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    clayv
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    An institution in American rock music, the Grateful Dead continue to surprise the ears with new arrangements and altered styles. If their playing continues with the force that was heard in San Bernardino, the spirit of the Dead will live on. - Sun Telegram

    We are more than pleased to kick off this year's Dave's Picks series with the much requested and quite spirited complete performance from Swing Auditorium, San Bernardino, CA 2/26/77. The Swing ’77 show was a unique beast, unlike any others from this era: as the band’s first concert of the year, it bridged the gap between the new and re-emerging sound of the returning 1976 Grateful Dead and the precision excellence of the spring ’77 Dead. Debuting two of their most intricately crafted songs of the 1970s, “Terrapin Station” (to open, no less!) and “Estimated Prophet,” the Dead demonstrated right from the start of this new touring year that they were not going to be a nostalgia act; they were going to be as adventurous and ambitious as they were at any time in their career.

    Join the adventure as they soar through tried and true ("Playing In The Band," "Tennessee Jed"), well-loved covers ("Mama Tried," "Samson and Delilah," "Dancing In the Street"), and epic new jams.

    Rounded out with three songs from Santa Barbara, CA 2/27/77, this one was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman.

    Dave's Picks Volume 29 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • 80sfan
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    last 5

    hope everyone is well!

    Last 5:
    Winterland 73 Bonus
    Road Trips 3.3 Bonus (getting in the mood for the upcoming release)
    30 Trips: 1991
    Dicks Picks 12
    A random iPhone mix I made for running, which includes Cumberland Blues (4/8/72), Scarlet>Fire (5/8/77), Estimated>Eyes (2/3/78), Help>Slip>Franklins (one from the vault), Row Jimmy & He's Gone (Dicks Picks 28), China>Rider (5/3/72), 1/2 Step (5/7/77) and the NFA>GDTRFB>NFA from that Nov 71 Road trips release...I know, very random but gets me over the hump when I'm out there running...

    On another random note, I saw a cover band called Grateful Shred when they were in Ardmore PA not too long ago. Believe they are an LA based band. Anyway, they were very fun and worth the fairly inexpensive ticket price if they ever come to your town. A band called Garcia Peoples opened for them - not a dead cover band but really cool vibe about them and worth also checking out (believe you can stream an album on Spotify).

  • KeithFan2112
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    Morning Rockers!

    Some serious recommendations for The Other One. The one I could absolutely not recall ever listening to, although I'm sure I must have, is the Dave's Picks Volume 6 bonus disc from 2013. Just as good as advertised. How many times does Pig Pen say wait a minute afterward? I'm in the middle of the other ones that were recommended, no pun intended. I think it may have even been Wilfred t who recommended the Dave PIX11 version to me, possibly two years ago. Or maybe it was wissinoming deadhead? Well, that one's cooking my speakers up as we speak. Jimbo, I have Amsterdam queued up after that. I don't have a great recollection of that one, other than great loud crunchy guitars , more than usual for the show is on this box set. I know it goes into a fantastic Wharf rat with very nice mesmerizing intro riff.

    Love Jerry, check out Europe 72 beat Club version. That one's about 20 minutes long and not to spacy.

    Just have to add - the Drums that precedes the Amsterdam Othet One is crazy fast, and Billy is walloping the shit out of them.

    Have to add this too - while not in that '72 - '74 range, and not in that two drummer period, and not with Keith Godchaux- The Other One on Three From the Vault is a cooker. Even features an intro Cryptical. Also departs into one of the best Wharf Rats I've ever heard. Speaking of which, I listen to this the other morning after listening to the February 18th show version, which of course was the first time it was played, and Mickey's last show. There is some really mesmerizing keyboard undertones in the 2/18 version that I don't hear for the rest of the Port Chester run on Wharf Rat. Made me wonder if there was any chance Mickey was playing some organ, as it doesn't quite sound like Pigpens style. He did, afterall, compose Fire on the Mountain on a keyboard.

  • daverock
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    Double drums late 1967-February 1971

    There's a great and famous clip of The Dead on Playboy After Dark from 1969, during which Hugh Hefner interviews Jerry. Hefner comments on the two drum set up and asks Jerry if there is any particular reason for this. I can't hear everything Jerry says in reply, but he uses the word "annihilation" and compares the sound to "the serpent that eats its own tail."
    I imagine The Dead's sound between 1968 and February 1971 as being very, very loud. It was presumably loud in 1974, but during those earlier years the volume may have been part of the effect - the distortion and feedback etc- rather than simply an amplification of what was being played, like it seems to have been in 1974.

    Changing the subject- and on reading Sixtus's post - maybe I should listen to more 1990 shows. Every year I play the one 1990 box I've got from the Spring tour, the second one, with 3/29/90 in. Every year I enjoy every show, and then I forget about 1990, and head back to where I feel I belong.

  • wilfredtjones
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    DaP 6 props

    I remember trading an extra sealed copy I had once upon a time (to a user on this very site) for a lightly worn copy of JGB Warner Theater 1978. Great deal for both I'd say! Still looking for a trades if anyone has any they want to slang my way. Still looking for original pressings of JGB Kean College 1980 and Bay Area 78. I have several to trade including a sealed copy of DaP 10 (alas w/o bonus).

  • alvarhanso
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    DaP 11 Other One

    It may be "short" at 19:49, but as I was literally listening to it on my ride home from work today (not expecting to find it mentioned, but not too shocked either), I was wondering about it as I do each time, as to why it's tracked as starting where it does, but The Other One on DiP 1 is like 1:37, but clearly one of those jam tracks is part of The Other One. Here, there is no definite start until that verse comes in like 18 min in, and they've never, not a single member, actually touched on the Other One riffs until about a minute before that verse. The jam where the tracks split seems to shift to 6/8, but doesn't really stay there, and doesn't intone TOO. The whole thing is basically a long, weird Truckin' Jam that ends up with a nice Other One verse and a beautiful segue to Brokedown Palace. Mr. Norman is not the only one calling it a 19+ Other One, the one's on Archive are tracked similarly. I just find it odd is all. I also just find this all the way out there Other One to be one of my very favorite ones. Certainly my favorite weird Other One.

    The one from exactly a year earlier on DaP 26, also mentioned, is in my top 5 easily. One not mentioned enough, IMO, is 12/20/69 the one from the 2013 bonus disc with DaP 6, in addition to a magnificent Smokestack Lightning, TOO is 13 min of primal Dead, that gives way to Cumberland Blues.

    DaP 6 and bonus disc: throw 2 Dark Stars, 2 St Stephens, an Eleven, 3 versions of Mason's Children, 2 Lovelights, 2 Cumberlands, 2 China Riders, 2 New Speedways, 2 Hard to Handles, 2 Black Peters (this could be a minus, as could the Masons), and throw in a Cold Rain & Snow and High Time, and you got a stew going, baby! And maybe the most badass cover in the series.

  • MDJim
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    72 - 74 The Other One's

    It's been a while since I listened to it.. but I recall 5/10/72 Concertgebouw as not completely unravelling into insanity like some of the others from that period. It seems more focused on jazzy, blissful contentment.

    ..but I could be wrong, it's been a while. I wouldn't be surprised if there isn't at least a few moments of dissonance.

    I believe I understand what you are getting at, though. When DiP 23 first came out (September 17, 1972 at the Baltimore Civic Center) my first impression was that it got pretty out there and took some time to get to the point.. I mean way out there. But I have warmed up to them since then. One of my favorites from that period has become 5/3/72, but it took a little time to absorb it. It achieves liftoff for sure and clocks in at 37 min, 43 seconds when you add in all three parts and the drums in the middle. So I guess I have warmed up to those 72-74 versions, but for me.. it didn't happen immediately.

    Oh, and the one from DaP 11, Wichita 72 is shorter than most.. but it does seem to pack in some out there moments into the song nonetheless.

  • Sixtus_
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    A Different Band

    ...Daverock....your accounting below is spot-on from where I sit. Couldn't have said it better myself.
    That's the Thing.
    From one era to the next, one year to the next, sometimes, from one tour to the next (and even within tours), the songs evolve and morph into something brilliantly different. Jazzy included. The Other One, a prime example.

    Also take Eyes of the World in this Spring 90 tour as another example. The first time it's played in Hartford, early in the tour, it's briskly-paced and drummy-driven - fairly typical for those 80's Eyes that were FAST. Then the second time they play Eyes in spring 90, it's remarkably SLOWED DOWN in Albany. They pulled back on the throttle; it's not as percussion-driven, and has a more laid-back vibe. Then, the final time Eyes is played, of course it's with Branford and that one speaks for itself but again - the slower more jazzy feel to it. And it seems there it remained, til the end. And Most will probably agree that this wasn't the first time Eyes made a stylistic change - it's happened at least twice before. Cool, that stuff. But again only reinforces Daverock's epic point.

    BTW, Spring 90 wraps up today; about to launch that one since I've found myself working from home this afternoon. Love that top-half of the second set, which I refer to as "The Kitchen Sink Set". At least on paper it looks kitchen sink-y.

    https://archive.org/details/gd90-04-03.sbd.hinko.17811.sbeok.shnf

    Its sunny on my back patio as I type....

    Sixtus

  • LoveJerry
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    Cool daverock + Stoltzfus

    The two I mentioned from 1972 are more melodic than most. They remind me more of Dark Star during the parts that are not the Other One theme itself. I love the 1971s because they are less Space than 72. I like the Jazz of 72 but can also deal with just the rock of 71, where the Jazz has not yet taken hold. I was very happy with the ones we got with Dave's Picks 22 + 26. I have yet to deeply explore the duel drummer ones that you speak of. Your use of the word powerhouse makes me I think I may have been overlooking some incredible listening experiences. Thank you

    EDIT : Stoltzfus aye aye cap'n! Thank you

  • Dennis
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    A Musical Chuckle for Coffee Lovers

    https://www.youtube.com/watch?v=zlc5Bii_Qf8

  • daverock
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    Other One-Lovejerry

    I would be very surprised if I personally could recommend an Other One from 1972-1974 that you hadn't already heard the like of. For me, the great thing about them is that they are jazzy, and do go out there.

    But they are obviously totally different from the previous eras ones-especially from when Mickey was in the band up to February 1971. Those are really powerhouses-my all time favourite being Binghampton 2/5/70-but I also like all the great ones from 1968 and 1969. Which probably accounts for...all of them

    In 1972-1974 they seem more "jazz" than "rock" without a drummer and with the added piano. I wasn't sure I liked them as much when I first heard them, about 30 years ago- but I do now. But I like jazz more now than I did 30 years ago. It is almost like a different band playing-the dynamics are so different.

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An institution in American rock music, the Grateful Dead continue to surprise the ears with new arrangements and altered styles. If their playing continues with the force that was heard in San Bernardino, the spirit of the Dead will live on. - Sun Telegram

We are more than pleased to kick off this year's Dave's Picks series with the much requested and quite spirited complete performance from Swing Auditorium, San Bernardino, CA 2/26/77. The Swing ’77 show was a unique beast, unlike any others from this era: as the band’s first concert of the year, it bridged the gap between the new and re-emerging sound of the returning 1976 Grateful Dead and the precision excellence of the spring ’77 Dead. Debuting two of their most intricately crafted songs of the 1970s, “Terrapin Station” (to open, no less!) and “Estimated Prophet,” the Dead demonstrated right from the start of this new touring year that they were not going to be a nostalgia act; they were going to be as adventurous and ambitious as they were at any time in their career.

Join the adventure as they soar through tried and true ("Playing In The Band," "Tennessee Jed"), well-loved covers ("Mama Tried," "Samson and Delilah," "Dancing In the Street"), and epic new jams.

Rounded out with three songs from Santa Barbara, CA 2/27/77, this one was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman.

Dave's Picks Volume 29 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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My favourite era for The Beatles, hands down is also the psychedelic era, which I think of as being from 1965-1967. This would include all the singles in this time span, plus Rubber Soul, Revolver, Sergeant Pepper, Magical Mystery Tour and the new tracks they recorded for Yellow Submarine.

I also like the early singles, which still have an incredible rush to them. But The White Album has always sounded a bit disjointed to me. Definitely some good tracks in there, but a massive come down from the previous three or four albums. Same with Abbey Road and Let it Be. Up to Sergeant Pepper, it seemed-and this is a retrospective judgement-as though they led the world in pop music. But as 1968 dug its heal in, and rock music took over from pop, they became just another band-nothing they recorded from that year on could compare with contemporaneous recordings by The Stones, Jimi Hendrix, The Who...or The Dead, for that matter.

... that video made me smile too!
Smiling is healthy, everyone should smile some more especially when the going gets tough!
#4037 landed this morning as well as a nice gift from a friend I’ve met on this very Grateful Dead board... it’s feels like Christmas all over again, I can’t help myself but I keep on “smile smile smile” -ing!!! Thank you guys.
The audio/mix on Daves Picks #29 is Primo!
Every member shines on this release in my opinion !!! Rock on my brothers & sisters, have a grateful day ! : )

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Still waiting for my DaP 29 😾😾😾
I’m sure us UK heads will be smiling soon .
👍🏻👍🏻👍🏻👍🏻👍🏻 Dennis 👍🏻👍🏻👍🏻👍🏻👍🏻

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I found the Dead after Jerry died and have loved the music ever since. I never traded tapes and bought all of Dick’s picks and most of Dave’s picks. This concert 2/26/77 is just blowing me away ! My God I’m loving the thought I get to hear the original recording and man does it sound good !

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No it doesn’t get much better than that, and speaking of Promised Land, I love the tease of St. Stephen coming out of Promised Land and into eyes on this one...too bad they didn’t get the 4th reel from 2/27 which I suspect contained the St. Stephen from that show. Oh well, at least they got the Dew, which I think someone already commented is “mind blowing”!!!

Beatles: never got into them but I expanded my vinyl collection today with Revolver, Sgt. Peppers, and Magic Mystery Tour....don’t think I’ve ever listened to any of them straight through but Dave Rock, KeithFan & MDJimcan’t be wrong so should be good times!

They don’t charge admission here, but it sure is expensive....Hope everyone is enjoying this release, and it sounds like it so far. No disc skipping here.....just music, sweet sweet music.....rock on my Dead friends!

...of Beatles albums you bought Casey. I wouldn't want to be without Rubber Soul, though. Its got two of Lennon's best ever songs on, "In My Life" and "Girl", as well as "Norwegian Wood", "Nowhere Man"-lots of great songs in fact.

Another one I liked by The Beatles was a compilation put together by George Martin that came out about 10 years ago, called "Love". Tracks from all points of their career segue into each other in surprising ways-beautiful opening with "Because" sung unaccompanied. It might not seem like much, in the telling, but it works really well.

No Dave Picks yet here in England-but that's alright. As soon as it looks like it will never arrive...it does.

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Shit, I forgot that one...there goes another $20! It’s an obsession, but man is it pleasin!

Also picked up Rolling Stones Exile on Main St. The Stones are another band that I have largely ignored over the years. This is only the 2nd Stones album I’ve ever purchased, and I think the first was a greatest hits compilation. I think the reason for my ignorance towards The Stones and also The Beatles is mostly a generational thing. By the time I was born these bands were already towards the downturn of their commercial popularity, and they seemed very “main stream” to me growing up. Guess I was looking for something more cutting edge....

Got my copy of Dicks 36 from Real Gone (but ordered through eBay seller). I was surprised that it was packaged in plastic jewel case as opposed to the soft cardboard like Dave’s? I thought I had read from someone on here that the Real Gone copies were in the soft packs? Doesn’t really make a difference to me but thought I would mention it.

So now you know my next 5....good timing too. I’ve been hearing rumors of boomers in town........but first another ride on The Swing!

Happy Sunday Funday to you all!!!

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Generally I'm the guy who says a release isn't heads and shoulders over what I have, but the 3 bonus tracks are FAR superior to the ones I have. Wish the rest of that show was there.

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She is singing with Jerry again. I remember the time I saw JGB with both her and Jackie in attendance, the show didn't start until after midnight and ended around 3 am, they played Dark Star that night and it was pretty magical. Such a soulful voice.

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Fun hearing some people revisit The Beatles.

Picked up their Mono releases several years ago. They're quite stunning. Mastered from the original analogues and on the original pressing equipment. It's like hearing them all again for the first time, and they come to life in monophonic sound. If there are any vinyl collectors out there, I can't recommend these reissues highly enough. If you can find them for retail price, grab them as they are gaining value on the secondary market quickly. Avoid the new stereo reissues as they are digitally sourced.

Listening to For Sale right now. Love this underrated record as it has a very nice country feel to it.

Highly recommend diving into the new White Album set too. The Esher Demos are quite awesome as are the abundance of outtakes. White Album in mono is also a lot fun, and quite different from the versions we all have ingrained in our head.

Most Millennial and iGen kids will never understand The Beatles.

An aside, I've only heard the Terrapin from the new release and it sounds amazing.

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BEATLES: I cant imagine life without all of the studio releases. I have the monos & stereos on vinyl. Kimda like the Dead in that I can always find albums to match my mood or situation.

SWING: One of the first Betty Boards I obtained in the 80s when the trove hit the trading market. The digitized bersions on the archives was a strong improvememt over my original third gen casette. This Normanized CD is THE BOMB - aside from the “new” somgs debuted to make it an historic show, the band was outstanding in nearly every way. This new mix comfirms my owm subjective opinion that this was one of the better 77 Playins.

Looking forward to #30 already!

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I used to have the vinyl reissues of the US Capitol Records releases, the ones with purple labels, several had the green labels and 1 or 2 were the original black labels with the "rainbow" ring. The 1968 white album, Abbey Road, & Let It Be were the original Apple/Capitol green apple labels with Let It Be had a red apple label.
I got rid of them not long after the compact discs were released in 1987, they weren't in pristine shape so I didn't get much money in return form Princeton Record Exchange in Princeton N.J. I still have several 45 r.p.m. Apple singles
At the time I thought the compact disc was the greatest thing in the world, but I have found out the CD does have flaws too. I sorta wish I had kept them every now and then.
I recently listened to the 1st issue CDs, and I think they sound great. I wish that Capitol would release the Christmas recording on CD with improved sound and nicer packaging. The bootleg Yellow Dog CD (YD 031) sounds very good for a 1992 bootleg CD.
I think I may have an original Christmas Album (SBC 100), but the label sort of just doesn't look right, it looks like a photograph of the original labels in color. The front of the jacket has photos of The Beatles in boxes with a blue background. I bought it at a record "convention" and sale in Philadelphia PA in later 1981. I remember the event because MTV had just come on the cable television spectrum and they were promoting themselves, where I met VJ Mark Goodman.

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Got it Friday and I have had the Betty board since 1988... I have listened to this Dave's Picks more than any other since the 72 Wichita show... I love Tennessee Jed through the end of the show especially the Santa Barbara filler that i thought we would never see on a board!! Not saying I don't like Disc 1 with the first Terrapin and Estimated, and killer Playing>wheel>Playing, because i do.. For me it really starts with the Help>Slipknot>Franklin's. This Franklin's reminds me of the 6/9/77 one just not as long and drawn out... Throw in the one from 5/9/77 Buffalo show and what a great bunch of Franklin's Towers.... The Promised Land after is awesome also, doesn't have the typical let's get the spider webs out start of a show Promised Land. The Eyes is awesome, great Phil solo and then the Dancing really starts off the awesome 77 versions that follow, so different then the 76 versions!!! Not gonna spoil the 2/27 filler!! Have a good Sunday bob t

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It's a beautiful day here in SW OH.... sunny, mid 60's.... spent some of the afternoon cleaning out my car and shining up my Road King... having a cold one and enjoying 29..... I really like this release. Was always one of my favorite tapes. Reading the liner notes... never thought I'd see The Dead, Muhammad Ali, and Mary Hartman, Mary Hartman in the same sentence.

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And what a stellar addition to the DaP series it is! I haven't had time for a full listen yet, but Jerry's guitar licks at the end of "They Love Each Other" are breathtaking. I'm now half way through Disc 2 and am blown away.

Tonight I'm catching Phil and the Terrapin Family Band at the Showbox in Seattle. And the release of Jerry's shows at French's Camp on the Eel River has just been announced.

The bus keeps rollin' on!

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Caseyjanes - you're going to love the Stones trip. Exile is considered by many to be the pinnacle of their late 60s early 70s run of 5 star albums. It took me awhile to catch the vibe on that one, so if you find yourself having trouble, try the one before it, Sticky Fingers. Mick Taylor and Keith Richards were an incredible guitar duo, trading rhythm and lead or playing dual rhythm in different octaves; damn, it's great stuff.

Born x-eyed, I've been to the Princeton Record Exchange. It may even be the place I finally landed a copy of Jon Anderson's Olias of Sunhillow in high school. A buddy and me were huge into Yes in '87, and the album was out of print (and had never been put to CD at that time). We spent a day hunting down the LP, which had legendary staus as the "lost" Yes album. On a day we should have been in school, we grabbed a bunch of phone books and a full tank of gas, and made a day of it. Pretty sure the Princeton Record Exchange was the one that actually had it. Great stuff.

Also loving DaP 29. I'm not the biggest '77 fan, but it's that good. The Slipknot! is a face melter for sure, my favorite on account of Jerry's lead work and guitar tone (and volume). I think he snuck in Wolf on that one :D

Franklin's Tower, as noted by others, is top-shelf. I think it's close to Go To Nassau 1980. All depends on how much rhythm Jerry plays on the main riff. On a lot of occasions he leaves it to Keith and Bobby to carry it after the opening, but he stays on it most of the song here. Rock and Roll.

Phil knocks us out on that Eyes ending, no doubt.

Morning Dew - to quote V-guy - Morning Dew ain't no filler!

A+ Playin'
A+ Recording
A+ Filler
Best Dave's release in three years. Donna sounds unusually good in the mix. And please, please, please, filler on every release. This Dew is an amazing surprise to finish the experience. P.S. No skips

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Sand Castles and Marbles followed by the Hollywood Cantata. Good Stuff.

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The thing I love about this show is that it's a great hybrid of '76 / '77. The Playing in the Band features real piano like '76, and to me, they sound like they still take an explorative approach. The Wheel segue is prime '77 smoothness, which, for that song, benefitted tremendously (was never a fan of the big drum intro of '76). The Wheel in '77 is one of those tunes like Brokedown Palace, where they play it just infrequently enough that it's always a treat. Any Wheel fans out there? If so, check out Dick's Picks 18 - only time they played it that year, and in my opinion, it was the best performance they got with the Godchauxs. The intro with Keith's quiet Wheel chords and Jerry's noodling on the Wolf reminds me of trippy old Peter Green Fleetwood Mac. No other like it.

or, auf Deutsch, "etwas ganz besonderes".

Swans.

Like the GD and FZ, a wide, wide, deep, deep body of work. Not for everybody. Some of it is pretty straight forward, some is extremely unique, some is challenging.

I highly recommend Swans. Start with Soundtracks for the Blind, then White Light from the Mouth of Infinity, then Filth, then Cop, then Feel Good Now, then Public Castration is a Good Idea, then wherever you want to go.

it s.a.f. ain't Ariana Grande.

I got my copy over the weekend. I have only listened to the first few songs but I'm just so damn happy. each and every year Dave and co continually blow my mind. I said this especially after last year's box set, but i truly feel so content - I'm of course not going to stop collecting, but I am also no longer chasing or waiting/hoping for a particular show. I feel set for life and everything else that comes out in the years to follow is all gravy.

hope everyone is well - I've vowed that in 2019 I am going to disconnect a lot more (no social media, less phone time, etc) so may only check in here from time to time, but hope everyone continues to enjoy these releases as much as I have been...

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Is there a well engineered splice at about 5:50 of Around and Around? I can't totally tell. If so, it's barely noticeable. It just seems the flow of the music shifts a bit oddly there. There sounds like some tape weirdness somewhere during the H>S>F triptych, but overall the sound is really, really good. Ok Dave 10-29 next, then 10-2, then 4-23, then, then, then....

1977 seems almost like an inexhaustible well!

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I love any and all of the live Dead releases: Dick's, Dave's, from the Vault, Without a Net, Sunshine Daydream, the PNW set. All just candy for the soul. And also the JGB "Electric on the Eel" box set released recently! Let's not forget that the JGB live releases have been stellar too. Anyway, the few hours I spent yesterday with Dave's #29 was pure bliss. Great sound mix and the show totally sizzles from the get and never lets up. The "Filler"? Also Prime. The Morning Dew from 2/27 is choice. So I just want to stop and embrace the gratitude for this music and the people who help release it. Thank you! Thank you! Thank you!

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Two for the show and one for the bonus tracks.

Already had a great recording of 2/26/77, but am always happy to get a greater one! Both this and DaP30 are shows I already have with added material I don't. Kinda perfect for me!

Strongly support 3rd disc filler! More please! Not so supportive of filler on 1st or 2nd discs as it disrupts show-flow, but my complaints are easily ignored...

Very happy to have received this at all since I have had both a change-of-address and change-of-credit-card since ordering the sub. Read too many horror stories here about hijinks ensuing from such things...

AND NO SKIPS! Had both the Birdsong skip in the 73/74 3CD release and the Let It Grow skip in DaP28. Nice to not have such issues this time.

How's about fitting a 4(or5)/82 show and a 10/89 show in the DaP series before DaP36, eh?

Ever since the site rebuild, I have not been able to log in without "request(ing) a new password", so I don't log in too often now. I suspect the problem arises from my browser being non-updated for years (due to a tangle of issues I have revolving around needing system compatability with a non-updatable program), but I wonder if some of the posters that are no longer here are gone due to log in issues

Sorry for your loss, Bolo. Living is often a brutal experience and our emotional systems don't seem to have any effective work-arounds to soften the blows. May you and your family have much to hold on to in this season of loss.

Set the tractor for Jan/70, Jim! Let's go!

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Love this show inside and out...and of course there are many moments of barn-burning. My personal favorite is the Eyes>Dancin'...and I believe this was in fact the first Dancin' they performed with the wah-wah pedal? Is that right? Also they've dropped the '76-implemented transition toward the end of the Dancin' jam, and it just heads right back to the final verse. Always wondered if this was planned, or they just 'forgot' to play that part, cause I don't recall ever hearing it done that way again up until it was retired some time in '79.

Enjoy this one Folks!
Sixtus

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16 years 7 months
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Like Dave, this recording has a special place for me having been one of my prize acquisitions back in the cassette era. It was one of my best tapes and I listened to it regularly as a young teenager. This fact affects my perception, but my gosh what an exalted perception. This is one of my favorites.

Listening extensively over the weekend caused me to ponder why. One answer that kept coming to mind: KEITH GODCHAUX!! While one could debate whether this is one of the Dead's best ever performances, I think it would be hard to argue against this being one of Keith's top performances. He is so intuitive with his timing and tasteful fills. Those twinkling, rolling fills he does throughout the night are just superb. I cant really think of another show where he does this as often or effectively. Hyperbole aside, I think Keith was having a great night and is a big part of what makes this show so good. He is all over the Morning Dew from the next night as well!

This is an intriguing show because it contains no "jam" segment per se yet it happens to include at least two examples of what I consider some of the best improvisation the band ever performed. The jam in Playin is unique in several ways, but the lead into The Wheel contains superb improvisation especially from Garcia, Weir and Keith that showcases them at their best. Then we have the transition from Eyes into Dancin'. It is a very tasteful piece of music and, once again, I have to give Keith credit for making it so. To my ear he is the one that makes that transition so great with that repetitive lick on the high end of the keyboard that he carries on through the introduction until everyone is charging forward on the new groove. Then there are just really good renditions of some of their best material like Music Never and Help>Slip>Frank.

It is just such a lively show all the way around. Even the well timed finger whistling we get from a particularly tuned in head. That guy hit it at just the right moments: the transition into Dancin, the transition segment at the end of Slipknot, the beginning of Playin' etc. That whistle is an indelible part of this recording and I have a soft spot for it. I wonder if whoever it was listens to this recording and smiles wistfully to themselves about that night.

I know all of this is highly subjective and no doubt affected by my nostalgic familiarity with the recording. None-the-less, there is my take on it. I just love this tape!!

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10 years

In reply to by wadeocu

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thanks for that tip Wadeocu - and I thought I had a trained ear for these disco Dancin's. Some sleuthing may be in order....

Still, pretty sure it was the first Wah-wah! But I'd love to be shown incorrect....

Sixtus

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14 years 10 months
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This sounds magnificent.

Kudos to all.

Thank you, thank you, thank you!!!

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16 years 2 months

In reply to by Sixtus_

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16988 arrived this morning.
I was at home when the "Letter Carrier" arrived with the snail mail this morning. I live in an area where the mail is delivered door-to-door. I opened the door as the "Letter Carrier" was about the put the mail in the mailbox. I joyfully said, rather loudly,
"ALLL RIIIGHT! Grateful Dead at the Schwiiiiiggg 77 Daves Picks 29!"
I sort of startled the carrier and he smiled and said that he wished he had been there but was serving in the US Army as a 20-year-old Corporal. Turns out that he is a Dead Head also, and born 4 days after me on 10/31 - Halloween.
Before this DaP 29 arrived I was able to find set 1 of this show on cassette in my "archives". It sounded very good for a tape, but not really anything to get excited about anymore. I also found discs 1 & 2 from this 3 CD-R set and they were really good, but in mono and rather compressed to irritate me.
This one of my favorite shows.

Here on the official release, we have the full show in uncompressed Betty-board stereo and it is EXCELLENT!
SONIC NIRVANA!
THANK YOU TO THE POWERS-THAT-BE that got this chestnut released and to all us heads who kept on requesting the release this show.
We also are treated to an audio sample of 2/27/77 Santa Barbara and the "booklet"/folded one-sheet has reviews of the 2/27/77 nugget. Could this be a prelude to a future full-show release in the future?

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14 years 9 months

In reply to by stoltzfus

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or some kind of parasite.

yo Marye!!! throw him into the pond!!!

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17 years 4 months

In reply to by stoltzfus

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....I have to drive across the city in about an hour. C'mon mailman!
....edit. Swing is here. #1978/20000. Soooo close 😔. Time to drive 🙄

Lots of Phil.

Also had this on cassette, then CD-R, then CD-R upgrade, now the Full Norman.

Cheers to Betty, Dave, Jeffrey, TPTB, and ABCD Enterprises.
THANKS!!!!!!

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9 years

In reply to by icecrmcnkd

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Preamble to the 5-9-77 monster.

For my commute last week and this week I’ve been working my way through the 6-7,8,9-77 Box. Another fine ‘77 offering.

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In reply to by icecrmcnkd

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Amazing. Also, 302 Terrapins, only one time played as show opener. 11 times - that I count - as set two opener: 5/7/77, 11/1/77, 1/18/78, 11/6/79, 3/12/81, 10/8/84, 10/28/84, 3/29/85, 4/3/85, 4/13/85, 8/31/85.

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12 years 4 months
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Man, I am just blown away. This is an old favorite, but I must have forgotten just how good it is. Just about every song is really special. I almost guarantee that every song in this show is someone's favorite version of the song (I think this is my favorite HSF because of the slipknot). I think this is also one of the best Keith shows out there. On top of that, we get some pretty incredible unreleased (on SBD) material. This is the happiest I've been about a release in some time. It's doing that thing to me where it reminds that I loved x about y show and I should go dig it up again, which will turn into a multiple week rabbit hole. Thanks Dead.net folks!

In the spirit of immediately agitating about the next thing. Does anyone know if the festival express shows are in the vault?

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10 years 3 months
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I'll be sure to check out the 81 wheel version you mentioned oh, thank you. Also wanted to let you know that I was listening to 11 19 1972 last night, end the determination I came to is that it's probably going to be released very soon, possibly the next 1972 show that we get. I got a feeling, a feeling deep inside... a very good buddy of mine pointed me in that direction last night, as it was on taperssection on this site. And as I started to listen to it on taperssection on headphones through my phone browser, I also put it on my music player at the same time so that there was maybe a 2-second delay between the two. I don't know man it sounded pretty wacky and cool to me! I am really impressed with that dark star, and Weir is a big part of it.

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5 years 9 months
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I am sure this has been asked before, but will Dave's Picks ever be available digitally?
thanks, Rob

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12 years

In reply to by KeithFan2112

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WOW!!! I thought several things, the recording I have is GREAT. Apparently played the night before and broke out Cumberland after 7 years (what I read on archive). My recording of that is also Damn Good, listening to very nice Bird Song right now. The 2nd night recording maybe a soundboard, the first is a audience, both have amazing sonics and Jerry burned up the end of Wheel, Bob was very well recorded (everyone was). My next thought was this would make a nice box set. Small and affordable by all & a wonderful 81 recording.

...well I'd buy it :-)

Thanks for the heads up on Wheel, Mr. Stoz and K-Man, both shows in phone, I'll play at store tonight.

product sku
081227924317
Product Magento URL
https://store.dead.net/dave-s-picks-vol-29-1.html