but we don't know what exactly was in the returned tapes from a few years back and it's been awhile since anything else has been released from said returns.
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I think you are right Kayak Guy. Three Rivers Stadium (Pitt) Pittsburgh was my first guess for city with the rivers clue, but then my mind had my wandering around St. Louis and Southern Illinois. Also, when you click on the art link there is a picture of a skeleton promoting Field and Stream ( headquarters located near Pitt). If so, love the choice. Sam T
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That has crossed my mind on several occasions. If so, well done chap.
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Bolo puzzles take a good bit of time to put together, chairman duties at Federal Reserve sometimes conflict with release schedules.. not that he ever asked for that godforsaken job. Work gets in the way of all that is good.
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I agree that there are many high quality shows in the summer and fall of 1972 that are ripe for release. Here's to hoping for 8/12/1972. Of course 7/18/72 and 9/10/72 would be quite fine selections as well.
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Would be a FANTASTIC Pick! Listening to the late show now, and checked out the 2/6 show, too. That would be a dream release with the early, late, and previous show of some super hot, primal Dead.
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Would be a FANTASTIC Pick! Listening to the late show now, and checked out the 2/6 show, too. That would be a dream release with the early, late, and previous show of some super hot, primal Dead.
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Sorry, just broke out of the Saudi embassy in Istanbul. My Clues: > No Brent > Hi-ho Silver! > USA! USA! > Something about rivers > Alpha-numeric stuff Obvious, I know. Didn't have time for my usual unexcogitable offerings.
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11/26/72
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Sticking with 12/31/69. The Eleven. Alpha Numeric. But not really. Silver Threads and Golden Needles. Hi Ho Silver. Boston Tea Party. USA. Mystic and Charles Rivers. Something about rivers. No Brent. No Brent.
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it will be an 80's show!
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...It's the suspense that gets me...
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Wouldn't be surprised if it's not quite as expected...and we get a 1991 show ; ) ...I mean I get it, it will more than likely be 1976, that's the year that is due in Lemues perfect comfort zone of 1970-1978. Don't think it will be a 1960s show, those are be covered in the album reissue 2nd CD deluxe editions....and there just ain't enough of a 1968-69 show to warrant a full dave pick
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after work today I need to drive 80 miles into town to get some shopping done...don't want to go anywhere this weekend with the rain and wind forecasts that we have...anywho, I will be listening to 4-26-72 on my drive in across the peaks (The road tops off at 8,000 ft)...I love that show...when 100 Year Hall came out I thought wowie zowie this is it...then someone on a bt site put the complete show in the correct running order and I thought, No, Wow this is it...needless to say when the Europe '72 box came out I was speechless...so what ever comes our way today I'm good with it cuz they all look pretty on the shelf all in a row...Happy DP Day y'all!!
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In my mind, the clues point to 10/18/1972. But I guess we will see soon enough.
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In my mind, the clues point to 10/18/1972. But I guess we will see soon enough.
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In my mind, the clues point to 10/18/1972. But I guess we will see soon enough.
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