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    clayv
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    An institution in American rock music, the Grateful Dead continue to surprise the ears with new arrangements and altered styles. If their playing continues with the force that was heard in San Bernardino, the spirit of the Dead will live on. - Sun Telegram

    We are more than pleased to kick off this year's Dave's Picks series with the much requested and quite spirited complete performance from Swing Auditorium, San Bernardino, CA 2/26/77. The Swing ’77 show was a unique beast, unlike any others from this era: as the band’s first concert of the year, it bridged the gap between the new and re-emerging sound of the returning 1976 Grateful Dead and the precision excellence of the spring ’77 Dead. Debuting two of their most intricately crafted songs of the 1970s, “Terrapin Station” (to open, no less!) and “Estimated Prophet,” the Dead demonstrated right from the start of this new touring year that they were not going to be a nostalgia act; they were going to be as adventurous and ambitious as they were at any time in their career.

    Join the adventure as they soar through tried and true ("Playing In The Band," "Tennessee Jed"), well-loved covers ("Mama Tried," "Samson and Delilah," "Dancing In the Street"), and epic new jams.

    Rounded out with three songs from Santa Barbara, CA 2/27/77, this one was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman.

    Dave's Picks Volume 29 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • hbob1995
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    DaP30

    THE worst cover of any of Dave's Picks by a long shot. Very disappointing.

    Rock on

  • alvarhanso
    Joined:
    1/3 mysteries

    Can't wait to find out what parts of these fantastic looking shows we're gonna be devouring! I've been preparing by listening to DaP 6 2/2/70 (the show after the New Orleans bust, and sans TC), and 12/20/69, finished 2/2 on lunch break in the car, hoping Pig didn't go too much on the "reach over my left shoulder" rap as there was a young lady sunning herself whilst I blasted my music with my windows down eating my Zaxby's. But since somebody suggested they go into Not Fade Away for shits and giggles, we were all spared from a salacious Pig rap from 1970, and he only mentioned getting yo hands outta yo pockets once I recall. But the ride home featured the incredibly lovely 20 min Dark Star opener from the second show, 12/20/69 at the Fillmore West (with TC), 9 months previously the site of 4 nights of fire and fury captured for all eternity on 16 track reels (the first ever 16 track live recording) and gifting the universe with Live/Dead, but a lot had happened over the course of 9 months, if the setlist stayed somewhat the same. The band on the second part of DaP 6 goes Dark Star> St Stephen> The Eleven> New Speedway Boogie instead of into the Lovelight they eventually get to, and instead of light, they plunge into the darkness that was Hunter S Thompson's great crashing wave, sweeping the dreams and idealism of the 60s back out to sea. Talk about coming full circle... Which brings me back to DaP 30 and the wonderful mystery meat we get to devour in just over 2 weeks time. From 2 weeks after they played the Fillmore West, they were on the left coast to play Bill's legendary theater, and here's the only thing missing from keithfan's post, the 1/3 setlist:
    Ealy show: Morning Dew, Me And My Uncle, Hard To Handle, Cumberland Blues, Cold Rain & Snow, Alligator > Drums > Jam > Bid You Goodnight Jam > Jam > Alligator Jam & Reprise > Caution Jam > Feedback, E: Uncle John's Band;
    Entire Late show played was: Casey Jones, Mama Tried, Big Boss Man, China Cat Sunflower-> Jam-> I Know You Rider-> High Time Tease, Mason's Children, Cryptical Envelopment-> Drums-> The Other One-> Cryptical Envelopment-> Cosmic Charlie, Uncle John's Band-> Black Peter, Dire Wolf, Good Lovin', Dancin' In The Streets-> Drums-> Dancin' In The Streets, E: Saint Stephen-> In The Midnight Hour

    I am so looking forward to hearing some tasty stuff from that! I'm actually listening to The Other One from it now... But the combinations of these setlists is just mindblowing. We get everything. It's a Thanksgiving feast of epic proportions.

    And I wonder if these were part of the Houseboat Tapes, been a while since we got something from that batch. DaP 19 1/23-24/70 I believe was from that, as well as DaP 6 as mentioned above, and DaP 10 Thelma 12/10-11/69.

    Also, no 1969 show to come out with Aoxomoxoa?

  • Vguy72
    Joined:
    DaP 30's reflection cover....

    ....it's fresh on my brain, but I freaking love it!! Looks like my dog's paws! And dogs are always the first to greet you when you get home. If you scroll down a bit, you get a cool rotating AOXOMOXOA thing. Ye haw!!
    Newcastle 4.11.72's first set is under the belt. Taking a break. I'm exhausted though, so the second set may be broken up.

  • MDJim
    Joined:
    No Email For Me!

    Fargin Bastages..

    Edit: One of the kind folks here forwarded me the email.. agree, they seem to be wolf paws. I like the cover art if for no other reason there are no cartoonish skeletons and especially no skeletons with full beards.

  • Cousins Of The…
    Joined:
    Got the email too

    Fantastic cover, no skeletons, no beards; just the Dire Wolf's paws.

  • nappyrags
    Joined:
    the email just hit my box…

    the email just hit my box that the sale date for DP 30 is next Thursday the 18th...Don't quite understand the cover but that's ok...

  • KeithFan2112
    Joined:
    Yes Sir 80s Fan - 7/7/89 - The Bus Came By and I Got On.....

    I'm from the Philly area, so it was big news that the Grateful Dead were taking the stage for the last event that would ever be played at JFK Stadium. It was the summer between my Junior and Senior years of high school. What do I remember? Well, I've told this story before, so if you've heard it, feel free to stop me.....

    It was a sweltering hot sunny day, as humid as NJ and Philly ever get. I had no idea I was going to the show until 4pm that day. I was sitting at my kitchen table playing around with my brother's unloaded Glock, shooting imaginary bad guys, just like Martin Riggs had done a few hours earlier at the premier of Lethal Weapon 2. As I goofed around with the 9mm, which, I actually had a legitimate reason for holding nearby (the purpose of which does not come into this story), I made phone calls to WMMR and WYSP, as well as the local record stores, in an effort to figure out the song that was played at the end of the movie, right as it looked like it might be Riggs' last stand; after all, he was lying in a pool of blood with knife and gunshot wounds, and the most somber gospely blues tune I ever heard playing - something about going to Heaven. Well, [SPOILER ALERT] Riggs lived to make two bad sequels to the sequel, and my eyes dried up by the time I left the theater; but I couldn't remember how that damn song went, and nobody I contacted had a clue.

    Then into my house walked two complete strangers: one was tall and lean, perhaps a year or two older than me; the other was a little bit shorter, thickly bearded, and smiling. I wasn’t expecting anyone when I heard the front door open, so call it instinct if you will - you know, the kind of instinct that guides us to mindlessly remove bongs and other various sundries from site, when an unannounced visitor enters our domain - only it was the Glock and ammo cartridge that I was reaching for. I might have jammed the clip in at once if the shorter bastard hadn’t been smiling so friendly and looking so damn familiar. He greeted me by name, still smiling, still friendly-like. You would think this might have settled my uneasiness, but among other things, the FBI guys instructed my brother not to acknowledge any strangers who called out his name (apparently this is a technique that some would-be harm-doers use to identify a target they’ve never met in person). A lot of things went through my mind in a flash: I should have loaded the gun instead of hiding it; I should have locked the door after I came back from the matinee; I can’t believe this “very small chance they would bother us” possibility came to pass; but overriding all of that second guessing was a rush of adrenaline that hit me when I realized they never saw the gun. I croaked “hello” or something equivalent, and began to insert the clip, out of site, under the table. I had no reservations about living out a different movie now, the one where our hero famously gets off a round from under the table - kill or be killed - at least until George Lucas got bored and started f***ing around with CGI; except now the bearded hippie SOUNDED familiar too. The whole encounter played out in just a few seconds, but it felt like an eternity. The voice belonged to my cousin from Buffalo. We're the same age and grew up spending a couple of weeks a year together; but up until that day, the visits were announced, and he certainly never showed up long haired and bearded (hell, I didn't even know he could grow a damn beard yet - we were only 17). Never met his friend before, so the duo WERE 50% strangers. Suffice it to say they didn't get shot that day, but the story echoed through our lives for many years.

    His buddy had come with him from the Truckin' Up To Buffalo show on the 4th of July. They enjoyed it so much they decided to surprise me with a visit and an invitation to go. I was not too familiar with Dead in those days. I knew In The Dark from MTV and MMR, and I may have heard Friend of the Devil once. But I wasn’t about to pass a Dead show by, just because I didn’t know their music. After all, my cousin was my partner in crime: we'd seen KISS in '79, Rush in '86 and '87, Van Halen in '86 on Sammy's first tour, Pink Floyd in '88; and now we had driver's licenses, so it was only getting better. He was supposed to be arriving a couple of days later for The Who Reunion at Vet Stadium, and then we had the Stones Steel Wheels Tour kicking off at the end of August. Good times.

    I remember the circus atmosphere of the crowd at JFK. I imagine the tailgating scene in the 70s was a drop in the bucket compared to this. We've all been to the rodeo, so I won't rehash it. But it made me feel liberated, watching all of these liberated people. Liberated from what? I don't know - just free. However free you may feel, I think live music intensifies that feeling, and I don't think any more so than with the Dead. I'd never seen so many people in one place before. When Jerry walked out, I remember my cousin smiling and saying "there he is – Jerry Garcia. He's like a messiah around here." My response was, "well, he has my respect - he's playing Pete's Woodstock guitar". Of course in hindsight, he was not - at least not since 1970. The guitar I mistook for Townshend's "Woodstock guitar" was The Tiger, which has a very similar shape and color. Pete had played the Gibson SG, which Jerry also used on Live Dead and into 1970 (depicted on DaP Vol 6). The crowd erupted when Jerry walked out, like no greeting I'd ever seen for a band, let alone one guy in the band (he came last and was greeted loudest).

    Then completely unheralded - no light show or elaborate stage rig, no announcement stating we'd got the best - they just simply started playing Hell In A Bucket. Good by me, I knew that song. But that was like a soundcheck for the crowd. The real DeadHead personalities came out on the next number - Iko Iko. Now that was a unique concert experience. In the course of the next 7 or 8 minutes, I GOT what all of the hoopla was about for this band. If ever a performance captured a band's soul and spirit and allowed it to be imbibed by the audience, it was Iko Iko at JFK, where the kids all danced and shaked their bones. Did I mention all of the beach balls? It was a sea of Tie-Dye and beach balls.

    Check out the contrast in crowd movement between Hell In A Bucket, the show opener, and Iko Iko, song #2

    Hell In A Bucket:
    https://www.youtube.com/watch?v=tkAzMiEUUQ8

    Iko Iko (crowd shots around 1:47, 2:10, and 3:02):
    https://www.youtube.com/watch?v=XMpaD-ktv7Q

    Highlights at the time include Blow Away, Standing on the Moon, Garcia's soloing during Scarlet Begonias (how did he produce that tone???), the crowd singing Fire On The Mountain, and of course the encore, which, by some strange twist of fate was the very song I was trying to track down from the Lethal Weapon movie. I turned to my cousin and exclaimed "holy shit! THIS is the song I was talking about from the movie!"

    "Oh!" he said, "This is an old Bob Dylan song - Knockin' On Heaven's Door."

    Amen.

  • bob t
    Joined:
    Anniversary shows that I was in attendance 4/11/88 and 4/11/89

    Got to say you know how you always secretly hope that the shows you attended will always be released, well I have to say these two I can wait for other shows to be released. I am a pretty positive person and would love to see a show tomorrow with the lineup that played at these shows. Not knocking these years because I saw the 3 Alpine shows from July 89 which were awesome, and the 88 Landover shows with Ripple... 4/11/89 Rosemont Horizon had a great Shakedown to open also. They were just the shows that you went to hoping to get that killer show. The Mecca shows from 4/15 and 4/16/89 were really good!! Maybe I am just trying to say in a round about way that there a lot of good shows that can still be released! Or maybe they used all the magic up on 4/11/72?? bob t

  • MDJim
    Joined:
    Awesome

    You guys (and hopefully gals) are awesome. Great posts.. great vibes.. plenty of energy and ideas on what to listen to next.

    Thank you.

  • 80sfan
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    keithfan

    thanks Keithfan - I was actually thinking of you the other day when I was listening to the Crimson White & Indigo release (7/7/89 I believe). You were there right? Must have been an awesome experience!

    1989 is full of so many amazing shows up and down the calendar. Wouldn't mind seeing a Dave's Picks from say, 10/19/89 (one of my favorite all time shows)

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An institution in American rock music, the Grateful Dead continue to surprise the ears with new arrangements and altered styles. If their playing continues with the force that was heard in San Bernardino, the spirit of the Dead will live on. - Sun Telegram

We are more than pleased to kick off this year's Dave's Picks series with the much requested and quite spirited complete performance from Swing Auditorium, San Bernardino, CA 2/26/77. The Swing ’77 show was a unique beast, unlike any others from this era: as the band’s first concert of the year, it bridged the gap between the new and re-emerging sound of the returning 1976 Grateful Dead and the precision excellence of the spring ’77 Dead. Debuting two of their most intricately crafted songs of the 1970s, “Terrapin Station” (to open, no less!) and “Estimated Prophet,” the Dead demonstrated right from the start of this new touring year that they were not going to be a nostalgia act; they were going to be as adventurous and ambitious as they were at any time in their career.

Join the adventure as they soar through tried and true ("Playing In The Band," "Tennessee Jed"), well-loved covers ("Mama Tried," "Samson and Delilah," "Dancing In the Street"), and epic new jams.

Rounded out with three songs from Santa Barbara, CA 2/27/77, this one was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman.

Dave's Picks Volume 29 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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...from the ‘Big Box’, “30 Trips around the Sun”
...An excellent selection for 1979.
Cape Cod Coliseum, South Yarmouth, MA 10/27/79!!! So ‘grateful’ for DaveL. Releasing this performance. Audio wise, it’s easly 5 stars if you know what I mean. Phil is a genius, Jerry is heavenly , Brent Mydland on Keyboards & vocals is just perfect in this Mix ; )
17 minute “franklins tower” beginning with “dancing in the streets!” at14minutes long. The second set is just a monstro/monster! ;)
I’m going to have to agree with David Lemieux, where this show is “perfecto”,
Dave L. Ends the CD notes that, “This,to me,is a flawless show. That is not to say that the Dead didn’t make mistakes, but when they did hit their stride—they really hit it! It was perfection.” Come home 1979!!! I love you. ;)

OCTOBER 27, 1979
last "Caution Jam": 10-22-78 [68]
Setlist
Jack Straw
Candyman
Me and My Uncle
Big River
Brown Eyed Women
Easy to Love You
New Minglewood Blues
Stagger Lee
Lost Sailor
Saint of Circumstance
Deal

Dancin' in the Streets
Franklin's Tower
He's Gone
Caution Jam
The Other One
drums
Not Fade Away
Black Peter
Around and Around

One More Saturday Night

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In reply to by Lovemygirl

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Thanks for the info about Dark Star being included in the Woodstock box set that came out for the 40th anniversary. I have just checked on Amazon, and there it is, 6 cds for £18.17- the equivalent of $24, including the track in question, as you say. This release had completely slipped under my radar. Seems like a real bargain-apart from the Hendrix and Airplane, I no longer have any of this music on vinyl or cd. The only quibble is....no Ten Years After! After Hendrix, that was the highlight of the original film for me. Still, it will be great to have the Dark Star, and to sift through all the other the pearls and pebbles.

Having a Bell’s Lampshade Party Ale.

https://untappd.com/b/bell-s-brewery-lampshade-party-ale/2931918

Listening to
12-01-73 Miller.112205
The Playing>UJB transition is very nice!

Woodstock
Last spring/summer somebody posted a link to the complete Woodstock FLAC download, unfortunately I don’t have the link.

I do have the 40th anniversary Director’s Cut on BluRay, maybe I’ll watch it on the anniversary.

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All you have to do is copy and paste the text in the address bar of whatever web site your article is on. By address I mean the part at the top of your browser window that says https://dead.net for instance. It's the same thing that you are doing already, except instead of copying and pasting the text in the article, you would be copy and pasting the website address. No new skills involved.

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I don't know a lot of soundboards extremely well, but I know that Playing => UJB => Playing like the back of my hand. You're absolutely right that is great stuff. Phil is up. Love the Brokedown Palace. My Uncle Gary got me that one, and he's just about the coolest cat you could hope to meet. Just pulled into my driveway and I'm going to put it on my headphones while I sit in my glider. Hopefully this one will get released someday.

Captcha fu-huck just nailed me for half a dozen. Is the pole part of the traffic light?!?

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Done with 12/1/73. On to DP 7. Started with Truckin' => The Wood Green Jam => Wharf Rat. This is all really really top shelf stuff. At least on headphones it is. I'm not usually into the long NFAs, but the one that they pull off here is out of this world - Keith & Jerry are putting on a funk clinic. Dark Star and Morning Dew still to come. I would love to hear this one and DP 31 remastered with the latest tools, including Plangent. If they could get these two sounding like the '74 shows from the Pacific Northwest box set....

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In reply to by KeithFan2112

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I have a lot to say about Dicks Picks 7, but I am simply too buzzed and had a big day.. not sure I could put it together coherently.

I think one of our own, SimonRob was there??? but could be wrong about that.

We were talking about 77 Morning Dew's yesterday, I might just like 74's a touch more. The DS>MDew from 9/10/74 is top shelf.

I love 1974 GD.

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In reply to by MDJim

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10/27/79.....Yes this is a great show but I can't believe how overlooked 10/28/79 is, also in Cape Cod. They picked up where they left off from the night before with a show starter of half step and then a FRANKLINS storming out of that. WHOA where did that come from. A rippin Althea and a great 79 version of Music Never Stopped. The second set is also thumping along with China/Rider...Samson..Ship of Fools ...Playin..Stella ...Sugar Mag and a nice send off with U.S. Blues. A Definite show to check out if you are into 1979 .....

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In reply to by MDJim

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I've just checked, and yes, this is the compilation from Ally Pally September 1974. In which case, I must say that I have recently listened to the second set from 9/11/74 , which wasn't included in the official release. One of the most incredible jams I have ever heard-Seastones, space jams, Eyes of the World - maybe as "out there" as the band ever got. I hadn't started travelling about seeing bands in 1974, and didn't know who The Dead were then. Even if I had-this music would have gone way over my Hawkwind fixated head.

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Gotta agree on the shout out to 12/1/73 - a fantastic late '73 show and especially that Playing > UJB > Playin'. The transition to UJB as noted is pretty special. I recall getting my grubs on this via a Grateful Dead hour back in the early '90s and being blown away by that transition as well as the start to UJB...Jerry just jams on the theme for several minutes which I had never heard before (and never really since as far as I can remember). There is also some fun/interesting banter going on during this show, as the fire marshall was getting all amped up because everyone was dancing in the aisles. They stop several times to coax the crowd back their seats, and even play a little diddy taboot.

https://archive.org/details/gd1973-12-01.sbd.miller.112205.flac16

Oh, and KeithFan....nearly blasphemous that you hadn't yet been turned on to the funky-'74 Not Fade Away's. Dick's Picks 7 notwithstanding. IMHO these are some of the coolest romps through this classic due to said funk as well as some differing approaches to transitions into subsequent songs. And they are usually a bit longer than the earlier versions. I'd say the Portland PNW show from '74 is a perfect example of this.

Funk.
It makes Everything Better.

Sixtus

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Indeed I was present at one night of the '74 Ally Pally run. It was excellent, but I was unable to appreciate Seastones, possibly due to the copious and excessive quantities of space cake I consumed during the first set. Got so hopelessly lost trying to get home that I ended up spending the night in a airport lounge. Really.

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...a grateful Wednesday to everyone! The Sun is Shining brightly here Today, I hope everyone else is enjoying some Sunshine on this day in March...
...your welcome ‘Kevinbrandon’, I have to concur with you on 10/28/79 being a Primo example of how beautiful 1979 was in DeadLand...🙏❤️😎
What an amazing run /tour in 1979...
...’Woodstock 40th Anniversary Boxset’ is a great release. Believe it or not I listen to it on days when I’m thinking of what I want to play next😉
Audio is excellent ! Also includes a great booklet inside/included with the boxset. I heard it’s available on Amazon for $24 dollars which is an amazing price! I paid a lot more when it was first released in 2009! Lol ha ha but it was well worth the price at the time. Primo Audio in my book!
They did an amazing job on that boxset...🤠
Keithfan I to have to concur with your views on Dicks Pick #31 August 4th - 6th, 1974. Just days after Jerry Garcia’s Birthday the band had this great run in 1974, primo stuff. I believe but might be wrong, my memory, we are missing about 25-27 songs not included/released in the Dicks Picks #31... still a great Pick in the series, thanks Keithfan. And also thanks for the tips “Trainwrecked” ; )
It got me too! Lol The first time it happened to me, I was asked if I was a robot...and a photograph came up of a traffic light. I was waiting for a while for it to turn green lol ha ha 😂...
...and 12/1/73 ‘Playing>UJB>Playing’ is a beauty!
And i can’t recall if I have heard 9/11/74, sounds interesting. Thanks again Daverock. 🙏
...late this morning I decided to listen to the Grateful Dead’s performance on May 16th, 1981!
Cornell university, Ithaca NY a another Amazing release from ‘The Big Box / 30 Trips Around the Sun’! Both the first & second sets are primo.
‘Shakedown Street’ starting off with the second set is great. 🤠 it’s a shame the vault doesn’t have the end of this show, starting after Trucking, During production an audience tape was used to include/complete the Dead’s performance that day. 🙏❤️😎
Peace be with you all on this grateful Wednesday my brothers & sisters! Rock on 🙏❤️😎

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My surprise show from the box, the 93 show's anniversary is today.

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Catching up on 03/26/90 Knickerbocker today....Monster set list with a second set run that goes: Dew, Brokedown, LTGTR> HELP>Slip>Frank....

Just starting to Roll Away That Dew now.....pretty damn phenomenal.....but earlier in this show, I must say that Brent shines brightly! Perhaps one of the best versions of Blow Away.....I would bet so!

Also listened to the 30TATS 93 show a couple days ago...fine show also from Knickerbocker which includes a mighty fine Comes A Time....aren't they all mighty fine? Any blind man could certainly see!

Simon Rob....darn it.....my carpet rides were not running back then, otherwise you could have caught a flight home from that blue-light, cheap airport :-)

Peace all,

KCJ

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Chuck Berry - Definitive Collection, lots of good stuff. Carol and Nadine always smoke. Nadine, honey is that you...
Steve Miller Band - Book of Dreams. Saw the album cover, along with some others, on big squared blotter in the '80s. Good stuff. The album and the blotter.
GD - Rotterdam 5/11/72, saw all the talk on here about this show recently and figured it would be good to hear again. That Dark Star is more melodic than I recall, I must have confused it with one of the more chaotic E'72 Dark Stars. The Rotterdam and Amsterdam shows from E'72 were the first individual shows I picked up, back when I thought I would just get couple. Then I thought why not a couple more? Ultimately I picked them all up, including replacing my Hundred Year Hall cd with the full show and my Rockin' theRheine with the show in the correct order.
GD - DP 11 9/27/72. I was going to continue running through some more E'72 shows, but then it occurred to me that I wasn't going to hear a Birdsong that way, and DP11 was the first thing I came across with a Birdsong.
GD - DP 23 9/17/72, seemed like another '72 show with a Birdsong would be a good idea, so DP 23 it was. The clarity of the recording by Owsley on that one is amazing, and the show smokes.
Currently spinning Deep Purple - Machine Head for a little variation. Been digging the comments lately, things seem to be percolating nicely. More than I dig looking out the window and seeing more snow falling, which is the other thing I just did.

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Just thought a completely off-topic post would be apropos....

Original ABB lineup, January 1971 -- two months before Live at FE -- is set to drop later this year. Apparently, they played 3 shows, opening for electric Hot Tuna, and a 4-CD box is forthcoming.

The two-track soundboard reel is said to be well-balanced and well worth the listen.

RIP Duane, Gregg, Butch, Berry.

Oh, that's right.. I forgot about the overnight at the airport part.

I was awestruck that you made part of this legendary run, but I can see setting up an emergency bivouac at the airport is the part that stands out all these years later. What an incredible story!

Thanks for the tip Hendrixafficianado
:)

RSD2019 list said that a vinyl version of Bear’s Sonic Journal would be released.
I already have the CD and the 24/196 FLAC download. I probably need the vinyl too...

listening to it the other day on the way home, I was like, "wow".

10/2/80 also has a trainwrecked Stella Blue, followed by a superb, stompin' Sugar Magnolia. what a contrast.

I sure do love the GD.

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In reply to by Thats_Otis

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When my significant other comes home from a hard day.. she won't even let me play the Dead (well, at least loud). I'm envious, and thank god for headphones and (almost) legal weed.

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I’m with you Jim....after a hard days work or any days work for that matter, my wife does not want GOGD playing...especially loud! I am either on head phones, walking the dog (or both), or pushed to my upstairs man cave, and then inevitably she says “are you going to be up there all night” (sometimes she throws in an “again” at the end of that statement, if she is upset with me)”

NO HONEY!!! (not all night, just until the end of this show)...

she probably deserves a medal or something for staying with me this long!

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And a teensy bowl. Charlie I rarely post anymore but usually read everything. I saw your post on 5/11/72 and laughed. I'll tell you why. I also read the comments on Rotterdam and played the show. but then I thought the exact opposite as you, I thought Gee, that Dark Star is less melodic than I remembered. Funny right?

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I see that amazon are already advertising this with a June the 7th release but no track details yet .

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Correction , on the delux version they have songs from the Avalon on the 24/25&26 of January 69

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In reply to by perithecat

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Yes, thanks, I have just checked it out on Amazon, too. Nice to see both the original and the remixed versions being included. Like with Anthem, the original version always stuck me as being the most impressive. The live songs on the bonus disc look as they have been thrown together a bit- a compilation from 3 nights, 24/26 January 1969. Nice that Clementine is included. Looking in Deadbase, it seems that The Eleven and Lovelight from this run were the ones featured on Live Dead. Dark Star is conspicuously absent from the bonus disc. Maybe they wanted to compile a cd that reflects the era, but which bears no resemblance to Live Dead. Which, for better or worse, they have done.

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9 years 8 months
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What is everyone's thoughts if they will issue a 50th for this one as well, with bonus material?

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13 years 1 month

In reply to by NCDead

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Looks like most of the bonus disc is from 1/25…'Cosmic Charlie' on the 2001/2003 reissue is also from 1/25 for those interested...

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9 years 9 months
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I am not sure what made me think I could drink IPAs like a seasoned alcoholic but that sure is what I did last night. Sorry for the obnoxious ending to my post. It's gone now.

I liked the full show release bonus discs from the debut and Anthem but that can't go on forever with just one bonus disc. From what peri said the anniversary Aoxo release will feature material from multiple dates. Maybe Dave will use the anniversary releases as an opportunity to release footage from shows with missing reels.

Bird Song Veneta 8/27/72 or Bird Song PNE 6/22/73?

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So as mentioned earlier post, there is the Aoxomoa 1969 deluxe release, then DaP #30 is 1970 with a 1970 bonus disc.....when is enough enough for 1970s releases!?!? DaP #29 was great, 2/26/77 is one show everyone has wanted as long as 5/8/77- if for novelty value if nothing else. BUT, its just time for a BOX SET from the 1980s- probably SUMMER 1989(my guess is 7/17-19/89). I mean how many releases including the BOX SETs can we have from: 1970, 1972, 1974, 1977, and 1978 already??? It's just time to move into what I consider the prime years: 1979-1991....can't wait to hear deets of the 1981 or 1989 BOX SET

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My wife is fine with GD music - it's GD singing that kills it for her - LOL !!
She just doesn't get it - the GD sing pretty good.......right ??

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6 years 7 months
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Just got the official dead net e.mail .
Cheaper for us limeys to buy it on amazon though . 😸😸😸

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9 years 3 months
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LoveJerry, that is funny. I have the 5/4/72 Paris show spinning now because I thought maybe that is the one with the more chaotic Dark Star that I was thinking of, but now I am gonna have to go back to the 5/11 Dark Star again and see if it still sounds melodic or if I just spaced out during the chaos. Also, there is a certain amount of chaos in most Dark Stars, it is the contrast of the melodic portions and the chaos that makes the song what it is, so it in my mind it is really a question of which portion seems to stand out more on any given Dark Star, if that makes sense to any one other than me. It always struck me as following a similar pattern to tripping, with the contrast of calm and chaos shifting and stabilizing then shifting again, often in ways you didn't anticipate.

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A friend of mine owns a head shop (yes and I work in one), one of the things they sell in his store is sheets of blotter art. He gave me a sheet with Jerry on it. I will be using this pic for a short while :-) He had a small photo album with sheets of blotter art, one was all the Dead albums covers, steal your faces, can't remember what else, but a shit load of "dead" art. He pointed out they were all signed by Ken Kesey!!!! I'm like how the fuck did you get blotter art designed, printed and autographed by KEN KESEY??? He's like, "yeah, it's ken kesey,,,,,,,,,,,, ken kesey JR! I gathered Jr has a business selling blotter art. He said 20 bucks a sheet online. I have not looked into where, how and if.

Thought I'd share.

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FYI stuff,,,,, I just ordered a load of Firesign Theater. If you know who they are I need say no more. If you don't,,,, you're too god damn young :-)

If any interest out there, hit me up with PM

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9 years 3 months
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I stumbled across the newer blotter art stuff from Zane Kesey a couple of years ago, kind of interesting. Perhaps even more interesting is the Blotter Barn site which features images from Mark McCloud's "Institute of Illegal Images", vintage blotter designs from sheets that circulated. If you have never heard of Mark McCloud or his legal battles, check it out, it is a pretty fascinating story. The images on the Blotter Barn site include a number that I recognized as identical to designs that I had come across in the '80's as markings on blotter that had definitely been dipped, a virtual trip down memory lane.

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In reply to by Charlie3

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I checked this out a while back too.. very cool..

Ok.. so now I have some blotter paper, all we need is the secret recipe for acid, some beakers and Bunsen Burners and we should be good to go. What could possibly go wrong?

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Yes of course....I can contribute. I purchased the 2018 Bicycle Day Print as my avatar now displays. To my surprise it came with 900 potential hits of acid that looked just like the print. I have the print framed but the potential acid hits are a big book mark in my Dead Base 50, and that makes me sad :-( .........

I recently asked a friend to send me a liquid vial of white lightning, but all I got was an external drive full of 3 hour concerts labeled GD.....WTF??? Did he not understand? Maybe some hidden messages in those FLAC files....

And to the "Powers That Be".....we have now figured out how to post pictures on Dead.net....only a matter of time until my compadres have tunneled into the vault, and then what will you do???

Oh and ...the picture is the blotter, not the print!

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10 years 3 months
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Cranking In-A-Gadda-Da-Vida at the moment, the full 17 minute version (3 minute radio edit, cmon). Love the Mosrite fuzz and the organ, not to mention the drum solo. Not exactly the sound of thick air, but it works. Reminds me of Home Improvement...

The next year, but glad to see the Ox-oh-mox-oh-ah announcement. As with the previous two releases, I'm sure the live release will be the best part here.

Enjoying the Eel; speaking of organ, sounds like Melvin Seals stole the church organ for the '91 show Deal to close the first set.

Reminds me back in 2006, not long after I first got 'serious about music' and into Dylan in college, we went back up to Hibbing for the Dylan Days celebration, which at that time was in it's peak. That year, they had the Blood on the Tracks band playing the headlining show, that was the band that played on the Minneapolis sessions of the album.

They performed in the Hibbing High School Auditorium (where Dylan got the curtain pulled on him for singing Little Richard, and my parents attended a decade later) and before Idiot Wind, the keyboardist Gregg Inhofer told the anecdote how they had to 'borrow' the organ from the local funeral home. "Hope they don't need it tonight." :D

Anyways, dig the Eel. I've also had I'll Take A Melody and Waiting For A Miracle in my head all week (not Leonard Cohen, though that's good too).

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In reply to by muleskinner_blues

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....agreed muleskinner. His sound during that show is like nothing I've heard from him before. My favorite show from the box. I haven't removed it from my carasol since I plopped it in.
....the AOXOMOXOA news is grate! We all get a brand spankin' new Alligator and a Caution. Blotter level stuff.
Did the math, and realized I'm older now than Jerry was in '91. Wow.
C'est La Vie....https://youtu.be/thkqtpjjIIg
.... yummy.
Hornsby killing it y'all. Where is that Bruce/Vince release Dave? Fuck man.

Accordingly.. knowing the math.. if I was jerry, I would look like I was 75 and a week from now I would be dead.. exactly.. wait for it.. a week from now. In truth, I am old and grey, but still feel healthy and young.

So sad, like a red giant, his flame burned bright, he lived his life, and then.. (not so unexpectedly) it was over. Actually.. like a slow moving car crash I did not expect it.

Still.. he left so much for so many. I love the GD, all so talented.. but with JG, it would have never been. I'm so thankful for what they left us with.
Hope that's ok to say, no negative vibes intended.

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