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    heatherlew
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    May 1977: Get Shown The Light (All Music Edition)

    WHAT'S INSIDE:
    Four Complete Shows on 11 discs
    Four folios housed in a slipcase
    5/5/77 Veterans Memorial Coliseum: New Haven, CT
    5/7/77 Boston Garden: Boston, MA
    5/8/77 Barton Hall, Cornell University: Ithaca, NY
    5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
    50-page book of liners and photographs
    Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
    Mastered in HDCD by Jeffrey Norman
    Artwork by Grammy-winning graphic artist Masaki Koike
    Release Date: May 5, 2017

    WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

    NEW HAVEN 5/5/77
    "Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

    BOSTON 5/7/77
    “The music they laid down brought me places I had not been before.”

    CORNELL 5/8/77
    “...the single best rock performance anywhere, anytime, by anyone.”

    “There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

    "This show is, was, and always will be Mecca.”

    BUFFALO 5/9/77
    "...an awesome display of the Dead’s captivating power"

    If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

    MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

    The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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  • alvarhanso
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    Re: Best sounding release
    With so many superior official releases, this is a tough call. Dave's 10th Pick Thelma and the bonus disc are very high on my list. I think Bear captured the sound of being in that tiny club. You can almost hear the dimensions of that room, and picture a high old wooden stage and overhanging balconies on the stage left and right. I have no idea what the room actually looked like, but that tape creates that image for me. Sunshine Daydream is a fantastic recording that we are extremely lucky survived in that heat, and with everyone in such a crazed state, it's amazing somebody remembered to hit record at all. The Fillmore West 69 recordings are great, but I bet a Plangent transfer and remix by Norman would yield even greater results. Shrine 67 is clearly the best recording of that year, and just may be the best recording released. Get Shown the Light has fantastic sound, especially Cornell which I already knew note for note on what I thought was a fantastic mix, this one is better. The definition of Phil's bass, especially the whole notes that reverberate through any speakers I've tried, is just tremendous. I never thought of his May 77 sound being anywhere close to the 76 sound, yet, now, in this box, I think that is exactly the tone I hear. Dave's 21 is an incredible recording as well. Rex had big ears just like Betty. The clarity through dynamic changes is hard to believe was captured on the fly in 1973. Europe 72 and Spring 90 TOO also have impeccable sound, which one would expect from multitrack sources, as was the case with Shrine 67 and FW 69. No way I could attempt ranking these without having to do a massive test listen. Hopefully, some nice Barney Stinson will come along to shout "Challenge accepted!" I wish Wall of Sound shows were captured in a way that could truly reproduce their insane sound system accurately. So many great shows that year, so many mediocre tapes, mainly due to the vocals, which can't be helped in a 2 track format.
  • jimbo55
    Joined:
    Get Shown the Light
    Just received Get Shown the Light Box Set..listening as I type this...4 shows...incredible packaging...Betty Board Recordings...IT DOES NOT GET ANY BETTER...Order this if there are any left...as close to being there as it gets...one of my favorite dead periods (my fav was with pig). Cheers...
  • Vguy72
    Joined:
    Box sex....
    ....you said it SanAnselmoSmith, not me. Although, my ears orgasm during every song, if that counts....I need a cigarette. I was born on May 21st, 1968 (I accept cool presents btw). By my math, I was conceived in Aug '67. The Summer of Love. Mom and Dad were on point....
  • David Duryea
    Joined:
    @SanAnselmoSmith
    "this box sex artwork blows my mind! I love the creativity" Damn! I must have gotten a G-Rated one.
  • SPACEBROTHER
    Joined:
    Don't know whether to call you youngsters or geezers....
    I got you guys beat by a year. Born in '67. Lots of iconic albums came out in my birth year. Still "baking in the oven" during the Summer of love so to speak.
  • friscokid77
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    Joined:
    digital art
    Yes, that is a great question! Any chance on some high res art?
  • MarinSmith
    Joined:
    GSTL artwork random thoughts
    Cheers to David, Rhino and the artist(s) -I'll be savoring these fine 4 shows for a long while! These long sets need deadicated time to really enjoy and work is getting in my way (have given New Haven the time and LOVE IT! Keith where you been?!! And great to hear Bob up in the mix, and of course Jerry and Phil do what they do best and Bill the drummer is his usual SOLID, add Mickey Hart to bring some thunder!!) but what I can say is this box sex artwork blows my mind! I love the creativity. So...."we call it GSTL, the sun is in the middle of the disk, rays emanating out from that music, work in some cool psychedelic graphics...yeah" You guys nailed it. Reminds me of the work done on the Physical Graffiti record cover...let's bring up...the zipper on Sticky Fingers Also want to say how jacked up excited I have been over the "new" Dead coming in the mail this year. Love DaP 21 & 22! We are so lucky. As a long time Sons of Champlin fan also, there is no comparison of this to their recent Live in San Rafael 1975 or Commander Cody and his LPA - we have one "new" live album just out...of course there are a lot of reasons for this...just wish Rhino would give those two the "royal treatment" also - but the Grateful Dead truly deserve it and how lucky we are !! Keep up the great work! Rock on - LoVe and PEaCe !
  • dkast85
    Joined:
    Digital Artwork for this box?
    The July 78 box last year had the digital artwork available in high-res on dead.net. Wondering if the same sort of thing will appear for this box set on dead.net.
  • Vguy72
    Joined:
    1968 is my birth year as well...
    ....and this recording doesn't sound as old as I feel sometimes...
  • LedDed
    Joined:
    1968
    It counts for a hell of a lot here, brother, as that was my birth year. You know, I can kind of tell the vintage of mystery live Dead from how the percussion sounds. In the beginning, it was tinny and thin. But so was everybody - even the Cream records sound dated. Production-wise, that is - Cream is fucking timeless. As the 70s rolled on, Kreutzmann's kick drum in particular started to fill up more sonic space. While supreme, the July 1978 box is a little woofy in the bass drum department, to me. Phil as well. Christ, as much as I want him prominent in the mix his bass bombs will blow your car speakers all to hell. Two From The Vault is an amazing, wonderful set. Agreed on all counts. Suffers from 1968 technology, which hinders it's induction into my best- sounding ever but stands strong in the soulful department. \m/
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May 1977: Get Shown The Light (All Music Edition)

WHAT'S INSIDE:
Four Complete Shows on 11 discs
Four folios housed in a slipcase
5/5/77 Veterans Memorial Coliseum: New Haven, CT
5/7/77 Boston Garden: Boston, MA
5/8/77 Barton Hall, Cornell University: Ithaca, NY
5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
50-page book of liners and photographs
Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
Mastered in HDCD by Jeffrey Norman
Artwork by Grammy-winning graphic artist Masaki Koike
Release Date: May 5, 2017

WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

NEW HAVEN 5/5/77
"Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

BOSTON 5/7/77
“The music they laid down brought me places I had not been before.”

CORNELL 5/8/77
“...the single best rock performance anywhere, anytime, by anyone.”

“There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

"This show is, was, and always will be Mecca.”

BUFFALO 5/9/77
"...an awesome display of the Dead’s captivating power"

If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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i've seen two of your posts in one weekcomplaining about someone's negative comments-guess what, when someone has an opinion that is not aligned with your thoughts,even if it's about someone setting a price for something they selling or the band is slop before pigpen.its gonna be negative.it's their prerogative to say it's not worth it or no thanks.i think it's your emotional immaturity to anything negative or something you don't agree with.you could have left it to-"that's your opinion and i don't agree."instead you feel it's necessary to put someone down.earth without rain is a desert.
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Hi all, A technical issue I'm hoping to resolve: Recently ordered this set, promptly downloaded the CDs to my iTunes collection. Getting 1-2 second pauses between most of the tracks which disturbs the flow of the music. Does anyone know what might be causing this, and how to fix it? Gareth
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It’s most likely caused by a setting in iTunes. Go into the iTunes preferences and see what is listed for import settings, as well as for playback settings.If you still can’t fix it then google it, there should be instructions somewhere.
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To icecrmcnkd, Thank you for your reply, much appreciated! If I may, I'd like to followup with a second question: it was only a year ago that I first discovered the Grateful Dead, and I'd love to hear recommendations from older fans about which live albums to listen to next? Thanks again, Gareth
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You know, Gareth, it really comes down to what you like about the Dead... When I put in the Dead, I rarely want to listen to songs, so to speak. I tend to go for the long, inspired jams. For this, I would suggest the Winterland 1973 boxed set as No. 1, so far... though in general, shows from the 1973-1974 will be your best bet for this... That said, there are gems of shows throughout the years, though I've never personally been impressed by anything later than 1977. May 1977: Get Shown the Light (All Music Edition) is a great collection from this year. I also really love One from the Vault, Sunshine Daydream, & Dick's Picks, Vol. 14... The Grateful Dead Movie Soundtrack is an all-too-looked-over gem, too. Finally, if you can afford it, I'd recommend getting a copy of the Pacific NW '73-'74 boxed set while it's still available on this site. When these sell out on dead.net, they price-inflate like crazy to 2x their original cost or more.
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Get Shown the Light, the box with the book, was limited to 15,000 copies, I read somewhere.But I can’t find anything on the All Music Edition that’s still available. Can somebody tell me how many of those were printed?
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So, I'm totally showing my newbie-ness, but when the formats are digital, which is the best to download? I'm thinking about uploading to iphone for maximum bluetoothing. Also, is the first selection a CD collection of the four shows? I didn't see it listed behind the All Music Edition, so I figured it must be sold out.

16/44.1 is CD format, so you could convert to WAV or AIFF on a computer and burn CDs if you wanted to, as well as have the digital file on a music player.

The higher resolution files are for a computer or music player. If you wanted to burn CDs from those files you would lose the higher resolution that you paid more for.

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First time I've ever seen R.I.P. included in the name of a firm pushing you to go on holiday ! Maybe its a plug for euthanasia.

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they thought they were going for dead people as a marketing niche. Dead heads, dead people, I'm so confused... Anyway, they're gone for the moment.
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Hi there,

I downloaded the ALAC of this digital download but when I import into iTunes it is not recognizing the artist or songs and not creating an album. For the same ALAC download for Pacific Northwest ’73-’74: The Complete Recordings Boxed Set it worked perfectly in iTunes. Why does this download now import correctly? Thanks if anyone knows or can help.

You should ask on the Dave's Picks 30 thread…there's more people on there and very few if any on here…hope it helps.

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Since they sold out of the regular box set with all the bells and whistles, and had a huge demand, Dead.Net is selling an All Music Edition that "...only includes the 11 CDs in four folios and a booklet of liners, housed in a simple slipcase."

So, still the four shows, just without the special packaging and the unpublished book. This time, the order went through. Nothing on the website about this also being a limited release -- it's not numbered, but they don't specify if it's another set amount.

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Hello,
I've purchased the fantastic Lyceum LPs more than a month ago and still nothing arrived.
I've searched for the tracking number done by the GD store on the DHL site but nothing appears.
I've yet written to the customer helpdesk, but I'm curious if somebody encountered my same problem.
Thanks a lot,
Fabianope

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Fabian, send me a PM and I'll see if the Doc can shed some light here.

Just to state the obvious, they are indeed fantastic records. I am half way through 5/25/72 at the moment - one that no-one really mentions. Probably because of the night after, which is a shame as it's a great show in it's own right. Curious "Good Lovin" - 14min 53 seconds, and no Pigpen rap - he just sings the opening the verses and the closing ones some 12 minutes later. In between we have spot on r'n'b jamming like no-one else.

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