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    clayv
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    An institution in American rock music, the Grateful Dead continue to surprise the ears with new arrangements and altered styles. If their playing continues with the force that was heard in San Bernardino, the spirit of the Dead will live on. - Sun Telegram

    We are more than pleased to kick off this year's Dave's Picks series with the much requested and quite spirited complete performance from Swing Auditorium, San Bernardino, CA 2/26/77. The Swing ’77 show was a unique beast, unlike any others from this era: as the band’s first concert of the year, it bridged the gap between the new and re-emerging sound of the returning 1976 Grateful Dead and the precision excellence of the spring ’77 Dead. Debuting two of their most intricately crafted songs of the 1970s, “Terrapin Station” (to open, no less!) and “Estimated Prophet,” the Dead demonstrated right from the start of this new touring year that they were not going to be a nostalgia act; they were going to be as adventurous and ambitious as they were at any time in their career.

    Join the adventure as they soar through tried and true ("Playing In The Band," "Tennessee Jed"), well-loved covers ("Mama Tried," "Samson and Delilah," "Dancing In the Street"), and epic new jams.

    Rounded out with three songs from Santa Barbara, CA 2/27/77, this one was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman.

    Dave's Picks Volume 29 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • 80sfan
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    last 5

    hope everyone is well!

    Last 5:
    Winterland 73 Bonus
    Road Trips 3.3 Bonus (getting in the mood for the upcoming release)
    30 Trips: 1991
    Dicks Picks 12
    A random iPhone mix I made for running, which includes Cumberland Blues (4/8/72), Scarlet>Fire (5/8/77), Estimated>Eyes (2/3/78), Help>Slip>Franklins (one from the vault), Row Jimmy & He's Gone (Dicks Picks 28), China>Rider (5/3/72), 1/2 Step (5/7/77) and the NFA>GDTRFB>NFA from that Nov 71 Road trips release...I know, very random but gets me over the hump when I'm out there running...

    On another random note, I saw a cover band called Grateful Shred when they were in Ardmore PA not too long ago. Believe they are an LA based band. Anyway, they were very fun and worth the fairly inexpensive ticket price if they ever come to your town. A band called Garcia Peoples opened for them - not a dead cover band but really cool vibe about them and worth also checking out (believe you can stream an album on Spotify).

  • KeithFan2112
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    Morning Rockers!

    Some serious recommendations for The Other One. The one I could absolutely not recall ever listening to, although I'm sure I must have, is the Dave's Picks Volume 6 bonus disc from 2013. Just as good as advertised. How many times does Pig Pen say wait a minute afterward? I'm in the middle of the other ones that were recommended, no pun intended. I think it may have even been Wilfred t who recommended the Dave PIX11 version to me, possibly two years ago. Or maybe it was wissinoming deadhead? Well, that one's cooking my speakers up as we speak. Jimbo, I have Amsterdam queued up after that. I don't have a great recollection of that one, other than great loud crunchy guitars , more than usual for the show is on this box set. I know it goes into a fantastic Wharf rat with very nice mesmerizing intro riff.

    Love Jerry, check out Europe 72 beat Club version. That one's about 20 minutes long and not to spacy.

    Just have to add - the Drums that precedes the Amsterdam Othet One is crazy fast, and Billy is walloping the shit out of them.

    Have to add this too - while not in that '72 - '74 range, and not in that two drummer period, and not with Keith Godchaux- The Other One on Three From the Vault is a cooker. Even features an intro Cryptical. Also departs into one of the best Wharf Rats I've ever heard. Speaking of which, I listen to this the other morning after listening to the February 18th show version, which of course was the first time it was played, and Mickey's last show. There is some really mesmerizing keyboard undertones in the 2/18 version that I don't hear for the rest of the Port Chester run on Wharf Rat. Made me wonder if there was any chance Mickey was playing some organ, as it doesn't quite sound like Pigpens style. He did, afterall, compose Fire on the Mountain on a keyboard.

  • daverock
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    Double drums late 1967-February 1971

    There's a great and famous clip of The Dead on Playboy After Dark from 1969, during which Hugh Hefner interviews Jerry. Hefner comments on the two drum set up and asks Jerry if there is any particular reason for this. I can't hear everything Jerry says in reply, but he uses the word "annihilation" and compares the sound to "the serpent that eats its own tail."
    I imagine The Dead's sound between 1968 and February 1971 as being very, very loud. It was presumably loud in 1974, but during those earlier years the volume may have been part of the effect - the distortion and feedback etc- rather than simply an amplification of what was being played, like it seems to have been in 1974.

    Changing the subject- and on reading Sixtus's post - maybe I should listen to more 1990 shows. Every year I play the one 1990 box I've got from the Spring tour, the second one, with 3/29/90 in. Every year I enjoy every show, and then I forget about 1990, and head back to where I feel I belong.

  • wilfredtjones
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    DaP 6 props

    I remember trading an extra sealed copy I had once upon a time (to a user on this very site) for a lightly worn copy of JGB Warner Theater 1978. Great deal for both I'd say! Still looking for a trades if anyone has any they want to slang my way. Still looking for original pressings of JGB Kean College 1980 and Bay Area 78. I have several to trade including a sealed copy of DaP 10 (alas w/o bonus).

  • alvarhanso
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    DaP 11 Other One

    It may be "short" at 19:49, but as I was literally listening to it on my ride home from work today (not expecting to find it mentioned, but not too shocked either), I was wondering about it as I do each time, as to why it's tracked as starting where it does, but The Other One on DiP 1 is like 1:37, but clearly one of those jam tracks is part of The Other One. Here, there is no definite start until that verse comes in like 18 min in, and they've never, not a single member, actually touched on the Other One riffs until about a minute before that verse. The jam where the tracks split seems to shift to 6/8, but doesn't really stay there, and doesn't intone TOO. The whole thing is basically a long, weird Truckin' Jam that ends up with a nice Other One verse and a beautiful segue to Brokedown Palace. Mr. Norman is not the only one calling it a 19+ Other One, the one's on Archive are tracked similarly. I just find it odd is all. I also just find this all the way out there Other One to be one of my very favorite ones. Certainly my favorite weird Other One.

    The one from exactly a year earlier on DaP 26, also mentioned, is in my top 5 easily. One not mentioned enough, IMO, is 12/20/69 the one from the 2013 bonus disc with DaP 6, in addition to a magnificent Smokestack Lightning, TOO is 13 min of primal Dead, that gives way to Cumberland Blues.

    DaP 6 and bonus disc: throw 2 Dark Stars, 2 St Stephens, an Eleven, 3 versions of Mason's Children, 2 Lovelights, 2 Cumberlands, 2 China Riders, 2 New Speedways, 2 Hard to Handles, 2 Black Peters (this could be a minus, as could the Masons), and throw in a Cold Rain & Snow and High Time, and you got a stew going, baby! And maybe the most badass cover in the series.

  • MDJim
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    72 - 74 The Other One's

    It's been a while since I listened to it.. but I recall 5/10/72 Concertgebouw as not completely unravelling into insanity like some of the others from that period. It seems more focused on jazzy, blissful contentment.

    ..but I could be wrong, it's been a while. I wouldn't be surprised if there isn't at least a few moments of dissonance.

    I believe I understand what you are getting at, though. When DiP 23 first came out (September 17, 1972 at the Baltimore Civic Center) my first impression was that it got pretty out there and took some time to get to the point.. I mean way out there. But I have warmed up to them since then. One of my favorites from that period has become 5/3/72, but it took a little time to absorb it. It achieves liftoff for sure and clocks in at 37 min, 43 seconds when you add in all three parts and the drums in the middle. So I guess I have warmed up to those 72-74 versions, but for me.. it didn't happen immediately.

    Oh, and the one from DaP 11, Wichita 72 is shorter than most.. but it does seem to pack in some out there moments into the song nonetheless.

  • Sixtus_
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    A Different Band

    ...Daverock....your accounting below is spot-on from where I sit. Couldn't have said it better myself.
    That's the Thing.
    From one era to the next, one year to the next, sometimes, from one tour to the next (and even within tours), the songs evolve and morph into something brilliantly different. Jazzy included. The Other One, a prime example.

    Also take Eyes of the World in this Spring 90 tour as another example. The first time it's played in Hartford, early in the tour, it's briskly-paced and drummy-driven - fairly typical for those 80's Eyes that were FAST. Then the second time they play Eyes in spring 90, it's remarkably SLOWED DOWN in Albany. They pulled back on the throttle; it's not as percussion-driven, and has a more laid-back vibe. Then, the final time Eyes is played, of course it's with Branford and that one speaks for itself but again - the slower more jazzy feel to it. And it seems there it remained, til the end. And Most will probably agree that this wasn't the first time Eyes made a stylistic change - it's happened at least twice before. Cool, that stuff. But again only reinforces Daverock's epic point.

    BTW, Spring 90 wraps up today; about to launch that one since I've found myself working from home this afternoon. Love that top-half of the second set, which I refer to as "The Kitchen Sink Set". At least on paper it looks kitchen sink-y.

    https://archive.org/details/gd90-04-03.sbd.hinko.17811.sbeok.shnf

    Its sunny on my back patio as I type....

    Sixtus

  • LoveJerry
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    Cool daverock + Stoltzfus

    The two I mentioned from 1972 are more melodic than most. They remind me more of Dark Star during the parts that are not the Other One theme itself. I love the 1971s because they are less Space than 72. I like the Jazz of 72 but can also deal with just the rock of 71, where the Jazz has not yet taken hold. I was very happy with the ones we got with Dave's Picks 22 + 26. I have yet to deeply explore the duel drummer ones that you speak of. Your use of the word powerhouse makes me I think I may have been overlooking some incredible listening experiences. Thank you

    EDIT : Stoltzfus aye aye cap'n! Thank you

  • Dennis
    Joined:
    A Musical Chuckle for Coffee Lovers

    https://www.youtube.com/watch?v=zlc5Bii_Qf8

  • daverock
    Joined:
    Other One-Lovejerry

    I would be very surprised if I personally could recommend an Other One from 1972-1974 that you hadn't already heard the like of. For me, the great thing about them is that they are jazzy, and do go out there.

    But they are obviously totally different from the previous eras ones-especially from when Mickey was in the band up to February 1971. Those are really powerhouses-my all time favourite being Binghampton 2/5/70-but I also like all the great ones from 1968 and 1969. Which probably accounts for...all of them

    In 1972-1974 they seem more "jazz" than "rock" without a drummer and with the added piano. I wasn't sure I liked them as much when I first heard them, about 30 years ago- but I do now. But I like jazz more now than I did 30 years ago. It is almost like a different band playing-the dynamics are so different.

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An institution in American rock music, the Grateful Dead continue to surprise the ears with new arrangements and altered styles. If their playing continues with the force that was heard in San Bernardino, the spirit of the Dead will live on. - Sun Telegram

We are more than pleased to kick off this year's Dave's Picks series with the much requested and quite spirited complete performance from Swing Auditorium, San Bernardino, CA 2/26/77. The Swing ’77 show was a unique beast, unlike any others from this era: as the band’s first concert of the year, it bridged the gap between the new and re-emerging sound of the returning 1976 Grateful Dead and the precision excellence of the spring ’77 Dead. Debuting two of their most intricately crafted songs of the 1970s, “Terrapin Station” (to open, no less!) and “Estimated Prophet,” the Dead demonstrated right from the start of this new touring year that they were not going to be a nostalgia act; they were going to be as adventurous and ambitious as they were at any time in their career.

Join the adventure as they soar through tried and true ("Playing In The Band," "Tennessee Jed"), well-loved covers ("Mama Tried," "Samson and Delilah," "Dancing In the Street"), and epic new jams.

Rounded out with three songs from Santa Barbara, CA 2/27/77, this one was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman.

Dave's Picks Volume 29 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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Finally an official release of one of mu bucket list items that I attended...ordered mine and it came through easily....Some day maybe UCSB '74 will come my way....

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Quick check of Estimated against the copy I have the vocals are far superior.

High hopes.

Super excited to get a copy of this one.! Can't remember the last time a Dave's Picks lasted this long (0ver 4 hours) without selling out.

No mention from Dave on the box plans for this year. 🤤 Could be another long wait.

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from the next night, far out. Does that mean we will never see the complete 2-27 released? Where is Dave's little skit? Mentions it but can't find it. I see your fire hydrant and raise you a bicycle.

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No surprise it took a few hours. They limited the number you can buy per transaction, and they upped the number produced to 20,000. This is the last '77 show I'm interested in.

At least make it interesting and replace fire hydrants and bicycles with tits and ass.

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16 years 2 months

In reply to by Exile On Main St.

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Finally, this chestnut gets its official release. I actually thought this show or most of it, was in the vault. This show was one of my CD-Rs I got when I first started collecting/trading in earnest in the later '90s. One of my favorite takes of Eyes!

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In reply to by Dennis

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... I concur Dennis , vocals sound primo! ;)
My nose is a twitching to hear the concert opener, ‘Terripen Station’ , one of my favorite albums and song by the dead...move me brightly
... a unique Setlist for my taste... ;)

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In reply to by unkle sam

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Hey Unkle.. On Dave's Distracted Roll Out Video he mentions they only reel 5 of 5 from 2/27.. so unless the other four reels show up, this is all we are going to get.

That explains the great mystery of this show that came up a week or two ago.

Happy trails folks.. bucket show indeed.. this is a true classic and it appears I am not a robot (again).

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Was soooooo bummed out to see the track list, and no Stagger Lee.

....it took some research to find out the significance of the arrowhead. Not surprisingly, stories abound to explain its origination:

https://www.ci.san-bernardino.ca.us/about/history/the_arrowhead.asp

Makes a Terrapin opener now all the more interesting!

The watercolor is a nice change. Such a natural, slightly anarchistic tone to the medium.

....a shiny new thread! Let's hope defects don't taint it. Brown acid syndrome. Good thing I bought the subscription, because I took the family to a cool southern Nevada gold mine tour today. I would've missed out, yet netted both!!!
.... edit. boobs & butts capcha's. 🤔
.... double edit. If someone comes here to bitch about missing out, don't say we didn't tell you to prep ahead, cause I think I can comfortably say that we don't want to hear it. The senator rests.

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Thats 5 branches. I had no idea what that picture was on the front cover of Dave's Picks 29. I even looked up the venue to see if it somehow looks like that, but it doesn't.

Dreading, surely you jest? I am probably the newest hardcore Deadhead on the block, and even in my newbieness, I know that Stagger Lee only hit the set lists Octoberish 1978. Judging by your avatar picture of The Closing of Winterland, I imagine you are a fan of what has to be the best Stagger Lee of all time (and one of the few times Bobby sounds like he's somewhat proficient with the slide guitar).

Speaking of Bobby, has anyone really taking a good listen to any of the Dead and Company shows? Just wondering if he actually plays well anymore, or if he's just kind of strumming here and there and letting the rest of the band shape the tunes. I've been close to downloading a couple of these dead and Company shows, but then I say to myself, with so little time for listening to music, I should be listening to the best stuff they have. Because there is so much from there prime years that I still have not heard at least 10 times :-)

I have seen pictures of this arrow on the mountain, people have told me about it and different stories about it, I have never have been to Berdoo, yet. This "official" story clears things up for me.
Thank you!

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In reply to by Born Cross Eye…

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Been there twice..

but you know what they say, once a juvenile delinquent, always a juvenile delinquent.. as I drove into the city after hours on the road crossing my legs for the last thirty minutes, I saw the arrow and the symbolism was clear.. ahhh...

I guess that explains the $150 urinating in public fine I have been begrudging all these years. Karma's a bitch.

Then again.. after seeing the rains CA got over the last week.. I think the grand master in the clouds might have caught the same symbolism.. Talk about some rain.. Perhaps it's just a giant rain stick for the gods and we need to make one on every CA (and Nevada) mountain??

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In reply to by MDJim

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(from Wikipedia)
Swing Auditorium was an indoor arena located on E Street in San Bernardino, California. It had a capacity of 10,000 patrons.

Named for California state senator Ralph E. Swing, the arena was constructed at the grounds of the National Orange Show in 1949.

Many musicians and other artists performed at the venue, including Jack Benny, George Burns, Louis Armstrong, Grateful Dead, Ike & Tina Turner, Elvis Presley and (for 13 consecutive years) Bob Hope.

Sammy Davis Jr. hosted a benefit concert at the venue in 1958, featuring performances by Judy Garland, Jerry Lewis, Tony Curtis, Danny Thomas and Shirley MacLaine. Davis hosted the event to demonstrate his appreciation to the San Bernardino Community Hospital for treating him following an automobile accident in 1954.[2] Davis lost his left eye as a result.

The venue altered in the 1960s, becoming a prominent rock arena for the West Coast.
In 1964, it was the launching point of the first American tour of The Rolling Stones.

On February 26, 1977, the venue was the launching point of the winter tour of the Grateful Dead and hosted their very first public performances of the songs Terrapin Station and Estimated Prophet. That concert has been released as Dave's Picks Volume 29.

On September 11, 1981, the auditorium was irreparably damaged when it was struck by a twin-engine Cessna following which the building had to be razed.

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Dang! Talk about radio silence! Bolo is awol! Perhaps the shutdown has compromised his last reported position

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In response to an inquiry that was thrown out there, Bob is playing great and actually singing better than ever. Despite the amazing chops of the younger guys, not to mention the drummers, I see Bob as the heart and soul of Dead & Co. Call me crazy (I've been called worse), but I see these guys going until Bob hangs it up. And then, it really won't ever be the same. See you in Boulder!

I concur with Led. In fact.. I think Bob is playing better than he has in years. His vocals are slipping a bit.. but hey.. it's the Grateful Dead. I personally think he is playing as strong a lead (at least from what I have heard) then he has since he had a Gibson strapped to his shoulder.

Keep in mind.. I am not traditionally a Bobby guy. If you are on the fence, go for it.. just beware the ticketmasterdickheads.

As for Morning Dew.. I had this post written last night about that song and some feral cat, apparently living in my house and eating my food pranced across my keyboard and nuked it.. It was one of the longer posts I have written and I spent a considerable amount of time on it. Then.. just like the Bumpasses hounds that ruined Christmas dinner in A Christmas Story, it was gone in a flash and a shithead cat had escaped with the goods. if I get the energy I will rewrite it, but for now its gone. No, Morning Dew not filler.. it's killer. I roast my own coffee and the only coffee mug I will ever drink from is my Morning Brew mug I got from Dead.net about ten years ago (back when they sold good merch).

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In reply to by Vguy72

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...hello vguy72, Daves studio walls are littered with ‘dusky diamond jewels’, it would be an honor and dream come true if Dave ever grace one of my paintings for the dead on his studio wall. I also like his ‘Movie Posters’ as well. Miracles can come true, so I’ll keep working toward my dream... have a grateful day folks! :)
Ps. oh yeah , straight crooked upside down and even sideways would be ok with me! Lol ha ha ;)

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That is a bold statement led to say that Bobby is singing better than ever. He sounded pretty damn good in 1971 and 1972. And 1973. And 1974 through 1977. And most of 1978. But I feel you, and I'm glad you're enjoying Cowboy Bob.

I can't wait to hear him sing his first Estimated Prophet on this Dave's Picks shows up on my doorstep next week.

I would also be honoured if Dave put one of my paintings on his wall. Anyone who's seen the beginning of Elmo's World would appreciate my talents.

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Thanks for the info ie 2-27, I was not able to find Dave's video and now I have been sent the email with it so will fire that up and check out what else he has to say about this fine release. Am looking forward to this one, lets just hope it comes defect free. As far as 77, just 10-29 remains on my list of should be released in all it's glory.

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What a great show this is. I love how they Jam like Santana on the other one. There's also a little tighten up in the disco dancing. Those fantastic vocals on Candyman. Every track is terrific. Some people were talking about their favorite show from 30 trips a couple of weeks ago. I might go with this one. Or The Lindley Meadows show from 75. It's a crime they didn't play a little bit longer on that one. I think they were and eyes of the world 4 hey playing in the band short of a full-blown masterpiece on that one. Or a blues from Allah

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Back in the fall my wife and I were on the cross sound ferry going from New London to Orient Point when the announcement for Dave's Picks 2019 subscription came out. In my excitement to make sure I ordered it before it was sold out I somehow accidentally ordered 2 subscriptions. If you got shut out of this and want one let me know send me a message. I will charge just 1/4 of what i paid for... bob t

I have the subscription, but my buddy waited too late. I told him to set an alarm so he'd not miss out ala carte, not sure if he did. If he did not and you're extra is still available, I am sure he'd be stoked to score one.

Thanks,

Bob

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In reply to by Dark-Star

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He has lost some vocal range.. no comparison to what he could do in his 20's.. but hey, it's Grateful Dead, do we really show up for the vocals?

To summary my comments, I think he has made a hell of a rebound from the way he was playing five years or so ago, I was focusing on his guitar playing. At least that's been my observation and I am have not always historically been the biggest Bob fan..

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Recently, I got a local library card and discovered that they have several free digital music services that you can access.

Maybe these are well known to others here, but are relatively new to me. Anyway, they are Hoopla, Naxos, and Alexander Street , and all seem to have different specialties and fill gaps where others are weaker.

Naxos has a good jazz and classical library, and can be streamed on will.

Alexander Street has a wide selection of genres for streaming.

Right now I'm listening to Hoopla. You can grab up to 7 albums per month, for 7 days at a time each. Hoopla has a large selection of GOGD, including many of the download series, Europe '72 (helping me to grab ones I didn't get ala carte), Dicks Picks, Road Trips, plus many of the retail releases like Postcards from the Hanging, Bear's Choice, From the Vault, Kingfish, tribute albums, etc. Over 150 total. Just no Dave's Picks.

Anyway, it's a great way to access out of print concert discs and others I just never got around to buying. Some of the other artists I've been able to access in Hoopla are albums I don't have by Gene Clark, Howard Roberts, Tal Farlow, Charlie Christian, and I'm just getting started...

At the moment, I'm spinning a Kentucky Colonels album from a 1964 concert on Hoopla which I don't have on CD, Long Journey Home. It's got several tunes with Doc Watson guesting, where Doc's clear, hard, fluid driving flatpicking meshes ideally with Clarence White's gentle, rolling, syncopated guitar genius that shows just how he could cripple up the time, as he used to say.

Great stuff.

BTW, wtf is going on with this latest Captcha? I had to click at least 50 times to get through. Smh.

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It's an addiction. Why wouldn't I? The last several Dave's Picks just started to get interesting with mixing it up more. Hopefully Vol.s 31 and 32 continue the "mixing it up" trend.

This Swing show is pretty well known. Too bad the first 4 reels of the bonus material show aren't in the vault. If they still esist, maybe someday. Can't really go wrong with '77 Dead. Vol. 30 looks even more intriguing.

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I know I have a problem, but does anyone have the book scans (square art) for Dave's 18 and 22? Thanks in advance

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15 years 10 months

In reply to by bob t

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My best friend and tour buddy did get shut out yesterday, so yes would love to get that for him. I sent you a PM too, but this new format is a little frustrating.

Really looking forward to this Normanized release

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Highly recommend Bob's trio. Saw both nights in Boston last fall. There were no guest appearances but they were excellent shows. Not sure if this is sacrilege, but I almost prefer the slower renditions by the Wolf Brothers vs Dead & Co. For the Wolf Bro Shows just sucked it in. During D&C my brain kept screaming "Step it up Lads", though the acoustic Dark Star at one of the Fenway shows was perfect!

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In reply to by bob t

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Bolo, sorry for your loss...may the four winds blow him safely home.

RT 4.5; just picked this up and listened to disc 1&2 last night. Really dig this one.
Think I like this one better than DaP 28? Definetly need more listens to both...
Starting to get new feel for 76. Possibly some nostalgia involved as 76 tapes were often what was available when I was being indoctrinated in late 70’s. Think I might even of had a FM sourced copy from this show early on? One of the B.M.H shows anyway...
Not yet as formulaic as later say in 77 abs beyond. Fresh energy but laid back etc. Everyone really listening.
If I ever get to finally move in to new house and get music server back I’m gonna have to give more 76’s a listen.

Bob: I’m with Jim, think his playing is still there, but the vocals have suffered. But what person his age does still have their full prowess, no one! Daltry, Rod Stewart, Sinatra, Plant, you name it, they all acknowledge that time has/will take a toll. But how many folks that age still tour as much consistently, year after year, not just one big tour once in a while, that can still bring it like the boys, not many!
Still gives me goose bumps thinking about the St. Steve’s/11 we saw at Folsom last year, year before?
Even Keef and Mic can’t bring it like that. I’m not suggesting that they still nail whole shows on the level of the good old days, but often enough, or enough moments to make the pilgrimage worth the effort.
It’s easy to be “picky deadheads” but think how much it will suck when there’s nobody/nothing left to see?
Think of how much it sucks not to see the real deal anymore!
Personally I’m grateful to have at least what we still have. Remember Eecktars rule of relativity “a little bit of something is better than all of nothing”

Bring on the Ssssshhhhwwwwiiiiinnnnnggggg! and stay warm.

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In reply to by boblopes

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I got your IM...... thanks

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I'll concede that's Bob's range isn't what it was - how could it be? But he is technically a better singer. He has learned proper technique, as opposed to his kind of talking/shouting style back in the day.

If you don't believe me, find him singing "Dear Prudence," out at Phil's place from just a couple years ago. It's all over the net. Just amazing, best I've EVER heard him sing.

Sorry for your loss. I lost my brother in 1995. There just aren't any words....

I agree with Led.. I personally think Bob is much improved and really taking things seriously. He may never be Jerry but he has earned back my respect.

My favorite Bob story.. (consider this humor, don't read too much into it).. it was likely 8 or 9 years ago and I went to see Further with my main show buddy.. I think in Asbury Park or something.. anyway.. he asks if his ex-wife can join, to which I said sure.. (she brought the buds).. so anyway, we head down and share a room, etc.. our habit was to get up front Phil side. I always seek Phil side even if Phil isn't in the band anymore, old habits die hard..

So we go and have a good time but she ended up forcing the issue and for the first time.. ever.. we end up Bobby side. We get back to the hotel and I say, so now I understand why you divorced and it did open up a quite the colorful debate. He's a Phil guy and she's a Bobby person and they are like oil and water.

So the next series of shows he has his new gf with him and I ask the proverbial question.. are you a Phil person or a Bobby person and she looks perplexed.. I rephrase it as being similar to the are you a Beatles person or an Elvis person question and she gets it.. so she says, ok.. I'm a Bobby person. After the show I say.. dump her man.. it's just not meant to be. ..and it wasn't.. he's getting married to someone else who.. is more a Phil person. The union has my blessing, a couples version of feng shui I guess.

Anyway.. silly humor, don't read into it just something to occupy our minds. I am a recovering Bobby fan - loved him in 71-74 but he lost me in the short-shorts, histrionics period. ... but I really think he has come a long way since then, especially lately. ..and to Boblopes point, I have heard very good things about Wolf Bros.. I just wish they would have played closer..

One edit: My favorite Bob moment of all time was 6/20/83 right in the middle of the short shorts phase.. during Sugar Magnolia believe it or not. You had to be there, but proves in the end I like it all.. why be picky, it's all grate.

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In my book, it is a crime they didn't blend in the intro. to St. Stephen with an audience tape. I mean honest to god they hadn't played it in years, and it was the comeback tour so the audience reaction would have been very relevant. Anyway. Happy Thursday night folks. YMMV

P.S. Buses.

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Real Gone is about to release RT 3.4 and the higher numbers are on amazon at reasonable prices. Check it out to phil in those holes in your physical collection...

In addition to that series Real Gone did a limited re-release of Alpine Valley (DP32), so if you're in need of that one, you'll need to get it directly from them, mine's arriving tomorrow. Not sure if they cleared out a warehouse or actually printed more, but that one gets me one shy of completing my Dick's Picks collection with DP27 being the only holdout. Next few weeks are going to be fresh listens of some 80's Dead and the Swing...

...interview with this years in-house Artist for the Daves Picks 2019 Series... have a grateful day to all my “skeletons” out there, you know who you are folks! ;)

https://www.dead.net/features/news-interviews-all-family/all-family-tyl…

...Dear Bolo , my thoughts & prayers to you and your extended family & friends in this time of transformation; like a butterfly dancing in the cool warm breeze upward towards the great big concert in the sky... peace be with you. ...

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