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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • Vguy72
    Joined:
    I already told you....
    ....I was listening to Arrowhead, however, I brought two of my granddaughters here from Elko for a couple of weeks. They wanted to watch The Incredibles. I thought they meant watching a Grateful Dead live concert, but I digress. We're going to The Incredibles 2 this weekend. Needed a refresher course. A grandpa's work is never done. I quote Buddy. "But, after all, I'm your biggest fan!"
  • JimInMD
    Joined:
    Ouroboroseses
    Everybody has a malevolent twin. ..and even if you don't you should make one up so if you really screw something up you have someone to blame the mess you made on. Yes.. welcome back Ouroboros. I have heard that take before, but it never gets old. Very envious. Edit: Not that Oroborous has any mal intent.. well, we're all pranksters at heart - birds of a feather. No ill will intended.
  • Gollum
    Joined:
    listening?
    Just cued up Arrowhead 7/1/78 after all the talk. Sounding sweet. Earlier today listened to some early Randy Newman albums for the first time. Dang, Randy was gooood. Who knew? Another case of a great artist who most people know only by his most annoying song? ("Short People").
  • icecrmcnkd
    Joined:
    What am I listening to?
    In the car this week11-17-71, then on to 12-14-71, should wrap that up tomorrow.
  • JimInMD
    Joined:
    Is it August 1st yet?
    I will settle for the next Dave's Picks reveal. I got a hilarious email from a buddy today. Something along the lines, best part of my day, picking out the music for drive home from work.. that he sometimes sits in the parking lot for periods of time struggling to get the exact show that matches his mojo for the day. I had to laugh.. happens to the best of us. I was somehow inspired to pick 07/05/78 Omaha Auditorium - Omaha, NE for my bike ride at dusk.. specifically the Ship of Fools through Eyes of the World. It was magnificent, sliding down the mountain just as the sun set and music was settling into a forceful, jazzy groove. A wonderful sequence and one of my favorite eyes from that period. It was a mood changer and now all is good with the world. So what are you all listening to?
  • icecrmcnkd
    Joined:
    Hey Oroboros, welcome back
    (Not to be confused with Oroborous, who has been hanging around recently)
  • The Outer One
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    Joined:
    Is it October yet ... ?
    Sorry no, RobbZ, but the CFL football season opened tonight, with Edmonton @ Winnipeg to get the season under way. And Johnny Football has come north of the border to bring more excitement to a league that already has enough excitement. Can't wait! GO RIDERS GO! PS - the NHL draft is only 1 week away!!!!
  • stoltzfus
    Joined:
    claney thank you for Arrowhead images
    definitely gotta hear dat box agin
  • Vguy72
    Joined:
    Yup, Arrowhead is the shit....
    ....Good Lovin' just ended. Thanks for the reminder guys!!....and to robbz. If these accolades aren't enough, buy the damn thing anyway. If you don't like it, the rest of us will pool our $$ together and reimburse you. Right?
  • Oroboros
    Joined:
    Robbz- if you need a push (comes to shove) to make the purchase
    of the remaining box sets of the Dead's 1978 summer excursion, I will offer my Red Rocks tale to convince you with eye/ear witness account, with apologies to those who have heard this twice told tale (maybe more like the sixth time on this forum) AND since I didn't get to write the liner notes, here is a repeat account for Robbz and those few that haven't heard it. That summer of 1978, we caught them in Minneapolis but missed Willie's picnic (we were already vacationing in Minnesota and the Dead did actually did circle back to Nebraska (that relates to a back story from a trip to Winterland NYE show 1977, but back to this run). They played the Omaha Civic Auditorium, where the Dead played once before in 1973.. We got there and the venue was half full (about 4,000) but everyone was chomping at the bit in anticipation to hear them live. I took my Nak 550 into the venue and there was no hassle getting the deck in this time, but remember these were the days before ‘tapers sections’. And each venue or even staff may present a different challenge. But not here, thank goodness. Out in the hallway, the Hell’s Angels wandered about sporting full colors and big grins. They may have been transporting ‘party favors’ and decided to take in a show. Or maybe the Angels were just road tripping with the band (although I didn't see them at the next few shows). My buddy even brought his 68 year old mother to the show. She sat up in the stands “It is just too loud down there!” Anyway, I headed down to the floor with my Nak 550 to set up in front of the soundboard. When I started to get my gear set up and saw this guy beside me with a great rig. Luckily this kind stranger (I have since discovered he was famous taper Bob Wagner) then let me patch out of the back of his deck, which was wonderful as he had a great 8 ft. tall mike stand set-up. He had a Sony deck and mics, but with that high stand his mic’s were well above the crowd noise. We were about 15 to 20 feet in FOB. So Garcia treated us to a blistering Sugaree opener, the kind that drove the crowd wild. His leads mounted into a wave that crests, recedes, regroups, and comes back rolling in with such power and delight that adds a synergistic effect to our frenzied response as his rolling/soaring guitar work lift and subside with the band. Then Beat In on Down the Line, TLEO and now it was Bob’s turn in the spotlight with a Look’s like Rain. About halfway through the song, I suddenly noticed something shimmering in the air between the band and me. I thought “what a fantastic light show! Or have I have shifted into fifth gear just a little early that I scheduled?” I staggered towards that disturbance in front of me to investigate. People were dancing wildly in the middle of the floor as a waterfall played over them. It was about 25 feet in circumference. I put my hand in, water…hand out, no rain..I am standing in front of an indoor waterfall. what to do? I jumped into pouring rain that was INSIDE the middle of the auditorium! Then I stepped back and was out of it. I shook my head and then lunged back into the deluge and danced through Looks Like Rain & then during Direwolf as well and a delightful All Over now. (Complete with Donna in perfect pitch!) Then Candyman and Lazy>Supplication before Bobby informed us “We’re going to take a short break”. I staggered back to reload a new tape and then I did look for some validation of my experience. And I asked my friends if I was not in fact ‘soaking wet’ as I patted my soaked shirt. They grinned knowingly and affirmed that, yes, in fact I was “all wet”. And then this unique show continued, (nice indoor water-feature, boys !) with a killer second set complete with a transportive Estimated> Eyes> drums> Wharf Rat> Truckin> Iko Iko> Around. And then after a lengthy absence from the stage the boys returned to play us ‘Promised Land” as an encore. As I left the auditorium I noticed the water standing on the ground outside, a summer storm? Was this a case of a leaky roof or didn't the Dead just conjure up the forces of nature as they were so prone to do? But back to the important stuff, what were the Dead going to do next? Would Phil rev up his reverse gravity machine and pummel us with Phil-bombs at the next show? Would they levitate the crowd, and have us all dance while floating in the 'cool Colorado range'? I HAD to follow them to those Red Rocks shows in 1978. So a road-trip to Colorado it was. This was the Dead’s first Red Rocks jaunt (and my first as well, although my girlfriend (now wife) had seen Joni Mitchell there previously and raved about the venue) so my anticipation was so ‘high’. (In many ways.) So I packed my taping and camping gear and off we went. When we walked up to the Rocks entrance, the Feyline security crew (or were they the John Scher guys?) were stopping people and inspecting any 'carry in' bags. A security behemoth that I will call “BigBoy’ stopped me at the entrance to look through my Boy Scout backpack. He hefted my NAK 550 out of the pack and held it aloft with one beefy paw, exclaiming “Hey, you can’t take this in!” I gave him my best perplexed look and said “What? It’s just a tape player.” (first lie) Then the giant BigBoy instructs me to “take that back to your car”. I retorted “I can’t, I hitchhiked to the show” (second lie). Beefy Bruiser BigBoy points to my ticket and says “the ticket says no recorders on it, you can't take it in” and I tell him “look, I don’t have any microphones” (third lie) and hold up my arms to be searched (of course my comrades had the mics with them). Then I sighed loudly and popped open the back of the Nak deck and let eight D cell batteries drop onto the ground. “Look, I dumped out the batteries, it can't record”. (lie number four) BigBoy stood there with his arms crossed in front of me, but I could see a small crack in his resolve. So I pulled that thread “Look, I hitchhiked all the way here from Nebraska to see this show, would you hold onto this deck for me? It cost me $600 (which in ’78 was a lot of dough) but if you just hold it for me, and then I will find you after the show. You look like an honest guy.” (fifth lie, this guy didn't look trustworthy). I push the Nak towards him, and this deck is huge and weighs a ton, (a goddamn boat anchor). I really played my trump card here and was trying to hold my ‘gameface’, Suddenly all the heads waiting in line behind (and all my friends) erupt with yells at the BigBoy to 'hurry up' and started chanting “let us in”. BigBoy gives his mullet a shake and then he points into the venue and looks at me and exclaims “Go on, get out of here” and I dive headlong into my first Red Rocks show with a grin a mile wide(high)! Followed by Mary with my mics and my buddies with my fresh batteries (re: lie number four) and my blank tapes. The batteries that I dumped out for BigBoy were already ‘dead’ (pun intended). I again ran into that ‘kind stranger’ (Dr. Bob Wagner, FOB right side)) to plug out of his Sony again. Those two shows were stupefying, and the band obviously enjoyed playing there. Bobby's deer joke, and I remember Phil leading the boys through “Cold Rain & Snow” with his bass punching that tune into a triumphant ‘strut’ that evening.I recall Jerry broke a string during the Scarlet>Fire, which really didn't slow the pace of that perfect evening. On into Dancin' >NFA > Black Peter > Around & Around and then a dual encore of US Blues & Johnny B Goode. The next night was much the same. Each night we would watch the clouds chase each other in the sky as the band serenaded us. Until it became dark and then we looked out ‘over’ the Dead to see the distant lights of Denver sparking in the background. Second night second half, we were treated to a tremendous Estimated > Other One> Eyes of the World > drums> Wharf Rat > Franklin's Tower > Sugar Mag. The crowd was especially raucous as Wharf Rat wound to that tender quiet point and my memory is that Phil leaned in to admonish us with a "shhhhh" to quiet us in preparation for the wonderful 'launching' platform/crescendo prior to "I'll get up and fly away". One of my buddies swears it was Bobby that shushed us, but given the volume of chemicals aboard us that magical evening, I will leave accuracy of the tale to the story teller, yours truly. Those evenings the Dead's aural wonders were matched with the Red Rocks astounding visuals as we were perched in between those massive stony slabs of stone jutting into the sky. And the Dead had an astounding view as well looking back at this dancing wild throng from the stage, with the sky and stone cliffs framing us. As the Dead those two evenings took us all on an astounding journey of Americana, myth, rock and roll, country, space, jam, fable, fun, roller coaster, and turn on a dime delights, it all 'rolled into one'. And then as the Dead finished us all off with “Werewolves of London” we were all crooning back to the dead with our own howl of “Aoooooo”. And Garcia was grinning ear to ear as he bid us all a “good night”. I do agree with the accolades of these shows and the complaints (mainly Bobby subjecting us to his practicing slide guitar interrupting other wise exquisite Garcia led excursions into the stratosphere. But here you have it, those shows from 1978, the Dead at full throttle for your edification. Purchase it Robbz. You can thank me later. Teachers open the door, but you must enter by yourself.
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

I agree that listening to this release on headphones is a joy. The nuance in sound is amazing, I got used to the louder drum kit and yes who ever mentioned this was a philfest, I agree. Have not had a chance to crank it on the big boy stereo yet,

disc skips 6.26.73 damn it. That sunshine Daydream Sugar Mag was rockin just a few minutes ago !!!!

I gotta make that dreaded call to customers services line. F%!Ck need replacement disc

On to the Wall of Sound shows finally ! Slowly marinating in this box set. The 1973 shows each had their own flavor and something to offer.

Box of Rain Bird Song

Looks Like Rain Box of Rain

Jack Straw Box of Rain

The next session begins with beat it on down the line. Dire Wolf ~ 5.17.74 ! Super treat !!!!!!

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send me a PM with the details and I'll pass them to the Doc.
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Get 'em while they're hot! This new site, for whatever it is worth, made the process quick and easy!

I was guessing either 10/18/72 Fox Theatre (an all timer!) or the Swing.. solely based on Lemieux's SiriusXM roll-out hype for Dave's Picks 28 when he eluded that #29 was one of the all time great shows and will likely be viewed as the best of the series so far.

But I was not the only one calling for the Swing, I think Keithfan was plugging it not too long ago among others.. It is an all-time great show and one of my favorites from all of 1977.

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In reply to by MDJim

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Alright, goddammit. I'm back but only because this is one of my top three.

I'm not taking any credit, but I did enjoin a very polite refrain requesting 2/26/77 very, very recently. Right around the time they would have been making the final call. Bless 'em!

Deepest, sincerest "Thank you!!!" to Dave, Mac, and TPTB.

God Bless the GOGD!

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I consider myself an expert on the live performances of Money Money. I have listened to every version repeatedly. I am confident in saying the 5/19/74 Money Money is the greatest ever. At the very least it's in the top three.

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I've been marveling at the Grammy-worthy box packaging for weeks now, and have not had one spare minute to digest the music. I see some comments regarding the mix. I'll reach my own conclusions of course. I'm hoping it's not all that bad, just spotty like so many ancient tapes.

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In reply to by One Man

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Gathers what another man spills.
Good to see you, sir!

The mix is spotty, that is all. You will be blown away by the sound stage and presence of these Plangent-processed SBD tapes. Truly magnificent what has been done with these ancient dusty reels!!

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In reply to by Guss West

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Glad to hear that Guss. Kinda weird navigating this new site. Where is my IN box?

Hi Unkle, Thanks for your response! I'm glad to hear I'm not the only one who was having trouble hearing Garcia's guitar. There's been some more comments about this issue, and Marye even posted that Dr. Rhino's looking into it, so we''l see what happens. I agree that McIntosh is the way to go when listening to the Dead--especially since it's Owsley-approved, and Garcia always had the glow of blue meters in his rack until very late in his career. I like to think it gets you a little closer to the original sound. It sounds like you have a nice setup, too. Good ol'-fashioned, two-channel systems beat the hell out of a cell phone, crappy earbuds, and lossy mp3s.

Hi MDJim, Thanks for your response! I also thought that if I was getting sound at all, it had to be a problem with the mix. There have been some other recent posts that mention the same Garcia guitar issues, and Marye said that Dr. Rhino is looking into it, so we'll see what happens. While the Dead is truly a group effort whose sum is greater than its parts, and while Garcia was a reluctant leader, without his guitar at least a little bit out front driving and steering the band, some of the magic is inevitably lost.

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Please send me a replacement disc for disc 5 of the boxed set. Mine is defective during China Cat - Rider.

When I say defective, I'm not talking about the mix or missing vocals. The CD skips, gets hung up repeating, stops playing.

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Yes, particularly earlier in the box, the 1973 shows are plagued in spots with strange mixing issues. Whatever is printed on the cd is not "defective," in the disc itself; they chose to burn these shows which undoubtedly had recording issues at the source - loose cable jack into the board/recorder, maybe someone inattentively bumping the faders up and down on the board... at one point, for a few seconds all you hear during one of the "Promised Lands," is Billy's drum track. The vocals and guitar fade in and out and some times the rhythm section is prominent, other times tinny. There is a there there, but I wouldn't allow it to detract from a great box. It's interesting to listen to it like that as much as it is annoying.

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Klay Thompson set the record for most 3-pointers in a game tonight.

Post-game attire? Green sweatshirt with a tasteful Stealie! No doubt influenced by his previous coach, Luke Walton.

Represent!

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What can be done? What will be done? Will they remaster the entire box? Will they send us an "update" that adds Jerry's contribution to the sound? I think not. Nice thought tho, but I highly doubt that anything will be done, take it as it is, or leave it if you dare. I will hold on with my final review until next year, if they haven't done anything by then, nothing will be done. Sad really, no more preorders for me on box sets, listen first, then purchase will be my new coda.

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if you have them, send me a PM with the details and I'll pass them to the Doc. Posting about it in the thread may be suboptimal as there are a lot of posts and it could get lost. Thanks.

Perhaps I am behind in reading all these posts.. but the mix issues on my CDs seem to match up with the mix issues on the soundboards in the Archive. This means either the problems with the mix exist on the source master reels or all these sound engineers are hitting off the same crack pipe (which I guess is a possibility albeit a slim one). So remixing the entire box would likely yield the same result, but at great expense and causing much confusion for all.

Just to make sure I was not seeing double (hey.. it happens), I took some time to compare the PNW box to my source soundboards that I pulled down from the archive long, long ago. The issues with the mix are consistent comparing one show to the next.

Is this another poke to make sure we have maintained our sense of humor? ….remixing the entire box seems a bit silly perhaps, but not very much fun.

Again, I could be missing something..

One thing comparing my recordings to these did yield.. the PNW box sounds better than what I pulled down. Even the 73 shows sound quite good to me and my system with and without headphones.

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I totally understand there may be sound issues with recording sources that are 30-50 years old. Recently we've had the heavy 'reverb' on the GSTL from '77, the splice in Dave's 27, Eyes of the World, which seemed to enrage so many, and now the various issues with PNW. Bill and Donna are high in the mix at times and some say Jerry is too low.
My complaint is on disc 1 of Portland '74. From about halfway into Sugaree thru El Paso the vocals are practically inaudible. Like karaoke versions. Which admittedly is kinda fun in a weird sorta way. But c'mon.
Maybe there should be a page or paragraph or Something in the already included literature by the producer/engineer where they could address and acknowledge some of the issues with a particular release.

What's the old saying? "Don't piss on my leg and tell me it's raining". And don't say nothing and pretend that everything is just exactlty perfect. By saying Nothing it only makes people wonder if it's only their disc/equipment/ears/delusion.

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In reply to by Drifter's Escape

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They should really put these chats right under the product page the way it was previously. There are now less and less posts cause it's simply a headache to find these threads. I think the community is thinning out because of this. Steve Hoffman Forums is a great alternative community for GD superfans who want to chat up these releases or anything else.

I think Reijo has a point.

Drifters, I see your point too. But I like that show and am still glad it got released. The China>Rider, WRS and Jam after Truckin' are very nice and I really like the young Peggy-O's which are somewhat special and rare. The fade is on the source recording so the choice is whether to release the show or not.. all the remastering in the world is not going to bring the vocals up in the mix.

Dicks Picks used to place a caveat emptor on the back of the jewel case regarding sonic anomalies and the ravages of time, etc. The other point to make about some of these box sets is the tendency to make something very good and slip in a show that might not have made it as a Dave's Picks. Sort of slip one in on is. I don't think this is the case for this box, but 30 Trips had a couple of these. For $30 a show, and being a bit of a completist myself I am ok with it.. but I see the other side of things. I am sympathetic but happy to see these old tapes get special treatment. I appreciate the efforts they went through making this sound as good as it can.. but that's just me. One opinion.

Love the latest Dave's Picks.. but a topic for another thread. Talk about exceeding expectations...

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I would agree with the points below, but it may also be the fact that there are multiple recent release threads - e.g. this PNW box thread, the DaP 28 thread and the DaP 2019 Subscription threads. Who knows, hopefully it will pick up again.

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In reply to by Charlie3

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I see this too, but there is a silver lining.. I am seeing lots of new folks step up and post positive comments, reviews and keep the vibe alive. The yang is there too.. a bit of complaining and the blem CDs and manufacturing error rate provides more than a valid reason to complain. I would consider providing CDs that play a core competency.

Still we get some good with the bad and new inputs and perspective is a good thing. I hope we didn't lose more than we gained.. there are a few I have not seen in a while that consistently added to the mix.

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In reply to by marye

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Hey I just saw your message in thread, I think I got it all sorted out with email to customer service. They replied with replacement disc on the way.

I appreciate the speedy response and help.

Time to rock out !!!

Spinning some 1985 Grateful Dead

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11 years 6 months
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My big beautiful insane Pacific Northwest box arrived on Thursday afternoon, September 13. I opened it up, examined it for damage or weirdness. I found lots of weirdness, but no damage at all. It was (and is) perfect, but I was busy so I put it away on my living room bookshelf. Yesterday, November 4, I took the box into my office and started ripping and listening to the CDs. This is astonishingly beautiful music. The playing is intense, inspired, and precise, and the clarity and detail of the recordings (as rendered here) are breathtaking. There are some flaws scattered about – dropouts and balance issues – but for me these flaws do not detract at all from the immensity of the greatness of this box of beauty. These are among the greatest Grateful Dead recordings I’ve ever heard (and I have 288 hours of Grateful Dead recordings ripped so far). So thank you for this fantastic effort. A lot of work and care went into this, obviously. Similar to some of the Mosaic boxes of classic jazz recordings, this one is for people who want to hear all of it, not just curated highlights.

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15 years 2 months
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I too have had 2 issues with this box set. 1 - my booklet had been bent during packing and I have 1 defective disc Disc 17 (disc 1 of 5/21/73 Seatle. Big scuff mark and skips on track 9 and fails to pick up on track 10 /11 / 12 after skipping.)

Got the standard response from Rhino - filled in the forms and nothing back from them yet. Both complaints now over 30 day s outstanding - any advice on how to proceed.

BTW -- a lot of fantastic music on this set -- but also a lot of recordng issues -- most of which have been already mentioned. This too is making me question whether to buy complete boxes in future ??

If you need replacements just reply to the email you received with your shipping tracking number.
Within a few hours you will get an automated response (from a robot) and within about 2 days you will get an email telling you that it will take at least 2 weeks due to the high volume of replacements that they have to send out.
That email comes from Eric, who may be a robot, I don’t know because I wasn’t able to see the results of his reCAPTCHA exam.

Speaking of which......

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9 years 3 months
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Just to give credit where credit is due, I had a defective disc in this PNW box and have received a replacement without any real hassle after contacting Dr. Rhino via email. If you got a defective disc, I can reassure you that they seem to be making it right. Had defective discs on DaP 28 as well and for that they emailed back an automated form to fill out after I sent Dr. Rhino my initial email. It took about a month for me to receive the PNW replacement disc.

This box is well worth any hassle of replacing defective discs, there is really not a weak show in the box from my point of view. Currently spinning the Portland '73 show and it really hits the spot for me.

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16 years
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I have now purchased 2 box sets in hopes on having one be completed. I have been in contact with Doc Rhino and now with Daniel, been since September, now I'm told it could be another 2 to 4 weeks... One box is being returned and now I have to submit a form to replace 2 discs on the second box.
So not happy with all the hoops I have had to jump through.

Yes I am still waiting on replacements. Quite frankly, I needed a break for this hassle. I volunteer, with the rehab of injured Dolphins and have not had the time, due to a current visitor.
Maybe people are also strugglin' with new web site.

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7 years 9 months

In reply to by jaydoublu

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Sorry you are having trouble.. nobody likes a hassle. Check your PM.

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13 years 2 months
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So Im finally getting around to listening to and burning these discs and have found at least one defective one. Disc 1 from 6/22/73 skips on jack straw...

Is Rhino issuing replacements for these?

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11 years 1 month
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If anyone is looking for this boxset, shoot me a PM. Mine is mint and I'm selling it for $125 plus shipping and insurance.

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17 years 6 months
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Hello Glocke12

In my box, disc 2 of 6/22/73 is defective. I wrote to Rhino on October 17th. I received an e-mail on November 8th informing me of the shipment of the replacement disk. Today, November 20, I still have not received it.

I am very disappointed.

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17 years 6 months
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I purchased the digital download. After successfully solving an initial issue with the PITB download, I’m now noticing the complete loss of vocal tracks, specifically on Sugaree, Jack Straw and IMHBTR on 5/19. There could be others. Is this normal or a digital glitch?

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7 years 9 months

In reply to by Sinc6

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Hey Sincie.. you are not hallucinating, the vocal dropouts you mention exist on the source master reels.. there are a few more on the first couple songs of a few shows.

Since they exist on the source tapes, there is nothing the digital wizards can do to correct it, short of bringing Jerry back from the dead and have him do a few vocal overdubs.

Happy Thanksgiving all.. I'm thankful someone remember to hit the Record button all those years ago.

I think it was 80sfan that was hyping the China Riders on this box.. Just listened to the PNE 74 version. Wow, smokin'..

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7 years 9 months

In reply to by Charlie3

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One of my more liked bumper stickers back in the day, "At Least I'm Enjoying The Kind"

Yes.. be thankful, be grateful, be kind. Happy Thanksgiving all.

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16 years 7 months
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Finally listening to 6/22/73 from the Northwest box set. Disc 2 has flaw. I notice there are other comments to the same. Is anyone getting replacement discs?? I remember back when that happened to a Dick’s Picks and a replacement disc was sent out without asking.

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9 years 2 months
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It took awhile, but I did get a replacement for a defective disc in this box. Probably worth giving the whole box a listen before contacting customer service or Dr. Rhino, as different people seemed to have different defective discs, and sometimes more than one.

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6 years
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This might be a dumb question but do I get an actual box set by the artist even though I got the digital download?

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7 years 9 months

In reply to by Charlie3

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ahh, yes. 74 Eyes of the World are one of the first things that really got me hooked. It was an early boot I had (Louisville '74) and it has never gotten old.

I keep trying to move on from this box.. (ok, not trying all that hard to do this..), but the way my life is, I have all these little digital compartments to listen to music on. ..and they are all currently loaded with some portion of this box. So without thinking I the handy device I reached for (tonight) happened to have Portland loaded and I listened to the China Rider through WRS>Let It Grow.

Sometimes I think we live in the Garden of Eden.. what a great era, warts and all.

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7 years 9 months

In reply to by MDJim

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..really digging the Weather Report Suites too.. they were only around for something like 13 months.

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7 years 10 months
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The enthusiasm you all have for this music is awesome. May you never lose it. I found an incredible 1976 box with 5 shows on 12 discs for a great price and the sound is excellent. I'm totally digging in.

Got my Rolling Stones tickets. Taking our sons, it will be their first concert. And Grandma is going, too, so there will be three generations there.

I would like it to be the Dead, as well, but the boys are always telling me to turn it off - that and jazz. Their little ears haven't quite gotten wrapped around it all yet, but, Jumpin' Jack Flash gets them going every time.

Hey, it could be worse. At least no one listens to rap in my house.

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11 years 7 months
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I've noticed that the first set of 5/19/74 Portland, that's disk 14 in the Pacific Northwest Box, has three or four songs in which it's very hard to hear the vocals, especially Jack Straw and the next three or four songs. Anybody else notice this? I've tested the disk on different devices so I don't think it's my devices that are causing the problem. Disk 15 is okay, so I think the problem is not with the original recording, it's with the mixing on Disk 14 ?????

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