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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • Trainwrecked
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    Yeah Right Thin

    All the music in the world, 90% of which I won't listen to, for 10 bucks a month sounds as good as that cable TV bill I was paying 15 bucks a month for in 1980. Was great at the time, but my cable bill is 10x the cost now, and keeps going up. Have fun with your streaming in 10 years. And besides, streaming and digital technology has killed the recording artists, and in turn, the concert scene. Piracy IS the reason the reason concert ticket sales are so high now. Artists have to make their money on the road, because there's little for them in songwriting royalties anymore. Technology killed the concert scene. What used to be a festive getaway for any who desired it is now reserved for the priveledged. And like wise Charlie said, the only CDs I buy is Limited Edition Dead CDs, and like wise KeithFan said, the fun part is opening the damn package and enjoying the artwork, the liner notes, and that great smell.

    There's no turning back from it all, but make no mistake, we're being tethered and robbed in the long con. Enjoy your financial bondage.

  • JimInMD
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    Interesting Discussion

    First.. why only ten comments per page? You blink or take a day hike and you have scroll back 10 pages to get the pulse of what's going on.

    Second.. 8-Tracks always sucked... well, they were ok for the first ten plays but on the 11th play your car or portable 8-Track player would get hungry and inevitably eat your tape. Then you realized you had to buy a really nice, expensive deck so it wouldn't eat your tapes.. you'd then get 37 listens before it got hungry and ate your tape and be out an extra $350 for a new high-end, but still shitty deck. If you were skilled.. you could somehow pull it out, bend and tuck all that extra tape back into the 8-Track cassette, but every time that part of the album came on it would sllllloooowwww dooowwwwnn where it was stretched.. then skip 10 seconds where you had to cut and splice it back together with scotch tape, etc. There is no comparing any media to 8-Tracks because they sucked that bad. As soon as my first tape was eaten, I loathed them and could not wait for a better technology. They were the first media you could play in a car, once another arrived they were gone like the dodo. Plus, album art or liner notes, forget about it. Comparing any of this to 8-tracks is like wondering why no one drives Edsels anymore.

    As for streaming.. I find it just doesnt work well for dead music. I mean, what band has 2,318 albums? Amazon Alexa, for example, has a ton of concerts on their service.. but asking 'her' for one and having 'her' return and play the show you like is next to impossible. "Alexa, Play Grateful Dead Cornell University, 5/8/77" (which is in there) and you get "mmm I can't find that, here's Donnie and Marie Paper Roses 1977 instead", said in the most polite, androgynous voice possible.

    Streaming just becomes difficult for a band with so many [albums] or shows, whatever. If it was quicker/easier to find exactly what I want, I would stream more. Perhaps tomorrow this will get better.

    Who knows. I think for deadheads, who seem to have an almost unquenchable thirst for good music.. they will stream for the convenience and buy Dave's Picks and perhaps a box set a year, so why would Rhino walk away from that extra revenue stream of the new releases from the vault? In fact, their revenue is increasing, they are not going to pull the plug just yet. Streaming is for what has already been released and all the other music you listen to, but vault releases will likely continue to be released on physical media as a niche product. ..then in a few years it will wind up on the streaming platforms.

    My two cents and I could be wrong.. I see GD listeners as being perhaps streamers and I'm going to get Dave's Picks too because I want it and it makes me happy and I want it now.

    Oh.. and Charlie3, I totally get why you live where you live and it being worth the sacrafice of being plugged in all the time. An amazing part of the world.. beautiful and lots to do. Nothing wrong with cities, but you are in big sky country, I'd take it for 15 (slow) gigs a month or whatever the limit is and speed is. Perhaps 5G will change some of this.

    So anyway.. this could be the year of the Ark. Makes sense, doesn't it. Bolo, bolo, bolo. There, said it three times.

  • daverock
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    Pointless progress

    There have been so many changes in format since I bought my first L.P in 1971. The move to cassettes, on to cds, on to digitally remastered cds-circa 1995, onto new digitally remastered cds this century using the latest technology. And now streaming. I am not sure what progress has been made, really. A lot of it seems, now-with the benefit of hindsight-to be a marketing ploy.
    The move from having videos, onto dvds onto blu ray seems to me to have marked progress-but a lot of improvements to consumer items is surely designed to create profit-not to improve quality.

  • cub
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    Will Music Streaming Servers Survive an E.M.P.

    I too prefer hardcopy CD's. As far as I know Cd's cannot loose their data in the event of electro magnetic pulse event,
    solar event etc.

    I also preorder Dave's Picks Subscription every year for $99. Not try something stupid like try to cancel 1/2 my placed order. Just sell the extra at cost.

  • Charlie3
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    Slogan of the Day

    Just as an aside, my vote goes to VGuy for the slogan of the day with "You can lead a head to Winterland, but you can't lead him to his seat."

    The answer to the recurrent question of "how could I have purchased a copy of this release before it sold out?" is to SUBSCRIBE. Don't chase each Dave's Pick, subscribe and trick them into showing up at your door.

  • Charlie3
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    Thin

    I get what you are saying, and you may be right about the expense issue to some extent, but let me expand on a couple of my points.

    My total data for the month through my internet provider is 15GB. For the month. I burn through that in two weeks just reading news and for work purposes. I would be seriously limited in my ability to stream or download music, let alone video, and would have to ration my listening time. That has no appeal. My phone service is also a plan with limited data, so that really doesn't change the picture. The data limitations alone mean that streaming is not really an option unless I jump up to a substantially more expensive data plan, and then pay for the streaming service on top of that. Your calculation assumes that there is no cost to data or internet access, but that is not the case for me. I would have the streaming cost, plus the cost of the additional data needed to make it worthwhile. I get this is an issue related to my geographic location, but I really like my geographic location with it's low population density and spectacular scenery. I have limited data access, but the one of the largest roadless area in the lower 48, the Selway-Bitterroot Wilderness, is just across the valley, with hiking trails in every just about every drainage up and down the Bitterroot Valley and an abundance of other nearby wilderness areas in just about every direction. I am getting by without the extra data.

    As far as cost, most of what I buy at this point is limited edition dead releases, including Dave's Picks and the annual box set, that won't be available on a streaming service, so I will be stuck paying for that on disc whether or not I stream everything else. If I buy something on disc this month and go broke with unexpected expenses next month, I can listen to the music I already own without spending a dime, but with streaming I am committed to paying the monthly fee forever or I would not be able to listen to any of "my music". I would be paying for the same music month after month, most of which I already own on disc at this point. Which brings me to sunk costs. I already have a decent number of discs, since I haven't counted in a while I'll estimate about a few hundred, maybe close to a thousand. At this point I can listen to them without paying a dime, and since they represent the things that I am most likely to listen to, I would be paying to stream a lot of music that I already own on disc and can listen to for free. And to be honest, the whole streaming thing triggers some kind of atavistic luddite response for me, and I make no claim that this is necessarily a response that will seem logical to others.

    Bottom line, if you dig streaming, go for it, the future looks bright for you. If you're one of those folks who dig vinyl, good timing, it seems to have made a comeback. For me, I foresee CD's being the source of my music for the foreseeable future.

  • jrf68@hotmail.com
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    F**k streaming

    I have no use for it.
    Proud to be that guy.
    :O)

  • Vguy72
    Joined:
    If you know how it works....

    ....you had both right there! Sell one! Jeezus.....you can lead a head to Winterland, but you can't lead him to his seat.

  • tmctighe
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    I would love to experience…

    I would love to experience Dave's Picks 30, but unfortunately, due to a ridiculous purchase process, I lost out. Won't go into gory details, but I got no help trying to deal with a problem (mistakenly ordered two cd's and tried to cancel one). Supposedly couldn't delete one unless I emailed a request. I did not get a response until 5 days later, and now the cd is sold out.

    Because of this, and the fact that there is such a ridiculously low number of cd's released, making it virtually impossible to purchase a cd, I will not purchase anything from Deadnet again.

  • Vguy72
    Joined:
    "Being able to see the TV from the kitchen is key"....

    ....yeah. About that. Been in our current house for three years. I love it, but that was one complaint I had about it. Mrs. Vguy trumped me. Now where's my sledgehammer? (a wall. Not my wife).
    ....streaming. I'm slowly accepting it. What choice do I have? Buffering sucks major ass. An exercise in futility. 😡 I dread being that guy who has a laptop/tablet in every room. Ptth.
    ❤️ Spotify....I'm not an audiophile, so it works just fine for me.

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Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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...set-List is primo! I’m in love! 🙏❤️😎

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10 years 11 months
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Guess the mystery will hold until May 1. Can't wait for this release!

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11 years 11 months
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When I was a mere schmo of 19...dem were da daze...

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14 years 11 months
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yahoo!!!!

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Should be fantastic. Love the artwork too......(But still hate this new site. Impossible to post or find comments on your phone. It's a nightmare. I miss this place. I just happen to be in front of a computer now)......Enjoy the holiday weekend

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I have the subscription. If it's not sold out, get it now.

Love the artwork and look forward to hearing this. A magic era.

Too soon to request an 80's show for Vol. 31 and 90's show for 32?

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30. (!).

Wow.

This is good. This Dark Star is one for The Ages.

Sixtus

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In reply to by SPACEBROTHER

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I say for #31: 6/18/83 and 6/20/83

for #32: 5/27/93

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In reply to by SPACEBROTHER

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It's never to early to ask for an 80's show. But I'm a little greedy. 3 83 shows in a mini box would keep mr. Jones away from my door for a while

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In reply to by stoltzfus

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....seems like just yesterday that the Dave's series was announced. Oh, oh what I want to know. where does the time go?

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Can’t wait to get my furry paws on it. You got it right pops ,those were some good old days.

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In reply to by Strider 808808

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Seems the t-shirt for sale is the cover of the bonus disc. Interesting artwork, also gives an idea how small the Fillmore East was. That third disc is gonna get a lot of play at my house and in my car I imagine.

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This is the Dead at their first "Peak". Amazing stuff. And the recording is pristine.

Love the art for this one. Glad to see something different and original.

“Incredible variety of releases and format” Dave you evil bastard LOL! We haven’t even received this one yet and I’m already jonesin’ for more! Format variety? Like perhaps some video....

COVER ART: I’m with thin, I like this cover especially because it’s not the bearded skeletons again....not saying any of that was bad, just think there is so much more iconography to work with and the skeletons have been done to death, yuck yuck, imho that is....sounds like we might get some era variety also? Philly 89? Summer 85? More 79? 91?
Folks saying Warfield 80 might be right, he’s obviously been poking around there....but what about Gainesville!

Yee-gads, I guess in the mean time we’ll just have to settle for some 70 Fillmore 😉 were so spoiled, thanks Dave

EDIT: perhaps the most interesting tell is that their working with Bears people and what that might entail......”possibilities are frightening”

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The art work is growing on me on this one, but that disc three looks amazing.

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In reply to by icecrmcnkd

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Short Seaside chat for Dave. Of course this one should have come out a long time ago....

No real clues on the next box.☹️

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I concur, guessing what's on this bonus disc is going to be fun. That third disc with the dark star is going to get some big time play here. Some of the tunes from 1/3 are on disc 1 and 2 so I am going to figure the big jams from both early and late shows will be on the bonus disc, oh goody, ps put me down for a couple of those limited run t shirts.

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In reply to by Sixtus_

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Sixy - That's what I thought when I turned 30. I'm 45 now. : ))

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either an 80's Ventura box or an 80's Greek Berkeley box....

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In reply to by wadeocu

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This seems like it might be pretty interesting.:

https://pitchfork.com/news/grateful-dead-graphic-novel-announced/

Anyone remember back in the day, the Grateful Dead comix? I recall them coming in the printed newsletter that folded out, was on beautiful stock paper, and had lots of colors and all the new products of the day. Like Dick's Picks one haha.

Sixtus

P.S. Wedeocu....true dat. 30 seems like both yesterday and forever ago! Also makes me wonder if there is ever any endgame number in store for us with Dave. 30 is great. Imagine double triple quadruple that? Who will live that long haha.

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Just like others have noted, the skeleton art has become a bit stale and cliched so this is a welcomed change of art direction. The other covers are great but the skeleton motif becomes staid after a while. The Wizard of Oz cover was a nice touch on whichever release it was on.

Now onto that MSG NYC September 1979 box set. Dave that one will sell-out instantly.

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I dont know Sixy, I think I can make it to at least Dave's Picks 110 or maybe 120.

Anything after that is all bonus material for sure!

Looks like Rhino has found the sweetspot. That point that people that want it can have it while keeping the cost down by not succumbing to those that think Rhino is in business for them by keeping everything made in stock

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In reply to by snafu

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I tried to pre-order one (on an iPad) and got the message

“Selected required options are not available.”

Just seeing if it was sold out, I wasn’t going to actually buy it because I subscribed.

Edit:
Not sold out, I was able to put one in the cart.

100 total hits in the book, pre-orders only.
You have to figure out where to lick, with no 2 hits adjacent to each other.
Basically a reCRAPTCHA exam for the tongue. The problem is that by the time you realize that you found a hit, you could have found 5 hits.

But seriously folks, the real question is what unreleased songs are going to be on the bonus vinyl for preorders.

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just please don't put out 8/3/69 at the Great Highway. that show sucked balls so hard I didn't get through it and I deleted that show first and only time I felt the need to delete a grateful dead show

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21K OR 22K for 2020??? PS jamming 4/17/1971 Dillon Gym from Princeton.... missed the anniversary by a day but in a mood for some Pig Pen!!!.... have a good night everyone... bob t

Only clue given was Alligator, and they very wisely used the key covers as filler on disc 2, and the rule about originals or phblic domain leads me to think the bonus disc will look thus:
Cumberland Blues, Alligator> Drums> Alligator> (Caution Jam tracked?) Feedback, Mason's Children, That's It For The Other One> Cosmic Charlie, Uncle John's Band> Black Peter, Dire Wolf

Think that's around 80 min; Senor Norman cuts a lot of the inevitable tuning that is left in on Archive, so who knows how much he can cut, one of the songs may not make it. Figure UJB> Black Peter over the early show encore version, and Mason's because Dave has put out most of them, and I could see another double Mason's, for those who hate and loathe and despise it, at least it isn't a triple shot of it. And not sure if he goes with another China Rider. Would not object at all to that.

And I wonder if Dave's mention of working with the Stanley family means this is more Bear's Sonic Journals type of release than Houseboat Tape continuation. Though, he also mentioned the Dave's that were part of that stash, 6 (2/2/70, 12/20-21/69 with bonus), 10 (12/10-11/69 with bonus), 19 (1/23-24/70). Either way, talk of talks with the Stanleys plus the returned Bettys make it a great time to be a Deadhead, and a boom time for any credit card company who gives cards to Deadheads.

Really excited for this release!

....the ONLY whiskey I can drink straight. Good call.
Also a good call, we might get TWO Cumberlands in this release! Blessed 🙏 indeed.

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In reply to by Vguy72

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....the Mason's Children from 1.2 is the one released on Fallout From The Phil Zone. The Philster is doing a one off in Vegas in three weeks. Here's the lineup.
https://hardrockhotel.com/las-vegas-entertainment/joint-phil-lesh-2019…
....looking tasty af. Can't complain.
Note the age limit of 6+. At The Joint. Wow.

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I snorked hard when i read that

If I remember correctly, the bonus disc can only be made up of GD composed songs. Reason being the bonus disc is a 'gift' so to speak and Rhino is financially responsible for producing it. They don't want to pay royalties for the cover songs on a giveaway disc. I can't say I blame them. The end of disc 2 has some of the cover songs from 1/3/70 and what cover songs they are.
Someone stated in an earlier post Dave had mentioned 'Alligator' so I'd say that's a safe bet for the bonus disc; Deadlists times it at approx. 25 minutes so there's 50-55 minutes left for other GD songs/jams. We could see some prime music from 1/3/70.

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Looking at the set list, this Daves 30 looks like a bridge linking the 60s to the 70s. It must have been one of T.C.s last gigs, and one of the last times the Dark Star-St. Stephen-Eleven suites featured. The disc also includes a generous helping of the more country rock style the band would focus on during the first couple of years of the new decade. More country, less psych-although epic journeys were still made, the focus was beginning to change-and this set demonstrates that quite nicely.

Also nice to see hippychick back, lubricious as ever.

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