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    clayv
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    An institution in American rock music, the Grateful Dead continue to surprise the ears with new arrangements and altered styles. If their playing continues with the force that was heard in San Bernardino, the spirit of the Dead will live on. - Sun Telegram

    We are more than pleased to kick off this year's Dave's Picks series with the much requested and quite spirited complete performance from Swing Auditorium, San Bernardino, CA 2/26/77. The Swing ’77 show was a unique beast, unlike any others from this era: as the band’s first concert of the year, it bridged the gap between the new and re-emerging sound of the returning 1976 Grateful Dead and the precision excellence of the spring ’77 Dead. Debuting two of their most intricately crafted songs of the 1970s, “Terrapin Station” (to open, no less!) and “Estimated Prophet,” the Dead demonstrated right from the start of this new touring year that they were not going to be a nostalgia act; they were going to be as adventurous and ambitious as they were at any time in their career.

    Join the adventure as they soar through tried and true ("Playing In The Band," "Tennessee Jed"), well-loved covers ("Mama Tried," "Samson and Delilah," "Dancing In the Street"), and epic new jams.

    Rounded out with three songs from Santa Barbara, CA 2/27/77, this one was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman.

    Dave's Picks Volume 29 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • Lovemygirl
    Joined:
    *Re/ Keithfan

    ...Road Trips ‘The Wall Of Sound’ minus the Bonus Disc...I play it quit often! Thank you again my friend, I hope your still enjoying those major Europe 72’ shows...love it!
    🙏❤️😎

  • MDJim
    Joined:
    6/20/83 -The First and Most Memorable Merriweather Show

    I apologize for the length of this post.. but man.. that storm.

    I grew up perhaps an hour hike from Merriweather Post Pavilion.. and after getting harassed by Howard County's finest for hiding beer under my car instead of pouring it out on the curb as instructed at a Jethro Tull show a few months earlier culminating in a thorough and regretful search of my parents car and a loss of a nice pipe and some hash.. I just started walking to shows from that point forward (at least until I moved out of my parents house). I probably saw between a hundred and a hundred fifty shows there over the years.. probably about the same number of times I saw the Grateful Dead. I'm ashamed to admit now.. but I knew how to get in that place for free plus the ticket collectors were mostly people I went to high school with, so taping two stubs together and presenting an amicable grin was usually enough to gain entrance. I did buy tickets for many/most shows, certainly for all the Dead shows.. - never take unnecessary risks.

    Some background.. I wouldn't compare this to one of the greatest or best shows, but it was memorable for lots of reasons. My first show was 4/19/82 at the Baltimore Civic Center (perhaps my biggest lysergic GD moment, save that for another day).. I believe I made the Capital Centre shows in the fall that same year but they weren't playing super close in the Spring so we headed South to Hampton and my first GD road trip in April for my one and only birthday show. I think I drove and I am confident we did not tell my folks we were taking the family car to partake in all kinds of shenanigans and see the Dead.. in hindsight, so dishonest. Then it was announced that they would be playing two nights in the summer for the first time at Merriweather Post, my local venue. I couldn't believe it.. That would make this run my fourth and fifth shows.. I was still quite green behind the ears.

    I had friends that worked as busboys and room service at the Columbia Inn, where all the bands stayed back then that performed at Merriweather, they told stories of bands partying in the bar, tips they got (or not) and what floors they would put them in, etc.. so the night before, on whim.. we showed up and went to the bar. I could barely drive but with an older brother that looked similar, and the drinking age being 18 at the time, I had an ID and we headed past the lobby to find Phil sitting at a table by himself.. we closed the bar that night and had some passes for the next day... I have to say, he was super nice and not at all an icon or unapproachable. I do recall a few of the stories told, but the memory I left with was that I could not muster up the courage to offer anything intelligent to say and couldn't think of a decent question to ask until I was walking through the parking lot to the car at the end of the night. After a few beers, humor was flying and things seemed fine. Phil seemed happy to have a group to party with. I was so young I couldn't even order a beer correctly.. I asked for a tap beer and she brought me a tab (soda).. so she returned it and brought me a draft Budweiser.

    So the next day.. a few of us walked from the neighborhood where we all lived to the show, a bit early.. I had my pass and went backstage and it was so weird.. plus early. I just couldn't handle it. I didn't know anyone except my buddy.. and it was like being in a foreign country. Nobody seemed to want anything to do with us and the band wasn't there yet.. So we decided to split before the show started, inhale a bit in safety and get to our seats, which were pretty close.. I am fairly sure we took some mushrooms too which only made it all the more weird. So the only time I ever had backstage passes, I totally wasted them. ..Perhaps for the best.

    I don't think you can talk about the show without talking about the storm. Growing up there.. the only time I recall it raining harder was during Hurricane Agnes in 1972. This is the only time I recall the highway on the way in (Route 29) flooding and being shut down like it did that night. The storm was biblical and it wasn't just rain. It thundered and lightninged for hours that night and I believe lightning hit the lightning rod at the venue or perhaps the shed itself at least once (during He's Gone, Truckin' and perhaps one other time), but that's probably impossible to verify. You can hear it on the tapes though including the PA going in and out several times.

    So the performance aside, there was other energy and stimulus going on that night.

    The setlist was fairly standard for the day.. my second Peggy-O, second Truckin', second China>Rider. The first set was pretty standard, but things started to get weird by The Music Never Stopped.. I forget exactly when the started and ended and then started again, but I think t had had rained in the first set and the beginning of TMNS, then the sun came out for a bit during this song, then set break.. then big cumulonimbus clouds, then it started getting spooky dark as the setbreak came to an end. ..and then things really got weird. In hindsight, we should have starting building an ark.

    The second set started with China>Rider>Sampson>He's Gone>Truckin'>Drums. By the transition in China>Rider, everyone was getting soaked and the rain entered the pavilion area as it was raining sideways. I had to pee as Sampson started and by then people were body sliding down the lawn and everyone was so soaked that it just didn't matter anymore. Soaked to the bone, you couldn't get more wet.. When I got back to our seats, the heavens opened up and the lightning started and it went from weird to downright scary. The people working at the venue sought shelter, anarchy ensued and there was a mad rush from the lawn to the pavilion area. Everyone got squashed and became bug eyed.. and safety became a big concern. We got pushed forward and what row you sat in mattered less than the need to create more room inside, under the shelter. By He's Gone, there became a general feeling of insecurity and helplessness, just as I began to peak. Lightning struck the shed and the power went out.. but the weirdest thing of all, the band was just as freaked as we were, but the they kept playing on. I swear Phil and Jerry were playing power chords in sync with the thunder and lightning. By the time Space ended, we got a rare Bob Star (one of three times played).. during Sugar Magnolia I think Bobby got shocked and put down his guitar and took his mike to a strange part of the stage and started wailing into the mike.

    There was no encore and no soundboards exist.

    So what to 20k tripping, soaked, disoriented hippies do when the show ends? The deluge had stopped but it continued to rain. There was a tiny creek between the venue and the parking lot, usually a trickle like you see on a water fountain.. it was flooded way over the banks and to make matters worse had washed away the foot bridges, so you really couldn't safely walk to the parking lot, but people managed.. the lawn was so eroded both from the rain but more from people doing mudslides down it that at dawn, they had to bring in heavy machinery and rebuild the lawn as there was another show that next night. After they Dead left.. they really went to town and had to do a total rebuild of the lawn area, changing the contour forever.. lots of heavy machinery. They spent the day off to rebuild it with different contours to the format we have to this day.

    When we walked home, still tripping.. we could not go the way we came, it was not passable. So we went an alternate route. Getting over the highway, which was still flooded.. we held hands as the current was strong and waded in waste deep water eventually getting to other side and about an hour later to mom and dads house. Some quick showers, then post show activities until the sun came up then sleep.. only to do it again the next day on a reformatted lawn with straw and new sod. They played Looks Like Rain that next day and you can imagine the crowd reaction.

    So back to the show.. Yea.. I sort of remember 6/20/83. It was the weirdest, highest energy GD show I ever saw. Not the best, but certainly one of the most memorable. I saw every GD/JGB show played there but this was perhaps the most fun. Thanks for jarring my memory.

  • KeithFan2112
    Joined:
    Unbelievable

    They say the oakwood interior of the cathedral was built in the year 1200, requiring trees that would have been 400 years old, thus sprouting out of the ground in the 8 or 9th centuries. Hard to believe.

    Bob t - thanks for the heads up on One From The Vault release date. I could use a change from the E72 binge. I did manage to get in 6/14/76 and 12/26/69 today, both on the Rolling Stone top 20.

    Lovemygirl - I don't recall which ones you sold me, I'm thinking Tivoli II, Lille France, and maybe one of the Lyceum shows? Lotta weed in between ;-) I don't remember what I sent you, refresh my memory. My memory is outstanding on everything until I was 25, and then past 3 weeks. But everything in between is shit.

  • MDJim
    Joined:
    6/20/83

    Holy Smokes.. yes, I was there. It was biblical, as much or more from the storm then from the music.. but it all combined for a complete sensory overload.

    I wrote something on this a couple times over the years.. but I think I was too shy to share details, or perhaps too lazy to try and remember it all and it put to paper.

    Just getting home, if I have some time once I get settled I will try and put my arms around it..

  • Angry Jack Straw
    Joined:
    Our Lady

    Such sad news.

    Not just an architectural marvel, but one of the most important structures in the history of mankind.

    My deepest sympathies to the people of France.

  • nappyrags
    Joined:
    Hey Stone Jack Baller...

    I too just got my notice that the CD issue of the Warfield performances will be in my grubby paws in a few weeks...I tried at first on a couple of record shop websites that do online ordering of what is left of the merchandise on Sunday but no luck...I went to Amazon and Bingo! i feel like I won the jackpot considering how many copies are on Ebay for over a $100 a pop...can't wait...meant to say that the nearest record shop to me is over three hours away...at least it's all downhill but still...

  • bob t
    Joined:
    One from the Vault Anniversary 8/13/75, released 28 years ago

    Did anyone just see the post on facebook from the Dead about this. Released 4/15/91, 28 years ago..... This changed everything if you were trading tapes back then!!! Everyone had this show, either FM, or the bootleg called Make Believe BallRoom.. But now we had a legit release!! It really did change everything... It took away i have 1000 hours of tapes and only want to deal with someone who had the same amount and started to level the field..... Sorry to rant but I was in that era... bob t

    Edit my first copy of this were two cassettes!!! Didn't get the CD's because wasn't a fan yet!!!

  • daverock
    Joined:
    Fire

    Hopefully no lives were lost or people injured-doesn't seem to be much in the news about that. The only thing I could find was that one firefighter had been burned. Pretty remarkable.

  • Exile On Main St.
    Joined:
    Sounds to me

    like we have a false prophet among us.

  • Lovemygirl
    Joined:
    *RE/ Trainwreck, Keithfan & Paris

    ...first I’d like to make a statement about the horror in Paris today, a sad day in my soul, so much lost turning to dust & rubble, my prayers are with Paris’, May the songs of old play on in heart & soul. 🙏❤️😢
    ...Trainwreck, you asked me about my last post and by what I mean by “treasure trove” is a new batch of tapes have been recently found. 😉 I’ll share more info when I can. ‘Exciting News For Me’, I love new and unheard recordings of all bands, the Grateful Dead more so now in my life than my past with the likes of ‘Elvis’ & ‘Beatles’ Records lol ...Plus Some confirmed dates for new Dead releases/product...😌
    ...Keithfan, hope all is well as always. What three shows did I send you from the ‘Europe 72’ boxset, i can’t remember, but I do remember them being Primo Shows ! 😎 and the Primo Show you sent me, love it! 🙏❤️😎
    Off to dinner, have a grateful evening everyone...

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An institution in American rock music, the Grateful Dead continue to surprise the ears with new arrangements and altered styles. If their playing continues with the force that was heard in San Bernardino, the spirit of the Dead will live on. - Sun Telegram

We are more than pleased to kick off this year's Dave's Picks series with the much requested and quite spirited complete performance from Swing Auditorium, San Bernardino, CA 2/26/77. The Swing ’77 show was a unique beast, unlike any others from this era: as the band’s first concert of the year, it bridged the gap between the new and re-emerging sound of the returning 1976 Grateful Dead and the precision excellence of the spring ’77 Dead. Debuting two of their most intricately crafted songs of the 1970s, “Terrapin Station” (to open, no less!) and “Estimated Prophet,” the Dead demonstrated right from the start of this new touring year that they were not going to be a nostalgia act; they were going to be as adventurous and ambitious as they were at any time in their career.

Join the adventure as they soar through tried and true ("Playing In The Band," "Tennessee Jed"), well-loved covers ("Mama Tried," "Samson and Delilah," "Dancing In the Street"), and epic new jams.

Rounded out with three songs from Santa Barbara, CA 2/27/77, this one was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman.

Dave's Picks Volume 29 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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Catching up on old posts. Keith Fan seriously where the hell did you find The "Seven"? I didn't know there WAS a Seven, let alone that something that obscure would rock so hard. I did some research and they only played it four times. Twice as Mickey and the heartbeats. I'm stumped why they stopped playing it. Did everybody else catch that post from the weekend?

You surprised me again with your mushroom story. No offense, but I had you pegged for straight laces. I got what you meant when you said horcrux. Fell right the fuck off my chair I did. I've been there man. You trip and you feel like that part of you will always remain behind in the place that you tripped. Unless you trip a whole fuckload. Then I suppose you feel like you've left reality off in some distant place in the past. But I only did it a handful of times myself.

You surprised me a third time talking about 1981. I don't think I've ever heard you pay homage to anything past February 17, 1979. I must say I was disappointed ;-)

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In reply to by CaseyJanes

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...i wanted to ask everyone if anyone could assist me in trying to get a Copy of the Daves Picks #5 in the series. I’m not having any luck finding one and it WILL complete my collection. Any help of any kind would be gratefully appreciated from this true fan of the band, the Grateful Dead to another...peace be with you all. :)

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In reply to by Vguy72

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....and found myself watching Laurel & Hardy and The Marx Brothers for the last hour. My sides hurt....😂
$440 for Pauley? 😂😶🤤

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In reply to by Mind-Left-Body

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...$440 is way to much money for this collector & fan... :(

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This week I'm giving a listen to a couple picks not normally as high in my rotation, 19 Honolulu and 24 Berkeley. I've only listened to discs 1 and some of 2 so far for each. But what I've heard has been very good, and sounds great. How about the set opening China>Rider and a set list that includes the entire Other One suite AND Dark Star on 19?

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Awhile back I was playing a jam mix that somebody have made on YouTube on my surround sound system, sometime on a weekend I guess with it turned up really loudly. Lo and behold the seven came on, and I recall thinking it was part of a dark star or something that I've never heard before. I went into the family room to see what it actually was, and it was that September 29th 1969 version. I think I have the date right on that. I'm driving and I can't check but it was the longer one that I posted over the weekend. The audio isn't terrific, but it gets the job done. It is a little bit of a mystery why they dropped it, but they dropped a lot of good songs over the years. When your band is that good you can get away with it. It is a little bit one-dimensional, so playing it for 8 or 9 minutes probably isnt optimal, but you would have thought that it would have showed up in some of their other jams for two or three minutes at a time. If I had to guess, I'd say they just forgot about it. We hang on every note of every concert as if they knew exactly what they wanted, but I think they sometimes just wung it without much thought or preparation, and without looking back . I can just imagine them in Bobby's studio in 1975 saying, hey does anyone remember how the seven went? No? Well fuck it, I suppose we could look for the tape . Does anyone remember when we played it? No ? Okay well we'll just throw the 11 Jam on the end of trucking instead. Referring of course to Lindley Meadows.

Sorry about the spelling, I'm talking into my phone to write this.

You guys got me checking it out winterland 1973 again. I forget who recorded this but sounds awesome.

Jimbo - I'd like to borrow the Wayback machine and follow the dad for 10 or 15 years. Maybe even whack ramrod over the head and take his spot. Oi! Maybe I can take Keith spot. I'd have to learn the piano first. That would take years of Groundhog Day like repetition. Nah, what am I talking about. I don't want to alter the music. I just want to hang on every note of every song that I know they're going to play as they play it live.

Is there a better 1972 version of The Other One than the Hundred Year Hall? I came late to the show. 4u long-timers, just how awesome was it when they released hundred-year Hall, ladies and gentlemen, and Rockin the rhein? Was there general knowledge at the time that the entire Europe 72 tour have been preserved on Multi track tapes? In hindsight, it's a little bit curious that it took until 2011 to finally release at all. Especially when you consider that one from the Vault came out in what 91?

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9/26/81

I recently said the 2nd set feels a bit underdeveloped (e.g., pre-drums is energetic, but needs just a liiiittle more material, and NFA feels short)

but...Morning Dew is magnificent. I felt about 14 different emotions listening to it on the way home yesterday.

as the protagonist in the GD movie (John?) sez: "Grateful Dead forever"

I also need to go back and get a good listen to The Seven as I don't recall exactly how it goes or what it did....but I do recall it was only played a handful of times.

It's funny, we think about all of the great songs the GD played and how some came and went, others came back again - we know this pretty well being the rabid base that we are. But, I recall reading an interview with Jerry (not sure when it was) and he was discussing Here Comes Sunshine, and he said something along the lines of "we only played that song like 4 times in the early '70's...." which of course if completely off base, but still quite interesting in terms of how *he* recalled this memory. Now of course, we all know Here Comes Sunshine was a MONSTER in '73 and '74, played many more times than '4'......and it was one of the hearkening calls to that era in my opinion. It's just funny to reconcile our attention to detail with others' who were actually there....

As for the contemporaneous releases of the aforementioned Europe '72 fodder, i distinctly recall going to the record store and finding Hundred Year Hall and being f%#@ing ELATED to have more of those crispy Boards at my disposal. Not to mention that Lovelight > Jam >NFA Tease > GDRFB blew me away time and time again (and still does). Indeed, I found it curious then when 'Steppin' Out' was released, but I had not thought so far ahead to believe they would EVER release the entire tour. The delay could have been a few things, like not being 100% sure the fandom/cash-in-hand was there to justify such an enormous box; it could have also been due to the fact that Dave's Picks hadn't started up yet (this was in 2012), so there was not yet a "main focus" on the releases, so perhaps they used that lull to put the big box out in fall of 2011. Or, it could be some other reason simply because I am throwing pasta at the wall here.

Always happy to speculate and find a good Seven.
Sixtus

Clearly KF's dad was a rabid touring deadhead. Makes perfect sense to me. :D

I suspect The Seven was a work in progress.. Mickey brought to the game more focus on polyrhythmic and syncopated accents and beats. The fact that half the time they played this.. it was under the moniker of Mickey and the Heartbeats might indicate Mickey was at least partially involved in pushing this theme forward. This is also about the same time The Main Ten (prelude to Playing In The Band, again written by Mickey and later adopted by Bob) came to be. Add in The Eleven and you see a theme, seven, ten, eleven, etc. They were experimenting with non-standard time signatures and syncopation (and experimenting with 'other' things which plays a very big part in it all).

I suspect Phil was a big part of this push too, but have no proof. Phil and Mickey seem to have that funk and sense of (off)beat rhythms and strange timing signatures. If you look at the 74 Jam between China and Rider (I forget what people are calling this, anyone??), but it is also a play on changes in timing signatures and beat emphasis.. seems to have Phil fingerprints as does the jam from Eyes > China Doll from this period which again is some sort of planned arrangement they slipped into preexisting transitions. Great stuff.. and for me is the drippy antimatter that keeps my attention.

A lot of these jams disappeared over time, perhaps because as they evolved they became less fluid and cumbersome to play?? This is especially true of the older songs like Seven, The Eleven, I have heard Garcia comment that St. Stephen and a lot of the stuff on Aoxomoxoa was often cumbersome to play so it was dropped over time.

Anyway.. just my two cents on how these songs came to be, why they might have been dropped as time went on. Oh.. it's suffice to say these guys were pretty high a lot in this time period and were somehow really good at playing in this condition. How on earth they were able to pull this off is beyond me, but I have a hard time remembering stuff when I am feeling other worldly.. if that makes sense.

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mine is my metrognome (sic)

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In reply to by wilfredtjones

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Unless you just got robbed or worse, usually not a good sign.

Good catch Stolie:

Garcia to Blair Jackson in '88 on why they stopped playing St Stephen. "We used it up... It's got little idiosyncrasies and verses that are different from each other...it's unnecessarily difficult. It's been made tricky. It's got a bridge in the middle that doesn't really fit in... It has a couple of things that work real good, but finally, the stuff that doesn't work overpowers the stuff that does work... If you don't remember every bit of it: 'Let's see, what verse is this?' They're not interchangeable - you have to do them in order. So a song like St Stephen is a cop. It's our musical policeman: if we don't do it the way it wants to go, it doesn't work at all. That means it's inflexible. "When you get good enough at those kinds of pieces, people think, 'Wow, that's really far out and open,' but that's an illusion. It's just written complicated - what we need is material that is authentically open."

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I am new to the releases as well, but i have heard that they had to fight for Fillmore West to get released in completion, since Rhino did not think that people would want to buy full shows with mostly repeats. I feel the success of this box opened the door for the runs of shows that we occasionally get.

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In reply to by MDJim

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Winterland 73 was recorded by Kid Candelerio. I believe he recorded most of the November 73 releases like Dave's 5 and RT 4.3, which are top notch as well. With the Winterland 73, we also got the Plagent Process bonus.
I do remember buying 100 year hall in the mid 1990s and it was just a two disc best of set at that point. I personally had no idea the treasures they had for E72. Of course this was all pre-internet days, so most the information we got was from Relix. Remember those days? A long time ago.

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In reply to by DeadVikes

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gone are the days

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In reply to by stoltzfus

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...hello All my brothers & sisters , hope everyone is doing well.
Today I put Daves Pick #9 on play. I started with disc one and enjoyed it once again! Jerry guitar is so strong on these recordings, ear piercing at times, I love the Fat Man playing on this release.
David L. Didn’t write much in the liner notes/booklet that was included with this release. ‘Gratefully’ a lot of primo photographs and news paper clippings are found in the booklet.
Anyone have any thoughts on Daves Pick #9, would love to read any feedback...
Thank you, peace be with you all.
: )

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In reply to by NCDead

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I could be wrong.. but wasn't this the last item produced by GD Merch? I think so.. Wikipedia has the record label = "Grateful Dead"

I would bet Lemieux pushed to get it released in it's entirety.. by then the battle of the completists vs. the best of war was already well underway. If there was pushback on getting it released in it's entirety, I bet it was on the GD side.. band members, Cutler, who knows.. not that I think there was not push back, I bet there was.

Still.. one of the early truly great releases. I listened to 2/27/69 in it's entirety quite mood enhanced yesterday back country skiing on some fresh show at one of the local mountains. Sublime. That Dark Star is really something. A masterpiece.

oh.. comments on DaP 9, 5/14/74? Frightening.. Don't listen to that Dark Star at high volume on a day when you missed your meds.. Atonal madness that seemingly symbolizes the end of the world and just when you can't take it anymore, the bittersweet sounds of China Doll deliver you safely back to earth. A great release, albeit a bit scary at times.

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In reply to by MDJim

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...I Absolutly agree , this Dark Star is frightening,scary at times and then what sounds like ‘space’ the band is deffently exploring unknown regions in cerebral canyons of delightful space bending musical structure...then into a nice ‘china doll’ & the Not fade away with going down the road & finish things off with a fine ‘one more Saturday night! I’m still enjoying this show, Daves Pick #9 #9 #9 #9... ; )

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Continuing to spin some things I haven't listened to in too long.
1- The Harder They Come soundtrack- Jimmy Cliff and Others, a great foundational reggae release, great mix of tunes. If you have never heard it, it is well worth a listen.
2- FW '69 3/1/69 - Grateful Dead, I usually gravitate to 2/27 when I reach for the FW '69 box, so I went with 3/1 instead. I missed this when it first came out and had to pay a bit more than I would have liked when I picked it up, but no regrets. This is a premium primal dead run.
3- Goats Head Soup - Rolling Stones, dig some of the more off the beaten path tracks on that one, 100 Years Ago, Winter and Can't You Hear the Music may not be what people think of first when they think Rolling Stones, but those songs just have a cool vibe.
4- Blues for Allah (remastered and expanded) - Grateful Dead, been a long time since I played this one but what a cool album.
5- Emotional Rescue - Rolling Stones, cause sometimes that title track just gets stuck in my head. Don't you know promises were never meant to keep? Just like the night, they dissolve off in sleep, I'll be your savior, steadfast and true, I'll come to your emotional rescue...

As far as that Hundred Year Hall release, I remember how psyched I was when that came out, had that cool artwork, sounded great, and really opened my eyes to the fact that there was way more to E'72 than what was included on the first E '72 album.

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In reply to by Charlie3

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AC/DC - Dirty Deeds
David Bowie - Scary Monsters
GOGD - Portland 5.19.74
Huey Lewis and the News - Fore!
Phish - Drum Logos, Japan 6.14.00
....that's what I did

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Went in to work early today (before anyone else arrived) and knew I needed some primordial dead. Thru on 20 Oct 68 and started working on a lesson. Good morning and then a Lovelight with Pig, followed by one continuous ride on the star all the way to the end of the tracks. Sure wish I had seen this show. I guess this would have been following granddad. Short show but 5***** quality and effort. Hopefully we'll get a gem box from this era soon. Also, I think the lesson I worked on is far better for it too.

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I was shaken from the pleasant thoughts via Drpryan's Psychedelic Breakfast to someone telling me I need to travel to India for porn and steamy, expensive sin.

I feel dirty. I'm taking an shower and will return when MaryE bans this filth monger from our world. Yukky.

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bizarre item to find on this lil' board.

sorry, but not _alllll_ posters are welcome here.

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Very cool feedback on the Hundred Year Hall release. On the one hand it's kind of a bummer that I didn't get to enjoy these releases when they first hit the streets, because I missed out on the community excitement. On the other hand, getting into the Grateful Dead hardcore revolved around ordering a new Europe 72 show every week for a couple of months, and then ordering a couple a week when I just couldn't wait any longer.

https://youtu.be/pt67BUeQ1-Q

This Tivoli show comes and goes on YouTube. Enjoy it while you can as it just came back up after a long absence.

Today I'm going with the opening drive of the '73 marathon, February 9th. China Cat - check; Sunsine - check; Loose Lucy - check; Dead Battery - check.

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I loved 100 Year Hall, especially the Comes A Time as I have a soft spot for that song.

..but what really blew me away was getting the steamer trunk and listening to all 22 shows, uninterrupted, in succession. In fact, it rejuvenated my interest in the music in a way my previous decades of listening had not. I still hit shows from that tour regularly and in the right mood.. it transcends my mood and outlook on life.

Speaking of which.. planning my afternoon adventure now including what to listen too. What fun.

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What’s it going to be today Jim? Back Country Skiing? Single track mountain biking? Or maybe some kayaking down the ice filled river? 😊

You Should do guided tours....Psychadelic Outdoor Adventures with Jim. Maybe even fire up the time machine..... I’m in!

And speaking of outdoor adventures, if y’all have not seen Free Solo yet, I would highly recommend, and if you like that also Valley Uprising which has some nice psychadelic moments....think about hanging off the side of the largest rock face in the world while tripping....makes me woozy just thinking about it! Both are on Amazon...

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...was like Michael Jordan in 1991 or Tiger Woods in 2000. Creative playing, adventurous, yet so muscular, too. No wasted effort. They could see things that no one else saw and they could execute it. Definitely the peak for me.

Now, the Dead in 68 and early 69 was more like Mike Tyson in 1988. Hard and fast and no matter what you do, you know you are gonna be flat on your back.

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DaP 9 is probably my favorite release of the series. Followed by 29! But that Dark Star will definitely have you hiding under the covers.

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Had to comment on this release, love it, the liner notes by Hunter are also quite good and adds to the release in my opinion. I think this has been discussed before but the same show was released in it's entirety in the E 72 box and to my old ears, even back then, the 100 year hall release sounds a bit better, clearer, bigger, ??? hard to find the right word or words to describe the difference, but it is there, different mix or better production? don't know, but that is a favorite of mine and has been since it's release. Agree about E 72 also, that was soon much fun to received the box, see the box and the special name you could give it, open the box, trying to get the cd's out of those sleeves without ripping the sleeve, then the big payoff, listening to them all in a row, just a whole lot of fun. I did have multiple discs that malfunctioned with the big box release and it did take almost a year to resolve the problem, but it was finally resolved with replacement discs being sent, even replaced ripped sleeves. My first encounter with customer service, which is a whole other story.

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Thanks for the link Keithfan. The video is sweet. Just love seeing old pigpen in the mix. So they have video of some of this tour??? My God, let's get that out! What are they waiting for? I get excited just watching this link with the constant commercials.

I know I have beaten this drum before, but let's get some Blu-ray, DVD, whatever out. When was the last release with video? Sunshine Daydream? Don't these guys want to make money?

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I haven't been on this site in forever, but I am currently knee deep listening to 5/25/72 so wanted to share.....and here I see you all talking about shows from the tour. Life is funny...hope everyone is well.

PS the dark star from 5/25 was never my favorite from the tour but today I feel like I'm hearing it in a new way and I'm wondering where it's been all my life (even though I've heard it several times)...that kind of day.

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Funny this comes up this week, as I just finished comparing the sound of the HYHall and E72 release from the box. I think I compared big railroad blues back to back. I preferred the E72 sound. I thought the HYHall was thinner, and the E72 was warmer. YMMV. Some one said this box is the gift that keeps giving, and that's the truth. I'm on my third listen to the tour, and each show is breathtaking.

I've also been enjoying the latest Dave's, great release. Last night reIistened to the 30trips 79 and the first set is a little rocky, but the second set Dancin'>Eyes is a keeper. Had to stop so I look forward to the Caution tonight. Aint that sweet?

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I could be wrong.. but I believe 4/17/72 Tivolis was partially recorded by a local TV station until they ran out of film. The second set jam is completely missing, but we do get to see the bozo's in full form during Big RR Blues. Still, they have most of the first set starting with Bobby McGee and Big RR Blues Truckin' from the second set.

The Beat Club was also recorded on video which is sometimes visible on YouTube and was featured on GD at the Movies five or so years back.

I think that's all that exists. I suspect there just isn't that much money in GD DVDs or they would do more. I'd love to see the '71 Chateau d'HerouvilIe - Herouville, France cleaned up and released one day too.. that one is a gem.

Ha.. KCJanes, today's grand adventure was edibles and some cross country skiing, 8/25/72 BCT DaP 25 and back by 3:30. What a great little show that is, I had forgotten that TOO went into an early Stella Blue, I was expecting Sugar Magnolia - pleasant surprise. It's gotten too cold for winter boating, hasn't been above 15 degrees for the better part of the week, we got 8" of snow Sunday and it has been snowing a bit every day since, so snow is the fun this week. I guess I can rest easy knowing I have a second career as a raft guide though.. thanks for the confidence! ..and yes, it's been a light work week. I love light work weeks!

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Yeah, it's a drag they didn't get the Dark Star from Tivoli II, but that's what Sunshine Daydream's for, right?

We do have the Beat Club, including what's actually a killer Other One:

Bertha / PITB

https://www.youtube.com/watch?v=poSf7UHlQuE&t=433s

Mr. Charlie / Sugaree / Saturday Night

https://www.youtube.com/watch?v=JisJWN_UTog

PITB II / BIODTL

https://www.youtube.com/watch?v=uggVpXujD70

Truckin' / Drums / The Other One

https://www.youtube.com/watch?v=EKiM9gH9Ndc&t=1107s

Rumor has it they were sober and just about awake, as this was an afternoon engagement for TV recording. (since they were recording on "normal" people's schedules). All I can say is - look how fucking BORED these guys look straight.

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These E72 videos got me thinking....that's not the Alligator.....and neither is the one he plays at Veneta...where the f's the Alligator Strat??? Turns out the E72 one is actually it, pre-Alligator sticker. It didn't look quite yellow enough to me, so I thought it was a different one, but I guess not. In any case, I stumbled across this (check them out playing my Uncle's 30th birthday party in his backyard - mislabeled France '71:

https://www.fender.com/articles/gear/iconic-mods-how-jerry-garcias-alli…

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I do not think the GD owns Tivoli, the Beat Club or Chateau d'HerouvilIe. So we are at the mercy of cooperation, contracts, lawyers and money to ever see them get released.

Fingers crossed..

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Love the Swing, man. What a classic. Besides the obvious highlights / debuts, really digging the Deal.

Been on the Fillmore West 69 set now for the first time; the 3-disc compilation was one of the first 'deep cut' Dead I bought in 2013 (I was surprised by the amount of sleazy blues), I have 2/27/69 from Record Store Day last year (the only live show of theirs I have on vinyl, wasn't really keen on the idea but that show was worth it) but I hadn't listened to the whole run before. Spinning 2/28/69 in the car on repeat these last two weeks, gowzah. That Drums > Jam. Nevermind actual songs! :O

A friend bought me a book on pro wrestling, it put me on a nostalgic run of Youtube back to 1999..we were all about that around 8th grade, the Attitude era. Fun to go back; Stone Cold, The Rock, Mankind...DX! I've got two words for you..

Speaking of books wrapped up one on Chernobyl, never knew much about it before. Talk about fascinating..from the process safety behaviors that lead to it, to the response, the fallout, the poor casualties, the eeriness of the Exclusion Zone. The author I read gave a history of it all, but was also an urban explorer / photographer that got to visit 'the Zone' in 2011 and that aspect was fascinating and disturbing in itself.

Rumors abound of a Dylan release of live Rolling Thunder (first leg, '75) box set to coincide with the coming Scorsese documentary. That's alpha and omega for me, bringing it all back home. *cue The Office it's happening! meme*

When I Paint My Masterpiece in a transparent Nixon mask. Renaldo and Clara. Appropriate for this week, eh...commedia dell'arte. Cherise was dressing as Pierrot* in white...

https://www.youtube.com/watch?v=CRkjUBusSdU

Don't tell me this town don't got no heart.

https://vimeo.com/262350673

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Ooops that was Dancin' > Franklin's Tower to kick off the second set of 30Trips79. Listening to it again tonight, and then on to Caution!

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I count 5 days until the Jerry Eel box ships, can you tell I'm looking forward to it?
I've been diggin' the Beatles 50th ann release of the white album and I just ordered the Kinks 50th ann release of Village Preservation Society.

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I too am eagerly awaiting the Electric on the Eel box, got my pre-order in last month. Looks like some cool songs on there, particularly looking forward to checking out the Don't Let Go, always one of my favorites, and I have high hopes for the You Never Can Tell (C'est La Vie).

So Muleskinner, you piqued my curiosity about the Chernobyl book - any chance you can post the title? I have seen a couple of articles in National Geographic about Chernobyl and some of the photo's that I have seen of the deserted remains of the town of Pripyat are just eerie on some basic level. Always dug the virtual recreation of the Pripyat amusement park in the FPS video game COD 4: MW. Abandoned places kind of fascinate me, sort of the physical embodiment of the sublime power of time.

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Well...and I thought Hippi Chick was kinda crazy....now we have Shikhashiripune who takes the personal pic to another level....nice tits, or maybe just another worthless spammer that Marye will eventually Deal with. Seems the bot test is not so good which some of us already knew...

Now spinning: ThE Ornette Coleman Trio at the “golden circle” Stockholm vol 1.....

And Now,,,,The Freewheelin’ Bob Dylan.....my dog is a Howlin while a make a CD for a friend.....

And now...The Beatles Abbey Road while most of you sleep!

KCJ

KCjBot

As I was reading your post and you hit upon this abandoned amusement park, I IMMEDIATELY thought of that piece of COD4 as you've so masterfully referenced. Indeed, that was an eerie setting not to mention I had to do it over like 50 times to beat it. I would end up hunkering down in one of the bumper car pavilions to survive the onslaught. Clearly this is totally out of the GD realm but nonetheless your mention brought my mind to this exact scene...

And as others have noted, I too am eagerly awaiting the next Jerry Box....this comes from one of my favorite eras for his band so it will surely be a treat. Poke The Eel.

And it's Friday.....exhale

Sixtus

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Some of the Paris May 72 shows were recorded on video tape: saw It Hurts Me Too & I Know You Rider in 1976 in a theatre in Paris, part of a "rock and roll on video" show; these were in black and white, not the greatest quality. I've always wondered if they filmed more than that.

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Pretty funny, I haven't played COD4 in a while, but I definitely recall that I spent some time maneuvering around the bumper cars trying to survive. Took a few tries for me to get through that section on the high difficulty setting.

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