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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • #1341
    Angry Jack Straw
    Joined:
    Don't let this board tailspin again

    I bailed for quite a while because of the trivialness. In fairness, I contributed.

    You are squabbling over a small handful of the greatest bands to ever walk the planet. The three in question are in my top five. I happen to include Traffic, but nobody ever cares. All are good in their own way. But, none of us would be here without the GD. I doubt the ABB or Band boards are this active.

    For what it is worth, not right or wrong, I defer to folks who saw them live in the early years. In small venues. At their best.

    But it still won't change my opinion.

    Yeah, the Blues gotta pull this out. They let game 1 slip. To be honest, I am surprised they are tied.

  • #1342
    bigbrownie
    Joined:
    Allmans

    First "rock" concert : Allman Bros. at Roosevelt Stadium in Jersey City, sometime around June 1974. Anybody there?
    Dad drove us 9th graders. no weed no nuthin'. A good time was had by all, dad copped himself a couple beers, and we all made it home safely by 4AM. Dead and Co. coming up: Anyone going to the Hollywood Bowl? I'll be the guy with the tie dye and the white gotee...you can't miss me!!!!

  • #1343
    Vguy72
    Joined:
    Saying stupid shit....

    ....maybe Butch was drunk. I know me, and drunk me says/texts some stupid shit that makes next day sober me do a good ole fashioned facepalm.
    St. Louis has, HAS to beat Beantown tonight otherwise it's all uphill from here....
    ABB isn't even in my top 20 bands. And I only have one beer under my belt, so it's legit. Only saw them once. Rusted Root opened. Thought they were better.....don't throw stuff at me.
    The thread took a downward turn Oro, because Butch pretty much said Bill the Drummer and Mickey suck. And the heads responded. Oh well. Second beer cracked. I better stfu. Anyone got a grilled cheese sandwich? Two bucks.
    ....edit. I've read a few band biographies, and there's usually a douchebag that screws it all up. I've never read anything of a Grateful Dead member being one. (maybe Phil after the fact. Maybe). Put that in your pipe and smoke the fuck out of it.
    "Screaming and yelling he was licking his chops."

  • #1344
    Oroborous
    Joined:
    Re: Hendrixfreak

    Nice post. I’m not sure how the thread took the downward turn it did? Those three bands were my favorites also, and probably still are...I just always felt like the ABB didn’t need? no that’s not it?...it just sometimes seemed like their drummers played the exact same thing a lot, where B&M not so much? Anyway, just thought Butchs dig was ironic imho.
    Never heard much negative from the Dead about the ABB, but unfortunately over the years can’t say the same about the Brothers. But hey, we all say stupid shit, and as I’ve said before, I try to like my musicians, atheletes, politicians, hell anyone who’s supposed to be professional, I try to like them for what they do more than who they are. Only cause that’s they way I want people to treat me at work.
    Did not mean to, hopefully didn’t, diss the band at all. Like everyone else some years/bands were better than others, GD included.
    Unfortunately, I didn’t get to see the ABB until the late seventies or early eighties. But it was the Warren/Woody years that first blew me away the most.(obviously not including the original line up albums ).
    Man the Dead, The Brothers, and Santana were all having great resurgences during that late 80s, early 90s. Even saw the Brothers and Santana at Woodstock 94. The Band I first saw in the early 80s at the old Buffalo Train station, and yea no Robbie, but we didnt care. Saw them 84 in Rochester at the Summer party tent and it was one of the best concerts I’ve ever been to!!
    Actually was fortunate to do Merch with them for some of the 90s shows, and ended up going to Chicago 95 at the last minute because of our Band connections/lamies etc. That’s what got us in, backstage, and we got to hang on the stage during the bands set. Everyone from the Dead except Jerry was up onstage watching them. Bob was standing right behind us. But of course, as soon as the Band was done they shagged our asses right off! Worked a couple tours with them in 96. They were all awesome, but from the very first time I met Rick Danko, man what a nice soul. Would always come over and say hi, sometimes right out to the booth, he'd walk over and shake your hand and say how great it was that you were there, just so nice.
    If all you had on a desert island was some stuff from those three bands, I think you’d be 👍

    I can’t imagine seeing the Glen show! I mean I’m sure the nasty conditions were ruff, but back when I was young, if I could have seen those three at once like that, phew!

  • #1345
    MarinSmith
    Joined:
    ABB Fox Box warning

    Personally, I love the ABB - but the ABB Fox Box recorded in Atlanta at the Fox Theatre, 9/24-26/2004 has the audience singing along with every classic song....ugh. Did this go down at later GD shows? Might as well breakout a Kumbaya encore! Then again, maybe I'm just an old grouchy bastard

    All these years later and Bill Graham is still right - the GD were the only ones that did what they did. I think the ABB was close as anyone got. Maybe I've missed some one. I think most bands saw themselves as putting on a show and did the same show every night....charge on stage to great applause, hit all the notes, you know. It can be a great show, but you don't need to see it more than once. That's my 2 cents for today

  • #1346
    stoltzfus
    Joined:
    hey

    anniversary of

    5/29/71

    really good show

  • #1347
    stoltzfus
    Joined:
    I remember my sister got to go the ABB in Madison WI back in 79

    I was jealous.

    ABB in 91 at the Gorge was great
    also the ABB opened for The Dead in 09 at the Gorge
    and attended ABB in Woodinville WA in ??

  • #1348
    stoltzfus
    Joined:
    "rock and roll ain't worth the name if it don't make you strut"

    thank you Lemmy

  • #1349
    hendrixfreak
    Joined:
    hendrixfreak is an ABB freak, just sayin'!

    Sorry to hear the ABB bashing or, at least, the ennui. But to each his or her own.

    I heard them live in June '71 over the radio during the closing of the Fillmore East, then got the FE double album. By 1972, my triumvirate were the GD, ABB and The Band. I find it interesting that that's still the case, 47 years later. I should add that I consider Jimi in a category by himself. And I'm a huge fan of the Three Kings (Albert, BB and Freddie) and their cousin, Buddy Guy. I won't type a complete list, but I'm also a major Roy Buchanan fan. But among rock bands, I had only three top choices, and lived in a time when I saw a shitload of all of them in their heyday or nearly so.

    I caught ABB with the GD several times 6/9, 7/27, 7/28/73 and at Madison Square Garden in May '73, then again with the Derek/Warren lineup, ~1999-2009 (all at Red Rocks, almost always first 3 rows, center). A truly magnificent band of improvisers; the GD had nothing on them. Just two different flavors. Yes, the GD took more chances. But if you listen to the Duane era (two Jan '71 sets forthcoming this year, woo-hoo!), he pushed that band until it at times sound like Cream. I'm thinking of the official bootlegs series shows from '70 and '71.

    Consider how psyched me and my buddies were when we heard of the Watkins Glen lineup! I'd already seen the GD 9-19-72 and 6-9-73 and the ABB in May '73. Our three best bands on the same stage! And a chance, finally, to see The Band. Great two days of music. (Plus mud, mescaline and blotter. No food to speak of.)

    Then, incredibly, two days later, we caught the GD and The Band two nights at Roosevelt Stadium. (I caught The Band again on its final tour in '76, when they rocked the New York Palladium so hard that the balcony was in physical flux. I wondered at that time whether it had been designed for so much stress, but I didn't move from my standing position at my seat.)

    All before turning 16. I caught the GD again that September '73. As a freshly minted 16 yr old, I already considered myself a GD veteran.

    I guess the ABB and The Band are nearly as burned into my DNA as the GD.

    Anyhow, like someone said, Butch said some nasty things. But forgiveness and understanding wipe away any ill will for me. I too have lamented that Mickey moved from really sensitive synchro'd drumming and percussion in his heyday to the "sneakers in a dryer" approach post-hiatus, which clodded up the sound, though I still enjoyed every Red Rocks show they ever played, plus Folsom Field, Telluride, etc. etc.

    So I'm just raising the ABB flag over my pointy little head. If they're not your thang, so be it. But I've never seen a band quite like them and never will again. RIP Duane, Berry, Gregg, Butch.

  • #1350
    JimInMD
    Joined:
    Huhhumm.. (cough cough)

    What are you guys smoking? 6/9&10/73? I have almost given up hope.. but with all this talk of the Brothers, that would be something.

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Submitted by clayv on
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Dead Store Products

Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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Submitted by Sixtus_ on Thu, 04/25/2019 - 16:08

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I have a habit of hitting these Europe '72 shows early, simply due to the fact of the days-long gaps that tend to exist between shows. These people were obviously enjoying themselves and taking it all in while they could in between venues. And I think it shows in the music.

4/26/72 aka Hundred Year Hall contributed to my habit today.

All I really have to say is that the Turn on Your Lovelight, Jerry's initial in-song jam, the very first one, is one of the best passages of the entire tour. He never comes up for a breath and the intensity is beyond palpable. You think they're done, after Bobby throws melodic machine-gun chords left and right with Garcia responding all over the place, but it keeps chugging and churning until your jaw is on the floor and you're holding it in both hands being all WTF?

And that's just the first little jam of the song. Don't even get me started on what happens after that. This was an all-time favorite the moment it was released as Hundred Year Hall way back when. I can still remember where I was listening to it for the very first time rightfully enhanced. Funny how these things will never leave you.

Sixtus

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Submitted by JimInMD on Thu, 04/25/2019 - 16:55

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Like I said... These shows are GD crack.

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Submitted by icecrmcnkd on Thu, 04/25/2019 - 16:55

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I first heard it in a car on the way to a Phish show (turned out to be a pretty good one, at least to me).
http://phish.com/tours/dates/fri-1995-10-27-wings-stadium/

I was collecting GD tapes at the time and this was a welcomed release (although I was hoping for the complete show), since I spent a lot of time listening to cassette hiss.

Nice Seinfeld reference.

..as to the other thing. It's not a problem for me, I can quit anytime. I just chose not to quit because I like it and it sounds good.

The more I think about it.. the more I Ark for it. If not now.. when? It just turned 50 a couple days ago. Three back to back Morning Dew's.

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Submitted by Deadful Head on Thu, 04/25/2019 - 19:16

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When will we know or where can we see the track list for the bonus disc of the forthcoming vol 30?

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Submitted by Oroborous on Thu, 04/25/2019 - 19:26

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But an Ark binge does sound groovy!

Sixtus; your making me want to skip ahead on 4/26, but I’m saving it dammit for Friday night......see, no problem lol
Relistened to 4/24 D.S., because I wanted to, not because I had to! Gulp....who am I kiddin’ Phewy!...that kick sss jam at the end you were referring to is where I felt that Throwing Stones vibe.....really subtle, just like part of one Jerry lick but?? Wouldn’t be the first lick/theme/vibe or whatever I’ve heard before that turned into something structured later...
Speaking of the jones’ big weekend; Hundred Year Hall, Dicks 26: 4/26&27/69, plus some 77 for those inclined...
and some playoff hockey for fux sake!

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Submitted by Thats_Otis on Thu, 04/25/2019 - 22:12

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Random check in! Glad to see everyone doing so well!

Last 5: Dick's Picks Vol. 6 - 10/14/83 - Discs 2 and 3

Really, can't get enough of these gems! The S>F is out of this world... the "Spinach" Jam > Other One > Stella Blue... breathtaking! That Stella!!! So good!

Disc 1 (set 1) has some sound issues, but do not overlook discs 2 and 3!

Excited for DaP Vol. 30! Is the wolf the same one from the "Little Red Riding Wolf" release at Fillmore East (2-11-69)?

Peace

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Submitted by bob t on Fri, 04/26/2019 - 05:07

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Make your way over to the Jam of the Week...Universal Amphitheatre from 6/30/73....

Edit... There is a reel flip in the Dark Star before the Eyes

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Submitted by nappyrags on Fri, 04/26/2019 - 06:08

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Ahhh the Universal Amphitheater when it was still an open air venue...and one of the nights we could not remember where we had parked the van...tsk tsk....I wonder why....

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Submitted by stoltzfus on Fri, 04/26/2019 - 06:24

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seeing the GD in 1974 or prior...it must have been amazing.

6/30/73...wow. as Napoleon Dynamite sez...

"lucky"

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Submitted by DeadVikes on Fri, 04/26/2019 - 07:37

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Can't stop thinking about what we may get for this year. In spite of having so much Dead music, I can't even come close to listening to all I want to each day. I had this same problem in the 80s. Except now we have the best quality dead, it is all so damn good!
And of course there is the prospect of getting more.
My guess based on past years is we will most likely have an announcement within the next 6 weeks!
Peace!

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Submitted by JimInMD on Fri, 04/26/2019 - 08:16

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Too funny. I think we could fill up an entire forum with lost minds/lost vehicle stories. I have two.. Foxborough Stadium and downtown DC. DC was the scariest for me, spent till nearly dawn walking block after block searching parking garages.. It was daunting. aack! SimonRob might just have the best.

I'd like to think good times, but.. well.. not quite.

We are due a box announcement. I think they are just waiting for log rolling opportunities and carnivorous birds to congregate so Dave can do a seaside chat.

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Submitted by WharfratWhitey on Fri, 04/26/2019 - 08:29

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So far in 2019 we’ve had a 1977 show, then we will be getting a 1970 show with bonus and then 1969 material with aoxomoxoa reissue. Cannot remember Dave’s exact words from the volume 30 video but it sounds like 2019 will be a mixed bag of years. My money is on a box from 88-92. Peace

Oh yeah how could I forget Warfield 1980?!?!

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Submitted by Cousins Of The… on Fri, 04/26/2019 - 08:39

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Happy Friday all.
I've always thought that as far as studio playing, Jerry did his best work on guitar not with the Dead, but when he guested on other artists records, especially the Jeffersons
In that spirit, my last 5 songs this morning:

1. When I was a Boy I watched the Wolves Kantner/Slick/Starship
2. Your Mind has Left Your Body Kantner/Slick/Freiberg/Starship
3. Sketches of China Kantner/Slick/Freiberg/Starship
4. Million Kantner/Slick/Starship
5. Starship Kantner/Starship

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Submitted by Sixtus_ on Fri, 04/26/2019 - 09:53

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...I always enjoyed his pedal steel playing on 'Teach Your Children' by CSN. It's rather iconic and employs such a playful, lilting vibe.

Sixtus

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Submitted by JimInMD on Fri, 04/26/2019 - 10:11

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Agree, although I like the some GD too (thinking Anthem, King Solomon's Marbles and Unbroken Chain for example.

I also like his Pedal Steel contributions with various artists, usually at Wally Heider Studio.

Interesting topic.

Edit: Looks like Sixtus and I were on the same page... Lots of Pedal Steel with NRPS too. Miss seeing those guys live. I think the David Nelson Band is playing tonight at Terrapin Crossroads. Wish I was there.. great band.

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Submitted by stoltzfus on Fri, 04/26/2019 - 10:47

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Television: Marquee Moon
Swans: Public Castration is a Good Idea
Swans: Feel Good Now
Motorhead: Bomber
Motorhead: Aftershock

I love love love Marquee Moon

Perfection, I say

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Submitted by bob t on Fri, 04/26/2019 - 10:47

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Haven't listened to this show since 1990 on cassette. I know everyone isn't a fan of the Martin Fierro and Joe Ellis tour, but I enjoy it's place in Grateful Dead history. I think this is one of the better sounding boards from this tour, along with William and Mary shows. If you have time to listen between Let it Grow and Stella Blue is a pretty unique jam, and it sounds like Phil (just a guess) is screaming non sense along with the horns. You also get a stand alone Eyes of the World. P.S. Phil says "Howard Cosell said that, after Long Strange Trip..... have a good weekend everyone.. bob t

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Submitted by Oroborous on Fri, 04/26/2019 - 10:48

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Jerry also played in studio with Tom Fogerty, David Bromberg, Robert Hunter, Mickey Hart, Paul Pena, Peter Rowan, Warren Zevon, Country Joe McDonald, Pete Sears, Ken Nordine, Ornette Coleman, Bruce Hornsby, Bob Dylan, David Dawg Grisman, Sanjay Mishra and others.....

Edit: how could I forget Uncle Merl....some of that funky soul jazz stuff they did is some of my favorite JG of all time!
After Midnight etc, hell that whole Fire up Album is awesome!

Speaking of, haven’t had a chance to hear much of this tour. I know it gets slagged, but there must be at least some great stuff that’s useable from this run? I mean it was 73 and right before one of their best tours ever (fall/winter).
I had a tape of ?Buffalo? Way back when I was just getting onboard that I recall liking but some bastard stole it (David H). As I say I was a neophyte then so perhaps my perspective and/or memory is warped?
Curious to hear what all y’all know/think about that tour, especially those a “mature” 😉 enough to have been around then?

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Submitted by reijo29 on Fri, 04/26/2019 - 11:39

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I had an unfortunate incident in Worcester Mass spring 87 where a friend and I scored some blotter supplement that was a bit too strong. By the middle of the 2nd set I became incredibly paranoid and feared I would never be able to find my car or my way home (New York). I unfortunately forced my friend to leave the show early. Thankfully we found my car and I drove about a block or two on a flat surface. I felt like I was driving into a deep ditch so I pulled over, shut the car and wisely decided to wait it out. Ended up calming down and jump starting a few people’s cars and vans. Finally at like 4 am I was able to operate my vehicle. We cruised down the Massachusetts Turnpike in the right lane at about 25 mph. Crazy night but I was at least able to find my way home.

He also played on "If I Could Only Remember My Name" (ironic that that one was forgotten) by David Crosby. Great guitar tone on "Cowboy Movie"-I assume its Jerry-Jorma Kaukonen also plays on the album. As ever with these cast of thousands S.F. albums I am never always sure who's doing what. "Blows Against The Empire" was always, and still is, for that matter, my favourite of these allstar collaborative albums.

Thumbs up for Television's Marquee Moon, too-both that and Adventure are great albums.

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Submitted by KeithFan2112 on Fri, 04/26/2019 - 13:06

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DaP 30 Bonus Track List - unpublished. I emailed the guy who knows, but he wasn't budging in his response. It's up to the first DaP 30 subscriber recipient to let us know.

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Submitted by Lovemygirl on Fri, 04/26/2019 - 14:25

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...so far, 77’ Daves Pick, 80’(Warfield) then 1970 Daves Pick, next the 1969 album 50th Anniversary release and then the ‘1966 vinyl’ release included in the “comic book series”(actually 2020 release) and then and then and then... ;)
This year the Grateful Dead are covering the most adverse releases to date besides the past release of the “30 TATS Boxset”... 2019 is and will continue to be a grateful year for us deadheads and the band as well! ‘What a long strange trip it’s been’ but I can’t help myself but to ‘Smile Smile Smile’!
Have a grateful Friday my brother & sisters, peace be with you all! Long live the Good Ol Grateful Dead.
PS- I love Jerry’s steel pedal guitar work with all the different bands he performed with over his career period but when it comes to the NRPS nobody even comes close to ‘Buddy Cages’ Playing/Performances, mr Cage is the man!!! Just my humble opinion folks.
🙏❤️😎
Rock On! 🤠✌️

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Submitted by Charlie3 on Fri, 04/26/2019 - 15:24

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I've been waiting for a clear block of time to spin the 4/24/72 Dusseldorf show, and this afternoon it arrived. Had a clear block of time to listen to the whole show without distractions and I am glad I waited. This is possibly my favorite show of the tour from start to finish. Somewhere around Good Lovin I settled into the couch, equidistant from the speakers and looking out my living room window across the valley to the Bitterroot mountains. Spent the entirety of Dark Star watching clouds glide down the face of the mountains and back up again, leaving behind what looked a lot like fresh snow at the higher elevations. Pretty much perfect visuals to accompany that spectacular Dark Star.

Liked the stories about losing cars and vans and stuff. I never lost my car while tripping, but I did lose my virginity while tripping, and that was way cool.

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Submitted by Oroborous on Fri, 04/26/2019 - 17:05

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Oooops, thought I had Cros on there......
Blows against Empire is one of my favorite albums of all time, and hey, how many people get credited on an album as “spiritual Advisor”, especially for the likes of the Jeffersons!
Hell like Cousins said, Jerry always seemed to rise up on other folks albums. Maybe he didn’t feel the same pressure as if it was his own?
So as if he didn’t gift us enough amazing art elsewhere, we have all this incredible sideman stuff too!
Tanks big guy, we truly miss ya!

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Submitted by Angry Jack Straw on Fri, 04/26/2019 - 18:24

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Not to bring up a sore subject, but if you are watching the Islanders/Hurricanes game, you must have just thrown your beer through the TV screen. Same location on the ice for a faceoff, an Islander high sticks a Cane. He goes down, but none of the refs see it. No penalty.

But wait. The Cane is bleeding. Double minor. NOT a major. Just like I posted a few days ago, that was always the standard when a player is cut and still seems to be.

Looks like an awesome festival set! The last performance of The Eleven. Don't understand why they dropped that one, such an awesome song that shows the brilliance and risk-taking of the Dead.

While I'm salivating over the 30th Pick arriving next week, I listened to it's immediate forebear over the last 2 days on my commute to and from work. Forgot what a great Pick it was. The Help> Slip in particular; it just thundered in my car. Great (and loud) sound on Betty's recording. Can't wait for Owsley's 49 year old recordings to hit my ,ailbox!

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Submitted by Vguy72 on Fri, 04/26/2019 - 20:33

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....but a Foolish Heart is worse. NHL refs follow that mantra for sure. AJS. I saw that. Life lessons.
Foolish Heart is a good song. Under the radar. Unlike five minute majors for Foolish Bullshit. Lol.
Blood on the ice.....whelp. It's friggin hockey! NFL rules are now filtering.

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Submitted by KeithFan2112 on Sat, 04/27/2019 - 09:06

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Traveling down the road doing 95 miles per hour. The radio's blasting and I'm passing cars faster and faster. Sixtus' Lovelight is on from 4/26/72. The sun is shining and it's occurred to me that this song is about sunshine. That's the love light. Probably not, but it works for now. And the Grateful Dead is jamming like the Allmans.

Couple of news flashes:

10/19/71 - Enter Mr. Godchaux. Uncle Gary sent me this one last year, and it is f****** outstanding. Sounds like it was recorded off the radio - loud audience presence that drives the excitement. You guys should be so lucky to get an Uncle Gary one day.

Check out Bombed at the Omni, 6/20/74 on archive. May need to search around for the best sounding one, but the second set is well worthwhile. UG, I hope you don't mind me borrowing this verbiage that I sent you last night: The Truckin' => Jam => Eyes of the World => Slipknot! => China Doll is fabulous. Jerry plays the opening of China Doll with some effect that's so thick and crystalline, it sounds like a 12 string, but I've never heard of him actually playing one. Then he solos with that really muddy distorted bluesy effect that you hear from time to time in '74 (Scarlet Begonias has it on DaP 17). But to hear a 5-minute Slipknot! in its infancy.....

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Submitted by DaveStrang on Sat, 04/27/2019 - 09:37

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Also 1st performances/debuts of:

1. Tennessee Jed
2. Jack Straw
3. Mexicali Blues
4. Comes A Time
5. One More Saturday Night
6. Ramble On Rose

At this point, every time they turned around they 'tripped' over a new (great?) song. 1971 was a most prolific year for the band.

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Submitted by dreading on Sat, 04/27/2019 - 11:24

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That title reminds me of "Dozin' At The Knick". It gave me a chuckle. I've had this show on tape for many years then found a better copy on archive. Great one for release IMHO, but I think it might suffer the same indifference as Dave's 17, since there is no Dark Star or The Othe One. I believe there is still room for partial show compilations, Road Trips style. I believe there should be some random Road Trips releases. They could make it a ongoing thing, like one two and three From the Vault. No schedule, no expectations, just release stuff that doesn't add up to a full show. Like June 16th and 18th 1974. A couple of seconds sets, and we're off to the races.

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Submitted by Oroborous on Sat, 04/27/2019 - 12:26

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Yea Rhino, what Dreading said.....more releases, more ways if necessary.......what???....problem, I dont have a problem 😃

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Submitted by bob t on Sat, 04/27/2019 - 14:45

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Always has a special place for me because along with 7/25/74 Chicago, only shows back in the tape trading days of the 80's and 90's that you could not find from 1974!!! First show I ever listened to when I discovered Internet Archive!!!

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Submitted by stoltzfus on Sat, 04/27/2019 - 17:37

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9/10/83
Phemonal

1/11/78
Yeeeeeeees

3/7/81
Yahoo!!! a la Slim Pickens

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Submitted by MrHeartbreak on Sat, 04/27/2019 - 21:03

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Nice Ace Frehley reference, man. Was wondering if any of our fellow Deadheads here would pick up on it and comment. Been listening to a bunch of that old stuff recently as I starve myself of Dead for a couple of weeks in advance of receiving DaP30.
The Space Ace rules!

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Submitted by Lovemygirl on Sun, 04/28/2019 - 07:50

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...greetings to everyone on this grateful Sunday...hoping all my brothers & sisters are enjoying their last weekend in April... 🙏😎
* If anyone is Interested , I have a new/mint
“Bob Dylan - vinyl Mono Boxset” I’m looking to sell for my medical bills that are just pilling up week after week, so I continue to recieve the best medical/medicine has to offer. I’ve actually started last week on a new trial medical procedure that was performed on this past Tuesday at Englewood hospital...praying for positive results.
Here’s some info about the Dylan Mono Boxset...
Description:
This box collects Bob Dylan’s first eight 12-inch LPs, his albums from Bob Dylan in 1962 to John Wesley Harding in 1968, as most people heard them, as they were expected to be heard, and as most often they were meant to be heard: in mono. --- Greil Marcus, taken from the liner notes of Bob Dylan: The Original Mono Recordings

Bob Dylan’s first 8 studio albums pressed at RTI on the highest quality 180-gram audiophile vinyl. Also included are reproductions of the original LP artwork, including inner sleeve art and original inserts, all in heavyweight, wrapped jackets. Also includes beautiful 12x12” book with new liner notes, rare photos, memorabilia and more!
Cut from the Original Analog Mono Masters by George Marino at Sterling Sound: Each Disc Comes With Individual Jacket Replete with Original Artwork and Inserts

Includes Deluxe Booklet, 18" x 24" Poster, Rare Photos and Greil Marcus Essay

Bob Dylan’s The Original Mono Recordings is comprised of his first eight albums painstakingly reproduced from their first generation monaural mixes as the artist intended them to be heard: One channel of powerful sound, both direct and immediate. While stereo recordings had been available as early as the mid-1950s, mono was still the predominant, and often preferred, mode of recording and mixing by the top artists of the 1960s. As a result, artists like The Beatles, The Rolling Stones and Bob Dylandevoted their attention to the mono mixes, leaving the stereo mixing process to studio engineers.

As is fitting for a box of this magnitude, The Original Mono Recordings are accompanied by a deluxe booklet, featuring vintage photographs of Bob Dylan and an expansive essay from renowned author and critic, and longtime Dylan aficionado, Greil Marcus. Each disc in the set comes in its own individual jacket which faithfully replicates the original album artwork, complete with labels and stickers that were found on the original 1960s releases.

Cut from the original analog mono masters by the legendary George Marino at Sterling Sound, this set is simply unprecedented, some of the most important and timeless music ever made, now in jaw-dropping sound that rivals what was heard in the studio control room.
"Those that own the hybrid stereo SACDs of some of the albums in this set are still in for a treat. Ditto those that have Sundazed’s mono LPs, which don’t claim the level of detail retrieval or sheer openness on these pressings, which come straight from the masters. Then, of course, there’s the meticulous replication of the labels and inserts, as well as the high-quality jackets, all reproduced with immaculate care. Not to be missed."
--Bob Gendron, TONEAudio, Issue 33

"During most of the ‘60s, mono was the preferred format, and Dylan and his engineers focused most of their energies on getting the mixes just right. That’s especially apparent on the classic “Blonde on Blonde” (1966). Though fans may prefer the sharper separation of the instruments on the stereo mixes, the mono versions get at the heart of Dylan’s rough and tumble sound, with the vocals in the midst of the instrumental fray rather than pushed out in front of it. The rockers especially sound more menacing than ever."
--Greg Kot, Chicago Tribune

...here’s to everyone having a grateful Sunday, god bless & peace be with you all!
Rock On!🤠✌️

Bob Dylan
The Freewheelin' Bob Dylan
The Time They Are A-Changin'
Another Side Of Bob Dylan
Bringing It All Back Home
Highway 61 Revisited
Blonde On Blonde
John Wesley Harding

* Please feel free to send a pm / message and I will respond as quickly as I can.

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Submitted by JimInMD on Sun, 04/28/2019 - 08:54

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Hoping for the best.. and passing some good vibes your way.

I knew the mere whisper of Santa Fe would draw VGuy out. Plus.. it has a rockin' Cumberland Blues, what's not to like.

In truth.. I find '83 a little all over the place. I think of it like a old-time train, a steam engine that jumped the tracks and is rolling through town unbridled, unrestrained. I think of all the years in the 80's, 83 might have the most uneven recordings. Sometimes lots of audience pumped in (thinking Harrisburg PA for example), sometimes they are pretty clean and crisp (thinking Morgantown WV). Anyway.. an interesting year and to me the year Jerry's health issues became visible. Some of those shows are crackling with energy though.. I had fun in '83. '84 continued the unevenness, but there are some recordings that come through pretty clear. I tend to like '85 the most from this period. The summer tour was pretty even and solid and fall had some moments, Richmond comes to mind. I do recall being front row, Jerry side on 6/26/84 Merriweather Post Pavilion and they opened with Casey Jones. Keep in mind.. this was '84 and Interstate 95 from Miami to NY was paved with Colombian Cocaine (95 is about three miles East of Merriweather).. It was everywhere, it was high quality and it had become 'relatively' cheap (or at least cheaper because it had become very pure). There is little question in my mind why they opened with this and as raw and raunchy as this version was, the energy during the refrain was off the charts. They kept repeating it, it kept going on and on and each time with more intensity and enthusiasm. I am a little embarrassed to admit how much I enjoyed that moment with the understanding I think this is a terrible drug and ruined the lives of countless friends. But the building was shaking that Tuesday night.. This was the only time they opened with CJ post hiatus. It was not a great show, but it was a good show and the energy rolled out of the shed that night and into symphony woods and beyond.

Anyway.. it's in the low 40's here today and the rivers are full. I might take the day off though and get some cleaning and listening done. I need to get caught up my E72 adventure, I left on the DS from 4/14. Like Sixtus said, one of the gems from that tour.. it might not be the best but there certainly isn't one better...

Be good all, sending positive thoughts LMG. Play dead, happy Sunday.

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Submitted by Lovemygirl on Sun, 04/28/2019 - 09:28

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...thank you for the well wishes and positive vibes, my friend, your very humble. That’s means a lot to me my brother, enjoy the rest of your grateful weekend! 🙏❤️😎
...I’m praying that my participation in this new trial procedure & medicine will help others with my medical illness.🙏
Peace be with you JIMINMD!!! 🤠✌️

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