• 1,510 replies
    clayv
    Default Avatar
    Joined:

    An institution in American rock music, the Grateful Dead continue to surprise the ears with new arrangements and altered styles. If their playing continues with the force that was heard in San Bernardino, the spirit of the Dead will live on. - Sun Telegram

    We are more than pleased to kick off this year's Dave's Picks series with the much requested and quite spirited complete performance from Swing Auditorium, San Bernardino, CA 2/26/77. The Swing ’77 show was a unique beast, unlike any others from this era: as the band’s first concert of the year, it bridged the gap between the new and re-emerging sound of the returning 1976 Grateful Dead and the precision excellence of the spring ’77 Dead. Debuting two of their most intricately crafted songs of the 1970s, “Terrapin Station” (to open, no less!) and “Estimated Prophet,” the Dead demonstrated right from the start of this new touring year that they were not going to be a nostalgia act; they were going to be as adventurous and ambitious as they were at any time in their career.

    Join the adventure as they soar through tried and true ("Playing In The Band," "Tennessee Jed"), well-loved covers ("Mama Tried," "Samson and Delilah," "Dancing In the Street"), and epic new jams.

    Rounded out with three songs from Santa Barbara, CA 2/27/77, this one was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman.

    Dave's Picks Volume 29 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

Comments

sort by
Recent
Reset
  • KeithFan2112
    Joined:
    Hendrix / Fall '72

    I like it. But I want more than 6 shows. Make it 12. Make it 20 and cut the production number back to whatever Europe 72 was. 4500? 6500? We need to get these shows on the street. Dark Stars and Bird Songs a must. If I hit the lottery I'll buy the Vault. Then I'll put some promotional marketing schemes into place that will get these dead releases selling 30000 each!

  • Dennis
    Joined:
    Better Shed than Dead

    Bye Dick. Tonight the kids at the store will learn about real surf.

  • stoltzfus
    Joined:
    9/19/72 first show?

    as Napoleon Dynamite sez...

    "Lucky"

  • nitecat
    Joined:
    Eel on the way!

    Grate news! My Eel box is to be delivered today! What is this Cyberops thing, anyway? Kinda wierd. Isn't Captcha supposed to keep that stuff at bay? And Lux Interior? Seems like the same guy.

  • Strider 808808
    Joined:
    You will never hear surf music again

    3rd Stone From The Sun. Dick Dale gone.

  • DeadVikes
    Joined:
    Hendrixfreak/2019 Box

    Agree, we definitely need to hear more about what we may get for 2019. I know most of us are chomping at the bit!
    My opinion is somebody must know someone, we have always had leaks in the past.
    Please share those.

    Love your idea about fall 72, can't miss with that one.

    And of course there are many other great ideas out there.........

  • Dennis
    Joined:
    Love ur Girl and Jimi

    Well it appears that the 1500 mono copies are long gone, at 100 bucks a pop I can see why. Saw one on ebay for 700! The stereo version has some left (maybe a 1000), at 100 bucks might be worth stacking on the side.

  • Lovemygirl
    Joined:
    *Jimi Hendrix

    ...I hope all is well, great posts recently over the last couple of months, so grateful for our community here. I’ve met many friends here and just wonderful beautiful people, thank you everyone! Hope everyone haves a grateful day. :)
    ...Jimi Hendrix fans & vinyl lovers, check out this up coming release due this April 2019. Here some info...
    Definitive handmade limited run reissue of Jimi Hendrix Axis: Bold As Love
    Newly remastered by Bernie Grundman from the original master tapes.

    Mono release limited to 1,500 copies

    Pressed at Quality Record Pressings using Clarity Vinyl on a manual Finebilt press.
    Purest possible pressing and most visually stunning presentation and packaging!
    Includes 16-page booklet with recording session info and an essay written by Brad Tolinski, former editor of Guitar World Magazine.
    "The Axis UHQR cut is amazing — full bodied, detailed, powerful and engaging. Very impressive. The best pressing of the record I have ever heard." — Bill Levenson, Grammy Award-winning reissue producer.
    "AP's UHQR mastered by Bernie Grundman towers above the rest. During our listening session, I told (Michael Fremer), "if someone doesn't like this record's sound, their listening situation is crap." It's everything the SACD offers and more, minus the slight digital sheen, and shockingly quieter (Yes! The vinyl produced blacker backgrounds than did the SACD, hence the "shock" — Ed). In addition, the packaging (which was sent in an unfinalized version) is stunning; the album itself is housed in a Stoughton tip-on gatefold while the outer two-piece box is of excellent build and features a beautiful wooden spine." — Malachi Lui, AnalogPlanet.com. Read the entire commentary, based on a pre-production copy of the album.
    Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is reintroducing one of the most revered brands in LP history — the Ultra High Quality Record (UHQR™), originally introduced by JVC Japan in the 1980s!
    Analogue Productions presents its first UHQR™ title — Jimi Hendrix's 1967 masterpiece, Axis: Bold As Love, in both stereo and mono versions. This UHQR™ is newly remastered by Bernie Grundman from the original analog master tapes. Each UHQR™ will be pressed at Acoustic Sounds' industry-leading pressing plant Quality Record Pressings (QRP) using hand-selected Clarity Vinyl® on a manual Finebilt press with attention paid to every single detail of every single record. The 200-gram records will feature the same flat profile that helped to make the original UHQR™ so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer's stylus to play truly perpendicular to the grooves from edge to center. Clarity Vinyl® allows for the purest possible pressing and the most visually stunning presentation. Every UHQR™ will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR™ will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.
    Each Axis UHQR™ will be available as two versions: mono and stereo. The stereo release will be limited to 5,000 copies, while the mono release will be limited to 1,500 copies. The deluxe box will be gold foil numbered.
    Axis: Bold As Love, the sensational sophomore release of the Jimi Hendrix Experience, showcased Hendrix's expansive experimentation while acknowledging his early R&B and soul music influences. The album features classics such as "Spanish Castle Magic," "Little Wing," "Castles Made Of Sand," and "If 6 Was 9."
    For those Jimi Hendrix fans who collect and prefer his many vinyl album releases, an original mono copy of Axis: Bold As Love remains the coin of the realm. Mono vinyl pressings of both Are You Experienced and Axis: Bold As Love are significant because they are not only difficult to find in premium condition but they also feature discrete mixes made specifically for monophonic release, originally created by producer Chas Chandler, Jimi Hendrix and Eddie Kramer.
    For this mono edition of Axis, Bernie Grundman's Los Angeles mastering facility was utilized, using a specially equipped Studer tape machine outfitted with a full track mono head block. The machine has also been refitted with vintage Ampex 350 tube electronics. These technical alterations provided the closest possible approximation of the original 1967 Track Records mono mastering process. The edition also features the original gatefold sleeve artwork. Grundman cut the lacquers for the edition; the plating at QRP was directed by Gary Salstrom, master plating technician and QRP general manager.
    The Axis: Bold As Love UHQRTM will include a 16-page booklet featuring recording information from the sessions at Olympic Studios in London and an essay written by Brad Tolinski, former editor of Guitar World Magazine.

    As Rolling Stone states, Jimi Hendrix was the most innovative instrumental genius the rock era produced, a wizard guitar player whose sense of technique never overwhelmed the blues and rock 'n' roll spirit that was the underpinning of his genius. He improvised with the fervor of a born jazzman; he philosophized like the most cosmic rocker, but ultimately his basics were rooted in soul, a reflection of the chitlin circuit, where he cut his teeth.
    With the possible exception of Cream, The Jimi Hendrix Experience was debatably the world's finest-ever power trio. Axis was a showcase for Jimi's brash, scintillating songs and the grasp that Jimi and his cohorts - Mitch Mitchell on drums and Noel Redding on bass - had on the studio technology at their disposal, and the lyrical beauty of Hendrix's guitar playing.
    • "The most lasting song for many is the awe-inspiring 'Little Wing.' With its perfect blend of lead and rhythm guitar (the song's introductory phrases blurred the line forever between the two), the tune is a pure, simple thing of beauty ... In true 1967 style, the production on Axis is superb. Jimi never sounded as vulnerable and accessible, vocally and instrumentally, while the analog thud of Mitch Mitchell and the solid basslines of Reddding were the ultimate rhythm section of the day - with a nod, of course, to Jack Bruce and Ginger Baker, their only rivals in so many respects." — 1001 Albums You Must Hear Before You Die
    • "(Axis) followed up Hendrix's groundbreaking debut effort with a solid collection of great tunes and great interactive playing between himself, Noel Redding, Mitch Mitchell, and the recording studio itself. Wisely retaining manager Chas Chandler to produce the album and Eddie Kramer as engineer, Hendrix stretched further musically than the first album, but even more so as a songwriter. He was still quite capable of coming up with spacy rockers like 'You Got Me Floating,' 'Up from the Skies,' and 'Little Miss Lover,' radio-ready to follow on the commercial heels of 'Foxey Lady' and 'Purple Haze.' But the beautiful, wistful ballads 'Little Wing,' 'Castles Made of Sand,' 'One Rainy Wish,' and the title track set closer show remarkable growth and depth as a tunesmith, harnessing Curtis Mayfield soul guitar to Dylanesque lyrical imagery and Fuzz Face hyperactivity to produce yet another side to his grand psychedelic musical vision." — AllMusic
    Bottom line, January of 1968 brought Axis: Bold As Love to the U.S., an album that expanded Jimi's six-string flame with celestial clarity, and also brought his rapidly evolving songwriting gift to the fore. It was recorded at Olympic Studios in London.

  • hendrixfreak
    Joined:
    time for a cannonball into the pool

    I've turned into an occasional lurker, mystified by the lack of froth in this thread.

    Where's the speculation on the upcoming box? (The PNW thread is, uh, dead. Thus I take the plunge here.)

    My bet is on six shows from fall '72. Here's the logic:

    First, size/price is an issue. They'll stick with modest PNW-sized boxes for now -- the Goldilocks size (not too big, not too small).

    Second, other modest boxes have not sold out; one possible reason is that Dave has leaned heavily on the returned Betty Boards/ABCD Enterprises a wee bit too much to fuel both DaPs and the boxes, with a forced focus in the 1976-78 range. We're saturated on the time period.

    Third, Rhino et al need a "hit," meaning hot sales, even a sold-out box. Fall '72 is the sweet spot in terms of "ear demographics."

    Fourth, Dave has said within the past two years that a fall '72 box is inevitable.

    Fifth, apart from some runs in '69, which must have lesser representation in the vault, and spring '71 (I wouldn't cry if the Capitol/Feb run was released or more March/April), the fall of '72 offers enough hot shows that two boxes from that era could be assembled. Thus Dave can do a fall '72 box while still keeping some back for another box or for DaP release.

    Sixth, and most convincingly, I'd love to hear my first show , 9-19-72. I was blown out on a hunk of fresh-hashish and just turned 15 yrs old.

    An tsunami of irrefutable logic, eh?

  • stoltzfus
    Joined:
    awesome Lux Interior comment, Daverock.

    '

user picture
Default Avatar

Member for

6 years 6 months

An institution in American rock music, the Grateful Dead continue to surprise the ears with new arrangements and altered styles. If their playing continues with the force that was heard in San Bernardino, the spirit of the Dead will live on. - Sun Telegram

We are more than pleased to kick off this year's Dave's Picks series with the much requested and quite spirited complete performance from Swing Auditorium, San Bernardino, CA 2/26/77. The Swing ’77 show was a unique beast, unlike any others from this era: as the band’s first concert of the year, it bridged the gap between the new and re-emerging sound of the returning 1976 Grateful Dead and the precision excellence of the spring ’77 Dead. Debuting two of their most intricately crafted songs of the 1970s, “Terrapin Station” (to open, no less!) and “Estimated Prophet,” the Dead demonstrated right from the start of this new touring year that they were not going to be a nostalgia act; they were going to be as adventurous and ambitious as they were at any time in their career.

Join the adventure as they soar through tried and true ("Playing In The Band," "Tennessee Jed"), well-loved covers ("Mama Tried," "Samson and Delilah," "Dancing In the Street"), and epic new jams.

Rounded out with three songs from Santa Barbara, CA 2/27/77, this one was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman.

Dave's Picks Volume 29 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

user picture

Member for

10 years 1 month
Permalink

Whoa - at work here now, looked down at my calendar. February 18th....date looks important. Someone's birthday I know? No...hmmm.
Wait - yes - not sure if anyone mentioned it yet - 48 years today....Mickey Hart's last show before taking his personal hiatus from the band. Also the start of a the historic 6 show Capital Theater run. First of several new songs played. Wharf Rat for sure on the 18th (and it's a doozy, "river" lyric notwithstanding). Also the night that Dark Star included Beautiful Jam. Tried looking up the other new songs played but boss coming. Did find this cool link:

http://www.thecapitoltheatre.com/2018/02/18/6-of-the-most-legendary-gra…

user picture

Member for

6 years 6 months
Permalink

I just realised that Help>Slip>Franklin is played on a broken-down old spaceship. Of course, most of it's invisible or in the fourth physical dimension so we can't see it. And here are Donna and the boys, cranking away on broken cogs and twisting smashed up gauges. Not a song at all, but the whirring of a grumpy old spacecraft trying to start up again. Must've crashed here some time ago.

user picture
Default Avatar

Member for

12 years 10 months

In reply to by KeithFan2112

Permalink

5 new songs debuted at this show:
1. Bertha (they sound like they had been playing this for months; Jerry tears into it from the 1st note)
2. Loser
3. Greatest Story Ever Told (also the 1st pairing with JBG)
4. Wharf Rat (in a unique 1st set 'Dark Star' sandwich)
5. Playing In The Band

2/19/71 (official release) saw the debut of:
1. Bird Song
2. Deal

This was a great run for the band.

user picture

Member for

6 years 10 months
Permalink

Keith Fan thank you!!! I had these shows for years in not so great sound quality. Recently got upgraded, but with Pacific Northwest and DaP 28 and 29, had not had a chance to listen to them. Today is the perfect day to start. My recollection from the Three From The Vault liner notes is that it was recorded on the multi-track. Maybe this will finally see the light of day. I know I ain't getting younger, so Dave Lemieux start looking for an artist and unveil this thing in 2019!! For the sake of continuity we'll need to include the slight overlap that Three From the Vault owners will experience (who imagine is all of us) . Really, does anyone not own TFV?

user picture

Member for

17 years 2 months

In reply to by Dark-Star

Permalink

....I love the song Cold Rain & Snow. But in reality, I hate the physical product. I don't know how y'all do it. It's pretty yeah, but screw that.
....edit. my subwoofer went to the great gig in the sky. Shopping for a replacement. Thoughts?

user picture

Member for

6 years 10 months
Permalink

I have heard great things about SVS. The 1000 series is supposed to be the best in the $500 price range, but you can certainly spend more. The 3000 series looks like it might be able to blow your house off the foundation, and if you have $1,400 to spend would be a great choice. I own the SVS book shelves and they are great. I’ve been thinking about the 1000 series sub but have not pulled the trigger yet. I don’t even take the chance of hiding the receipt. It’s either cash or the paperless auto pay Best Buy credit card for me. If your wife is an audiophile, you’re screwed anyways, she will notice the difference right away!

https://www.svsound.com/pages/subwoofers#1000-series

Edit: Actually only $999 for the 3000 series...wow, still out of my budget for a sub

user picture

Member for

10 years 1 month
Permalink

You're welcome Darkstar.

Casey Jane's word of caution at Best Buy. I bought a pair of headphones 3 weeks ago and they fell apart. Because it was longer than 14 days, they won't exchange it or refund it, they're making me deal directly with JBL audio. JBL wants me to pay for shipping. The $30 headphones I bought for an 8 year old, so the shipping loan is going to cost me 50% of what I paid for the product. Bottom line, they have different warranties for different products, make sure you understand your warranty completely before buying from those filthy scoundrels.

I never have time to listen to a whole Grateful Dead show in one sitting., so I am getting a head start on the yearly pilgrimage to Europe 72. I have delved into the opening show this morning, April 7th 1972 at the Wembley Empire Pool. I think this is an underrated show. It is so every one of the ones that suffers greatly from Godchaux's piano being silenced. One of my favorite greatest stories Ever Told, you get not one but two cool clear water while you can never tells. Also one of my favorite other ones, which interpolate El Paso and Wharf rat. Captcha kicking my ass this morning. Have a great day

user picture

Member for

17 years 3 months
Permalink

You said: "I never have time to listen to a whole Grateful Dead show in one sitting."

I say: "Get your priorities in order - make the time. You know it makes sense!". 😂

user picture

Member for

7 years 6 months

In reply to by simonrob

Permalink

I have a few ideas that might increase your Grateful Dead listening time. I have tested the suggestions below myself and they all work quite well.

_________________________________

- Tell everyone you know you won Powerball or MegaMillions. People will be too busy being nice to you to notice all you do is listen to the GD. This is especially true of bosses and coworkers, trust me they won't expect much from you and aren't even thinking about the possibility that they will need to fire you.

- Fake Alzheimer's. You should be able to sneak in a couple weeks of nonstop musical bliss until people start to figure out they've been had.

- Set up a leash / wire / zipline system for the kids in the back yard and angle the TV out the back window so they can see it from the zipline area. Tune in to Nickelodeon or Cartoon Network. Send your wife on a weekend getaway to the Spa, thinking Palm Springs or somewhere nice and warm (and hopefully far away). Don't forget to leave food and water bowls out for the kids (very important).

- Convince everyone you are insane. They will give you all the peace and space you need.

- Fake your own death. This, too, will give you all the time you need for a couple weeks or so and you can get caught up on your listening..

I am sure the good folks here have ideas and can help. A mind is a terrible thing to waste not listening to enough Good Ole Grateful Dead.

user picture

Member for

10 years 1 month
Permalink

I got a real chuckle out of the Strategic Dead Listening program. Thanks for the ideas Jimbo, and for the motivation Simonrob.

I've been having some really weird dreams lately. I think because I've been getting up at 2 or 3 in the morning for work the past month, it's interrupting my REM sleep, which is when we dream. So I think I'm just remembering my dreams now, where on a normal night I don't remember dreaming about anything ever. Not since I was a kid anyway. Anyway I go to sleep with a dead playing every night, usually dark stars and bird songs and China cats. When I woke up this morning I had a dream that I was just floating through space high on nitrous, listening to the Dead. And I felt really high on nitrous, even though it was just a dream. The brain is powerful thing. I could FEEL it. But it got me to thinking - that wouldn't be a bad way to spend eternity - floating through space high as a kite or the Grateful Dead as the soundtrack. Sign me up.

Wharf Rat 12/2/73. Very high mark's on Heady Version. People are calling it the best ever. It's good, yeah, but the best? I better go listen again.

user picture

Member for

7 years 6 months

In reply to by stoltzfus

Permalink

That whole Winterland '74 run is stellar. Too bad they couldn't figure out a way to release the complete recordings.. or perhaps one day they will.

Been on a GD terror lately.. I guess I had a little free time.

The last few releases are simply killer and deserve (and get) repeat listens. Holy Cow.. Dave is on a roll. I have not given up on the '76 Capitol and the PNW 73/74 box. Oh.. and my first two listens of the swing were fungal enhanced. Wow, what a great show.. but it took another two listens for the significance to sink in.

What a great year to enjoy the Grateful Dead.

....now Keithfan throws best Wharf Rats into the ring. Nashville's 4.22.78 take comes to mind instantly.
Regarding dreams, they say weed inhibits REM sleep. Sativa? Maybe. Indica? Not so much. I do notice that when I do take a break, dreams are more vivid. Especially the falling ones. I have those, and I hate them....so I smoke some weed.

I hope this list does not expand.. at a certain point I will begin competing against myself.

As for dreams.. I know one thing for certain.. alcohol ruins dreams (and sleep in general). I wish weed was legal when I was younger.. and more acceptable. I would have drank less, smoked (or eaten) more and been both happier and healthier.

Just my opinion.. I could be wrong.

As for the best Slipknot!'s ever..

Going in a completely different direction, I listened to the 10/22/67 Winterland show this morning-the bonus disc released with Anthem last year. The Cryptical-Other One is amazing! Its light years away from anything I know of as rock n' roll, but it has the same energy and power-Jerry's guitar makes it, but the double drums and swirling organ add to the delirium. Also has the original lyrics.

Glancing at the spines of the Daves Picks released so far, it seems there hasn't been one from this period-late 1967 to mid 1969. The 1969 ones that have been released were from later in the year, when they were gradually moving away form this intense jamming to include more country based material. Not saying they haven't been good choices, but it would be great if we had an early show later in the year.

user picture

Member for

8 years 4 months

In reply to by daverock

Permalink

...I concur with everything you wrote!...
Would love some early Dead!!! One of my favorites time period in the Grateful Dead career. I’m feeling a release in the near future ;)

user picture

Member for

14 years 8 months

In reply to by stoltzfus

Permalink

"where's that confounded bridge?"

user picture
Default Avatar

Member for

12 years 10 months

In reply to by stoltzfus

Permalink

'We're doing things that haven't got a name yet.'

I can't say those were the exact words…though the sentiment applied to both JA & GD.

user picture

Member for

11 years 4 months
Permalink

Very much agree that a 66 to early 69 show is long overdue. That said with aoxomoxoa’s 50th on the horizon we may get something special there!

I suggest an experiment.. get a room full of people.. half will take some good acid, the other half, the control group, will be given a placebo. Then we can listen to DaP 30 and vote if it is primal.

I volunteer to be in the out of control group.

user picture

Member for

6 years 10 months
Permalink

I’m with you Vguy...anything with an early and late show has to be considered primal...correct?

Also curious Vguy, what you are thinking about the sub purchase...keep us in the loop?

Today’s listening: Daves 26 Hill Auditorium Show

user picture

Member for

17 years 2 months

In reply to by CaseyJanes

Permalink

....you mean the Dave's subscription? Schwing is already in my top five. Dave's 30 looks delicious. Happy camper here.
Forecast shows snow again tonight. One of the reasons I live here is so I don't have to deal with that shit. 😖

(expecting big pushback on that).. but it is big fun.

Run Me Out In The Cold Rain and Snow.

Now marrying me a wife, she's been trouble all my life, NOT fun.

user picture

Member for

7 years 10 months

In reply to by MDJim

Permalink

Yes, I am sure snow in Vegas sucks.

Be thankful you don't live in MN. We have so much snow here I have no where left to put it.

Did have time to listen to the May 77 show at the St.Paul Civic Center again today. What a show, probably one of my top five Jack Straw and Peggy-Os.

More snow on the way.

user picture

Member for

17 years 2 months

In reply to by DeadVikes

Permalink

....I'm good as long as I don't need to scrape my windshield. I spendt four years in snow country. That was three years and 51 weeks too long.

user picture

Member for

8 years 1 month
Permalink

So much good stuff here. Where to even begin.

Been on a good "winter show" listening regimen lately. Keeping up with exact anniversaries is a challenge --- but I can at least match the seasons.

Last 5:
1-22-78 (Dave's 23).
I had given this a cursory listen when it first showed up, then kind of forgot about it. I pulled it out again for two solid, at home, uninterrupted listens. I gotta say I didn't *love* it. I remember folks raving about this one when it came out. It was good, sure, but didn't blow my mind. That 'close encounters' part (which I'm sure was cool AF if you were there at the time) is really subtle, I missed it the first time entirely. Overall, I think I like the July 78 box better, which just goes to show how high the bar is for Dead releases.

2-2-70 from Dave's 6: I wanted to "warm up" for the Fillmore East 70 run, and this was perfect. Its crazy to think that two days earlier they were sitting in jail in New Orleans. Heavy on the newer folksy stuff, with a great Hard to Handle, and an above replacement level Dark Star. I set up my beanbag chair right in front of my downstairs speakers, closed my eyes, and enjoyed a blissful ride through the transitive nightfall right up until the dog needed to inform me that the mailman was coming to try to kill us, once again. Why I usually try to save Dark Stars for afterhours.

Speaking of . . .
2-13-70. If there's a more intense 90 minutes of Dead than the Dark Star / TOO / Lovelight that ends this show, I'd like to hear to hear it. This one got a properly enhanced uninterrupted headphones listen which restored my faith in the universe. One of the all time legendarily famous Dark Stars for a reason. The whole show is solid, too. I meticulously spliced together the show in proper order from Dick's 4, Bear's choice, and the "leftovers" which are available on Midnight Cafe. Its the only way I'm going to listen to it from now on. Same with:

2-14-70. This Dark Star isn't as mind bending, but it was early in the 1st set and they clearly were still coming down from the night before. The 2nd, mostly acoustic, set and the final set, which is the bulk of Dick's 4 is fantastic. The folk / rock dichotomy is really coming into focus here. What other band could pull off both styles so well?

2-12-70. I actually listened to this before the 13th and 14th. There's a really nice sounding copy on Midnight Cafe. It was suprisingly good, for a set that naturally gets overshadowed by the next two days.

Anyway I've bored you all enough with my ramblings, time to do a deep dive into Port Chester 71. I did not remember that tidbit about the 18th being Mickey's last show (for awhile) and all of the song debuts in that run. See ya on the other side.

I always think of it a referring to the period from late 1967 to mid 1969, when a massive proportion of the shows featured jamming as featured on Anthem and Live Dead. This period seemed to end towards the latter part of 1969, with the introduction of the Working Mans songs and traditional ones in the same vein. They obviously still featured the primal approach-and Deads 30 looks like a great example-5/2/70 is another one-but they seemed to be edging away into something new. By the Portchester 1971 run, it had gone completely, it my ears.

A lot of what I think of as primal shows were also one set shows-many of the great shows form 1968 look as though they were one set only.

user picture

Member for

8 years 4 months

In reply to by daverock

Permalink

...For all you Vinyl lovers.

...’The Grateful Dead’ – The Warfield Theatre, San Fransico... ; )

...also ‘Janis Joplin’ “Live at Woodstock Performance... love it!!! :)

user picture

Member for

7 years 6 months

In reply to by daverock

Permalink

I see what you mean, Dave. I guess I look at it more like a sliding scale. Clearly the 4/18/70 acoustic show is not primal, and they were sprinkling this element into their electric shows.. but take 5/2/70 as an example. They did an acoustic set this show but the electric set, to me, achieves lift off. They still had some rocket fuel left in them, but it was a transitional period..

I am a big fan of early, primal dead. The problem I have with it.. is the amount of energy it takes to listen to it. In other words.. I truly love it, but I usually don't go there unless I have the time, energy and focus to absorb it. Fortunately.. this occurs somewhat frequently.

Nice thread though.. I do think we are due something old at some point. Perhaps the 50th of Aoxomoxoa will give us another visit to that era.

On a related note, I had a recent listen to parts of Dicks Picks 22 - February 23 and 24, 1968, at the Kings Beach Bowl, Kings Beach CA (Lake Tahoe). What a daring piece of music.. at various points it still gives me the chills. What I wouldn't give to go back in time and take a trip into that bowling ally on those two days. Unbelievable stuff...

user picture

Member for

15 years
Permalink

Not sure if this has been posted here yet, but Real Gone Music has the Skydog Duane Allman 14 LP box set for $199, down from $499...yes, $300 discount!

user picture

Member for

6 years 10 months
Permalink

Hold on a second...what kinda snow are we talking about here? Not really my style anymore but I did go sledding yesterday....first time in years!

Subs----subscription, sub sandwich, sub woofer....I'm not the one who brought it up :-)

Primal Dead - I'm with you DaveRock on the primal up to 69, but stick to my guns on most of the late shows. The upcoming Dave's 30 for example ends with a 29 minute Dark Star, then St. Stephen, 12 minute Eleven, and then a 23 minute Lovelight.....If that's not primal then I don't know what is? I have not listened to it yet (saving myself for the official release) but I can't wait!

Love My Girl....can you send a link to the RSD GD announcement for April 2019?.....Google is failing me!

78 Box Set - Supposed to be delivered today along with the 16 oz Bolt Etched Glasses!! Is Noon too early for IPA?

2-27-69 vinyl spinning now

user picture

Member for

17 years 3 months
Permalink

I brought up a sub sandwich once. It was neither a pleasant experience nor a pretty sight.

user picture

Member for

17 years 3 months
Permalink

I think I read somewhere Dick Latvala once referred to 10-11-77 Norman as primal dead. Go figure.

user picture

Member for

17 years 2 months

In reply to by CaseyJanes

Permalink

Channeling my inner Doc. Hope your doing well and still lurking about...

Finally have a chance to say how-do to all our wonderful brothers and sisters here in dead land. Speaking of sisters, have we heard anything from hippy chick since she jumped the pond?
So many good topics lately, but no time etc. Murphy’s law, great posts = no time, have time = meh posts lol.

PRIMAL: I’m sorta with Dave; feel like 1970 was a big pivotal year for the boys. Like he said the obvious effects on the live shows due to the new material they were producing did seem to elimate the “primal” element.
Yes they still could bring the big jams i.e., 72-74 Dark Stars etc, but they became more few and far between, or the focus became more on the “songs” that imho sorta culminated after the hiatus, which is why that’s not one of my favorite eras....
I dig Jim’s comment on all that energy etc. they were much more balls to the walls, full on almost metal like. Between all that energy and the thin biting or even distorted guitars we have had great fun over the years with civilians because they often don’t sound anything like the dead most folks are accustomed to. I remeber being at high school parties where us dead heads and the metalers were always not allowed inside with the jocks and preppies just like in that movie THE STONED AGE. Hee-hee, but the keg was always outside so we were good!
But anyways, we would be out there with the metalers who mostly hated the dead (only cause they were supposed to) and we’d put on first album or anthem, or occasionally someone might have some old live stuff (hard to come by back then) and they’d love that shit, at least until they found out it was the dead, then they’d have to put that negative front on.....high school, man we were ALL so dumb lol.

78; personally this is nearer the bottom of the spectrum as far as years go personally, but as I always say, there’s good stuff from every year/era etc imho.....so that’s why I’m not so big on that July box, but I do really dig that 1-28-78 Dave’s. It’s so funny how different our tastes/perspectives are here. That was one of things I miss that I really loved back in the day; arguing/discussing the shows or shows in the car after a show on the way back home or on to the next one...

SLLEEP/WEED/DREAMS; I basically don’t dream, or at least don’t recall dreaming unless I’m on the wagon (like if I have surgery coming up I’ll stop for a few weeks) and man when I do I’m exhausted all the time from all that dreaming!
Usually at first it’s all weird wild stuff too so I wake up exhausted. Funny Vguy describes indica effects totally opposite of my experiences....I like it right before bed cause it knocks me out and releases all the stress energy I’ve built up all day, where the sativa, especially a good Durban poison is like breakfast of champions in the AM. Really agreed with Jim about Weed versus alcohol; if only it was legal then and more importantly if only the culture was enlightened to the real realities etc. Weed is so over taxed and regulated especially compared to Booze and smokes, he’ll even nasty prescription drugs are more widely excepted? Yeah, huge cultural deficiency there imo.
But again, just love all the different perspectives here.

SNOW; of course it’s all relative. I remeber the first time we were in Vegas doing merch on Ziggy Marley tour February 96 I believe it was and I had driven all night from Hell A. I dont recall it was snowing but I think it had a little and many hours later they were still scraping up the carnage off the interstate etc..Coming from Southern Canada (Buffalo) we were sorta amused that such a little snow had caused so much havoc. Another time I took the bus from NY to Tennessee, 82 I think, got dropped off at the bus station in chrotchfester after a Bobby and the Midnights show and same thing, we’re in Kentucky and they had a dusting. So we’re stuck in some podunk little town and I overhear the station master and driver talking how we might have to delay etc, and I just couldn’t help but start laughing, which of course offended them until I offered to drive the bus which pissed then off more until I told them where I was from.
Well they still didn’t like me but at least they understood why I was laughing at the situation. It’s all relative.
Fast forward many years to now we live in the Rockies and average 300-400 inches a year! Few years back we received over 500”. Yeah I know, what we’re we thinking! But hey, the summers are awesome 😉

DAVES 29; man I’m digging this one. I think because like many of you have stated it’s like a hybrid 76/77 monster. Sorta a 76 on steroids. I’ve really been digging the 76 stuff I’ve had access to, partly as I’ve mentioned because of the nostalgia it’s awakened. I forgot from my early days how much I liked 76. Sometimes a bit limp or too laid back but generally nice...

Well folks should probably get back to work but miss hanging out with the cool kids. Hopefully I’ll have more time soon, as we’ll finally be moving into our new house tomorrow. Man what a long strange trip that has been, most significantly, all my stuff has been packed up for over six months so no music server!! The Horror! Been relegated to a Blu-ray player and a tv leaning up against a wall for limited cd tunes...yee-gads, talk about withdrawals, major bummer.
Wife giving me mucho shit about how I’m more excited to get my server back and all that GOGD then I am about the new house! Gotta love being a totally full on fucked for life Dead Head......think AA....my names Pedro, and I’m a dead head 😎
Anywho stay warm folks and if you get confused just listen to the music play!

user picture

Member for

11 years 10 months
Permalink

Picked it up this afternoon at costumers. No additonal taxes.
CDs looks fine but actually no time to check them.
Will sort it out later.
Gar-see-ya
JJ

user picture
Default Avatar

Member for

7 years 1 month
Permalink

Got mine here in the UK a few days ago... this is quite a surprise! I didn't really think I needed an upgrade to 26/2 and thought I might have the "buyer's remorse" that I sometimes get with official releases, but I'm definitely hearing this with new ears today!

It's much twangier than I recall.

user picture

Member for

6 years 10 months
Permalink

Looks so nice, I don't even want to open it....have it sitting on the shelf next to my unopened Warlocks set, fermenting nicely....thank God for Digital, but I am itching to see the inside and read the notes. Will be a nice 4th of July celebration!

Bolt etched glasses are sweet! In the freezer chillin!! Could be a little thicker, but still look great. Slightly concerned about the Stealie Logo on the bottom....looks almost stickerish....no dishwasher for sure.....

I'm on to Jimi Hendrix: Blues on vinyl....very nice follow up to primal Dead!!!

user picture

Member for

13 years 10 months
Permalink

Hi all,

I don't post much but I really enjoy the conversations (mostly) that happens here. I get a lot of enjoyment with all the interesting things people suggest to check out, and just the clear enthusiasm for the band, which I share 100%.

I just gotta say wow this is a great release. I finished my second listen during the last few nights and I love this release. It is now easily one of my favorite releases. I love the energy the band has, the intricate weaving of the different instruments, and how sweet the mix is. I know I will go back to this show many times. Thanks to all for making it happen.

nitecat

user picture

Member for

15 years 8 months

In reply to by nitecat

Permalink

Just saw that Peter Tork passed, so sorry to hear. Loved The Monkees as a show as a kid, big influence in me getting into music. Rest in Peace My Friend.

Bummed Phil is waiting a few days to visit VGuy in Vegas after I leave. Vince - want to hit Steely Dan on Saturday when I get there?

Nice catch on SkyDog LP box Cousin- gonna pass, but looks like a sweet deal.

product sku
081227924317
Product Magento URL
https://store.dead.net/dave-s-picks-vol-29-1.html