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    heatherlew
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    May 1977: Get Shown The Light (All Music Edition)

    WHAT'S INSIDE:
    Four Complete Shows on 11 discs
    Four folios housed in a slipcase
    5/5/77 Veterans Memorial Coliseum: New Haven, CT
    5/7/77 Boston Garden: Boston, MA
    5/8/77 Barton Hall, Cornell University: Ithaca, NY
    5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
    50-page book of liners and photographs
    Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
    Mastered in HDCD by Jeffrey Norman
    Artwork by Grammy-winning graphic artist Masaki Koike
    Release Date: May 5, 2017

    WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

    NEW HAVEN 5/5/77
    "Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

    BOSTON 5/7/77
    “The music they laid down brought me places I had not been before.”

    CORNELL 5/8/77
    “...the single best rock performance anywhere, anytime, by anyone.”

    “There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

    "This show is, was, and always will be Mecca.”

    BUFFALO 5/9/77
    "...an awesome display of the Dead’s captivating power"

    If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

    MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

    The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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  • antonjo
    Joined:
    Brown-Eyed
    4/24/78 (Dave's 7) 11/1/85 (Dick's 21) ~ my all-time favorite. First time I ever heard the song, and Jerry sang it right in front of me. Arrow to my heart. Sweet version, though, by any standard.
  • Sixtus_
    Joined:
    Days Between, BE Women & Dark Star Today
    I wholeheartedly concur with the assessment that '93 yields some very powerful and poignant 'Days Between'; someone previously recommended the 8/22/93 Autzen Stadium show and it's a great choice: https://archive.org/details/gd93-08-22.sbd.nawrocki.562.sbefail.shnf/gd… This is a fantastic, very listenable show overall. A few observations: during Jack Straw, Bobby has some guitar troubles, so Jerry just keeps on blazing away while that's getting worked out. You can hear an elongated solo emerge and then Bobby jumps back in right before the final chorus. Also, TMNS is HOT as the first set closer and the Help > Slip!> Franklin's is NOT to be missed. Epic playing for the era. Also, I decided I must chime in on the Brown Eyed Women discussion as well. I am very partial to the version from 6/17/91 - an absolute MONSTER of a show (they need to officially release this IMHO). While a divergence from the prior eras for this song under discussion, this particular version really highlights each band member taking a turn during the elongated solo. Jerry tears it up, then steps aside, and Bruce has a few beautiful runs up and down the keys; you can then even hear Bobby step up and give it a go. It's very nicely jammed, fast paced, and brilliantly delivered. definitely worth checking out - but that is also just the tip of the iceberg for this show: https://archive.org/details/gd1991-06-17.137547.sbd.miller.flac16/01Eye… And brings me to my next sneaky slip-in: here's my Dark Star for the Day as well. Even though they never fully get into Dark Star proper during the show, the entire night is like one giant Dark Star Tease - it's all over the place: in between songs, Bruce teases it left and right. DURING some songs he also plays the melody countless times. So even though they never go full-blown, I'm still counting it as my Dark Star Today. Oh, and this doesn't even touch on the fact they OPENED THE SHOW with a 15 minute Eyes of the World - one of the best they ever did in the later years, or perhaps ever(?). The entire rest of the show smokes with too many high points to summarize. but definitely check out this show if you never have before; hell, even if you know it, its a beautiful diversion for Friday. Sixtus
  • guit30
    Joined:
    Travis Bean guitar
    I really enjoyed the tones Jerry got out of the Travis Bean, a lot like a strat. THOUGH the Wolf was able to get more tones. https://archive.org/details/gd1977-05-08.sbd.cantor.sacks.266.shnf/gd77…
  • claney
    Joined:
    evilyn - love your
    evilyn - love your description of the 5/4 Playin>Comes a Time>Playin. Spot on. I agree it would have fit well with this box - more than it would fit in a Palladium box. That show has more in common with New Haven than with the other Palladium shows. For that same reason, I'd rather see an individual release of 5/4. Direwulf - How about a new series? 5/4/77 could be DPFTG 1 :)
  • direwulf
    Joined:
    Sorry to the bearer of bad
    Sorry to the bearer of bad news but the only way Dick will pick 5/4/77 is if he does so from beyond the grave. Spooky. But, Dave is here man and he picked 5/25/77 for the first pick of his series, not the same date but excellent none the less. Cheers, its out there and its awesome!!!
  • antonjo
    Joined:
    3/17/93
    Seconding this one for a haunting Days Between ~ that swirls its magic around, then drops delicately into Good Lovin. Which they sensitively build before breaking into. (An inspired '93 show altogether.) The final Fare Thee Well show is a fine reading by Bob.
  • Vguy72
    Joined:
    Damn evilyn....
    ....you even made me feel a bit disappointed.....(commence shuffling of one's feet)
  • kindagrae
    Joined:
    Nobody listened?
    I'll never forget receiving a partial boot (single cassette) of 4.15. Years later upon finding all the shows on the archive I was overjoyed. I haven't revisited them in over a year but, it's strange coincidence that a friend mentioned them last week. Love the Unbroken Chain and so many others (Alligator, My Favorite Things) from those shows. If only to have been in attendance. It was quite a statement of hope/comeback after the transplant {{{Cody}}}
  • TheeAmazingAce333
    Joined:
    6.26.93 & Days Between...
    agreed johnny...6.26.93 as weLL as 6.25.93 are 2 very underappreciated shows... vividly remember the massive precussion/drum-jam-out (not reaLLy a circle, twas too massive) by the underpass, like most years @ RFK, but was especiaLLy off the chain in 93, damn we had a blast @ those shows... Days Between: 8.22.93 - 10.18.94 - 12.19.94(!!) & 3.27.95 are aLL worth diggin... and, hope aLL were able to rock out to 3.1.69 yesterday, my favourite show of alltime... ♤
  • Kate_C.
    Joined:
    Robb
    http://relisten.net/phil-lesh/1999/4/17/days-between What if you told the world that 3 of the greatest live performances in recorded history occurred at the Warfield around the ides of April 1999, and nobody listened? While in the neighbourhood, see why this version falls within 55 of my favourite musical minutes, then stick around for the Dark Star re-reprise. Oh, and it's (they're) available for download gratis./k
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May 1977: Get Shown The Light (All Music Edition)

WHAT'S INSIDE:
Four Complete Shows on 11 discs
Four folios housed in a slipcase
5/5/77 Veterans Memorial Coliseum: New Haven, CT
5/7/77 Boston Garden: Boston, MA
5/8/77 Barton Hall, Cornell University: Ithaca, NY
5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
50-page book of liners and photographs
Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
Mastered in HDCD by Jeffrey Norman
Artwork by Grammy-winning graphic artist Masaki Koike
Release Date: May 5, 2017

WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

NEW HAVEN 5/5/77
"Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

BOSTON 5/7/77
“The music they laid down brought me places I had not been before.”

CORNELL 5/8/77
“...the single best rock performance anywhere, anytime, by anyone.”

“There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

"This show is, was, and always will be Mecca.”

BUFFALO 5/9/77
"...an awesome display of the Dead’s captivating power"

If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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i've seen two of your posts in one weekcomplaining about someone's negative comments-guess what, when someone has an opinion that is not aligned with your thoughts,even if it's about someone setting a price for something they selling or the band is slop before pigpen.its gonna be negative.it's their prerogative to say it's not worth it or no thanks.i think it's your emotional immaturity to anything negative or something you don't agree with.you could have left it to-"that's your opinion and i don't agree."instead you feel it's necessary to put someone down.earth without rain is a desert.
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Hi all, A technical issue I'm hoping to resolve: Recently ordered this set, promptly downloaded the CDs to my iTunes collection. Getting 1-2 second pauses between most of the tracks which disturbs the flow of the music. Does anyone know what might be causing this, and how to fix it? Gareth
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It’s most likely caused by a setting in iTunes. Go into the iTunes preferences and see what is listed for import settings, as well as for playback settings.If you still can’t fix it then google it, there should be instructions somewhere.
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To icecrmcnkd, Thank you for your reply, much appreciated! If I may, I'd like to followup with a second question: it was only a year ago that I first discovered the Grateful Dead, and I'd love to hear recommendations from older fans about which live albums to listen to next? Thanks again, Gareth
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You know, Gareth, it really comes down to what you like about the Dead... When I put in the Dead, I rarely want to listen to songs, so to speak. I tend to go for the long, inspired jams. For this, I would suggest the Winterland 1973 boxed set as No. 1, so far... though in general, shows from the 1973-1974 will be your best bet for this... That said, there are gems of shows throughout the years, though I've never personally been impressed by anything later than 1977. May 1977: Get Shown the Light (All Music Edition) is a great collection from this year. I also really love One from the Vault, Sunshine Daydream, & Dick's Picks, Vol. 14... The Grateful Dead Movie Soundtrack is an all-too-looked-over gem, too. Finally, if you can afford it, I'd recommend getting a copy of the Pacific NW '73-'74 boxed set while it's still available on this site. When these sell out on dead.net, they price-inflate like crazy to 2x their original cost or more.
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Get Shown the Light, the box with the book, was limited to 15,000 copies, I read somewhere.But I can’t find anything on the All Music Edition that’s still available. Can somebody tell me how many of those were printed?
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So, I'm totally showing my newbie-ness, but when the formats are digital, which is the best to download? I'm thinking about uploading to iphone for maximum bluetoothing. Also, is the first selection a CD collection of the four shows? I didn't see it listed behind the All Music Edition, so I figured it must be sold out.

16/44.1 is CD format, so you could convert to WAV or AIFF on a computer and burn CDs if you wanted to, as well as have the digital file on a music player.

The higher resolution files are for a computer or music player. If you wanted to burn CDs from those files you would lose the higher resolution that you paid more for.

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First time I've ever seen R.I.P. included in the name of a firm pushing you to go on holiday ! Maybe its a plug for euthanasia.

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they thought they were going for dead people as a marketing niche. Dead heads, dead people, I'm so confused... Anyway, they're gone for the moment.
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Hi there,

I downloaded the ALAC of this digital download but when I import into iTunes it is not recognizing the artist or songs and not creating an album. For the same ALAC download for Pacific Northwest ’73-’74: The Complete Recordings Boxed Set it worked perfectly in iTunes. Why does this download now import correctly? Thanks if anyone knows or can help.

You should ask on the Dave's Picks 30 thread…there's more people on there and very few if any on here…hope it helps.

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Since they sold out of the regular box set with all the bells and whistles, and had a huge demand, Dead.Net is selling an All Music Edition that "...only includes the 11 CDs in four folios and a booklet of liners, housed in a simple slipcase."

So, still the four shows, just without the special packaging and the unpublished book. This time, the order went through. Nothing on the website about this also being a limited release -- it's not numbered, but they don't specify if it's another set amount.

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Hello,
I've purchased the fantastic Lyceum LPs more than a month ago and still nothing arrived.
I've searched for the tracking number done by the GD store on the DHL site but nothing appears.
I've yet written to the customer helpdesk, but I'm curious if somebody encountered my same problem.
Thanks a lot,
Fabianope

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Fabian, send me a PM and I'll see if the Doc can shed some light here.

Just to state the obvious, they are indeed fantastic records. I am half way through 5/25/72 at the moment - one that no-one really mentions. Probably because of the night after, which is a shame as it's a great show in it's own right. Curious "Good Lovin" - 14min 53 seconds, and no Pigpen rap - he just sings the opening the verses and the closing ones some 12 minutes later. In between we have spot on r'n'b jamming like no-one else.

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