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    clayv
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    An institution in American rock music, the Grateful Dead continue to surprise the ears with new arrangements and altered styles. If their playing continues with the force that was heard in San Bernardino, the spirit of the Dead will live on. - Sun Telegram

    We are more than pleased to kick off this year's Dave's Picks series with the much requested and quite spirited complete performance from Swing Auditorium, San Bernardino, CA 2/26/77. The Swing ’77 show was a unique beast, unlike any others from this era: as the band’s first concert of the year, it bridged the gap between the new and re-emerging sound of the returning 1976 Grateful Dead and the precision excellence of the spring ’77 Dead. Debuting two of their most intricately crafted songs of the 1970s, “Terrapin Station” (to open, no less!) and “Estimated Prophet,” the Dead demonstrated right from the start of this new touring year that they were not going to be a nostalgia act; they were going to be as adventurous and ambitious as they were at any time in their career.

    Join the adventure as they soar through tried and true ("Playing In The Band," "Tennessee Jed"), well-loved covers ("Mama Tried," "Samson and Delilah," "Dancing In the Street"), and epic new jams.

    Rounded out with three songs from Santa Barbara, CA 2/27/77, this one was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman.

    Dave's Picks Volume 29 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • #261
    80sfan
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    last 5

    hope everyone is well!

    Last 5:
    Winterland 73 Bonus
    Road Trips 3.3 Bonus (getting in the mood for the upcoming release)
    30 Trips: 1991
    Dicks Picks 12
    A random iPhone mix I made for running, which includes Cumberland Blues (4/8/72), Scarlet>Fire (5/8/77), Estimated>Eyes (2/3/78), Help>Slip>Franklins (one from the vault), Row Jimmy & He's Gone (Dicks Picks 28), China>Rider (5/3/72), 1/2 Step (5/7/77) and the NFA>GDTRFB>NFA from that Nov 71 Road trips release...I know, very random but gets me over the hump when I'm out there running...

    On another random note, I saw a cover band called Grateful Shred when they were in Ardmore PA not too long ago. Believe they are an LA based band. Anyway, they were very fun and worth the fairly inexpensive ticket price if they ever come to your town. A band called Garcia Peoples opened for them - not a dead cover band but really cool vibe about them and worth also checking out (believe you can stream an album on Spotify).

  • #262
    KeithFan2112
    Joined:
    Morning Rockers!

    Some serious recommendations for The Other One. The one I could absolutely not recall ever listening to, although I'm sure I must have, is the Dave's Picks Volume 6 bonus disc from 2013. Just as good as advertised. How many times does Pig Pen say wait a minute afterward? I'm in the middle of the other ones that were recommended, no pun intended. I think it may have even been Wilfred t who recommended the Dave PIX11 version to me, possibly two years ago. Or maybe it was wissinoming deadhead? Well, that one's cooking my speakers up as we speak. Jimbo, I have Amsterdam queued up after that. I don't have a great recollection of that one, other than great loud crunchy guitars , more than usual for the show is on this box set. I know it goes into a fantastic Wharf rat with very nice mesmerizing intro riff.

    Love Jerry, check out Europe 72 beat Club version. That one's about 20 minutes long and not to spacy.

    Just have to add - the Drums that precedes the Amsterdam Othet One is crazy fast, and Billy is walloping the shit out of them.

    Have to add this too - while not in that '72 - '74 range, and not in that two drummer period, and not with Keith Godchaux- The Other One on Three From the Vault is a cooker. Even features an intro Cryptical. Also departs into one of the best Wharf Rats I've ever heard. Speaking of which, I listen to this the other morning after listening to the February 18th show version, which of course was the first time it was played, and Mickey's last show. There is some really mesmerizing keyboard undertones in the 2/18 version that I don't hear for the rest of the Port Chester run on Wharf Rat. Made me wonder if there was any chance Mickey was playing some organ, as it doesn't quite sound like Pigpens style. He did, afterall, compose Fire on the Mountain on a keyboard.

  • #263
    daverock
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    Double drums late 1967-February 1971

    There's a great and famous clip of The Dead on Playboy After Dark from 1969, during which Hugh Hefner interviews Jerry. Hefner comments on the two drum set up and asks Jerry if there is any particular reason for this. I can't hear everything Jerry says in reply, but he uses the word "annihilation" and compares the sound to "the serpent that eats its own tail."
    I imagine The Dead's sound between 1968 and February 1971 as being very, very loud. It was presumably loud in 1974, but during those earlier years the volume may have been part of the effect - the distortion and feedback etc- rather than simply an amplification of what was being played, like it seems to have been in 1974.

    Changing the subject- and on reading Sixtus's post - maybe I should listen to more 1990 shows. Every year I play the one 1990 box I've got from the Spring tour, the second one, with 3/29/90 in. Every year I enjoy every show, and then I forget about 1990, and head back to where I feel I belong.

  • #264
    wilfredtjones
    Joined:
    DaP 6 props

    I remember trading an extra sealed copy I had once upon a time (to a user on this very site) for a lightly worn copy of JGB Warner Theater 1978. Great deal for both I'd say! Still looking for a trades if anyone has any they want to slang my way. Still looking for original pressings of JGB Kean College 1980 and Bay Area 78. I have several to trade including a sealed copy of DaP 10 (alas w/o bonus).

  • #265
    alvarhanso
    Joined:
    DaP 11 Other One

    It may be "short" at 19:49, but as I was literally listening to it on my ride home from work today (not expecting to find it mentioned, but not too shocked either), I was wondering about it as I do each time, as to why it's tracked as starting where it does, but The Other One on DiP 1 is like 1:37, but clearly one of those jam tracks is part of The Other One. Here, there is no definite start until that verse comes in like 18 min in, and they've never, not a single member, actually touched on the Other One riffs until about a minute before that verse. The jam where the tracks split seems to shift to 6/8, but doesn't really stay there, and doesn't intone TOO. The whole thing is basically a long, weird Truckin' Jam that ends up with a nice Other One verse and a beautiful segue to Brokedown Palace. Mr. Norman is not the only one calling it a 19+ Other One, the one's on Archive are tracked similarly. I just find it odd is all. I also just find this all the way out there Other One to be one of my very favorite ones. Certainly my favorite weird Other One.

    The one from exactly a year earlier on DaP 26, also mentioned, is in my top 5 easily. One not mentioned enough, IMO, is 12/20/69 the one from the 2013 bonus disc with DaP 6, in addition to a magnificent Smokestack Lightning, TOO is 13 min of primal Dead, that gives way to Cumberland Blues.

    DaP 6 and bonus disc: throw 2 Dark Stars, 2 St Stephens, an Eleven, 3 versions of Mason's Children, 2 Lovelights, 2 Cumberlands, 2 China Riders, 2 New Speedways, 2 Hard to Handles, 2 Black Peters (this could be a minus, as could the Masons), and throw in a Cold Rain & Snow and High Time, and you got a stew going, baby! And maybe the most badass cover in the series.

  • #266
    MDJim
    Joined:
    72 - 74 The Other One's

    It's been a while since I listened to it.. but I recall 5/10/72 Concertgebouw as not completely unravelling into insanity like some of the others from that period. It seems more focused on jazzy, blissful contentment.

    ..but I could be wrong, it's been a while. I wouldn't be surprised if there isn't at least a few moments of dissonance.

    I believe I understand what you are getting at, though. When DiP 23 first came out (September 17, 1972 at the Baltimore Civic Center) my first impression was that it got pretty out there and took some time to get to the point.. I mean way out there. But I have warmed up to them since then. One of my favorites from that period has become 5/3/72, but it took a little time to absorb it. It achieves liftoff for sure and clocks in at 37 min, 43 seconds when you add in all three parts and the drums in the middle. So I guess I have warmed up to those 72-74 versions, but for me.. it didn't happen immediately.

    Oh, and the one from DaP 11, Wichita 72 is shorter than most.. but it does seem to pack in some out there moments into the song nonetheless.

  • #267
    Sixtus_
    Joined:
    A Different Band

    ...Daverock....your accounting below is spot-on from where I sit. Couldn't have said it better myself.
    That's the Thing.
    From one era to the next, one year to the next, sometimes, from one tour to the next (and even within tours), the songs evolve and morph into something brilliantly different. Jazzy included. The Other One, a prime example.

    Also take Eyes of the World in this Spring 90 tour as another example. The first time it's played in Hartford, early in the tour, it's briskly-paced and drummy-driven - fairly typical for those 80's Eyes that were FAST. Then the second time they play Eyes in spring 90, it's remarkably SLOWED DOWN in Albany. They pulled back on the throttle; it's not as percussion-driven, and has a more laid-back vibe. Then, the final time Eyes is played, of course it's with Branford and that one speaks for itself but again - the slower more jazzy feel to it. And it seems there it remained, til the end. And Most will probably agree that this wasn't the first time Eyes made a stylistic change - it's happened at least twice before. Cool, that stuff. But again only reinforces Daverock's epic point.

    BTW, Spring 90 wraps up today; about to launch that one since I've found myself working from home this afternoon. Love that top-half of the second set, which I refer to as "The Kitchen Sink Set". At least on paper it looks kitchen sink-y.

    https://archive.org/details/gd90-04-03.sbd.hinko.17811.sbeok.shnf

    Its sunny on my back patio as I type....

    Sixtus

  • #268
    LoveJerry
    Joined:
    Cool daverock + Stoltzfus

    The two I mentioned from 1972 are more melodic than most. They remind me more of Dark Star during the parts that are not the Other One theme itself. I love the 1971s because they are less Space than 72. I like the Jazz of 72 but can also deal with just the rock of 71, where the Jazz has not yet taken hold. I was very happy with the ones we got with Dave's Picks 22 + 26. I have yet to deeply explore the duel drummer ones that you speak of. Your use of the word powerhouse makes me I think I may have been overlooking some incredible listening experiences. Thank you

    EDIT : Stoltzfus aye aye cap'n! Thank you

  • #269
    Dennis
    Joined:
    A Musical Chuckle for Coffee Lovers

    https://www.youtube.com/watch?v=zlc5Bii_Qf8

  • #270
    daverock
    Joined:
    Other One-Lovejerry

    I would be very surprised if I personally could recommend an Other One from 1972-1974 that you hadn't already heard the like of. For me, the great thing about them is that they are jazzy, and do go out there.

    But they are obviously totally different from the previous eras ones-especially from when Mickey was in the band up to February 1971. Those are really powerhouses-my all time favourite being Binghampton 2/5/70-but I also like all the great ones from 1968 and 1969. Which probably accounts for...all of them

    In 1972-1974 they seem more "jazz" than "rock" without a drummer and with the added piano. I wasn't sure I liked them as much when I first heard them, about 30 years ago- but I do now. But I like jazz more now than I did 30 years ago. It is almost like a different band playing-the dynamics are so different.

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Dead Store Products

An institution in American rock music, the Grateful Dead continue to surprise the ears with new arrangements and altered styles. If their playing continues with the force that was heard in San Bernardino, the spirit of the Dead will live on. - Sun Telegram

We are more than pleased to kick off this year's Dave's Picks series with the much requested and quite spirited complete performance from Swing Auditorium, San Bernardino, CA 2/26/77. The Swing ’77 show was a unique beast, unlike any others from this era: as the band’s first concert of the year, it bridged the gap between the new and re-emerging sound of the returning 1976 Grateful Dead and the precision excellence of the spring ’77 Dead. Debuting two of their most intricately crafted songs of the 1970s, “Terrapin Station” (to open, no less!) and “Estimated Prophet,” the Dead demonstrated right from the start of this new touring year that they were not going to be a nostalgia act; they were going to be as adventurous and ambitious as they were at any time in their career.

Join the adventure as they soar through tried and true ("Playing In The Band," "Tennessee Jed"), well-loved covers ("Mama Tried," "Samson and Delilah," "Dancing In the Street"), and epic new jams.

Rounded out with three songs from Santa Barbara, CA 2/27/77, this one was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman.

Dave's Picks Volume 29 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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Submitted by wadeocu on Fri, 01/25/2019 - 11:50

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Hmmmm I guess you don't have to be a fanatic to make good art for fanatics:

"Favorite Dead Era/Years:

Hard to say but as an MTV kid it’s probably the 80’s.

Desert Island Dead

I’d probably grab one of their greatest of albums.

Being A Dead Head Means…

Being a skeleton and listening to cool music."

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Submitted by KeithFan2112 on Fri, 01/25/2019 - 12:13

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Thanks for posting that, it's the first time I've seen it. Very amusing....I guess the interview went something like this:

Rhino: Can you draw skeletons?
Artist: Yes

Rhino: Hmmm. Okay we'll get back to you next week and let you know.

Arist: I can make them Tie-dyed with Coat-tails and Top-hats if you want.

Rhino: You're hired.

Unless it was Samuel L Jackson conducting the interview, in which case the last line would have been: "well shit, mother f*****! That's all you had to say!"

Bolo, hang in there buddy, my condolences.

....what comes around, goes around. Trade for all the Santa Barbara reels the following night? If so, you've peaked my interest.

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Submitted by MDJim on Sat, 01/26/2019 - 07:17

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….is that they pre-announce the releases for the first half of the year. So there will be no surprises until mid July.

I would almost rather not know what the releases are going to be. Once that new box smell wears off and we get discs that don't skip, the adventure is 85% over.

I guess it's a good opportunity to hit the archive.

Happy weekend all..

With 2 announcements out of the way we’re perfectly set up for a February Box announcement.

But seriously folks, we need an additional avenue of releases established. Something to fill in the gaps while we wait for the 4 yearly DaPs and occasional Box. Time to resurrect the From The Vault series and start throwing a few bones to SpaceBro, and the rest of us who want all eras released (as long as they sound good).

Condolences Señor Bolo.
May the Force be with you and your family.

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Submitted by Oroborous on Sat, 01/26/2019 - 07:57

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Yeah, what the kid said. More releases. More eras!
Like Kayak guy used to say, more series with different levels or tiers depending on quality etc.

Jim: kinda like Xmass, all about the anticipation.
Once the presents are unwrapped it’s mostly over.
Oh sure you dig your knew stuff and have new tunes/toys to play with,
but the big rush is before and up to the big reveal ; )

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Submitted by DeadVikes on Sat, 01/26/2019 - 11:10

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Yes, I couldn't agree with you all that we need more, but I am not sure Rhino will be putting out more than the 4 Dave's and the Annual Box. They seem to be content with this mode. And everything they do now is limited edition pre-order.
I wish they would bring back unlimited stand alone releases like Live at the Cow Palace, To Terrapin, Trucking up to Buffalo, etc. Europe 72 single shows. Those days seem to be gone.

Sure would love a February box release announcement, but it might not be till June like last year. Hope I am wrong.

Mixed bag Jim, another bad thing about the big reveal is everyone plays the shit out the copy they have, so wow factor is lower. There are times when the "official release" is only marginally better, because the boards have been bounced around forever, may hurt sales a bit, but maybe a little "honestly" on their part. Seems there are always the voices they say, "I won't buy UNLESS I know".

But whole heartily agree with more releases, how about a Dave's every two months. Maybe this shit takes a long time to do and can't hammer them out faster? Maybe a new vein of download shows, that are of lesser quality. Would that vein's leader have to clear shows with Dave?

Maybe remaining Dead members and family want a steady income stream for their heirs. Certainly their right.

In the end, the archive is there.

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Submitted by stoltzfus on Sat, 01/26/2019 - 12:29

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Heeeeeyyyy yaaaaaa

got a b u n c h of GD from my source recently.

listening to 7/1/66

Dancin' reprise gets cut a little short

oh well

then here come some surprise tracks...Jerry on banjo and buddies...1964 era stuff

nice surprise

mo' Dave's!

FW Feb 70 box set

many of the tracks I have heard have splices or are cut, however.

hey, we have _s_o_m_e_ of it.

36.5 years into the LST and there are still pleasant surprises and gems to be discovered.

GOD BLESS THE GRATEFUL DEAD

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Submitted by LedDed on Sat, 01/26/2019 - 13:27

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Four Dave's a year, plus bonus disc ('scrip is the only way to go) and a box or two seems absolutely perfect. Some of the boxes are less affordable than others... I hate for hardcore heads to not be able to afford all of this. For me, it slakes my thirst, I mean I have many, many thousands of songs in my library and I listen to an average minimum of 3 to 4 hours of Dead 365 days a year - on weekends easily much more. On a good Saturday at home these tunes could run from 6 am to 1am the next day. If I get a bad jones to buy something, there's always tons of random bootlegs, radio broadcasts, etc. to be found on amazon, eBay, etc. Not to mention the plethora of Dead & Co. live releases... I think Rhino sticks to their proven model and we all live happily ever after.

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Submitted by FiveBranch on Sat, 01/26/2019 - 16:22

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I wonder if they will all cycle back around eventually, only a few at one time though. As an example, right now you can pick up Closing of Winterland but maybe when that sells out they'll bring back Cow Palace.

Or, some of it might be tied into unspoken agreements made with Apple to have them handle the downloads for the time being.

....guess not. Must have been the acid.
https://youtu.be/miCDPzJHvjk
....her look at 5:37 is the look. The same look I've looked when I couldn't explain something I was seeing/feeling/experiencing. All these years later, I still can't explain it. The Beatles "I'm Looking Through You" takes on a whole new meaning, when one sees that she's looking through the interviewer.

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Submitted by icecrmcnkd on Sat, 01/26/2019 - 22:37

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Older yes,
Wiser....????
Not if you’re on the Homer Simpson ‘Kill your brain with beer’ plan. But I digress.
Wait, where was I?

Watching the Disco Biscuits on youtube, which is a band that I never paid attention to before, but had heard of years ago. My first impression is: Phish meets Emerson, Lake, and Palmer.
I’ll keep watching....

But I first must pass the reCRAPTCHA exam of buses driving over fire hydrants on crosswalks while ignoring traffic lights....

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Submitted by daverock on Sun, 01/27/2019 - 05:19

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There's also the Record Store Day album to look forward to. I am expecting the 2/28/69 Fillmore West show to be released on vinyl sometime soon. I think I read somewhere that the whole run was going to be released on vinyl-which can't come soon enough!

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Submitted by MDJim on Sun, 01/27/2019 - 08:15

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I'm down with that. Groundbreaking performances recorded using the best recording technologies for live music available at the time.

as a bonus.. they have my favorite GD album covers and shine in the larger format. Classic GD miles removed from cartoonish skeletons and skulls with Smurf-like beards. Classic.

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Submitted by Gratefulhan on Sun, 01/27/2019 - 11:06

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Personally I like and agree with idea of more releases. I have been able to catch up on many that I did not have and now I sit fairly complete with what I want. Of course more is never a bad thing, but more of what? I do think that the model of 4 Dave's per year (with a bonus disc) and a box is good. Someone else already said this but it would be cool if they would release unlimited (so to speak) single shows. Maybe one or two per year? They could focus on these releases as being ones that are less popular or desirable. Now I am not saying these are going to be bad shows, just ones that are not readily sought after. For me I so desperately want a release of 1/24/71 for example, how about that? Or they could flp the model and do the highly desirable and popular shows as special one-off releases. Great examples of that that have been done already are 8/27/72, 5/8/77, 7/8/78,3/29/90. I would like to see the Dave's PIcks series be the main conduit to which we get great sounding, complete shows that have a degree of variety. I think that is what has happened to date.

Or another way to go about the single one off releases would be to produce partial shows. I know Dave is always talking about shows where they only have so many reels in the vault. If any show is not going to be complete due to missing reels then that would be one should to see the light of day. It may never be complete so why hold back on a release of it? It would be similar to a taper's section release except only parts of the show is being releases because that is all they have. I mean the filler for o. 20 form Santa Barbara is going to be a great treat. It will fir on great on this release but say for example that wasn't the case. It would still be great if it was able to be put out there for all, even though it is only a few songs.

Anyway this is all just fun ideas and talk. Good times in any case.

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6 years 7 months

Submitted by perithecat on Sun, 01/27/2019 - 12:23

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This might sound like a daft thing to ask but can anyone tell me why is it that you can get pretty much everything on iTunes but the daves picks series ( dicks picks / road trips / all of Europe 72 and nearly all of the one offs )
I would love to hear some of the early Dave stuff but unless I remortgage the house and buy them on eBay I’ve no chance .
Any thoughts ?

Just gave it a spin, very nice.
Ready for the rest of the FW 69 shows to come out on vinyl.

Now going with 6-29-76, in solid state micro SDXC card form.

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17 years 5 months

Submitted by Vguy72 on Sun, 01/27/2019 - 13:14

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....not possible Mr. Cat. Spotify is your friend though. All the recent Dead & Co releases are up and running. Im not an Apple fan, so my knowledge may be lacking in certain fields.

...I’m in love with this set list, wish I had a computer...

XL Center, Hartford, CT (11/22/17)
1. Iko, Iko
2. Shakedown Street
3. They Love Each Other
4. Loose Lucy
5. Friend Of The Devil
6. Bird Song
7. Estimated Prophet
8. Eyes Of The World
9. China Doll
10. The Other One
11. Drums
12. Space
13. Spanish Jam
14. Black Peter
15. Uncle John's Band
16. U.S. Blues
17. Knockin' On Heaven's Door

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6 years 10 months

Submitted by Trainwrecked on Sun, 01/27/2019 - 16:56

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Is it still available at normal price anywhere?

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7 years 9 months

Submitted by MDJim on Sun, 01/27/2019 - 18:11

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They seem to have some for $85 + shipping on eBay. Honestly.. I would have thought it would be higher by now.

I forget what they were when first released..

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Submitted by icecrmcnkd on Sun, 01/27/2019 - 18:55

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$70.05 on Amazon.

I paid $80 or more on release day (and I’m not even a robot).

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Submitted by MDJim on Mon, 01/28/2019 - 05:24

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Do robots get discounts? A strong sign we going to lose the fight against AI.

In the leadup to the swing, I couldn't help but heed the call from those here re: Cow Palace 12/31/76. So I gave it a spin last week as a precursor to very next show played, 2/26/77 The Swing. I had forgotten what a great show that was and the stunning multi-track recording makes this a rare gem.. The recording and mix were so clear I got side tracked and fixated on the vocals during my last listen.

The Help on the Way>Slipknot!>NFA>Morning Dew is stupendous. Regarding the Dew, with the exception of 1972, I think this version might have the cleanest, best recorded vocals of the bunch. I would also contend the vocals were a bit stronger in this version then any of the four played in Europe.. the song was simply more mature by then and Jerry had not started is vocal decline.. yet.

But it got me thinking.

We have 30 Dave's Picks either released or announced. Of these, we have 9 Dark Stars appearing on 8 Dave's Picks (DaP 6 had two). Two of these appear only on bonus discs (6 and 10). We only have two Morning Dews appearing on Dave's Picks (DaP 5 and DaP 13. 13 has both a Dark Star>Morning Dew).

Some history, Dark Star was played 231 times, first played I think in the studio on 11/14/67, last played on 3/30/94. Most of these were in the early years and they took many breaks from the song, some extended. Between October '74 and October '89, it was only played a handful of times with a 4 year and a 5 year absence.

Morning Dew was played 257 times, first played at the Human Bee In on 1/14/67 and last played on 6/21/95. It was played at least once a year with the exception of 1975. I wouldn't call it a rarity, but it really wasn't played that often. To me, it seemed they saved it for special occasions or rotated it just when they needed it most.

So it seems we are due a few Morning Dew's. If we go back a year one might say the same thing about Help>Slipknot!>Franklins Tower, and blammo.. we get three in a row. 2019 into 2020 might very well be Dew heavy.

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16 years 2 months

Submitted by unkle sam on Mon, 01/28/2019 - 06:45

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more releases? with skips and scratches? no thanks, get the manufacturing part right and then release more, I'm down with that for sure. 85.00 for one record? wow, you guys really are fans.

Well.. it's pressed on four 180 gram discs and they are not printing 100,000 at a time. This is more or less what these 4 disc vinyl reproductions cost, and the quality is quite high. I just looked at a bunch of vinyl albums on Amazon, trying to stay away from secondary sellers.. I am not finding a single 180 gram album for under $20. Seeing as this is a four disc album, and is available only on the secondary market.. I am surprised we are seeing them for under $80 ($20 a disc).

If you are going to bash shoddy quality, low-end manufacturing with defects (something I agree with you on), then it seems contrary that you also bash a clearly higher quality approach even if it costs a few dollars more. I have not heard a single complaint about skipping or quality of these vinyl re-issues.

I don't know.. this seems like much better value than dinner for two at Outback.

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Submitted by KeithFan2112 on Mon, 01/28/2019 - 08:05

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I put this one on last night. Bertha has some static / distortion. I was listening on an mp3 rip of the tune, and my original CDs are stowed away. Just wondering if anyone else recalls an issue like this on the opener, Bertha?

Come on shipping notice, get here get here get here.

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Submitted by Trainwrecked on Mon, 01/28/2019 - 09:43

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That's a reasonable price for 180 gram vinyl, 4 discs. I didn't think to look on eBay because I assumed the prices would be so over-inflated that I wouldn't be interested. If they're going to be selling all 4, how can I not, right?

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Submitted by MDJim on Mon, 01/28/2019 - 12:27

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well.. the complete recordings (4 shows 10 cds) is listed for $900 on eBay, used. I think I paid something like $100 in 2005 and the bonus disc came free.

https://www.ebay.com/i/333014665513?chn=ps

Not sure if they will get that much, but it adds some perspective. There is a listing for just the bonus disc for $450. I think I am going to start selling bridges.. wish me luck.

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Submitted by Charlie3 on Mon, 01/28/2019 - 12:55

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The comments about ebay listing prices for FW 69 Complete Recordings got me curious, so I checked the sold listings and there is a huge variation. The lowest prices were $99.49 for a set rated "very good" and $100 for a set rated "like new". At the other end of the spectrum, there was a set rated "new (other)" sold for $850 and a few sets that sold for $699 each. There were a number of sets sold with intermediate values in the $400-600 range, give or take. Seems like they can reliably be had for a few hundred dollars, and occasionally someone gets lucky and pays close to the original cost of the set, kind of an argument for patience.

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Submitted by MDJim on Mon, 01/28/2019 - 14:29

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I didn't even know how to see what items sold for.. didn't even know you could do that... so I did the same thing.

The $99 one sold in a little more than 8 minutes after being listed, and was a couple months ago. The rest seem to be in the mid-range. ..so patient but quick to pull the trigger if you want it under $400 to $500.

Interesting.. I am admittedly an eBay novice.

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Submitted by stoltzfus on Mon, 01/28/2019 - 17:10

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the prices for individual shows y'all are citing...never.

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Submitted by PapaHooper on Mon, 01/28/2019 - 17:17

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Delayed release this year? Every other year I’ve subscribed, a shipment notice is received on the 23rd or 24th of the month, like clockwork. This year... it’s the 28th and I’ve received no such notice. Hmmmm

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Submitted by KeithFan2112 on Mon, 01/28/2019 - 18:15

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85 bucks is actually pretty cheap for for vinyl LPS, 180 gram vinyl. Every place I look for vinyl these days, it's either 25 or $30 for a single vinyl LP. 85 seems comparatively cheap.

There's a really solid Terrapin Station on Dick's Picks 29. Most of them from 77 or pretty solid. How many Terrapin fans out there. How many would put Terrapin Station in their top 10 desert island Grateful Dead songs? It would be borderline for me. Nah, as much as I like it I could come up with 10 others.

Dennis, thanks for the feedback on the Bertha from May 77. I may have to dig up my CD. What I am hearing is actual distorted guitar on Jerry side. The kind of distortion you get when you turn the recording level up to high. It's kind of fuzzy.

Edit - just listened again. The distortion is from 3:00 - 4:00 mainly on Keith's piano.

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