Dave's Picks Volume 30: Fillmore East, New York, New York 1/2/70

Back to product page

Post reply Log in to post comments

April 18, 2019 - 9:01am

2,500 replies

clayv

Joined:
March 14, 2018

Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Comments

sort by

Recent

Recent Oldest A to Z Z to A

Reset

May 17, 2019 - 11:14am

#1631

Oroborous

Joined:
June 19, 2007

MUSTIN321

Glad you understood and more so glad you’ve had the pleasure of all those awesome DSs....
Dont feel bad, I don’t know them all yet well enough to discern one from another either.
Frankly, I don’t know how all these guys have time 😉 I can usually tell what year something is, possibly even which tour, but unless I’ve spent a lot of time with a individual show, or there’s some obvious tell, I can’t id them like that.
May 17, 2019 - 10:31am

#1632

mustin321

Joined:
August 12, 2011

OROBOROUS

I don't think you sound offensive at all...I know what you are saying about each Dark Star/Other One being unique...it'd be more difficult for a 20-30 minute, basically free-form song to sound the same each time...and I've heard the entire tour multiple times and there's no way I could listen to a random Dark Star from that tour and say, "oh, thats the one from Lille..." or something like that. But I might be able to tell the difference between a 72 Dark Star and 73 Dark Star...on a good day.
May 17, 2019 - 10:19am

#1633

estimated-eyes

Joined:
December 31, 2008

Kramer's car

With the Seinfeld raincoat reference, I was reminded of the lone Grateful Dead reference in a Seinfeld episode. It is tough to make out, but visible to a discerning eye. In the airport pickup episode (George has to pick up Jerry and Elaine at the airport and gets rerouted twice between JFK and La Guardia), Kramer drives and there is a brief shot where the hood is slightly visible and there is clearly a Steal Your Face painted across the hood of Kramer's car. My theory is that Kramer likely wasn't a Deadhead, but picked up the car on the cheap...
May 17, 2019 - 10:17am

#1634

SkullTrip

Joined:
January 11, 2018

Freakin' King of Monsters

Couldn't care less about story, dialogue, character development, plot points. Just give me the classic four behemoths battling it out for two hours and my inner child will smile, smile, smile.

And I love that they've made Mothra into an absolute badass, dive-bombing through the sky ninja-style.
May 17, 2019 - 9:45am

#1635

CaseyJanes

Joined:
November 6, 2017

Billions

Also in this episode was a take on Sing Me Back Home...not sure who was singing it but it was not a GD version. Merle Haggard would be the best guess, I suppose!

Roger that Mr. Daltrey but will definitely keep this head out of the front row 😊 won’t get fooled again...edibles don’t cut it for me unless they are fungal in nature.

You tube channel - Dave mentioned subscribing which I did but he also mentioned getting notifications? Does anyone know how to do that?

Looking forward to the box set...think it will be 80s!

Make it a Grate weekend Dead People!

KCJ
May 17, 2019 - 9:31am

#1636

Oroborous

Joined:
June 19, 2007

Re: MUSTIN321, Da Bloody Who, and Box sizes

Buenos Dias Rockeros! Happy Friday.

MUSTIN321; I can relate to your feelings on E72. When that came out my thoughts were “that’s a lot of scratch for much of the same thing”. I had sorta taken a step back from the comprehensive Dead scene, so spending large chunks on yet more Dead didn’t make sense then......but then I turned into a total Dark Star Freak. Yea, the longer, bigger, and weirder the better! So like you I started to buy the E72 shows ala carte, but unfortunately they sold out. So now I’ve been pissed at my self for not grabbing them all while I could.......not trying to contradict you, just throwing out the idea that those Dark Stars, and Other ones etc, are all very unique and you may want to check them out. I can totally understand not worrying 100% about the rest....so much Dead, so little tile etc.....but you oughta try and check out those monster Jams....”Primo” as our amigo Love My Girl would say! Hopefully this isn’t offensive or didn’t come out wrong, just hoping I can spare others the same grief, and personally, nothing transports me these days like getting my space suit on and firing up a monster DS!

The Who. Like the Stones, always had sort of a love/hate thing going on...love the amazing music they produced, live sort of hit or miss, but both could be sorta douchey sometimes. The Who particularly turned me off with all their retirement/comeback cash ins, and Pete can be a pompous ass. But fortunately I try and appreciate artists, professionals, even politicians somewhat for what they do at work and not their personal BS. You know “judge yee not....” etc. So that being said, they are still pretty dam good, especially by today’s standards. Too me it’s worth checking them out just for Zac if nothing else. Dude is awesome and can total bring that Moon shit like no other, amazing! And of course Pino’s pedigree speaks for itself. Pete’s Pete, and Daltry’s hanging in there considering his physical issues. If he asked nice, and someone was a douche, then yea, he should tell em to “bugger off mate”
Besides, if your going through all the motions to go see someone you really dig, wouldn’t you want to get the best performance possible?

BOX SIZES; you would think at this point they would mostly hit that 3-6 show mark, because besides those Fall 80s shows what else could they really gather enough quality material for a large box. As Jim said you have to wonder if there adding, well not filler, as we appreciate all the shows in some way or another,...like little blessings from the Tape Gods...but some folks even spoke of this with the PNW box last year i.e., that perhaps some of the shows were not equal to others in the box....of course we picky Heads always want the best and have high standards, but it has to be somewhat challenging to overcome all the different variables to produce the actual final product. So to produce a great box with a different theme ala PNW, yea, they might have to slip a B+ or A- show in there sometimes....how many tours were totally A+ consistent throughout? E72, spring 90, Fall/Winter 73, spring/summer 77 and ??
Like it or not, we do live in a capitalist society, and Rhino isn’t doing all that work just to feed our Jones. So marketability has to factor in too. That’s why I don’t see the whole enchilada happening with the Fall 80 stuff....perhaps a 2 or 3 part over time like they did with spring 90? (If the tapes exist?)
So it does seem like when you consider all that, that the 3-6 show sweet spot is probably best, and more affordable, especially if/when they get into the later stuff as that was their touring MO.; i.e., 3 show runs. Can you imagine say releasing only two of a three or four night run. For sure some folks would be bummed because the one show they skipped was their personal...(fill in the blank)....hell just consider how some of us felt about which late 71 shows, or the Berkeley 72 shows were picked or not for Dave’s? The bottom line is we’re spolied rotten and though the process may not be perfect, the stuff we get is all pretty dam sweet! I just wish they’d stop the limited addition stuff so folks who can’t pull the trigger for what ever reason can perhaps score stuff later, wether still retail/new or on the secondary market. The PTB don’t seem to have any problems with the pre-sale methodology like the 50th anniversary stuff. So don’t see why they couldn’t do that with boxes. You would think after all these years they have a pretty good idea of how certain things will sell. So set a target number, roll out the pre-sales, then redial in your actual production runs accordingly? Sorry to ramble, just a thought....

Be well Dead people and have a great weekend!
May 17, 2019 - 9:21am

#1637

Angry Jack Straw

Joined:
October 2, 2012

Billions etc.

After years of being told it was a great show, I finally started watching it this spring. Paul Giamatti is fantastic. I got through about four episodes and gave up. A little too unrealistic for me and I just had a hard time buying into the plot line. I prefer Silicon Valley. To me it is far more realistic and cutting edge. Very sarcastic and funny as hell. At least until T.J. Miller left the show. A ton of quick barbs. "Our platform does exactly what it says it does. It's not like we're fucking lying, like Theranos."

The Who is still touring? Can't be. I saw them on their farewell tour back in 1982. Two days after my first Dead show. That was a good weekend.

I'll give a nod to a Carrier Dome release. At least we could finally hear the AJS from 84 in its full glory. Given a choice though, I would take the summer 85. 6/27 - 7/1. More varied set lists and some rare songs. Down at the Bottom, Superstitious, Keep on Growin, Cryptical, etc. I'm doing this from memory, so I am sure there are more.

Oro is correct. Saratoga was always a blast. We were at 84 and it rained like hell. The rain continued straight through to the 85 show. It rained in 88 too. Something about that place attracts bad weather. We were fortunate enough to get inside the pavilion. 6/30 gets all the love, but 6/27 was my favorite of the tour. High energy, a long first set and a unique second set. Double encore too if I recall.

A long, long drive through the night to Hershey. Rain, construction and more rain. Why is it that the highways in PA are perpetually under repair? It has been that way my whole life. Another soaker in Hershey. I know a lot of folks like this show. I don't, but will take it as part of a box. The skies finally parted in MD. Two great shows to end our tour. The more I look back upon it, in my opinion, it was the last great summer tour.
May 17, 2019 - 8:06am

#1638

lebowski99

Joined:
April 15, 2014

Billions

Good catch on the Casey Jones played on Billions. But the truly insane part of that episode that would have made KeithFan2112's head explode was when they played the intro to 2112 during the spin class. I feel quite confident that is the first time that has ever happened and am also quite sure Rush never thought that particular piece of music would ever hit a popular tv show. Tom Sawyer, maybe, but 2112? Madness!!!
May 17, 2019 - 7:14am

#1639

TLEO 77

Joined:
June 9, 2011

5.17.74 P.N.E. Coliseum, Vancouver, B.C.

Good morning and happy Friday Heads! May is truly a glorious time for deadheads! There are so many excellent shows played in May over the years...It has been hard for me to stay on top of the listening to May shows in chronological order. Right now I'm enjoying a show from last years box set played in Vancouver on this day in 1974. While I eagerly amount the announcement for the upcoming box set, I would be lying to say I am not in over my head. What are your thoughts on the PNW 73/74 box? There was never much discussion on these shows. Enjoy the day and weekend ahead.
May 17, 2019 - 7:14am

#1640

LedDed

Joined:
February 16, 2017

Who Are You

Excellent rebuttal of criticism regarding Daltrey and smoke. Nothing against weed, but if the man feels it diminishes his performance, be polite and stop or go somewhere to toke up. I missed Keith Moon but I've seen them with Entwistle, the finest bassist I ever saw perform live.

Today's Who is outstanding, actually... Ringo's son, Zak Starkey flies around the kit like Moon and Pino Palladino capably fills Entwistle's shoes. After all these years Pete has become a fine rock guitarist. They're trying to sneak in a new song or two but the set list generally kills.

After the Stones come through town, I'm taking my 8 year old son to see The Who. He's seeing The Who and The Rolling Stones in the same summer. Lucky kid.

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Habit

I have a habit of hitting these Europe '72 shows early, simply due to the fact of the days-long gaps that tend to exist between shows. These people were obviously enjoying themselves and taking it all in while they could in between venues. And I think it shows in the music.

4/26/72 aka Hundred Year Hall contributed to my habit today.

All I really have to say is that the Turn on Your Lovelight, Jerry's initial in-song jam, the very first one, is one of the best passages of the entire tour. He never comes up for a breath and the intensity is beyond palpable. You think they're done, after Bobby throws melodic machine-gun chords left and right with Garcia responding all over the place, but it keeps chugging and churning until your jaw is on the floor and you're holding it in both hands being all WTF?

And that's just the first little jam of the song. Don't even get me started on what happens after that. This was an all-time favorite the moment it was released as Hundred Year Hall way back when. I can still remember where I was listening to it for the very first time rightfully enhanced. Funny how these things will never leave you.

Sixtus

Re: Habit

Like I said... These shows are GD crack.

100 Year Hall, 70-Sixtus

I first heard it in a car on the way to a Phish show (turned out to be a pretty good one, at least to me).
http://phish.com/tours/dates/fri-1995-10-27-wings-stadium/

I was collecting GD tapes at the time and this was a welcomed release (although I was hoping for the complete show), since I spent a lot of time listening to cassette hiss.

4-25-77 Anniversary observances

Spinning Set2 on vinyl.

Excellent (picture Mr. Burns’ hands 👐)........

Like Jim told ya, what he said

Hippy crack

It’s real, and it’s spectacular

4-25-77
Wharf Rat>Playing transition

Happy Anniversary

Ha

Nice Seinfeld reference.

..as to the other thing. It's not a problem for me, I can quit anytime. I just chose not to quit because I like it and it sounds good.

The more I think about it.. the more I Ark for it. If not now.. when? It just turned 50 a couple days ago. Three back to back Morning Dew's.

Vol 30 bonus disc

When will we know or where can we see the track list for the bonus disc of the forthcoming vol 30?

Problem, there’s no problem!

But an Ark binge does sound groovy!

Sixtus; your making me want to skip ahead on 4/26, but I’m saving it dammit for Friday night......see, no problem lol
Relistened to 4/24 D.S., because I wanted to, not because I had to! Gulp....who am I kiddin’ Phewy!...that kick sss jam at the end you were referring to is where I felt that Throwing Stones vibe.....really subtle, just like part of one Jerry lick but?? Wouldn’t be the first lick/theme/vibe or whatever I’ve heard before that turned into something structured later...
Speaking of the jones’ big weekend; Hundred Year Hall, Dicks 26: 4/26&27/69, plus some 77 for those inclined...
and some playoff hockey for fux sake!

Hi Gang!

Random check in! Glad to see everyone doing so well!

Last 5: Dick's Picks Vol. 6 - 10/14/83 - Discs 2 and 3

Really, can't get enough of these gems! The S>F is out of this world... the "Spinach" Jam > Other One > Stella Blue... breathtaking! That Stella!!! So good!

Disc 1 (set 1) has some sound issues, but do not overlook discs 2 and 3!

Excited for DaP Vol. 30! Is the wolf the same one from the "Little Red Riding Wolf" release at Fillmore East (2-11-69)?

Peace

Hey Dark Star fans

Make your way over to the Jam of the Week...Universal Amphitheatre from 6/30/73....

Edit... There is a reel flip in the Dark Star before the Eyes

Thanks Bob T...

Ahhh the Universal Amphitheater when it was still an open air venue...and one of the nights we could not remember where we had parked the van...tsk tsk....I wonder why....

Universal Amphitheatre

seeing the GD in 1974 or prior...it must have been amazing.

6/30/73...wow. as Napoleon Dynamite sez...

"lucky"

just because...

I do again highly recommend post-drums of 1/6/78 and 1/7/78.

just because

Dancing>Drums>Jam 1/13/78 https://relisten.net/grateful-dead/1978/01/13/dancing-in-the-street?sou…
Terrapin>Playing 1/15/78 https://relisten.net/grateful-dead/1978/01/15/terrapin-station?source=9…

Happy Fryday Deadland!

2019 Box Release

Can't stop thinking about what we may get for this year. In spite of having so much Dead music, I can't even come close to listening to all I want to each day. I had this same problem in the 80s. Except now we have the best quality dead, it is all so damn good!
And of course there is the prospect of getting more.
My guess based on past years is we will most likely have an announcement within the next 6 weeks!
Peace!

Re: Could Not Remember Where We Parked the Van

Too funny. I think we could fill up an entire forum with lost minds/lost vehicle stories. I have two.. Foxborough Stadium and downtown DC. DC was the scariest for me, spent till nearly dawn walking block after block searching parking garages.. It was daunting. aack! SimonRob might just have the best.

I'd like to think good times, but.. well.. not quite.

We are due a box announcement. I think they are just waiting for log rolling opportunities and carnivorous birds to congregate so Dave can do a seaside chat.

So far...

So far in 2019 we’ve had a 1977 show, then we will be getting a 1970 show with bonus and then 1969 material with aoxomoxoa reissue. Cannot remember Dave’s exact words from the volume 30 video but it sounds like 2019 will be a mixed bag of years. My money is on a box from 88-92. Peace

Oh yeah how could I forget Warfield 1980?!?!

Studio Jerry

Happy Friday all.
I've always thought that as far as studio playing, Jerry did his best work on guitar not with the Dead, but when he guested on other artists records, especially the Jeffersons
In that spirit, my last 5 songs this morning:

1. When I was a Boy I watched the Wolves Kantner/Slick/Starship
2. Your Mind has Left Your Body Kantner/Slick/Freiberg/Starship
3. Sketches of China Kantner/Slick/Freiberg/Starship
4. Million Kantner/Slick/Starship
5. Starship Kantner/Starship

re: Studio Jer

...I always enjoyed his pedal steel playing on 'Teach Your Children' by CSN. It's rather iconic and employs such a playful, lilting vibe.

Sixtus

Re: Studio Jerry

Agree, although I like the some GD too (thinking Anthem, King Solomon's Marbles and Unbroken Chain for example.

I also like his Pedal Steel contributions with various artists, usually at Wally Heider Studio.

Interesting topic.

Edit: Looks like Sixtus and I were on the same page... Lots of Pedal Steel with NRPS too. Miss seeing those guys live. I think the David Nelson Band is playing tonight at Terrapin Crossroads. Wish I was there.. great band.

last 5 non-GD

Television: Marquee Moon
Swans: Public Castration is a Good Idea
Swans: Feel Good Now
Motorhead: Bomber
Motorhead: Aftershock

I love love love Marquee Moon

Perfection, I say

Howard Cosell said that... 9/15/73 Providence Set II

Haven't listened to this show since 1990 on cassette. I know everyone isn't a fan of the Martin Fierro and Joe Ellis tour, but I enjoy it's place in Grateful Dead history. I think this is one of the better sounding boards from this tour, along with William and Mary shows. If you have time to listen between Let it Grow and Stella Blue is a pretty unique jam, and it sounds like Phil (just a guess) is screaming non sense along with the horns. You also get a stand alone Eyes of the World. P.S. Phil says "Howard Cosell said that, after Long Strange Trip..... have a good weekend everyone.. bob t

And let’s not forget....

Jerry also played in studio with Tom Fogerty, David Bromberg, Robert Hunter, Mickey Hart, Paul Pena, Peter Rowan, Warren Zevon, Country Joe McDonald, Pete Sears, Ken Nordine, Ornette Coleman, Bruce Hornsby, Bob Dylan, David Dawg Grisman, Sanjay Mishra and others.....

Edit: how could I forget Uncle Merl....some of that funky soul jazz stuff they did is some of my favorite JG of all time!
After Midnight etc, hell that whole Fire up Album is awesome!

Fall 73 horn tour

Speaking of, haven’t had a chance to hear much of this tour. I know it gets slagged, but there must be at least some great stuff that’s useable from this run? I mean it was 73 and right before one of their best tours ever (fall/winter).
I had a tape of ?Buffalo? Way back when I was just getting onboard that I recall liking but some bastard stole it (David H). As I say I was a neophyte then so perhaps my perspective and/or memory is warped?
Curious to hear what all y’all know/think about that tour, especially those a “mature” 😉 enough to have been around then?

Where’s my car story

I had an unfortunate incident in Worcester Mass spring 87 where a friend and I scored some blotter supplement that was a bit too strong. By the middle of the 2nd set I became incredibly paranoid and feared I would never be able to find my car or my way home (New York). I unfortunately forced my friend to leave the show early. Thankfully we found my car and I drove about a block or two on a flat surface. I felt like I was driving into a deep ditch so I pulled over, shut the car and wisely decided to wait it out. Ended up calming down and jump starting a few people’s cars and vans. Finally at like 4 am I was able to operate my vehicle. We cruised down the Massachusetts Turnpike in the right lane at about 25 mph. Crazy night but I was at least able to find my way home.

Studio Jerry

He also played on "If I Could Only Remember My Name" (ironic that that one was forgotten) by David Crosby. Great guitar tone on "Cowboy Movie"-I assume its Jerry-Jorma Kaukonen also plays on the album. As ever with these cast of thousands S.F. albums I am never always sure who's doing what. "Blows Against The Empire" was always, and still is, for that matter, my favourite of these allstar collaborative albums.

Thumbs up for Television's Marquee Moon, too-both that and Adventure are great albums.

73 horny tour...ew

buuuuuut

9/11/73 is good

gotta hear that one again sometime...

@Stoltzfus That is where i just went to 9/11/73

Started with the Let me Sing Your Blues Away.... bob t

Deadful Head

DaP 30 Bonus Track List - unpublished. I emailed the guy who knows, but he wasn't budging in his response. It's up to the first DaP 30 subscriber recipient to let us know.

*RE/ 2019 releases

...so far, 77’ Daves Pick, 80’(Warfield) then 1970 Daves Pick, next the 1969 album 50th Anniversary release and then the ‘1966 vinyl’ release included in the “comic book series”(actually 2020 release) and then and then and then... ;)
This year the Grateful Dead are covering the most adverse releases to date besides the past release of the “30 TATS Boxset”... 2019 is and will continue to be a grateful year for us deadheads and the band as well! ‘What a long strange trip it’s been’ but I can’t help myself but to ‘Smile Smile Smile’!
Have a grateful Friday my brother & sisters, peace be with you all! Long live the Good Ol Grateful Dead.
PS- I love Jerry’s steel pedal guitar work with all the different bands he performed with over his career period but when it comes to the NRPS nobody even comes close to ‘Buddy Cages’ Playing/Performances, mr Cage is the man!!! Just my humble opinion folks.
🙏❤️😎
Rock On! 🤠✌️

E'72

I've been waiting for a clear block of time to spin the 4/24/72 Dusseldorf show, and this afternoon it arrived. Had a clear block of time to listen to the whole show without distractions and I am glad I waited. This is possibly my favorite show of the tour from start to finish. Somewhere around Good Lovin I settled into the couch, equidistant from the speakers and looking out my living room window across the valley to the Bitterroot mountains. Spent the entirety of Dark Star watching clouds glide down the face of the mountains and back up again, leaving behind what looked a lot like fresh snow at the higher elevations. Pretty much perfect visuals to accompany that spectacular Dark Star.

Liked the stories about losing cars and vans and stuff. I never lost my car while tripping, but I did lose my virginity while tripping, and that was way cool.

check this out, on this day

https://jerrygarcia.com/show/1970-04-26-york-farm-poynette-wi-usa/ Wisconsin's Woodstock

Re: Daverock

Oooops, thought I had Cros on there......
Blows against Empire is one of my favorite albums of all time, and hey, how many people get credited on an album as “spiritual Advisor”, especially for the likes of the Jeffersons!
Hell like Cousins said, Jerry always seemed to rise up on other folks albums. Maybe he didn’t feel the same pressure as if it was his own?
So as if he didn’t gift us enough amazing art elsewhere, we have all this incredible sideman stuff too!
Tanks big guy, we truly miss ya!

Vguy

Not to bring up a sore subject, but if you are watching the Islanders/Hurricanes game, you must have just thrown your beer through the TV screen. Same location on the ice for a faceoff, an Islander high sticks a Cane. He goes down, but none of the refs see it. No penalty.

But wait. The Cane is bleeding. Double minor. NOT a major. Just like I posted a few days ago, that was always the standard when a player is cut and still seems to be.

Wisconsin Woodstock

Looks like an awesome festival set! The last performance of The Eleven. Don't understand why they dropped that one, such an awesome song that shows the brilliance and risk-taking of the Dead.

While I'm salivating over the 30th Pick arriving next week, I listened to it's immediate forebear over the last 2 days on my commute to and from work. Forgot what a great Pick it was. The Help> Slip in particular; it just thundered in my car. Great (and loud) sound on Betty's recording. Can't wait for Owsley's 49 year old recordings to hit my ,ailbox!

A selfish heart is trouble....

....but a Foolish Heart is worse. NHL refs follow that mantra for sure. AJS. I saw that. Life lessons.
Foolish Heart is a good song. Under the radar. Unlike five minute majors for Foolish Bullshit. Lol.
Blood on the ice.....whelp. It's friggin hockey! NFL rules are now filtering.

*

Enraptured

Traveling down the road doing 95 miles per hour. The radio's blasting and I'm passing cars faster and faster. Sixtus' Lovelight is on from 4/26/72. The sun is shining and it's occurred to me that this song is about sunshine. That's the love light. Probably not, but it works for now. And the Grateful Dead is jamming like the Allmans.

Couple of news flashes:

10/19/71 - Enter Mr. Godchaux. Uncle Gary sent me this one last year, and it is f****** outstanding. Sounds like it was recorded off the radio - loud audience presence that drives the excitement. You guys should be so lucky to get an Uncle Gary one day.

Check out Bombed at the Omni, 6/20/74 on archive. May need to search around for the best sounding one, but the second set is well worthwhile. UG, I hope you don't mind me borrowing this verbiage that I sent you last night: The Truckin' => Jam => Eyes of the World => Slipknot! => China Doll is fabulous. Jerry plays the opening of China Doll with some effect that's so thick and crystalline, it sounds like a 12 string, but I've never heard of him actually playing one. Then he solos with that really muddy distorted bluesy effect that you hear from time to time in '74 (Scarlet Begonias has it on DaP 17). But to hear a 5-minute Slipknot! in its infancy.....

10/19/71 - KG's 1st Show

Also 1st performances/debuts of:

1. Tennessee Jed
2. Jack Straw
3. Mexicali Blues
4. Comes A Time
5. One More Saturday Night
6. Ramble On Rose

At this point, every time they turned around they 'tripped' over a new (great?) song. 1971 was a most prolific year for the band.

"Bombed At The Omni"

That title reminds me of "Dozin' At The Knick". It gave me a chuckle. I've had this show on tape for many years then found a better copy on archive. Great one for release IMHO, but I think it might suffer the same indifference as Dave's 17, since there is no Dark Star or The Othe One. I believe there is still room for partial show compilations, Road Trips style. I believe there should be some random Road Trips releases. They could make it a ongoing thing, like one two and three From the Vault. No schedule, no expectations, just release stuff that doesn't add up to a full show. Like June 16th and 18th 1974. A couple of seconds sets, and we're off to the races.

What he said...

Yea Rhino, what Dreading said.....more releases, more ways if necessary.......what???....problem, I dont have a problem 😃

@Keith Fan... 6/20/74

Always has a special place for me because along with 7/25/74 Chicago, only shows back in the tape trading days of the 80's and 90's that you could not find from 1974!!! First show I ever listened to when I discovered Internet Archive!!!

Todays wood

9/10/83
Phemonal

1/11/78
Yeeeeeeees

3/7/81
Yahoo!!! a la Slim Pickens

Did Someone Mention 1974?

Can there ever be too much 1974?

9/10/83 is sure to get VGuy's attention.

YES!!!

Keithfan2112

Nice Ace Frehley reference, man. Was wondering if any of our fellow Deadheads here would pick up on it and comment. Been listening to a bunch of that old stuff recently as I starve myself of Dead for a couple of weeks in advance of receiving DaP30.
The Space Ace rules!

*Re/ Bob Dylan...

...greetings to everyone on this grateful Sunday...hoping all my brothers & sisters are enjoying their last weekend in April... 🙏😎
* If anyone is Interested , I have a new/mint
“Bob Dylan - vinyl Mono Boxset” I’m looking to sell for my medical bills that are just pilling up week after week, so I continue to recieve the best medical/medicine has to offer. I’ve actually started last week on a new trial medical procedure that was performed on this past Tuesday at Englewood hospital...praying for positive results.
Here’s some info about the Dylan Mono Boxset...
Description:
This box collects Bob Dylan’s first eight 12-inch LPs, his albums from Bob Dylan in 1962 to John Wesley Harding in 1968, as most people heard them, as they were expected to be heard, and as most often they were meant to be heard: in mono. --- Greil Marcus, taken from the liner notes of Bob Dylan: The Original Mono Recordings

Bob Dylan’s first 8 studio albums pressed at RTI on the highest quality 180-gram audiophile vinyl. Also included are reproductions of the original LP artwork, including inner sleeve art and original inserts, all in heavyweight, wrapped jackets. Also includes beautiful 12x12” book with new liner notes, rare photos, memorabilia and more!
Cut from the Original Analog Mono Masters by George Marino at Sterling Sound: Each Disc Comes With Individual Jacket Replete with Original Artwork and Inserts

Includes Deluxe Booklet, 18" x 24" Poster, Rare Photos and Greil Marcus Essay

Bob Dylan’s The Original Mono Recordings is comprised of his first eight albums painstakingly reproduced from their first generation monaural mixes as the artist intended them to be heard: One channel of powerful sound, both direct and immediate. While stereo recordings had been available as early as the mid-1950s, mono was still the predominant, and often preferred, mode of recording and mixing by the top artists of the 1960s. As a result, artists like The Beatles, The Rolling Stones and Bob Dylandevoted their attention to the mono mixes, leaving the stereo mixing process to studio engineers.

As is fitting for a box of this magnitude, The Original Mono Recordings are accompanied by a deluxe booklet, featuring vintage photographs of Bob Dylan and an expansive essay from renowned author and critic, and longtime Dylan aficionado, Greil Marcus. Each disc in the set comes in its own individual jacket which faithfully replicates the original album artwork, complete with labels and stickers that were found on the original 1960s releases.

Cut from the original analog mono masters by the legendary George Marino at Sterling Sound, this set is simply unprecedented, some of the most important and timeless music ever made, now in jaw-dropping sound that rivals what was heard in the studio control room.
"Those that own the hybrid stereo SACDs of some of the albums in this set are still in for a treat. Ditto those that have Sundazed’s mono LPs, which don’t claim the level of detail retrieval or sheer openness on these pressings, which come straight from the masters. Then, of course, there’s the meticulous replication of the labels and inserts, as well as the high-quality jackets, all reproduced with immaculate care. Not to be missed."
--Bob Gendron, TONEAudio, Issue 33

"During most of the ‘60s, mono was the preferred format, and Dylan and his engineers focused most of their energies on getting the mixes just right. That’s especially apparent on the classic “Blonde on Blonde” (1966). Though fans may prefer the sharper separation of the instruments on the stereo mixes, the mono versions get at the heart of Dylan’s rough and tumble sound, with the vocals in the midst of the instrumental fray rather than pushed out in front of it. The rockers especially sound more menacing than ever."
--Greg Kot, Chicago Tribune

...here’s to everyone having a grateful Sunday, god bless & peace be with you all!
Rock On!🤠✌️

Bob Dylan
The Freewheelin' Bob Dylan
The Time They Are A-Changin'
Another Side Of Bob Dylan
Bringing It All Back Home
Highway 61 Revisited
Blonde On Blonde
John Wesley Harding

* Please feel free to send a pm / message and I will respond as quickly as I can.

Best of Luck LMG

Hoping for the best.. and passing some good vibes your way.

I knew the mere whisper of Santa Fe would draw VGuy out. Plus.. it has a rockin' Cumberland Blues, what's not to like.

In truth.. I find '83 a little all over the place. I think of it like a old-time train, a steam engine that jumped the tracks and is rolling through town unbridled, unrestrained. I think of all the years in the 80's, 83 might have the most uneven recordings. Sometimes lots of audience pumped in (thinking Harrisburg PA for example), sometimes they are pretty clean and crisp (thinking Morgantown WV). Anyway.. an interesting year and to me the year Jerry's health issues became visible. Some of those shows are crackling with energy though.. I had fun in '83. '84 continued the unevenness, but there are some recordings that come through pretty clear. I tend to like '85 the most from this period. The summer tour was pretty even and solid and fall had some moments, Richmond comes to mind. I do recall being front row, Jerry side on 6/26/84 Merriweather Post Pavilion and they opened with Casey Jones. Keep in mind.. this was '84 and Interstate 95 from Miami to NY was paved with Colombian Cocaine (95 is about three miles East of Merriweather).. It was everywhere, it was high quality and it had become 'relatively' cheap (or at least cheaper because it had become very pure). There is little question in my mind why they opened with this and as raw and raunchy as this version was, the energy during the refrain was off the charts. They kept repeating it, it kept going on and on and each time with more intensity and enthusiasm. I am a little embarrassed to admit how much I enjoyed that moment with the understanding I think this is a terrible drug and ruined the lives of countless friends. But the building was shaking that Tuesday night.. This was the only time they opened with CJ post hiatus. It was not a great show, but it was a good show and the energy rolled out of the shed that night and into symphony woods and beyond.

Anyway.. it's in the low 40's here today and the rivers are full. I might take the day off though and get some cleaning and listening done. I need to get caught up my E72 adventure, I left on the DS from 4/14. Like Sixtus said, one of the gems from that tour.. it might not be the best but there certainly isn't one better...

Be good all, sending positive thoughts LMG. Play dead, happy Sunday.

*Re/ Jiminmd

...thank you for the well wishes and positive vibes, my friend, your very humble. That’s means a lot to me my brother, enjoy the rest of your grateful weekend! 🙏❤️😎
...I’m praying that my participation in this new trial procedure & medicine will help others with my medical illness.🙏
Peace be with you JIMINMD!!! 🤠✌️

product sku

081227923761

Product Magento URL

https://store.dead.net/special-edition-shops/dave-s-picks-store/dave-s-picks-vol-30-1.html