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    heatherlew
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    May 1977: Get Shown The Light (All Music Edition)

    WHAT'S INSIDE:
    Four Complete Shows on 11 discs
    Four folios housed in a slipcase
    5/5/77 Veterans Memorial Coliseum: New Haven, CT
    5/7/77 Boston Garden: Boston, MA
    5/8/77 Barton Hall, Cornell University: Ithaca, NY
    5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
    50-page book of liners and photographs
    Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
    Mastered in HDCD by Jeffrey Norman
    Artwork by Grammy-winning graphic artist Masaki Koike
    Release Date: May 5, 2017

    WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

    NEW HAVEN 5/5/77
    "Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

    BOSTON 5/7/77
    “The music they laid down brought me places I had not been before.”

    CORNELL 5/8/77
    “...the single best rock performance anywhere, anytime, by anyone.”

    “There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

    "This show is, was, and always will be Mecca.”

    BUFFALO 5/9/77
    "...an awesome display of the Dead’s captivating power"

    If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

    MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

    The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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  • August West Wh…
    Joined:
    My issues w/ this box - point by point - then I will shut up
    1)I TRIED EVERY DAY since THU TO ORDER ONLINE AND 'I COULD NOT GET ACROSS'. I TRIED 5x ON SAT THROUGH RHINO W/ 4 CARDS AND PAYPAL, TOOK ME TO THE LAST STAGE EVERY TIME AND THEN "THIS FORM OF PAYMENT INVALID.' I HAD FAITH AND KEPT TRYING EVERY DAY. SO I FINALLY CALL TO MAKE SURE I GET ONE MON MORN AND ... SOLD OUT!!!!! SO BUMPY THAT I ALMOST CRIED!!!! I GUESS 'IT'S NOBODY'S FAULT BUT MINE'! SINCE I COULD NOT CALL THE ORDER IN (FOR FAMILY REASONS) EARLIER, BUT SHOULD HAVE CALLED INSTEAD OF AIMLESSLY REORDERING ONLINE OVER AND OVER LIKE AN IDIOT. 2)I find out today that there was a 20 copy limit! WTF! Really? Now I know it is a shell game. Who needs 20 copies? I wanted 2 OR MAYBE 3 copies (1 for me, 1 for my brother, and maybe one for any buddy who could not get one ... to be sold to said buddy for what I paid or traded for goodies.) Now 1 limited ed copy would be 'a miracle' for me. THIS IS WHY COPIES WERE ALREADY BEING SOLD for $300 ON EBAY. I got the email and had faith that they would fix the credit card problem and followed all links and instructions. STILL GOT LEFT OUT. Slap in the face to tried and true like me. 3) THIS 15,000 LIMITED ED CRAP IS UNFAIR. give us 20,000 or 25,000. Rhino/GDP knew 15 thousand copies would go fast and had the 'All music ed' ready to go... tease you w/ the organic carrot and when there are none left, sell you a conventional carrot FOR THE SAME EXACT PRICE!!!! IT COSTS WAY LESS FOR THEM TO PRODUCE AND THEREFORE PROFIT FOR THEM GOES WAY UP --- SMART BUSINESS, BUT BAD BUSINESS - LEFT ME W/ BAD TASTE - (A LA TATS BOX V USB - USB WAS SAME PRICE W/ LESS STUFF, AT LEAST THAT WAS ANNOUNCED TOGETHER!!) The horns of my dilemma now are to have to pay the same price for less and no book and no juicy limited ED feeling all b/c their credit card site would not let me through. 'I tried, I tried' with my 'crazy fingers' on the keyboard all over and over 4)They gave me a ticket # Mon morning in case a copy were to pop up, so now I pray that people on the forum who say they canceled their lim ed # order really did do that -- so now by default of the AME version I may get lucky w/ a # copy... HERE I AM, BEGGING FOR SCRAPS AT A PREMIUM PRICE 5) AME is good b/c it may bring down Ebay price on limited ed copies and maybe I can get one if my 'ticket #' gets me nothing. (unlike FW69, which I paid $350 for on ebay, opened, clean 'promo' copy, w/ bonus disc... will never sell it, but original price was like $80?, missed the window and paid big time, having flashbacks now) 6) Apparent deceptive business practices by GDP/Rhino - if it can be proven that this was all planned beforehand... bad bad bad - I don't care about resale value of the lim ed box, just that I get one! If they did this and put customers through this all to make more $, shame on them. 7)Ebay resellers are doing what they do ... shame on them, but I am glad they exist b/c 'down the line' I may get lucky and pick off one w/ scuffs or dents, etc for decent price. W/o them I would be really up the creek in a 'paper canoe.' (Does a paddle come w/ than box set?) In sum, I am not pissed at ebay or even at the AME version announcement, just at GDP/R practices. (Ebay sellers got jammed anyway on devalue via the AME announcement, hee hee hee.) HOWEVER I AM FURIOUS THAT 'THIS SPACE IS GETTING HOT' DUE TO: a) GDP/R flubbed the order checkout process like rookies (they could have staggered it to give people on their EMAIL list an email a day before to pre-order 1-2 COPIES before the public presale) that would have lessened site traffic on release day b) GDP/R was not up front about the AME version coming out c) GDP/R are charging the same price for the AME now that box is gone (a la E72 AME)and couching it in a 'so everyone can get one' BS pitch... We aren't stupid DAVE! d) Ordered the 5LP and CD versions of Cornell in despair when I finally called in ... I was planning on buying LP and box, so they got me there too bc at that time AME was not yet announced, extra $30 I spent on nothing. I may cancel that now. Therefore: I AM DISGUSTED W/ DEAD.NET AND RHINO RIGHT NOW and FEEL LIKE A STRANGER EVEN THOUGH I HAVE SPENT THOUSANDS OVER THE YEARS ON MUSIC AND GEAR AT DEAD.NET.! I MAY JUST BOYCOTT THEM COMPLETELY AFTER THIS FIASCO,THEY MAY HAVE JUST LOST MY BUSINESS FOREVER --- UNLESS MY TICKET # GETS ME A BOX THAT IS :).......... GOOD JOB GDP/R - I AM OFF TO ARCHIVE NOW, HOPE IT WAS WORTH IT!
  • Mytime
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    Joined:
    next token 80s release ought to be 12/5/81
    not only are there more releases catered to you bickering 70s fans, poor 80s fans have to come on here and listen to extensive whining about all yer vast pre-80s luxuries and varieties of such. that said, i pity the poor fool that deliberately chose to opt out of this year's dave's subscription with all the advance notice of the first two.
  • Mr. Jack Straw
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    Joined:
    Dr. Shakedown
    If you're really concerned about your young girls and their future, I would suggest spending 150 on an actual investment. Safe stocks, bonds, etc. There's other options for you to make a future for your kids, that DON'T involve taking advantage of a limited release that prevents Deadheads from hearing their favorite band. It's not your fault that Rhino made the set limited, that was folly. But it is really off-putting to hope your kids can make $100 bucks in 40 years at the expense of a Deadhead experiencing these shows.
  • JeremyF
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    Joined:
    all good
    who cares that they released it in another version? I'll still listen to the music the same way. Maybe for collectors who want everything factory sealed, i could see the annoyance, but I'm the kind of guy who played with his star wars figures instead of leaving on the shelf, so I can't really relate. music is meant to be heard, not kept in a vault (and isn't that why everyone's busting a nut over this release in the first place?). AND, for those who bought early, you get a book as a bonus. Not enough for you? Sometimes, life throws you a curveball. hang tough, you will be ok!
  • payingdues
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    Joined:
    Trade
    August, I will trade ya, if you could help me fill some holes in my Dicks picks collection!
  • drshakedown74
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    Joined:
    jackstraw
    my point was i hope my kids get the 150 bucks back some day if they decide they dont like the music, or dont want the sentimental value of my dead stuff. i have a 5 and 3 year old girls, so when i spend 150 bucks, i think of them now....not just me. bend your books, whatever. i go thru all my stuff without resale on my mind.....some of us like the books and junk. ***my 5 year old daughter uses the 30 trips box for her play jewelry and other toys. she loves the hidden compartments.
  • Mr. Jack Straw
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    Joined:
    Why would I ?
    Why would I give scalpers my box set? You'll flip it on Ebay all the same. No thanks, I'll open it, bend the pages as I flip through the book, and probably scuff up the sides by accident at some point. But most importantly, I'll listen to it, over and over again. Your comparison to stocks is so insane it boggles the mind. The actual point of stocks is to profit; you get a return on your investment at a later date. Are you suggesting that the whole point of your purchase at dead.net is to profit and make some cash? Your own argument exposes your motives. I agree with brian, Ebay is not inherently the devil. I've gotten a few releases that way. It's also not evil to sell things there at a profit; this is America after all. All I'm saying, is that I have zero sympathy for those whose motivation to purchase a limited box is to make a buck. You didn't make this music, you didn't remaster it, you didn't design the artwork or write the liner notes. Yet, you feel you are entitled to make some cash because you check your email more frequently than someone else? No, you're not a "smart consumer", you're a leech.
  • drshakedown74
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    Joined:
    JACK STRAW!!!!
    Youve got a taker!!! August West Wharf Rat just saved you from having all that extra baggage! Peace
  • August West Wh…
    Joined:
    hey now Jack Straw - wanna trade?
    Since you paid for the music only and I just love the little extras, book, etc - How about we trade? I send you my all music ed. (that apparently is the same price as yours) and you send me your fancy numbered one so that I can drool over it as I listen to Jer melt my face off?Awesome!
  • drshakedown74
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    Joined:
    Mr Jack Straw
    if all you care about is the music you will kindly SWITCH with the first person on here to comment they would prefer the numbered version. please dont say what you dont mean, or take Dead.net challenge and offer yours up for trade. i dont believe you at all. *** i purchase a lot of stuff via dead.net, and my family is pretty understanding. some people buy stocks and bonds or antiques....i buy dead stuff, its nice knowing that my kids could get what i paid or a little more someday if they were in a pinch. so although i dont buy to resell, i do have an interest in what my stuff might be worth someday
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May 1977: Get Shown The Light (All Music Edition)

WHAT'S INSIDE:
Four Complete Shows on 11 discs
Four folios housed in a slipcase
5/5/77 Veterans Memorial Coliseum: New Haven, CT
5/7/77 Boston Garden: Boston, MA
5/8/77 Barton Hall, Cornell University: Ithaca, NY
5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
50-page book of liners and photographs
Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
Mastered in HDCD by Jeffrey Norman
Artwork by Grammy-winning graphic artist Masaki Koike
Release Date: May 5, 2017

WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

NEW HAVEN 5/5/77
"Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

BOSTON 5/7/77
“The music they laid down brought me places I had not been before.”

CORNELL 5/8/77
“...the single best rock performance anywhere, anytime, by anyone.”

“There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

"This show is, was, and always will be Mecca.”

BUFFALO 5/9/77
"...an awesome display of the Dead’s captivating power"

If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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i've seen two of your posts in one weekcomplaining about someone's negative comments-guess what, when someone has an opinion that is not aligned with your thoughts,even if it's about someone setting a price for something they selling or the band is slop before pigpen.its gonna be negative.it's their prerogative to say it's not worth it or no thanks.i think it's your emotional immaturity to anything negative or something you don't agree with.you could have left it to-"that's your opinion and i don't agree."instead you feel it's necessary to put someone down.earth without rain is a desert.
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Hi all, A technical issue I'm hoping to resolve: Recently ordered this set, promptly downloaded the CDs to my iTunes collection. Getting 1-2 second pauses between most of the tracks which disturbs the flow of the music. Does anyone know what might be causing this, and how to fix it? Gareth
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It’s most likely caused by a setting in iTunes. Go into the iTunes preferences and see what is listed for import settings, as well as for playback settings.If you still can’t fix it then google it, there should be instructions somewhere.
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To icecrmcnkd, Thank you for your reply, much appreciated! If I may, I'd like to followup with a second question: it was only a year ago that I first discovered the Grateful Dead, and I'd love to hear recommendations from older fans about which live albums to listen to next? Thanks again, Gareth
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You know, Gareth, it really comes down to what you like about the Dead... When I put in the Dead, I rarely want to listen to songs, so to speak. I tend to go for the long, inspired jams. For this, I would suggest the Winterland 1973 boxed set as No. 1, so far... though in general, shows from the 1973-1974 will be your best bet for this... That said, there are gems of shows throughout the years, though I've never personally been impressed by anything later than 1977. May 1977: Get Shown the Light (All Music Edition) is a great collection from this year. I also really love One from the Vault, Sunshine Daydream, & Dick's Picks, Vol. 14... The Grateful Dead Movie Soundtrack is an all-too-looked-over gem, too. Finally, if you can afford it, I'd recommend getting a copy of the Pacific NW '73-'74 boxed set while it's still available on this site. When these sell out on dead.net, they price-inflate like crazy to 2x their original cost or more.
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Get Shown the Light, the box with the book, was limited to 15,000 copies, I read somewhere.But I can’t find anything on the All Music Edition that’s still available. Can somebody tell me how many of those were printed?
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So, I'm totally showing my newbie-ness, but when the formats are digital, which is the best to download? I'm thinking about uploading to iphone for maximum bluetoothing. Also, is the first selection a CD collection of the four shows? I didn't see it listed behind the All Music Edition, so I figured it must be sold out.

16/44.1 is CD format, so you could convert to WAV or AIFF on a computer and burn CDs if you wanted to, as well as have the digital file on a music player.

The higher resolution files are for a computer or music player. If you wanted to burn CDs from those files you would lose the higher resolution that you paid more for.

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First time I've ever seen R.I.P. included in the name of a firm pushing you to go on holiday ! Maybe its a plug for euthanasia.

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they thought they were going for dead people as a marketing niche. Dead heads, dead people, I'm so confused... Anyway, they're gone for the moment.
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Hi there,

I downloaded the ALAC of this digital download but when I import into iTunes it is not recognizing the artist or songs and not creating an album. For the same ALAC download for Pacific Northwest ’73-’74: The Complete Recordings Boxed Set it worked perfectly in iTunes. Why does this download now import correctly? Thanks if anyone knows or can help.

You should ask on the Dave's Picks 30 thread…there's more people on there and very few if any on here…hope it helps.

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Since they sold out of the regular box set with all the bells and whistles, and had a huge demand, Dead.Net is selling an All Music Edition that "...only includes the 11 CDs in four folios and a booklet of liners, housed in a simple slipcase."

So, still the four shows, just without the special packaging and the unpublished book. This time, the order went through. Nothing on the website about this also being a limited release -- it's not numbered, but they don't specify if it's another set amount.

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Hello,
I've purchased the fantastic Lyceum LPs more than a month ago and still nothing arrived.
I've searched for the tracking number done by the GD store on the DHL site but nothing appears.
I've yet written to the customer helpdesk, but I'm curious if somebody encountered my same problem.
Thanks a lot,
Fabianope

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Fabian, send me a PM and I'll see if the Doc can shed some light here.

Just to state the obvious, they are indeed fantastic records. I am half way through 5/25/72 at the moment - one that no-one really mentions. Probably because of the night after, which is a shame as it's a great show in it's own right. Curious "Good Lovin" - 14min 53 seconds, and no Pigpen rap - he just sings the opening the verses and the closing ones some 12 minutes later. In between we have spot on r'n'b jamming like no-one else.

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