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    Dave's Picks Volume 28: Capitol Theatre, Passaic, NJ, 6/17/76

    This year's Dave's Picks series comes to a close just as the band's getting back together again in '76. By the time the Grateful Dead hit New Jersey’s Capitol Theatre - for the very first time - on 6/17/76, they were buzzing from their reunion, armed with new and revived material, the Rhythm Devils reformed with the mischievous Mickey Hart once again behind the kit. They'd skived off the unwieldy Wall of Sound and scaled back the venues from cavernous arenas to intimate theatres. Quite the treat!

    During the first set, the Dead's playing was nuanced ("Cold Rain And Snow"), detailed ("Looks Like Rain"), and intricate ("The Music Never Stopped"); the singing struck softly ("Row Jimmy") and raised hairs ("Ship Of Fools"). But it’s the big barreling energy of the second set you’ll want to brace yourself for, replete with a disco'd "Dancing In The Streets," a low-down funky “Help”>”Slip”>”Franklin's” and a wind 'em up to wind down "Let It Grow">"Wharf Rat">"Around and Around." Can you keep up? There's only one way to find out.

    This complete show, balanced out with a couple of bonus tracks from 6/23/76 and 6/28/76, was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman.

    Dave's Picks Volume 28 is limited to 18,000 individually-numbered copies*.

    Grab a copy before they're gone, gone, gone.

    *Limited to 2 per order. Very limited quantity available.

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  • Judysparty
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    As usual... How Dare I Say That! My God! That's appalling !

    C'mon people. First off, I'm not hiding or ignoring you like "the powers that be are". Go back to my post. I never Threatened anyone. Not once. Not even a little bit. OK. I use LARGE letters because the average age on this site sometimes is close to age 70. At that age, many people can't see things the way they used to. But if you like I can write in normal size lettering. Either way, people will always misinterpret my words or your words. It wouldn't matter what I said or how I say it, people will always blow it out of proportion.
    Now, I said what I said, the way I said it, to get people to have some sort of reaction. I achieved that. That was my goal.
    Too many times, most people just don't want to be bothered with reality. It's too much work. If the Dave's Pick 28 thread is not the place to talk about the problems we are having with this release, then I don't know what is.
    I have tried the phone calls. I have done the emails. I have chose to blog about it because I've been patient for weeks, and actually months!
    I have come to the realization that I can't do it alone anymore. I have also read other peoples complaints and problems here on this site. What I see is that we must unite and support each other. Stand together and be heard. Stand together and be seen. Someone hopefully, at dead.net and rhino might, maybe notice that we have had enough with status quo and that we need to do things differently to achieve positive results.
    How is Customer Service sending us one useless disc after another solving a thing? WE don't deserve this insane nonsense.
    We need to share our thoughts and devise a strategy to improve positive results from the people responsible to do so. I am calling on Dave Lemieux, because I think that the person whose name is on the whole CD series might be one person who might want to see that the Defective Disc issue is 1)- recognized and 2)- fixed the right and proper way.
    Here's the thing, since Dead.net or Rhino insists on issuing Limited (numbered) Editions of shows. Then they should be prepared to spend money to resolve these kinds of problems that are coming up. The discs need to be done all over again, from scratch. Fixed. Then shipped out to the customers. Not this other nonsense they are trying to pull on us.
    Also, we as deadheads, can be very, very patient people if it means we are going to get a quality product in return. So that being said, since we are the one's spending our hard earned money, we deserve a better deal by Rhino to get these things that should be done, done right.
    I have thought long and hard over the B.S. that has been given to me, and I'm sure a lot of you have to. I honestly believe we can achieve positive results if we adhere to good responsible ethics.
    My goal was to try to wake people up to this fact. Because we have to stand up and be counted. Not ignored.
    They think that if they can ignore us long enough we will go away. And you know what? They are right. When you sell a numbered limited edition and it's bogus and doesn't get fixed, then it becomes obsolete. The whole Dave's Picks Series up to Volume 28 becomes, I don't know, worthless. It's lost it's collectors value then right?
    That is what will happen when Dave's Picks 29 comes out. We will all go away, and then they don't have to deal with us or are problems until the next set of problems comes along.
    We will be the losers here. We must get them to resolve these problems now. The right way.
    Take what I have said and do whatever you think you must do with it. But there is one thing I have learned through the years. "If you are going to be one. Be one." PEACE!

  • MDJim
    Joined:
    Re: Strider88/MaryE

    I am jealous.. what great shows to see!

    As for grumpy Grumpins (or whatever the word is).. I take my lead on grumpiness from Mutley.

    You Rasselfrazenrickaracketsbackenstabbenbastages. Or, stated more eloquently, https://www.youtube.com/watch?v=yj3DBcpfMNQ

    Wishing all of us, even the rassenfrassens a very happy New Year with no defective disks.

    One add.. a tip of the hat to DaveRock. I must admit I am not as open and receptive as some but the world needs more folks that understand the value of tolerance, especially from people with different perspectives. It's not often you see people embrace difference, especially when it's out of our comfort zone... The GD and assoc. madness and people has taught me much and I am still learning. His posts are often quite open and tolerant even when opinions differ from what are likely his own. There's enough room for all of us, and when you start kicking people off the island.. before you know it you are the last one standing, and what fun is that?

    As for MaryE, no words are suffice. And for Strider88.. if I ever got a hold of his ticket stubs, I would feed the dates into the wayback and hit each and every show.

    Peace all, to my buds here and those I don't know so well.. to 2019. Onward. Oh, a quick shoutout to Otis.. what a great new years vibe.

  • Mind-Left-Body
    Joined:
    I Get It

    I got to agree, the outrage is just a little bit more than what the situation calls for. Kicking.and screaming here isn't going to help. All things being equal, I would much rather be talking about the music than defective discs which are a marginal issue at best. So there was a problem, they're taking care of it, move on. To call out David Lemieux of Dave's Picks with profanity is nonsense. I once had an email discussion with customer support where they clearly did not read what I was saying repeatedly. Sure it was frustrating, but I did not get nuts on the message board. I escalated to Dr rhino and he solved my problem immediately.

    Just by virtue of helping everybody who has had bad discs. marye is well aware of the extent of this issue and will surely get it taken care of moving forward. That is what has always happens here when there have been problems. And relatively speaking there have not been that many problems. They have had so many hundreds of individual releases with no issues whatsoever that I do think this is simply a matter of contacting the appropriate people through the appropriate channels and being patient. Some of you people make it sound like there's a conspiracy to rip off customers. The fact of the matter is, we have bonafide deadheads releasing the best stuff in the vaults for us, and we have direct contact with customer support management representatives who always get the job done.

    The masses are not going anywhere because the music is that good, so complaining about it here is truly not doing anything except distracting people from talking about the music. I'm not saying don't mention it here. I'm just saying that it is a fruitless distraction to try and round up an online Posse to try to bully the guy who picks the music. You see the difference? There can be even tempered discussion about which disk somebody or the other person is having trouble with, which is fine. But verbal threats and profanity and capital letters is ridiculous.

  • stoltzfus
    Joined:
    Grumpy Grumpkins

    Snarly bunch here

    Anyway, check out 12/31/79.

  • daverock
    Joined:
    Musical discussion board? - Butch

    I've never heard this board defined as that before. Anyway, it seems you are leaving, so goodbye to you, too!

  • CaseyJanes
    Joined:
    Singles Volume 8 and Defective Discs

    Deadhead Brewer.....your post concerned me as I have also recently started my own singles collection. I had only purchased vol 1-4 until today. After seeing your post I went to the 2018 subscription link and was able to order volume 5-8 as a subscription. This may not help you as you mention you already bought 1-7, but at least you know that they still have Vol 8 in stock (at least through subscription). Would surprise me if it was sold out...

    My disc 3 is also fine on Dave's 28, so while definitely seems to be a widespread problem, it is not in totality. I did have one issue with a defective disc on the PNW box however it was addressed quickly and painlessly in just a few weeks by Dr. Rhino. Hopefully they make things right on 28 soon.

  • Judysparty
    Joined:
    AMAZING!!!

    .

  • Butch
    Joined:
    It's ok to complain, just not here

    I didn't see anyone suggest it was not okay to complain about defective product. I saw Trainwreck say he was tired of the "incessant" complaining from Sam. I've been here long enough to guess correctly in a multiple choice question that reads "Most likely to complain (about anything at all)"

    a) MDJim
    b) Lovemygirl
    c) That's Otis
    d) vguy
    e) Unkle Sam

    I would go with Unkle Sam (you do kind of dampen the mood "bro")

    My disc 3 is fine on Dave's 28, so no need to spread rumors that every one is defective Judy. And using profanity toward Lemieux or anyone directly is simply not acceptable. Way too bellicose and aggressive over a stupid CD. You deserve your headache.

    I have no doubt in my opinionated head that the site overhaul that we all hate was due to that guy shirdeep posting violent images and spamming the site. Now things are worse. I have no doubt in my opinionated head (yeah yeah everyone has one) that posting profane laden diatribe's at Dave Lemieux is the quickest way to get the comment board unplugged for good.

    It's also laughable that the CD issues are being lumped together as some big problem on a linear scale that is getting worse with every release - FAKE NEWS. I've had one problem, discs slipping out of slip case during shipping got scratched (Get Shown the Light). New disc provided in less than a week. Talking to others, I know that box cutter situation was taken care of in a timely fashion, and they prevented some mishap due to good quality control on 30 Trips (before my time here, but I understand they delayed shipping for a month to fix a manufacturing problem).

    It's okay to complain, but there are emails and phone numbers for that, so really, why bog down the musical discussion board? I don't want to read about the 20th defective disc. So there was a problem, go write 20 emails, don't write 20 posts. You just screw it up for the people who just want to hear about the awesome Slipknot on DaP 28 (disc 2:-) Or here's one Judysgarden, just stop buying the stuff. Leave the site and go on you merry way. Nobody's interested in your negative revolution here. This isn't the place. goodbye.

  • Judysparty
    Joined:
    DAVID LEMIEUX-> CONTACT INFO-> vault@dead.net

    CONTACT INFO -> TWITTER-> @lemieuxdavid

    CONTACT INFO -> Email-> vault@dead.net

    HEY DAVE, WHERE THE F_CK ARE YOU?

    ****** SHOW YOURSELF DAVID LEMIEUX *******

    The fate of FUTURE Dead releases is at stake here! Don't sit there with your head up your butt.
    Make some noise! Let them know this unacceptable! Demand that we get treated fairly as the Consumers !
    DEMAND ANSWERS AND POSITIVE RESULTS!!!

  • Deadheadbrewer
    Joined:
    Singles Vol. 8?

    Drat. Got busy with the holidays and didn't order volume 8 of the singles collection, which now appears to have sold out. I just purchased volumes 1-7 a few months back, so assumed that there was no rush on #8, but alas! Before I pay the E-Bay vultures their blood money, does anyone happen to have one for sale, please? Private message me if you do. Thanks, and Happy New Weir, everyone!

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Dave's Picks Volume 28: Capitol Theatre, Passaic, NJ, 6/17/76

This year's Dave's Picks series comes to a close just as the band's getting back together again in '76. By the time the Grateful Dead hit New Jersey’s Capitol Theatre - for the very first time - on 6/17/76, they were buzzing from their reunion, armed with new and revived material, the Rhythm Devils reformed with the mischievous Mickey Hart once again behind the kit. They'd skived off the unwieldy Wall of Sound and scaled back the venues from cavernous arenas to intimate theatres. Quite the treat!

During the first set, the Dead's playing was nuanced ("Cold Rain And Snow"), detailed ("Looks Like Rain"), and intricate ("The Music Never Stopped"); the singing struck softly ("Row Jimmy") and raised hairs ("Ship Of Fools"). But it’s the big barreling energy of the second set you’ll want to brace yourself for, replete with a disco'd "Dancing In The Streets," a low-down funky “Help”>”Slip”>”Franklin's” and a wind 'em up to wind down "Let It Grow">"Wharf Rat">"Around and Around." Can you keep up? There's only one way to find out.

This complete show, balanced out with a couple of bonus tracks from 6/23/76 and 6/28/76, was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman.

Dave's Picks Volume 28 is limited to 18,000 individually-numbered copies*.

Grab a copy before they're gone, gone, gone.

*Limited to 2 per order. Very limited quantity available.

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Honestly, if you have 6/9/76 from the Road Trip Series...you have 80% of this show already. Seriously, compare the set lists. I was really hoping for 1991 (8/16, 9/26 or 10/31). I guess I can chalk this up to yet another miss. I have yet to get one correct. Cool art work as usual, on a positive note.
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So I cound not be more excited about this pick. Before passing final judgement, I will admit that while not generally fond of 78, I loved DaP23. Mr. Jack Straw. Thank you for saving me the time of posting exactly what you just said, with a heavy emphasis on 1970. This was clearly a weak year of releases and we are in my opinion, reaching a saturation point.
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I'm not a big '76 guy, but this is a very solid show. Yes, '76 shows tend to be mellow, so you know that going in. But this show more than meets the criteria for a Dave's Pick: it's well-recorded (a Betty Board); there are not a bunch of train wrecks in different parts of the show; and the versions of the songs are well played on this night. Part of how much you like this may depend on how much you love Jerry songs vs. how much you love Bobby songs. If you're that guy who posted recently that you consider the legendary Grateful Dead songbook to be just filler between jams (surprised no one jumped all over his shit), then you might not love this show. However, if you want a "Norman-ized" version of a top 20 Help>Slip>Frank, a top 15 standalone Scarlet, and a "flawless" Wharf Rat, you'll be pleased with this choice. Comments from headyversion.com: "The transition from Let It Grow is just brilliant. Jerry won't let go and kicks into it like nobody's business. What follows is Grateful Dead magic. This whole show is an under-the-radar masterpiece." "...a nice Scarlett [sic], full of sweetness and light, lovely lady sounds whispered gently from within the backlighting, plus a dreamy creamy bubble-up-to-the-surface jam that just caresses." "Crazy good show from a crazy good month...great slipknot & they ain't done after franklin's...right into sick stealthy dancin." Those, to me, are the highlights. Anyway, in contrast to the barrage of train wrecks and unbearably long AUD patches in DaP 27, a methodically played, laidback Betty Board with few mistakes - and with Donna in finer form than so many other times - will be most welcome.
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...."If you have 6/9/76 from the Road Trip Series...you have 80% of this show already. Seriously, compare the set lists." ITS NOT ABOUT SET LISTS!!! I give up. If you judge a Dead show by the song list, I am so so sorry. Sucks to be you. What would be your perfect setlist? I really want to know. Tell me. I want y'all's perfect show. Show up or sit down. Funny shit out here in Deadland. Not to be pretentious or anything, but I'm at a loss at what some of you want.
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I thought DaP 26 was quite good.. 11/17 had not really circulated before it's release. I get the saturated comment.. but the minute I step back it seems something profound presents itself. I recall commenting to a friend when DaP 11 (11/17/72, Wichita) came out shortly after the E72 box was released that we didn't need another 72 release just yet. Like we could have lived without that.. yea right! I don't see myself ever walking away. My enthusiasm might wane a bit from time to time, but.. There's still an appetite and willingness to see what Mr. Norman is serving up for brunch.
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The turquoise ameboid is water gushing from a fire hydrant. 'Cause, you know, it's June. Those bones need to stay cool.
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you must really hate the Egypt artwork then!
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I decided to give Kinfish's first album a spin over the weekend, being as it was released in 1976. I always liked it-although it did seem a bit lightweight when I got it - the same day I bought The Ramones First album back in the summer of 1976. The Ramones hit the spot for me back then far more than Kingfish did, I have to say. By 1977 it seemed every British band had copied The Ramones signature style-and it soon became a drag. But punk was a blast for the first 12 months or so. Until it got co-opted and standardised by the "rock establishment". Like every rock movement before it and probably since. But that Kingfish album was alright. The old live album I have by them "Live N' Kickin'" is better than the studio one-and the King Biscuit double cd I have of the show from April 3rd 1976 is better still. Especially Robbie Hoddinott's guitar playing-great telecaster tones. A nice aperitif, you might say, for this next Pick.
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I too am a big fan of Kingfish's work with Bobby. The band has a great Americana feel -Hoddenott's guitar work is wonderful, especially on Jump Back. However I recall from a Bobby interview I once read that one of the Kingfish live CD's ("Live 'n Kicking" - not the King Biscuit CD) edited out Bob Weir's contributions for the final remix since he had left the band to rejoined the GD. From Wiki: "With the goal of forging a separate identity for Kingfish, tracks containing Weir's playing and singing were therefore removed from the mix, except where absolutely crucial to continuity or where his guitar or vocals bled onto the drum track." Still a great album. You can still hear Weir all over the place.
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Last May I actually gave this show a listen to for the first time and it was the Let It Grow > Drums > Wharf Rat that stuck to the ribs afterward. Now with Dave's explanation that the tour was prepped with some rehearsal time, makes sense why it stood out. Along with that, I'm also going to really appreciate having another remastered '76 Help > Slip > Franklin's in my collection. The spacial lysergic approach they took this year for the Slipknot! sections are personal favorites.
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Come on Dave...WTF....We already have that HIGH TIME from 6/28/76 Auditorium Theatre, Chicago, IL as it was released as filler for the Download Series Vol. 4. So what gives? If you want to put filler on there, and to my recollection this is the first time any filler has ever been added to a Dave's Picks, why a tune that ALREADY been released? You couldn't add some more from 6/23 considering there is no SDBD available on Archive for that show. Wake Up Dave!!!!
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Come on Dave...WTF....We already have that HIGH TIME from 6/28/76 Auditorium Theatre, Chicago, IL as it was released as filler for the Download Series Vol. 4. So what gives? If you want to put filler on there, and to my recollection this is the first time any filler has ever been added to a Dave's Picks, why a tune that ALREADY been released? You couldn't add some more from 6/23 considering there is no SDBD available on Archive for that show. Wake Up Dave!!!!
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Wow! BTW, anyone got an FLAC of DP25 Good Lovin' from New Haven they can zip to me some way? Please PM me if you can! Mine has skipped since I don't know when, and a trip to the disc buffer did not clean it up! Must be a deep scratch... As for this pick, count me in for another H>S>F, this ones surely going to be tighter than 9-24 (double time Slipknot! anyone?) and Boise. I wonder if it will fade in like the version we got on 30 Days in 2012. I'm always looking for another Phil-laden version of Dancing in the Street. I love his bass line on the disco version of that tune! DaP 29 and 30? Anyone's guess, I of course have mine. But, all good things in all good time, right? Lastly, we're all counting the days until November, when hopefully we will be treated to another 30 Days of Dead! This next many weeks is going to be dead head heaven! Thanks Dead.net!
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According to Spotify the High Time on DL Series Vol 4 is from Philly Tower Theatre on 6/21/76, whereas the one on this release is from Chicago, Auditorium Theatre on 6/28.
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That Spotify info is wrong. No High Time was play at the Tower Theatre on 6/21/76. Download Series Vol.4 contains the following filler: (Per Nugs.net & Wikipedia) Disc three (bonus tracks) "Scarlet Begonias" (6/21/76 Tower Theatre, Philadelphia, PA) - 10:59 "Lazy Lightnin' " > (6/21/76 Tower Theatre, Philadelphia, PA) - 2:48 "Supplication" (6/21/76 Tower Theatre, Philadelphia, PA) - 5:18 "Candyman" (6/21/76 Tower Theatre, Philadelphia, PA) - 7:03 "Playing In the Band" > (6/22/76 Tower Theatre, Philadelphia, PA) - 23:25 "Drums" > (6/22/76 Tower Theatre, Philadelphia, PA) - 2:30 "The Wheel" > (6/22/76 Tower Theatre, Philadelphia, PA) - 4:59 "Playing In the Band" (6/22/76 Tower Theatre, Philadelphia, PA) - 3:21 "High Time" (6/28/76 Auditorium Theatre, Chicago, IL) - 9:27 So again I must ask, Why Dave? It would have also been sweet to have some filler added to Disc 4 from the Pacific Northwest box set. Some more of 3/23/74 or 6/16/74 would have been a serious treat.
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Brent ruined the ‘80s for me. His songs and vocals were better suited for pick-up or cheap beer commercials, and I can’t stand his cheesy keyboard sounds. It’s a shame Jerry got into MIDI technology as well.
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According to the metadata, the High Time that concludes Download Series 4 on my itunes is from 6/28/76 Auditorium Theatre, Chicago (also shown as 6/28 on wikipedia). The Download version is 9:27 mins vs 9:17 for Dave's 28. Confusing. But then, I didn't even spot the fire hydrant on this Dave's cover. . .
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Yeah the midi thing needs a very light hand, some nights it was excessive or obtrusive, others tasteful and playful. Oh well, if they had more time who knows what might have eventually happened with it all. One of the dead releases or an article somewhere with Branford Marsalis made similar to comments to the poster below. Can't remember the exact wording but Branford basically said he felt it diluted or obfuscated Jerry's dynamics and touch in playing which Branford said was immensely impactful to him as a fellow musician and listener. Gave the impression that he felt it took something away from his natural magic. My subscription date for last year says 10/24. Sssshhh... stop telling people to subscribe,the pools getting mighty packed and I'm not ready to sit on a towel... :) Cant wait for another year.
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...of all my complaints about releases recently and this past year: Now, there is only one small thing that may eek a squeak of mild protest out of me for 2019: If they don't release the 1969 Ark shows for the 2019 box set offering for the 50th anniversary commemoration! Give it the full monty box set collector edition design treatment too! Crossing the fingers. I think it's a popular request around here though....
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I wish we got a different track than the already released High Time as well. I'm a big proponent of filler on these releases. This is not the first instance of filler in the Dave's Series: DaP 3 included 10/21/71 material on disc 3, DaP 11 features 11/15/72 material including a 30 min Playing, DaP 12 features 11/2/77 filler, adding to the DP 34 filler, DaP 18 features a lot of 7/16/76, DaP 22 features a lot of 12/6/71, and this year's DaP 26 featured a disc of 12/14/71. The haphazard use of filler is frustrating because you have releases like DaP 7 where there's a 31 minute second disc, and 7/8/78 is an even more egregious waste of space with only 22 min used on disc 3 (couldn't take some songs from the August Red Rocks run for a comparison of differences in playing in just a month's time?). Dave's rationale of using incomplete shows as a source to draw from is more irritating when recycling something already put out as with this High Time, but also in the face of discs that are 20-30 min and there existing an abundance of incomplete shows to draw from. I know it's a trite first world complaint, but that doesn't invalidate the argument that the inconsistent application of filler makes no sense. Hell, the same guy in charge of the Dick's Picks put 5 songs of filler on a 6 cd, 2 concert release with DP 29. Tell me how THAT squares with a 31 min disc... All that quibbling aside, I listened to more of this Pick via the wonderful Hunter Seamons Matrix, and made my way back through DaP 18 and most of the bonus disc, and am stoked for this release. Also, holding out hope for some primal Dead to be announced as DaP 29 or 30. The last Dark Star in this Series was DaP 19, which is hard to believe was 10 Picks back. We got the double shot of Other Ones on DaP 26, so a 2/7/69 with 2/6/69 filler sounds perfect to me for DaP 29. Thanks again to Kayakguy and whoever else mentioned that in the leadup to the announcement. Those short shows are full of fire!
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I see a reference to "DL 4" as being a release of 6-18-76, but that doesn't appear correct for either the Dick's or the Dave's series. Did 6-18-76 get released officially? If so, what volume? Edit: Erp, I see it's the Download Series! Doh! Can anyone remind me of the criteria for the DS?
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it's that this bunch will never ever ever ever be satisfied en mass. The litany of complaints is just way too diverse - wrong year, wrong tour, wrong week, wrong night, dont like the filler, don't like the artwork, don't like the mix, too few copies, too many copies per sale. It goes on and on. On the one hand its great if the powers that be hear you out and use this as some kind of constructive feedback, but its pretty intense white noise after awhile on here. Until and unless every show is available in every format with custom artwork and mixing for every purchase, someone will be having a sulk about something...
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I stand corrected on the High Time filler....appears it is a duplicate, which I agree makes no sense? My only guess is that they were unhappy with how it came out on the DL Series or that it was a complete oversight?? Seems odds, but at the end of the day, I don't really care. The complete show from 06/17 is what's important to me. KCJ
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I don't believe that comments such as "WTF Dave?" will influence the gentleman in the vault. DL is working diligently to bring the vault to us, step by step. It is both an artistic and a commercial venture and, therefore, has to be paced. An occasional clunker in anyone's book should not outweigh the greatness that has consistently come our way over time. I suppose the positive upshot -- despite the self-delusional claims that "I'm saturated" -- is that every single release is rabidly anticipated and everyone single one of us has a few shows in mind that we gotta hear before we join Jer and Pigpen on the other side.
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The greater the range of opinions expressed on here the more I like it. It was interesting reading all those comments on that recent 1983 Pick before it arrived-so many conflicting reports. In a way, it seems to me, the strength of a community lies in its capacity to absorb differences, not to desire or push for uniformity.
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I have always loved the '76 vibe. Very happy with this pick. Hell, I'm happy with all of Dave's picks. We are a very lucky bunch to have all this old music available to us this day and age.
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Well said, daverock, especially this: “In a way, it seems to me, the strength of a community lies in its capacity to absorb differences, not to desire or push for uniformity.“ At the same time, I wonder if there also needs to be some consensus to call it in fact community. Yes, we all love the GD. But comments like, nothing post-75 or -78, are so absurd in my opinion it’s almost laughable. I’d be happy with a release from any year, even (and perhaps especially) 84-86, 91-95. Mainly I think because it’s a fairly gaping hole in the official release history. It’s coming, people, Dave himself said so, there will be more 80s releases and rightfully so. Band had a remarkable 30 year history, it wasn’t a decade (or less!). I don’t think it’s coming for 29, but it is....
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Is this a realistic possibility? The shows are fire but there are some wicked cuts in the circulating tapes.
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12 years 9 months
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When it comes to not digging a release in a series, I get the frustration. You paid X and you expect all releases to be quantifiably great in your subjective opinion. I subscribe every year too. We can't run the risk of trying to be ala carte, you'll never make it. But we buy the ticket and take the ride. I have said many times the best part about this band is that they are many bands in one band. All of the different nuances throughout all of their eras all the way to the end, they all appease different parts of our group and of our minds. Just remember, they can't all be zingers just for you. I am just happy that we have all of this great music to enjoy. I don't already own a copy of this show outside of download. Be happy.
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7 years
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Agreed: “...the best part about this band is that they are many bands in one band. All of the different nuances throughout all of their eras all the way to the end, they all appease different parts of our group and of our minds.”
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14 years
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...is not an issue for this particular show. Listening to the very fine Hunter Seamons matrix in anticipation. Very good renditions. Great tempo. Everyone is in the mix. I'm looking forward to the remastered soundboard.
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7 years 7 months
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Well put Dave. Add a healthy dollop of respect and you have a thriving community..
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17 years 5 months
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Still need the track 11 file if anyone has it in FLAC. Better excuse than any to pop in the Scarlet>Fire with the cans. Love that one.
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17 years 4 months
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Thanks for a link to your thoughts about '76. Nice reading there. 5 stars. Not familiar with this show, but '76 has grown on me over the years, much like '78 has, but for different reasons. A band within a band indeed, wrapped up in a mystery, inside an enigma, answered by a question no one asked.
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13 years 5 months
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Some serious 76 action, to go along with the discussion here. Sure, October 76 was a different kind of feel, but it still has that easy-going, experimental vibe, and this show is particularly strong :) Set 1 cooks, but if you listen to nothing else, the Set 2 opening combo of Eyes>Music is stellar! Cool combo, and they are really rocking hard. The rest of the show is great too! https://archive.org/details/gd1976-10-15.sbd.miller.84260.sbeok.flac16 Oh, and the 10/15/84 show is a rocker too! DEEP and spacey Playin in set 2. Also, what I believe is the first Bucket>Sugaree opener. My buddy who saw a bunch of shows in the 80s said that combo wore out its welcome, but this one is great, particularly the Sugaree. Good stuff :) https://archive.org/details/gd84-10-15.senn.miller.22022.sbeok.shnf Have a great one, DeadLand! Peace EDIT: The Other One from the 76 show is a PHIL-MONSTER, winding down into a typically gorgeous 76 Comes a Time...
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17 years 5 months
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I'd call the He's Gone from 10-15-76 rather historic, or at least 'dead historic'...thanks for the link! P.S. edit Thanks to fellow patrons of the thread for coming through on the New Haven FLAC request. Dancing in the Street is another favorite from disc 4 Springfield but it's proven to be a polarizing track...
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7 years 3 months
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Some people have been commenting that we are at the saturation point for good Dead releases. I got it, but I think it has more to do with each individual than anything. Personally, I just got on the bus last year and I have been floored by everything that's come out. Now I definitely don't like the 80s and I've never seen these guys live, but as a music lover I find the dead to be absolutely a one-of-a-kind incredible experience. I think because I have such limited exposure to them everything I hear still sounds fresh and new. Unsaturated. Considering this show has not come out yet, and considering there have only been 3 picks from the 1976 year so far, and considering it's been 10 releases since we've had a 1976 show, I can't find saturated as an apt description of where things stand. The nature of this Beast is that we are going to get a lot of the same years in a short time span. That's the game. Some would argue that there should be more 80s and 90s, but there's absolutely no evidence whatsoever that there's anything in the vault that is even close to the quality of Dave's Picks Volume 8 from November 30th 1980. If there were a bunch of shows like that left, there's no doubt we be hearing them. But clearly the 80s are spent. By and large, the Boise show was not well received. It sounds like there may be some late 80s stuff that sounds good still from a tape quality standpoint. Maybe we'll see some of those. But the 90 shows seem to be lacking as a whole, so maybe a road trips type treatment for those shows would be better rather than the complete show. And the audio quality of the early to mid eighties is not good. So it seems to me the path this Series has been down will continue the same, love it or leave it. I'm lucky to have not been around for the tape trading days or even Dick's Picks or road trips. It's all good to me baby!
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14 years 10 months
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hahahaha. never. too much of everything is just enough, y'all.
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14 years 10 months
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sounds mighty fine. it isn't 8/27/72, sure, but it is still GOGD. "lotta people dissing 'bout the 76 sound funny, but it's still Grateful Dead to me" send your unwanted copies my way, naysayers.
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17 years 5 months
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to note that we're about to embark on a site update that's been in the works in the background for a while now, and that there will be times in the next few days when you can't log in to our community account. This will soon pass, but we don't want you to be blindsided by it. More details here: http://www.dead.net/forum/transition-new-site-temporary-freeze-communit…
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7 years 7 months
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Imagine you were as you are now.. except it's spring 1976, you were sitting in your living room and the GD are not touring. Unless you live in the Bay Area, it's not that easy to see the boys and you have pretty much gotten on with your life and adjusted accordingly. Then you get wind that the Dead were getting back on the road and a buddy scored a few tickets for 6/17/76 at the Capitol and slid one to you. ...wouldn't we all be there in a New York (New Jersey) minute? I guess I must be easy to please as well. I listened to this run last perhaps three or four years ago, but it's not fresh in my memory. I will wait for the Full Norman to arrive on my front porch before I give it another spin.. I have enjoyed both of the recent 76 releases, however.. Cobo Arena and the Orpheum both have their moments (at least to my ears).
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12 years
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Boy this new system really sucks, who thought this be a good idea. If I want the order in my life to change I'd go to a different supermarket every week.

:-)

ps - just went to archive.org,,, the choices of bands and shows come up, but when I go to a certain show, the songs aren't listed?

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11 years 4 months
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I don't believe this web page is finished yet. It's functional, but not fully formatted - at least I hope not... feels like a crude web page from the days of AOL dial-up. This page is only navigable via my old "bookmark". If you go into the site, this page isn't up yet.

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11 years 4 months
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double post, but not for the usual double "save" reason. Acting weird - def still under construction.

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17 years 5 months
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Yes, a few things aren't just exactly perfect yet. If you have intractable difficulties, send me a PM. Thanks!
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17 years 5 months
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This is going to take some getting used to. It seems cumbersome compared to the familiar "old" version. Hopefully familiarity will bring some clarity.

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17 years 5 months
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These things always take some getting used to, sorta like Jerry and Phil switching sides every now and then, throwing your plans to sit on Jerry's side into disarray... But please persevere!
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