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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • RobbZ
    Joined:
    1989 Recommendation
    Not sure why, and probably listen to it a bit more than I should, but July 4th, Buffalo has always been a favorite of mine.
  • RobbZ
    Joined:
    Sports Fans!
    Sports?? I’ll watch/wager on just about any sport. However, I closely follow the NHL and College Football equally (viewing depends on who is playing whom on any given evening). Then the NFL, College Basketball, The NBA, Boxing (was the Mayweather-McGreggor fight boxing?) the CFL, and lastly Baseball. Now don't get me wrong about baseball because it's last on my list...I grew up in Cleveland, minutes from the old Municipal Stadium and watched & cheered many Indian greats such as Ray Fosse, Gaylord Perry, Lenny Barker, Albert Belle, Rick Manning, Mike Hargrove, Super Joe Charboneau, Buddy Bell, and Toby Harrah to name a few. Now a bit later in life, I just prefer a faster game, with an actual clock ending the game. I can't spend 5 or 6 hours watching a baseball game anymore....It's me, not you...LOL @The Outer One…I was actually tuned in last night to the opening of the CFL season, but that lightning delay lasted until I went to sleep. But you can bet I’ll be following the season this year as it progresses…including the Manziel saga in Hamilton. Johnny won me an ass-load of money when he played with A&M…I still talk about that Bama game…LOL @Vguy72…did you not mention the Knights/NHL in your sports post? Blasphemy!! I drove down from Utah three times last season to watch the Knights, would have gone more games but as the season progressed they got better and better and tix were getting expensive. In the mean time I watch the Utah Grizzlies…LOL
  • Thats_Otis
    Joined:
    Happy Friday, DeadLand!
    Here's a little something special from this day in Grateful Dead history - 6/15/85 Greek Theater https://archive.org/details/gd85-06-15.oade-schoeps.sacks.24586.sbeok.f… The AUD sounds really nice too. Perhaps more famous is 6/15/76, which I am enjoying right now, but that 85 Greek show is something special! TONS of energy, and perhaps one of Garcia's finest ballad moments on "She Belongs to Me." His guitar solo is a thing of pure (American)beauty. Hope everyone has a great weekend! PS - Love all the chatter about July 78 Box. Arrowhead is my personal fave - just a compact, tight, smoking show! I also really like St. Paul... aww hell, they're all good! Peace
  • Oroborous
    Joined:
    Boblopes
    Thanks, another great story!
  • Oroborous
    Joined:
    89 Philly
    Right on 80sfan!
  • Oroborous
    Joined:
    Baseball, 89, and hangin with Jer
    BASEBALL; I would of died for baseball when I was a lad, was a pretty good player too, varsity etc.. But like all sports I sadly watched money ruin the game....I was a huge Cardinals fan (used to listen to them on the mighty KMOX) Lou Brock, Bob Gibson, Ted Simmons, Joe Torrey, yeah baby. Dug the Red Sox too, but such heartache. In Wesren NY most kids at the time were big Mets fans, or worse, ahem... So like most things I had to be different, the outcast, the other one! Probably a part of how I came to be a dead head and identified with all you weirdos; ) 89; personally parts of 89 into summer 90, before Brenski started to unravel, is one of my favorite eras. I know that’s contrary to the popular belief of a small but prevalent group on here, but don’t let that stop anyone from checking it out and coming up with your own conclusions.... Alpine for sure, Hampton, 10-16-89 is imho one of the best releases EVER! Philly was awesome, really wish they would get those out. When they played California Earthquake right after the Earthquake it was as good as any big moment in sports, trully powerful experience, at least live anyway. Not as familiar with the rest, of course the Miami DS etc.... EVIL TWIN; thanks so much for the stories! Please keep them coming. That’s perhaps my favorite part of this site; hearing great stories, especially from those who were there during those earlier glory years. 78 Box; even I dug it and I like that era less than some others, like??? Oh I don’t know like.... 73/74!!! So psyched for this new Box. Mostly enjoyed the “Mickey Godchaux” stuff of recent years, really liked the RFK, but I’m dam near Sh#&&ing myself waiting for this one! I’ve stated before I’m not a “taper” or obsessive collector like some. So that influences my wish list differently. I would like to get all the shows I was at, some other must haves or interesting wierd stuff, and I try to get at least copies of all the “official” stuff. Therefore I am not familiar with these shows and at first glance the set lists are perhaps meh? But thanks to all y’all’s comments about monster jams, and after watching Dave’s chat, well it got through my thick skull that these will be some real beauties eh! I mean Late 73 has always been one of my top, if not the top eras, I just wasn’t familiar with earlier stuff and though I like 4-3-73, it didn’t blow me away like say 10-19-73....(although that HCS and subsequent jam are sweet!) In fact how bout the rest of the late fall tour in a box? So there is always that awkward period like Ralphie in the Christmas story where he gets everything except that —“redriderbbgunwiththecompassinthestockandthisthingythattellstime” —when they release something I wasn’t at, but this time that lasted like 5 minutes. Now hopefully Dave’s 27 will come soon as a diversion, because I don’t know how I’ll survive until September! Yee-gads Thanks to Dave and all the gang who work so hard to bring us spoiled, whiney little be-atches all this amazing glory, especially the full led sonically enhanced stuff. And thanks to all y’all that help enlighten us dilatantes to the finer ports of these shows. Happy Friday All!!
  • Slow Dog Noodle
    Joined:
    Cash Grab
    Had a salad for lunch yesterday. I didn't get to make it myself, but it was delicious. It was a total cash grab though. They didn't really care whether or not I liked the way the radishes were cut into those little swirly shapes. And the way the cashier pressed those buttons on the register with no elan, I could tell his heart and soul just wasn't in the transaction. I knew by then they were just in it for the money. I shook my head in disgust but proceeded to sit alone and eat the salad - even the radishes, in spite of it all.
  • Oroboros
    Joined:
    Cousins- SpaceBro often provides informed recommendations re: 89
    But being a Midwesterner, I would point to the Alpine Valley run 7/17-18-19/1989, as an outstanding representation of the boys from that era. And my touring had reduced significantly with the arrival of my three sons, so my knowledge of this era is limited. And Robbz, you asked for another story (sorry cohorts who have heard this one, here it comes again) there is a 'prequel' to that 1978 story. Back in 1977, my girlfriend (now wife), myself, and two buddies decided to road-trip from Lincoln Nebraska to the Winterland for the New Year's Eve run of shows in San Francisco. I toted along with us a clay sculpture that I had made the prior year. It was a one and 1/2 foot (in circumference) dragon that was biting/consuming it's own tail. I had 'scraffitto' (carved designs) into the entire beast's 'hide' and then it was fired and stained. It was the biggest piece of clay sculpture that I have ever made. And I thought it would be fun to give it to the band on New Years. So away we go, get to the venue and secured tickets for the run (12/27-29-30-31-77). The shows were unbefuckinliveable and Winterland was such a great hall. But on the 31st, we were sitting on the sidewalk waiting for the doors to open, talking and watching the circus, ready to hurry and get in for the 'activities' ie. freak volleyball and Bill Graham was going to show us movies (Ray Bradbury's Illustrated Man and the original Beatles Magical Mystery tour) before that evening's show. I thought "I better try to unload the dragon aka 'Oroboros' now, it's heavy and I don't want to try to talk my way though the front gate with it." I spied a door that said 'Backstage' and began knocking on the door. No answer. The line of people on the side walk started getting up and moving toward the entrance. Banged even harder thinking "I've got to get this dragon in there so I can go in the front and join in before the show", and as I pounded harder, the door yanks open with a force that it yanks me into the doorway. This doorway is immediately filled with a gigantic black man in a red event t-shirt, who puts his hand on my chest and leans forward and bellows "WHAT DO YOU WANT?" Startled, I held out the dragon with both hands and stuttered "to give this to the band". The giant took it in his immense hand and his face curls into a grin as he held it closer to inspect it and I watched my dragon shrink to the size of a key chain. He exclaimed "Wow, what is this, I'd like one" and I explained "it's an oroboros and that is the only one there is." He grinned and said "Cool, who do you want me to give it to?" and I said "to Garcia, give it to Jerry Garcia." The giant disappeared as quickly as he appeared and the door slammed shut like the the first time Dorothy tried to get into the Emerald City in the Wizard of Oz. So, I happily gain entrance to the show and needless to say, it was something, 'freak volleyball' followed by the movies, Graham's copy of Bradbury's 'Illustrated Man' followed by a 16 mm Beatles "Magical Mystery Tour". The colorful/wonderful crowd, wonder gal 'rainbow' Rose with an eyedropper of liquid party favor "just one dollar per drop. On your tongue or for the adventurous, a drop in your eye". Oh, and when each person walked through the entrance the staff handed us a piece of paper that had a message about a "Good things come to those who wait, surprise at midnight" with steal your face logo. When you entered Winterland, you could go into the big 'hall' surrounded on all sides by an elevated balcony, (with theater seats). You could also go into a bar, which played some black and white videos on a 'big screen' taken from pro shots of the Winterland stage when Hendrix or Airplane or etc played. Very entertaining on many levels. Hey, the New Riders of the Purple Sage are starting, got to get in there, the sound is loud and they are rocking the house. Anticipation was high and the Dead came out for the first set. Our party favors are now starting to engage..., things began to sparkle, and the old Winterland venue takes notice, and her walls start to sweat and, then to sway with the strains of familiar music as the Dead coaxes this old hall to dance with us. This is such a delight, I know the vista cruiser is engaged and then I notice when the house lights went down, and the stage lights went dark in between songs, then I saw 'it'. On top of a monitor, in between Billy and Mickey, there was a flame, it was a white candle sitting in front of a dragon consuming it's tail. It was Oroboros, ON STAGE WITH THE DEAD! I watched as Jerry walked over and lit a cigarette off the candle next to the ceramic beast. They took a break and the surprise for the second half was Uncle BoBo (as Bobby liked to call Graham) dressed up as Uncle Sam on a motorcycle sliding down on a cable suspended high from the back of the hall (over us) to the stage. They put spotlights on him (as the Dead made appropriate musical anticipatory noise) and he approached the stage and it was hilarious. Because as Graham came to the stage, the weight of the bike and BoBo was too much. He and the bike were far below the lip of the stage, so the stage hands had to rush out and drag him onstage. Which triggered the explosion of Sugar Magnolia, complete with the dropping balloons. And flanking the Dead a gal and guy dressed in a diaper as the 'New Year' babies. I was 'sittin' on top of the world (Dead reference intended). What a night!! Hey if you pull up 'YouTube', type in Dead NYE show 1977- Fire on the Mountain video, and right at the end of Fire on the Mountain, the camera does zoom in on the 'oroboros' for a couple of seconds. RDevil here on Deadnet found that 'view' a couple of years ago and he clued me into it. And then I showed it to my 3 sons to demonstrate the old man is not full of beans or any other'brown material'. Anyway, what a treat that run in 1977 was. At many levels, the return of China Cat-Rider, my being able to 'gift' our band, who poured out so much to us. But unknown to me, the best would be yet to come. We walked out into the cool San Francisco early morning and drove through the fog back to Nebraska. This is not the end of the tale. Fast forward to 2-3-78 and another road trip to Madison, Wisconsin. The Dead were on a roll and this was really a killer show. That Cold Rain and Snow to start out and the tremendous second half with Estimated>Eyes>Wheel that will knock you into orbit. The next morning before I left the hotel, I got a wild hair and called the front desk and asked "Could I have Jerry Garcia's room please?" and the phone rang and Jerry answered! I said "Hey, I'm the guy that brought the dragon to the New Year's show" and Garcia immediately said "Meet you in the coffee shop in 20 minutes". I couldn't believe what was happening but stumbled into the coffee shop at the appointed time and looked around and saw Jerry Garcia seated at a table with a ravishingly beautiful raven-haired gypsy woman. I walked over and introduced myself, and 'shook the hand, that shook the hand, of PT Barnum and Charlie Chan'. Jerry beamed that smile and gestured and said "sit down, man". He asked me "How did you fire that dragon so that it didn't explode in the kiln?" and I explained how I had cut it in half and hollowed it out and then joined it back together. I told him how I had used a guitar string to 'halve it" and we locked eyes at that moment and he burst into laughter and I said "Ironic, huh?" and Jerry quipped "No, man that makes perfect sense." And then we laughed some more. Then the gypsy/beauty said "where are you from?" and I replied Nebraska. And she shot Garcia a glance and stated "he came all the way up here from Nebraska to see the band!" To which Jerry shrugged his shoulders and quickly retorted "we didn't ask him to come". Garcia looked over to me and we both howled with laughter again. No deadhead was she. We talked more about art and the dragon and I didn't know at that time of Garcia's interest and practice in art (this kind anyway). He was completely engaged in the topic of art, but quick witted with 'turn on a dime' twists, turns, and little commentaries on a variety of topics. Jerry was also focused on listening, not acting like he was the important one, giving me time and locked in on our discussion and talking about our shared interests. The gypsy woman frowned in disbelief as she asked me "You went out to San Francisco for New Years and then you came up to Wisconsin" and I said 'yes.' She looked perplexed. Then I turned to Garcia and asked him "Why don't you bring the circus back to Lincoln, Nebraska?" He quickly replied "You mean to Perishing Auditorium?" And I corrected him "No, it is Pershing Auditorium, after the army general" and he quickly retorted "No man, it was perishing, really!" And we both burst out laughing again. At that Lincoln, Ne. Dead show on 2-26-73, there were a bunch of drunk frat boys yelling 'boogie, boogie" at the top of their lungs.., but that show is top-notch! Anyway, I asked Garcia "could you bring the Dead back to Nebraska" and Jerry grinned that Cheshire cat grin and said "who knows?" I took my leave (their breakfast arrived) and drove home. Then that summer the Dead came back to Omaha, Ne. on 7-5-78, and I taped them with my NAK 550 in FOB, and followed them to their/my first Red Rocks shows. What a run! And now it is available in all its Plantagenet glory. I will always claim that Omaha show as mine. So that is my story, Jerry Garcia was totally gracious, engaging, enthusiastic, and kind to a deadhead who approached him at one moment in time. I know, I repeat myself, such is my lot in life at this juncture, but thought I would 'complete the circle' of this story. Anyway, sorry for the repeat, but 'looks like the old man is getting on'. Forgive me and give me a day and I will conjour up my account of my first show at the Des Moines fair ground in 1974 (which is more in line with this wonderful Northwest 73 & 74 offering). This era is when I first saw the Grateful Dead and was swept into an extraordinary adventure 'on the bus' and have been 'enjoying the ride'. "It ain't what I don't know that gets me into trouble, it is what I know for sure, that ain't so". -Mark Twain
  • tncorey
    Joined:
    Oroboros Winterland 77
    New story to me...and much appreciated!
  • 80sfan
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    Joined:
    89 recommendation
    Fall tour is well documented with the Hampton shows, the Nightfall of Diamonds meadowlands show and the Miami 30 trips release...but the Spectrum run (10/18-10/20) is really excellent. 10/19 is one of my favorite shows of all time. Reach out if you'd like a copy...
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6 years 7 months

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

Hey Bob,
You are correct.. the vocal dropout is present on the master reels, so it occurred at the time the show was recorded. It's not your CD player or stereo.. it's baked into the source tapes. Unless we can get the band back to do some overdubs.. this is the best we are going to get.

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that it's become impossible to post in this thread. If you are experiencing this, please send me a PM. Thanks!

I seem to be able to post here.
I am using a PC.. not a phone. If that helps..

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7 years 7 months

In reply to by mhammond12

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Perhaps posting is down because the new site has no Feng Shui. … either that or they put the new web server on top of an ancient Indian burial site. Funky joujou.

I got through my second listen over the last couple weeks.. I enjoyed it more the second time through. There are some moments, especially in '74 that really soar. Wish it had a Morning Dew and a To Lay Me Down, but other than that.. great recordings and solid performances from a special period of Good Ole Grateful Dead.

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In reply to by MDJim

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Did 2 or 3 spins of the Box when I first got it then set it aside for a while. Now going through it again.
Really like all of it, but 6-22-73 may be my favorite.

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Completely with you on these Jimbo. From the first one at Winterland in February to the last one at Winterland in October. Plus that one in August of 75. Every one of them is its own little adventure. Jerry was really on top of his game. They weren't quite as developed in 73 and they became a different beast by 76 ( although they would capture the 74 feel once in awhile, that New Year's show at Cow Palace is a good example). I just did the 30 Trips Around the Sun 1974 version of it from Dijon France. Great stuff. If I had to pick one little known version, I would go with Daves picks 17 from Selland Arena. That one is in my top five.

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Love all 6 shows and the box set... I have played it a lot since I received it.... I listen to Sirius a lot in the car between meetings. Any one else notice how much they are playing the 6 shows from this box??? I have never noticed a release played as much as this has.... Just an observation. Have a good weekend everyone!!!! Bob t

I played 18th September 1974 Paris earlier this week, too-and-and agree-beautiful Eyes. I too enjoy the 1974 Eyes more than other years-with 1973 coming a close second. Incidentally-slight vocal drop out again on a couple of songs-I wonder if this was a feature of 74 shows?

I have also just been listening to the second set 0f Omaha 5th July 1978 second set-and the Estimated-Eyes jam there is superbly played. They always seemed to play it a tad to quickly for me from 1976 onwards-but this one hits the spot. Excellent tone on Jerrys guitar, and nice jazz chords towards the end of the jam. I also liked Phil's solo leading into drums. This is a show completely off my radar-maybe overshadowed in my mind by the big hitters-7th and 8th July- to come? A bit like so many of the Europe 72 shows, something of a hidden gem. All box sets have nuggets in them that I can initially overlook through the sheer volume of music available and from me focussing on the best -or best known- shows in the collection.

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In reply to by daverock

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I would go so far as to welcome an official release of 2/9/93, Maples Pavilion, Stanford.

It's far from the best of the '73, and if I am correct.. they blew out the PA at some point in the first set, causing some major technical anomalies.. and the performance is far from the top 10. Still, it's unique, quite good and bordering on historical. They Eyes of the World (the first and into China Doll), is what made me think to write this, is unique. A lobbing, meandering, bit of a art in progress. The China Rider is noteworthy also.

It's a classic.. and back to the Eyes.. what a great way to welcome in the Wake of the Flood material. Seven new songs that night. P.S. I loathe Wave That Flag, sorry to all that like that song, simply doesn't resonate with me.

A very good evening in Palo Alto and I think release worthy.

The next five or so years will be 73 heavy. I'm ok with that.

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I'm also ok with heavy '73-ness in the upcoming years. Would also like the 2nd half of '72 in there and the two '74 Dark Star shows that have yet to be released.

I didn't care for U.S. Blues for a very long time, and then I saw that crowd shot from the Grateful Dead Movie where they're singing along from the first few rows, going nutso. Then I thought whoa, steady boy...what did you miss here? And then when DaP 13 came out, I got into that particular version. There's something about that one I like, but not too many others capture it (whatever "it" is). I think the Road Trips '74 version was the other one. I don't care much for the post-hiatus versions at all. From '76, I find Road Trips 4.5 and DL Series pretty good, but for the most part everything attractive about the tune is lost in the post-hiatus polish (1, 2 buckle-my-shoe). But I know what you mean Jimbo - I can't get into One More Saturday Night from any era.

The China Cat Sun Rider's from '73 / '74 are also high on my list of go to songs for that era.

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Ok, I love all of 1974... released but not really is September 11, 1974 Alexandra Palace. What i think sums up the whole year, especially the Europe show is this follow sequence. Ok the end of the first set, Playing in the Band, 23.24 minutes.... Followed by Phil and Ned at 11.39 minutes, pure Phil and Ned.... Here is where it gets awesome, Seastones at 30.40 minutes with lots of Jerry early on, around 23 minutes you can here Eyes of the World!! The 18.03 Eyes with Ned playing electric piano is just sooooo good. Then 3.07 minutes of Stronger than Dirt into a 13.10 minute Wharf Rat.... So 1 hour and forty minutes of pure Jazzy 1974 Bliss...

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In reply to by bob t

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Yes, they butchered Dicks Picks 7. One of my early favorite releases (add 12 to the same list).. it suffers horribly from the chop job they did. They seemed to really like to tear up 1974, the WOS road trips was similarly butchered. I would have enjoyed getting those three shows as a box set.

It is true that 1974 suffers from not always having continuous flow and an inconsistent set structure.. but we would have benefited from the full show treatment. That Dark Star > Morning Dew from the night before resonates, glows and smolders like an erupting volcano.

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No puns intended. 4/21/72, they bust into "The Other One," with a ferocity seldom heard. Beat Club, Bremen, West Germany. There's so much about that tour that is just mind melting and this is a prime example.

I love the 1973, 1974, 1976 stuff, and I've been dipping into that lately as well, and then this came on.

Just... holy shit.

\m/

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12-10-73 from the download series has a lovely, long and liquidy 20 min. Playin' to close out the 1st set. It would make for an excellent side on a Record Store Day release someday.

The more I listen, the more I love long and liquidy Playin's, and Eyes. Those two stand right up there with Dark Stars and Other Ones as jam vehicles.

Also, wanted to note that I, like a lot of you, found that several of my discs from this box don't play cleanly. However, I've found that in every case they ripped cleanly, and the digital files play just fine. So that's just how I've listened. If you're having trouble with getting replacement discs, try that.

Peace Out

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In reply to by MDJim

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Jim not only 9/9, 9/10, 9/11, but all 5 of the October Winterland shows. (August 4,5,6) and ( June 16, and 18), and (June 26 and June 28).. So 15 out of 40 possible shows were released but not the whole shows!! Let's hope for a future release of Europe 74, or the October 74 Winterland complete shows!!

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I have said it before, the complete 10/74 recordings need to be released. It will right a wrong that was perpetrated as early as 1976 .

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Congrats! It's a beautiful box. Good job Roy Henry Vickers and art directors Lisa Glines and Doran Tyson!

With such an overload of music this past few years of releases, I still haven't dug deeply into this one, though have listened to all of the shows a couple of times. Have only listened to Dave's Picks 28 once through so far and that ones cool too. Dave's Picks 27 blew my mind so much and can't wait to get back around to that one as well. I seem to be locked into the anniversary listening program, so once those have been exhausted, will get right back to the newer releases.

As per usual, I place my regular requests for the following to be released....in no particular order...

Alpine '89 Complete
4/1/91
6/16 & 17/91
6/22/91
9/ 4 thru 6/91
9/26/91
10/31/91
12/8 & 9/90
12/12 thru 14/90
Anything and everything '89, including Alpine Valley
7/29/88
Anything and everything from Fall/Winter '88
6/25/88
7/2/88
Red Rocks '87....well pretty much every Red Rocks run...

...and way way too many more to list for now.

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Hilarious spam ... "Snake Oysters" indeed

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7 years 7 months

In reply to by wadeocu

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Looks like they nuked the spammer and his thread. I'm impressed...

Stumbled into Missoula '74 yesterday on my drive home. Really enjoying the quantity and quality of Weather Report Suites I have been listening to lately. The box is not behind me yet.. still much to enjoy.

Have a great weekend all.. happy holidays. Time to start getting festive.

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sometimes I sleep, but when I wake up I nuke the spam...
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10 years 3 months
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2,395 Boxes left.

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how do you know how many boxes are left?

With regard to 10/74 Winterland complete release proposition, I would buy it of course, and hope for a better mix than the Grateful Dead Movie Soundtrack (there's something not quite right with the drums - they're way too boomy for my liking). But that being said, I'd rather see the release of other stuff first, in light of the fact that close to half of that Winterland run has been released (granted, the mix on Steal Your Face leaves a lot to be desired). Here is what has not been released of those shows:

OCTOBER 16

Bertha
Jack Straw
Tennessee Jed
Cumberland Blues
Deal
Me and Bobby McGee
It Must Have Been the Roses
Mexicali Blues
Row Jimmy
Beat it on Down the Line
Ship of Fools
Wharf Rat
Eyes of the World
Big River
Truckin'
Goin' Down the Road Feelin' Bad
Uncle John's Band
Johnny B. Goode
U.S. Blues

OCTOBER 17

Promised Land
Mississippi Half-Step
Black-Throated Wind
Friend of the Devil
Jack Straw
Loser
El Paso
Me and My Uncle
Scarlet Begonias
Big River
Ramble on Rose
Mexicali Blues
U.S. Blues

OCTOBER 18

Around and Around
Mexicali Blues
Peggy-O
Brown Eyed Women
Cumberland Blues
El Paso
Tennessee Jed
Jack Straw
Row Jimmy
Promised Land
Bertha
Greatest Story Ever Told
One More Saturday Night

OCTOBER 19

Me and My Uncle
Friend of the Devil
Beat it on Down the Line
It Must Have Been the Roses
Loose Lucy
To Lay Me Down
Mama Tried
The Race is On
Mexicali Blues
Dire Wolf
Sugar Magnolia

OCTOBER 20

Mama Tried
Deal
Beat it on Down the Line
Loser
Jack Straw
Tennessee Jed
El Paso
Brokedown Palace
China Cat Sunflower >
I Know You Rider
Good Lovin'
It Must Have Been the Roses
Eyes of the World
Sugar Magnolia

Or if you want to see how many versions of each song have not been released from the October '74 Winterland run:

1 Around and Around
1 Black-Throated Wind
1 Brokedown Palace
1 Brown Eyed Women
1 China Cat Sunflower >
1 Dire Wolf
1 Goin' Down the Road Feelin' Bad
1 Good Lovin'
1 Greatest Story Ever Told
1 I Know You Rider
1 Johnny B. Goode
1 Loose Lucy
1 Me and Bobby McGee
1 Mississippi Half-Step
1 One More Saturday Night
1 Peggy-O
1 Ramble on Rose
1 Scarlet Begonias
1 Ship of Fools
1 The Race is On
1 To Lay Me Down
1 Truckin'
1 Uncle John's Band
1 Wharf Rat
2 Bertha
2 Big River
2 Cumberland Blues
2 Deal
2 Eyes of the World
2 Friend of the Devil
2 Loser
2 Mama Tried
2 Me and My Uncle
2 Promised Land
2 Row Jimmy
2 Sugar Magnolia
2 U.S. Blues
3 Beat it on Down the Line
3 El Paso
3 It Must Have Been the Roses
3 Tennessee Jed
4 Jack Straw
4 Mexicali Blues

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In reply to by KeithFan2112

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Reading the list below, maybe its not such a good idea after all.

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I still think it's a good idea, but who knows how it would sell.

..circling back to the original thought of this thread.. a re-release of the three show London set would be interesting.. especially since Dicks Picks 7 has been out of print for so long. Again, some wouldn't buy it if they already have DiP7 but some of the omitted material from these shows would shine if they ever gave them the full show treatment. What makes the October run compelling is that the recorded it in multi-track, albeit slightly flawed multi-track.

Thank god they are not doing that anymore.. it's good to see the more recent 74 shows get released in their entirety.. even if it means we have to read the occasional complaint when the mix jumps off the tracks for a song or four.

Got an email from someone that frequents this site praising 12/18/73 this morning. Another great show from this era and certain to be released one day, hopefully soon. That's a monster of a show.

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kinda like been there, done that. Maybe after they release the rest, then we can talk about re releasing released releases.

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I've only just gotten around to putting on the Listening Party. Sounds like we only need to camp out on the southern tip of Vancouver Island and wait for Lemieux to show up. To request shows of course.

He's talking up the part of He's Gone that I'm not into at all - Phil's baritone vocals at the end. I'm am quite probably the only person who has logged 50,000 hours of Dead music and thinks the first three versions of He's Gone from Europe '72 are the best three (before the Winds Don't Blow So Strange bridge). Quite possibly because one of those (Rockin' The Rhein) was the only one I knew for several years.

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In reply to by KeithFan2112

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Wonderful place.. if you haven't visited, consider it at some point. Wild Pacific Trail, Gulf Islands, Tofino.. what an incredible place.

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In reply to by KeithFan2112

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Keithfan,
I order one Box, proceed to checkout, then “edit” my order by increasing the amount of Boxes I am ordering. Eventually I receive an error message that tells me the amount I ordered is not available so I zero in on the maximum amount I can order. Once I figure that out I cancel the entire order.

BTW, while I don’t post often I’m a big fan of your posts!

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Just checked, 2,331 Boxes left.

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I'm replying to your PMs about the Grateful Dead Europe 72 CDs. Do u still have them for sale?

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Hey I just wanted to say that I'm not going to be online after today until after New Year's. I saw that you left about half a dozen messages in my inbox about the Europe 72 CDs. I just wanted to let you know that I wasn't ignoring you, I just haven't been online. And now I'm not sure if IMs are working, since my entire backlog of messages has been overwritten.

I am okay at this point, but I have a buddy who's interested if you're still selling them.

Changing the topic slightly. Some good news for you it sounds like. From the discussion board comments, it looks like you and your wife reconciled, I'm happy to hear that and hope you're feeling better. That sounded like a pretty tough break, but love conquers all my friend!

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I have been watching episodes from the third series of Twin Peaks over the last day or so, and I couldn't help noticing that the wall hangings in the motel look as though they may have been designed by Roy Henry Vickers. He was , of course, the artist responsible for the incredible art work on this box. Interesting connection between David Lynch and the Dead, if its true.

This third series is amazing, too. I have seen some weird shit in my time-but this takes the proverbial biscuit.

Been loving this set of six shows. No question Plangent processing is the bees knees for these old reels!!

What act of Congress would be required to Plangent-ize all of the analog reels chosen for release?!?!?!!
Woe to those who do not Plangent Process The Swing.

I've only recently been hearing this haunting keys pre-synth non-piano sound. While I have no data to reference, I'm wildly speculating that is the mini-moog. Anybody else hear that?

Happy Holidaze and Jerry Christmas!!!

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Hello Dead Heads;
I would like to know if anyone out there that has purchase the Pacific Northwest box set had the same problem that I have had. The 5/17/74 Portland show, Disc 11 first track "Promised Land" problem. About 28 seconds into the song the singing and music stops and all you hear is the drums and then a complete stop and start up withe the sound gradually increasing and the song finishes. This is the only problem with the complete box set. I have received two replacement disc from Rhino, "Thanks" and they all have the same problem. Have I missed something in the post. Thanks and Keep on Trucking into the New Year.
Peace & Love
Steve

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Big Steve--

That is not a disc issue, that is just a flaw in the original masters from the show.

Nothing you can do about it but smile, smile, smile.

We gave my buddy the PNW vinyl for Christmas, he was thrilled with it, but probably never make it out of the shrink wrap. The majority of his DaPs are still in their shrink wrap and he may even have a Dick's not unwrapped as well. He procrastinated on the DaP subscription so he'll probably be SOL on those wonderful releases.

I know some of you are tuning into the Phish NYE but was wondering what else people are lining up for NYE?

Doing a quiet affair - some early Thai food and maybe do an early celebration so my daughter can have fun - then I'll probably don the headphones for some quality listening party for some NYE show. Leaning towards Cow Palace but closing of Winterland could be in order or both.

Sorry I've been away, just waiting for the white background to be tie dyed or some trippy fractals grooving across the screen. Hope you're all well.

Can't wait to see what get's released during the 50th of the Live Dead era - maybe re-release the FW box or some more of those shows on vinyl? Anyways should be a banner year. Still loving this boxset!

Hello Jack;
Thanks for your response. Wasn't sure if this was a faulty disc or a recording problem. i did not see it mentioned anywhere including David's Seashore comments. I thought I may have missed it somewhere. I should not complain considering all the great stuff GD is putting out there and with Rhino's help. Happy New Year to you.

Happy Trails.
Steve

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Ok, I am really just now getting around to listening to the PNW box set...Really pressed for time, what discs are people getting skips on?

So far I've identified a skip on disc 1 from 6/22/73 Jack Straw skips in the middle

disc 1 from 5/21/74, "The Race Is On" seems to have some crackling or something on it towards the end when I play it back...

Where are others seeing problems>?

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"Hello,
I purchased pacific northwest when it was first released
I had not had a chance to listen to all the shows yet.
On the first disk of 5/19/1974 half way through sugaree the vocal track completely drops out.
The rest of the disk to the end is the same way (no vocal track).
Is this a source tape issue or a production issue?
At one point (during Mexicali I think ) there is basically nothing but a drum track.
I tried to look around on the site but have not been able to find the answer.
Please advise."

Above is the e-mail I sent to customer service.
They didn't answer my question they just sent a reply about how to do a return.
Does anyone know if this a source tape issue?
I have attempted to return something once before and it was a complete nightmare that went on for almost a year.
I would rather live with one screwed up disk than to battle with them for an extended period of time.

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15 years 10 months
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I am looking for software, that will allow me to listen to archive.org and other music sites. I want to skip that "hiccup" as China moves into Rider, as is switches tracks. Any ideas?

thanks

Yes.. there is that tempo busting pause in between songs. It doesn't bother me much as I mainly use the arrive to scout out shows and if I like them, I find a way to get an electronic copy. Most do circulate..

Then again, the fade out at the end of a CD and the fade in on the subsequent CD doesn't really bother either and that's how they treat official releases when the jam absolutely has to stretch out between two CDs (thinking the Dark Star > The Other One on Dicks Picks 4 (one of the greatest releases of all time) for example....

Check your PM, I do have some thoughts.

I think that is a fact of streaming, but I don’t know for sure since I don’t stream.
My car stereo does it too when playing from a usb flash drive.
There is a music player app that plays the archive, but I don’t know it’s name and I don’t know if it has gapless playback.

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16 years 2 months

In reply to by icecrmcnkd

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I call them the curse of the mp3's and other tightly compressed (audio) files.
I wish I knew of a way to get around this "ouch" problem, so I could offer you a solution, so that's why I like pressed CDs.

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In reply to by Born Cross Eye…

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My music player does it and so does my 60 GB iPod Classic.
It’s a software issue, the software just has to know to fuse the tracks together. But not all software has been programmed to do it.

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