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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • Sixtus_
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    re: 6/10/73

    yes yes YES

    And, this is my NameDay show.
    Therefore, it must be released.
    There, I said it.

    .....Dave???

    - Sixtus

  • stoltzfus
    Joined:
    oh, and 6/10/73

    :))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))

  • daverock
    Joined:
    Butch Trucks and (not necessarily) old and in the way.

    How sad. I've just had a look in "Midnight Riders", and the quote I referred to isn't sourced, so it could have been made at any time under any circumstances. It occurs during a consideration of the Fillmore East album, 1971, which suggests the comment was contemporaneous-but there is no evidence that it is.

    The other thing is - we all say ill considered things at times. If someone had recorded all the stupid things I have said in my life, and written them down at a later date you would have a book as thick as the Bible.

    There are a few old bands and musicians I see who can still kick out the jams. Jeff Beck is better than ever, and King Crimson were incredible last year when I saw them. Though to be fair, it was also the first time I had seen them. I will be there at the Flamin' Groovies gig next week, followed by Steve Hillage the day after. I am, it is fair to say, a man of my times.

  • DaveStrang
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    Sixtus / Mr. Charlie

    Yes, yes, yes to every one of them…If I remember correctly it was the only song played at every E72 show with 'Black Throated Wind' next at 20…not played at Bremen 4/21 & Paris 5/4.

    I think 'Mr. Charlie' along with Sly Stone's 'Thank You (Falettinme Be Mice Elf Agin)' are 2 great examples of proto-funk or Pig-Funk in the GD's case (imho).

  • Dennis
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    things (maybe 2 of them)

    Jim - you got me looking at powwowville. When you listen, do you listen in the disc order of the set or show order. The section you referenced is from one show (on the 2nd disc), the dew is from the 3rd disc, different night. I have them stored in show order. How the dew work in that location?

    Shultzy - I think I agree about ABB and done with them. Not so much them per se, but some acts. I can hear the screw you's already, but I always feel that way about the who. It's like the catalog of live playing isn't thick enough or different enough to warrant drooling. Tom Petty hit me that way, saw him 3 times with years between each and felt I saw the same show :-) (hey tom, 30 fucking years can't you throw an extra note or two in Refugee! :-) There are just groups you feel you've gone to a performance of their greatest hits, versus a performance of great live dynamic musicianship.

    Exception for me - Pink Floyd, shows from that catalog are always incredible sounding, you only need to see 1 show per tour since they are virtually the same every time. But damn, they always sound good!

  • DaveStrang
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    Butch Trucks

    Since Trucks shot himself in the head in front of his wife, I think it safe to assume mental illness/dementia/Alzheimer's played at least a small part in his suicide. Several news articles of the time cite mounting financial debt ($800,000) as a possible motive. Trucks had to sell his condo in Florida and was being hounded by the IRS.

    The 'trash' talk regarding GD in general and BK & MH in particular could also have been the result of mental incapacitation.

  • Sixtus_
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    re: JeffSmith & TOO Rankings, Mtns

    ....thx Jeff for the reminder and also keeping me honest in this monumental task of cataloging The Other Ones from the E'72 trunk. Invoking said honesty, I am behind - but not for a lack of trying.

    I've made it up to the May 16th/Luxembourg show, but have only been taking 'mental notes'. I can say with fairly definitive certainty that the April 11th/Newcastle Other One is my favorite so far - it gets into a bit of a feelin' groovy jam in there too - but beyond that I have little to offer otherwise, at this exact moment.

    I will say, and I've mentioned it before (as have many others), the consistency of the playing here is what is remarkable, however the fact it is still '72 means the song selection can only go so far and of course each show is fairly similar in this regard save for swapping songs in differing slots. Nonetheless, each time I listen to a show there are things that pop out at me enough to make mental note that "this is a pretty damn fine show".
    I still really like each and every Mister Charlie - it's a fun, punchy tune with loads of personality. Too bad it all but disappeared following this tour....with Pig on the decline, you can't win 'em all.

    Oh...I also enjoyed the history on the mountain jam whoever started that discussion. Pretty cool about the origins of the ABB's take on this (at least as described here). I love the reference Jer makes in the 2/14/68 Alligator to it and I find inspiration in the fact the ABB saw the same. But in the end, I gotta agree with Stoltzie, ABB can't hold a candle to the good ole GD.

    Sixtus

  • stoltzfus
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    In my musical life, before the GD, there was the ABB

    I was at a Wisconsin KMart, 1979, 15 years old, buying an album of my own...deciding between Enlightened Rogues by ABB and Journey. Yes, Journey. One look at the back cover photo, and...

    I chose ABB. later bought Fillmore East, Eat a Peach.

    Three years and one move to California later, I found the GD.

    ABB were ok after that, but nowhere near the GD in my rabidity.

    the ABB camp dissing the GD camp...laaaaaaaaaaaaame. Like a scooter critiquing the space shuttle.

    Like many artists, I'm sure they envied the GD's...loyal fan base.

    I do like ABB guesting on 7/16/72, 7/28/73, and 2/11/70.

    but ABB overall...I'm done with them.

  • JeffSmith
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    Europe '72: The Other Ones Reviewed?

    Hey Sixtus. We're all pretty spoiled, but I have to ask: Now that the anniversary has passed, any chance of a "Sixtus Over-, Under-, Around-, and Re-view of Other Ones from Europe '72"? You and Keithfan and others started down the path in early April, but there've been lots of distractions since then. I still pull up your Europe '72 Dark Star review regularly. Just wondering. . . ;-)

  • KeithFan2112
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    Screeching Halts and the '69 / '70 Bug

    The E72 anniversary project came to a screeching halt at the Lyceum run. Tough to keep up with 4 shows in a row, which is the most they did the entire tour. I've gotten most of 5/23 in (excellent set list, blistering Promised Land - wait, I think I said this last week). Anyway, up to 5/24, but the '69 / '70 bug grabbed me.

    Jimbo, the Big Rock play list is hot. I didn't recall how well-recorded this show was. I also didn't realize until I got into it that these songs are one contiguous piece of music. When I saw it on paper, I knew China Cat & The Eleven were connected, but not the rest; it makes all the difference in the world. Let me first say - extraordinary transitions throughout the entire set. Smooth, smooth, smooth. Excellent Doin' That Rag - I can't say I recall a better version. My new favorite of the era: He Was a Friend of Mine. After hearing the 3/31/69 version of Stoltzie's, and now this one, I'm scratching my head on how they didn't play this song more often. It was always kind of a novelty item for me on the Thelma release, paired with that trippy UJB. Can't wait to queue up the 3rd and final "official" version from the FW Bonus Disc soon. The China Cat transition into The Eleven struck me as "particularly good", as my recollection from the '68 versions is that they go into it with more of a bang than a sneak, after a few measures of Jerry playing the lead intro, followed by the group pounce into The Eleven; but here in the only 1969 China Cat / Eleven that I can think of, Jerry begins the transition with the Eleven lead intro (par for the course so far), but the rest of the band kind of lingers on the China Cat jam a bit longer, before joining in one at a time; then we get the big Eleven pounce. The subtlety here makes for one of those seamless transitions where you don't quite recall how you went from one song to the next (which is precisely why this version stood out for me - one minute I was driving along admiring a good looking lady in a jeep, the next I realized the Eleven had started without me - REWIND). Death Don't Have No Mercy doesn't come up on my play lists too often, mostly I guess, because they didn't play it that much. Every time I hear it though, I think, wow, this is right up there with Zeppelin doing Since I've Been Loving You, and the blues wasn't even Garcia's forte (or T.C.'s for that matter, and he lays down some nice organ chords and fills). Not that I would ever compare the Dead with Zeppelin for sustained Blues prowess LedDed - just saying they sound like they know what they're doing up there ;-) Anyone who's enjoying the new Dave's Picks and wants more of the Magnificent Seven, Jim's unearthed a perfect medley from Disc 2 of Road Trips Vol. 4 No. 1 / Big Rock Pow-Wow '69. And it's only 35 minutes....unless you add the Morning Dew "for good measure" which I advise. The pre-song banter will give you a chuckle.

    With regard to the Butch Trucks / two drummer comment - I think he expressed the limitation for improv that I felt had hit the band after Mickey rejoined in '75. I would be interested to hear if he made the remark before or after Mickey's departure (I assume before, since this is when the two bands were most closely affiliated). There was a spontaneity to the music from '71-'74 that I really enjoy. Even on the shorter numbers, anybody in the band could swing this way or that to change things up a bit. Probably the reason Playing in the Band evolved as it did. Prior to Mickey's leaving, however, his presence made for some powerfully live concert moments (The Eleven I was just talking about not least of all); without him on the early stuff, Primal Dead would not quite have been so primal. We're lucky enough to get the best of both worlds with the archival releases.

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Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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One that sticks out for me is 12/27/79; right in between two of the best shows of the year, this was a letdown. Listening to it on the Archive, it's not that bad, but in person it sounded like Jerry didn't come alive until the post-drums.

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Maybe it’s like hockey where a team has a great game, but the next night they never really get up to speed until it’s too late. So the next night they come roaring back.

I love 12-26 and 12-28. Not sure if I have listened to 12-27. Think I have video of 12-30.

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I recall a lot of friends -- and this was a large entourage -- saying towards the end of this show that it was well below par. Another friend and myself were of the opinion that it was a great show and we took some lumps for our disagreement: "Oh what the hell do they know: they don't have as many tapes as we do?!?"

And all those years later when it was officially released as Dick's Picks 13 and the LateGreat Dick Latvala wrote in the GD Almanac that this show was "The Big One!" Dick wrote that it was a show that had some unique playing and jamming quite unlike anything they did before or afterward for that matter. My friend and I were obviously right despite The GD Scholars-Idiot-Savants-of-Every-Note-Ever-Played being wrong. I took the high road after its release and never rubbed there nose in it but did feel quitely vindicated.

On a personal note I will add that Bob's dedication of He's Gone to Bobby Sands who died after an extraordinarily long Hunger Strike in The H-Block Prisons was very moving at the time. Likewise, Jerry's singing and playing. Coming from an Irish family and having lived in Ireland too, that was an especially heart-felt and moving moment. There may not be a more painful death than starving to death over a sixty day period of time. Having said that, that does not mean that I condone all actions of The Provisional I.R.A.. The British soldiers who perished, among all of the others, have friends and loved ones left behind too. You have a heart, you know? Similarly, and not to get too political here, but since internet postings are so easily misunderstood, past and present U.S. Administration's actions are equally questionable. That would, however, apply to any and all conflicts.

Despite, and it was what a lot of attendees thought, May 6, 81 was not a "Dud!" It was a show that the band being moved by the news headlines truly delivered on. Dick L could tell and wrote so in the Almanac at the time of its release. And thanks Bobby W. for the dedication of He's Gone for it was a thoughtful gesture even for those who wanted a ballot-box solution to The Troubles. You're a good man Bobby W.

I'm hoping it will be in my mailbox when I get home, but no shipping notice or anything as yet. I may be so enthused if it's there to immediately rip and listen to the bonus disc and save the Dark Star for the weekend if I can. Probably won't.

If anybody has received, I'm dying to know the bonus disc tracklist. :)

As far as duds, I never got to see the Dead, so I can only go by an auditory exploration. But I've seen several offshoots, mainly Phil and Friends through many iterations, and while I never saw an actual dud, 6/28/06 Walnut Creek was a terrible setlist on paper, but the performance was fantastic. They Love Each Other (in a fantastically upbeat arrangement) was perhaps the highlight, that and Friend of the Devil> Hardest Part (a Ryan Adams original), and one would think that it wasn't a good show based on the paper and saying that. But Phil and his friends, particularly Barry Sless, Larry Campbell and Joan Osborne killed it. It was no 4/20/01, but it was a really good show. But can you imagine a better first Phil show than 4/20/01? 23 min 1st set Wharf Rat, 2nd set sequence of Dark Star> Blues For Allah> Dark Star> Night of 1000 Stars. Still one of the best shows I've seen. Oh wait, the subject was duds... :)

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At every Dead show I also felt like I was at the best place on earth. Some shows it took a while for the band to get going.

One obvious 'dud' that has been mentioned before was Boreal Ridge 8/85. I was there. It was advertised as "the highest Grateful Dead Concert in the world" because it was 7,200 feet at a ski resort in the California Sierras. They had big equipment issues that day, and had a hard time getting some juice going. I think it was the only time they played "day tripper".
It was fun, as usual at a Dead Concert, but was a little weak.

I just finished DaP 8 11/30/80 at the Atlanta fox. What a great show.

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It was one of the summers in the Midwest where it was 90+ everyday and no rain!! Not even close to the temperatures that you are use to!!! bob t

From my own limited experience of seeing the band, I would say that there was more of a difference in quality on a nightly basis with them, than with other bands I have seen a lot. Going off the only run I saw them play, in London 1990, the first night, 10/30, was great. It was very exciting to actually see them after all the tapes I had heard and books I had read. I was right up at the front of the stage, and it was hard to believe that that was actually Jerry Garcia in front of me-within shouting distance as I remember it.

The second night, 31/10, we arrived after it had started, and I could hear the strains of the first song Help On The Way, from outside the hall. Even from there, it seemed clear that they were playing way better than they had the night before. The energy level was sky high. I had been happy enough the previous night-but they were clearly much more in synch on this night than that one.

The third night...I don't know what went wrong. I was upstairs in the balcony, on Bruce's side of the stage, and his piano playing seemed much, much louder than everything else. The music overall seemed quieter-a bit flat. I'd taken some mushrooms before this one, so you would think I would have been right in the zone-but I wasn't. It was a great set list, too-they played Dark Star-but I felt very outside things. It wasn't a dud, as such, but they didn't seem to play as well as they had on the previous two nights. Or was it me? That goes for many things in life actually-do I like something because of the quality of the "thing" in itself or because of the way I felt when I experienced it?

I liked Deadegads expression of compassion for Bobby Sands. We surely don't have to agree with someone's ideology to feel saddened and moved by their suffering.

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Five times played.. Blossom was especially good in my humble opinion and likely a releasable show.

12/28/84- San Francisco Civic - San Francisco, CA
02/20/85- Henry J. Kaiser Convention Center - Oakland, CA
03/31/85- Cumberland County Civic Center - Portland, ME
06/25/85- Blossom Music Center - Cuyahoga Falls, OH
08/24/85- Boreal Ridge Ski Resort - Donner's Summit, CA

Speaking of taking a while to pick up some steam, in the later years sometimes they started strong and ran out of steam..

I didn't catch a Day Tripper. What a fun song.

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That's exactly it, even though I don't watch NHL :-)

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No Pick in the mailbox, no shipping notice in the email box. Now, that's a dud. Was really needing something uplifting after a long, hard day at work. No dispensaries within my state's borders, and my guy's out of the country. Oh well, back to 11/10/67 it is! Around 8:30 of Alligator, Jerry starts a little First There is a Mountain jam, and Phil joins in around 20 seconds later. Not full blown, but familiar.

Eta: went searching to see if anyone had info and on SteveHoffman someone pointed out the release date this time is 5/3. When did that change? It's always been 2/1, 5/1, 8/1, 11/1 for the release dates, no matter whether the 1st fell on a Sunday or a Tuesday. But we should still be getting shipping notices if it's 2 days away, and kind of peeved that after 7 years, all of a sudden the 30th one changes dates. Granted it's published on the sales page, but I have no need to go there since I subscribe.

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Silence from the boys in charge RE: a shipping notice. However, like many here, I usually get mine days after many other folks here, and sometimes after I've actually received the discs. Not worried... yet :)

Jimbo, your enthusiasm for 5/1/70 is certainly warranted! Perhaps the best sounding acoustic 70 set out there! Charlie Miller magic all over this one! IMO, it beats the next night at famed Harpur College. Check out that MaMU and Mama Tried with Marmaduke on high harmony! Great stuff! The electric set is great too,... not quite up there with 5/2 (that Viola Lee! Damn!), but fine nonetheless!

https://archive.org/details/gd1970-05-01.sbd.miller.95683.sbeok.flac16

Peace

Oh, on this fine May Day, let's not forget Hampton 81! What a great show that is too! 2nd set is FIRE from start to finish!

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1967:

1. The Byrds - Younger Than Yesterday
2. Elizabeth Cotten - Shake Sugaree
3. Miles Davis - Miles Smiles
4. The Strawbs w/Sandy Denny - All Our Own Work: The Complete Sessions
5. Gene Clark - 1st S/T w/The Gosdin Bros.

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Don't post much so I'll just spew it out now. I saw the Day Tripper Blossom Show in 85. I don't live in Cleveland but I saw the boys there twice and the Talking Heads in the early eighties. The place was a bitch to get in and out of but once you were there it was sweet. One of the better sheds at the time. I think the Dead started early that day, maybe a 4 or 5 oclock show. The Day Tripper opener blew me away but it didn't seem weird because of the early start time. The first set was unusually long, 10 or 11 songs. I'm on board with looking at this as a release along with other summer 85 shows. The last summer tour before the scene totally exploded.

My balls are still sweating from the Alpine shows in 88. 4 shows over 5 days. 2 shows, take a day off, 2 more shows. The medians on the highway were scorched from cigarette butt fires. Much has been said about this on the boards, but Jerry came out of space on the third night and totally fucked up Stella Blue. I knew about his health problems and heard the rumors but it was the first time I had seen his issues really affect the music and I left the show feeling concerned about him and the future of the Dead.

I can't speak for everybody but after spending 5 days in the 90 degree heat,,,, my skin and mind fried, I really wasn't expecting much from the final show, My future ex wife had sun poisoning from playing cosmic wimpout in the sun on the day off. She was miserable and I was just feeling drained. They came out and killed it. They played Believe it or Not for the first time and I thought it was one of the most amazing songs ever. It was almost like Jerry was saying, hey, I slipped , but i love you ..... redemption for the previous night. The rest of the second set rocked.

Then something amazing happened. I was totally sober that night. No smoke, shrooms, beer, nothing. They were playing Morning Dew and when they were bringing it in, I felt myself leave my body and I was underneath the top of the pavillion looking down at the band and the crowd. This sounds weird, but it felt like a full body orgasm, I was within myself and outside myself at the same time. It was the most ecstatic moment during all the years I saw the Dead and certainly one of the most spiritual moments and I was totally straight.

I can still listen to tapes from that night and feel a quiver of that vibe that pierced me.

....now we're talking!!!! The Miller mix is primo. First Me & My Uncle followed by Mama Tried? But the acoustic Cumberland followed by a Race Is On got my attention fo' sho'. Is there anything this band can't do?
....edit. nice post unclejohn61. I caught a Believe It Or Not as well. High five! Also caught a Monkey & The Engineer at the Fab Forum in '89 as a one off, a song also included on the 5.1.70 acoustic set.Yup. Not many duds on my attended list.

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Woodstock was the worst. They came on late, power outages during the set, I was shriveling hard on brown acid, no place to go to the bathroom, mud everywhere.

I realize it's shameful to make fun of any medical condition... but well, since the first four letters are narc I hope I will be forgiven.

A pharmaceutical commercial just came on the TV about Narcolepsy and one of the symptoms is "Hallucinations while falling asleep or waking up." How do I get this condition? I think they need to create a med that brings it on.. oh wait, they did, Hoffman/Sandoz 1938.

Good to hear hype and comments from so many shows and different eras, especially the ones that have not yet been slated for release. All my kids are named Charlie Miller, the guy is a miracle worker. :-D

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I was fortunate enough to catch the Portland Day Tripper. The place came unglued.

Believe It or Not was another rarity I saw. The band played the only version of Green Onions the same night. Very cool song.

Your posts got me to thinking about which infrequently played songs I caught over the years. An incomplete list of the more memorable.

Revolution - odd but I saw three of the eleven ever played.
Walkin the Dog
Willie and the Hand Jive - saw two of the six and both also included Comes a Time
Keep on Growin
Road Runner
Revoluntionary Hamstrung Blues

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Hiya, kids, hiya.

Can't divulge much about what I've been up to lately. Let's just say that I finally proved that those photos China released recently from the dark side of the moon were fugazis. They were actually taken in an underground garage in El Segundo by a guy who dresses like Liberace and calls himself Munch.

I've been to the dark side of the moon. The only thing there is Kesey's Thunder Machine. And a Starbucks.

My trip back here to this site has been long and strange. Hmmm...that sounds oddly familiar. I was trapped in a chrono-synclastic infundibulum a couple parsecs from Earth for what seemed like a decade, and only made it back here by the grace of God and my life-sustaining supply of flamin' hot Cheetos®.

As I've aged backwards because of my inter-planetary excursions, I'm a bit out of sorts vis-à-vis Earth time. I assume you all have the mighty tasty DaP 30 in hand with that glorious bonus disc, and you have no doubt rejoiced over the box set announcement. About time they released those incredible shows, am I right?

Anyway, it's good to be back, although my soul is still drained and weakened. Think I'll take a nap.

P.S. Does that Capthcha thingy show you pictures from different stages of your life, too, or is it just me?

Nice to hear from you. You should really sell the movie rights to your story, man.

Nice tease about the "box set announcement". Now we shall begin parsing your words with surgical precision to ascertain clues that you may or may not have intended :)

I had a sort of funny story that involves MDJim, tangentially.

I had Good Friday off, so I decided to spin 4-19-82, which I have a nice recording of thanx to MDJim.

But, I got interrupted by some family complications, and yadda yadda hadn't gotten back to it until the other day.

I started at set 2, and then when it got to that crazy Quoth the Raven / Space segment my dog started flipping out. She did NOT like that maniacal howling in the background.

So I stopped it again, and put on my new Warfield RSD vinyl, which soothed the savage beast. Finally got through the whole thing at work, not without interruption though. It just wasn't meant to be this year. Next time, headphones. Its a good show.

Peace

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Shipping notice received for this one. Looking forward to it.

Oh, hello, Bolo.
Good, good morning. So good to see you. Interstellar travels bringing tidings of box sets and other Universal Mysteries, as always.

Sixtus

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Without you, this site has been like a foot without a big toe.

Now if I may speak of you in the third person......

With regard to the box set, Bolo said, "About time they released those incredible shows, am I right?"

I'm going with April or February 71, Fillmore East or Port Chester. How many unreleased can you mix the words " those incredible shows" and "about time"?

It took me some time, but I have cracked the clues Bolo laid on us last night and figured out both the contents of the box set and the reveal date.

Now, some much needed sleep.

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:)))

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Dave's 30 shipping notice received. And fine to synch up with you again Bolo! All the best as you wait out that nasty case of time-dilution bloos. Stick around – hope the present "present" doesn't scare you back to that Starbucks on the Dark Side. Onward!

...welcome back, happy to hear you returned with help from your higher power! Amen🙏
Did you have rations of Reece’s Pieces on your long journy back home? 😉🙏❤️😎

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Would they possibly release more 73? Universal Amphitheater shows would be nice. Long shot would be summer 91 NY-Chicago-Sandstone shows all smokers.

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Lots of palindromes in bolo's post - could it be Aoxomoxoa related? Say a 1969 release? Could we be in for the much clamored for Ark shows? The dark side of the moon reference - pink floyd - were playing a tour at the time called "The Man and the Journey" (Dave's insterstellar travels?) during which they often stopped for a tea break during the set. The Ark was later renamed "Boston Tea Party".

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7 years
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Hey now that sounds like a well-thought-out explanation for Bolos clues. So you mean the Boston Tea Party December 69 shows right? Those would be really nice!

Keith Fan I'm calling bullshit on your Woodstock dud show. From references you've made in other posts, you probably weren't even born during Woodstock.

Just received and delivery is scheduled for tomorrow! Sweet!
They must be using a different shipping method this time around as I have never received a shipping notice with delivery on the next day.
Hope you all receive your pick tomorrow as well.

Welcome back Bolo😁
More box clues please.

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11 years 5 months
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Shipping notice received! Hmm Bolo clues...

2/25-2/27/90 Oakland Coliseum Arena, Oakland, CA

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chrono-synclastic infundibulum + a decade = 1969 (i.e. Vonnegut's Sirens of Titan, published 1959)

moon + Starbucks = Austin Powers: The Spy Who Shagged Me (Austin is sent back in time to 1969)

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11 years 5 months

In reply to by jrf68@hotmail.com

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I’d be thrilled for a 1969 box. It’s been a long time coming. Would sort of fit the anniversary thing. That said the anniversary thing is being done on aoxomoxoa already. DaP30 is from early ‘70. RSD was from 1980. So I’m leaning away from a 1969 box. Dave mentioned in this seaside chat that this year has great variety so that brings my box guess into the 90’s.

And there are 3 pages to scroll through, including a reappearance of Bolo and his clues.
Bolo, regarding your passage through the space-time continuum, I will repeat the words of Dr. Nick Riviera that he spoke to Homer Simpson, “Did you feel your brain being damaged when you were in a coma?”.

The previously deciphered clue pointing to a 1969 Box fits nicely as it is the 50th anniversary.

Got a shipping notice but it has no tracking number.......

No, I’m not a robot. I’m a Deadhead.

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6 years 3 months
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...may be over different years. I base this on the following comments by Bolo: 1) reference to long strange trip, 2) aging backwards, and 3) pictures from different stages of you life.

No clue what the link among years would be - venue, city, state?

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that was the condition we used back in the 70's to get Black Beauties from the good old Dr. Feelgood. Then, of course, he would have to prescribe some Quaalude to take the edge off and get you to sleep at the end of the day. It worked every time we used it.
Bolo returns and assumes we all know what the box set will be, no real hint except that it's about time these awesome shows were released. That could be a whole lot of shows :) 69 would be awesome, but some 90's show would be so cool too. How do you get that orange glow off your hands after you have your way with a bunch of cheetos? aging madly backwards on a sea of air with Kesey's thundermachine in high gear? Do they serve frenchfries at starbucks? I need a nap too

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10 years 3 months
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Also received the shipping notice. It will be here tomorrow, excellent. May just see if I can work from home tomorrow...

I think the strangeness in shipping notices probably has something to do with the notice they posted that their warehouse is changing to a new location, and therefore to expect a delay.

Dark-Star, I'm surprised you got that one - but yes you are correct - I was not at Woodstock. Final Jeopardy is a lot tougher though, so you're really going to have to put on your thinking touk.

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8 years 6 months

In reply to by KeithFan2112

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...playing 3/18/90 Civic Center, Hartford, CT
Excellent show from start to finish, everybody is on their game for this performance during the Grateful Dead’s 1990 Spring Tour! “Primo Audio Mix” on this release!!! Love it. 🙏❤️😎

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9 years

In reply to by Lovemygirl

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Couldn’t find any shows that were played in El Segundo, or where Liberace sat in

Fugazis?
3-20-67 Fugazi Hall, San Fran

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16 years 11 months
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Have to say after Bolo emerged last night after a long absence there have been some awesome guesses.... Ark Boston Tea Party....etc... I can't wait for what ever they release!!! But I do have to say.. secretly I am hoping for Stoltzfus' guess of the Texas Tour from 72!!! Couple of the shows that are in circulation aren't the best quality!!! I wonder if we will get another muppets video as a clue.... have a good night everyone bob t

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17 years 4 months

In reply to by DeadVikes

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Hola Senor Bolo! Welcome back and thanks for the clues, I think ; )
Speaking of clues, I like deadaremydealers hypothesis.....

Unclejohn61: enjoyed your post. Had a similar Dew experience, not exact but definetly out of the ordinary, though I was certainly not sober....

DAY TRIPPER; we went a day early to Toga in 84 and had such a high time that some of us did the same in 85. Now we most denfinetly had an unbelievably time and all that, but when those of our clan that went to Blossom instead showed up and started going on about Day Tripper, well, to this day I wonder if I made the right decision....always liked the tape of the Blossom first set, not so sure the second is all that? Part of my decision was because Blossom was such a cluster that we missed 3 or 4 songs in 84, so I think I had a negative vibe about the place that may have influenced my choice? This is that whole situational thing I’ve been referring too....

Did get to see Believe it or not a few times and that Green Onions AJS was taking about.
Actually lucked out over the years with rarities, firsts and reintroductions etc...only biggies I missed that I theoretically could of seen were Casey Jones and, big sigh, Here comes Sunshine!

BOX; I’d be down with a 69, not so much early 71.....though I’m sure I’d grow to love it.

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Fugazi formed in 1987. Space references make me think 1980s onward. Returning from the dark side of the moon could be a reference to coming back west after a run at the Spectrum. October 1987 Shoreline shows (starting on el segundo during a heatwave)?

Various unlikely theories derive it from "fucked up, got ambushed, zipped in [a body bag]" (if this is not simply a backronym), French fougasse (“land mine”) or English fugacious. Derivation from an Italian word *fugazi (“fake”) is sometimes suggested, but no such word exists in Italian.

Some refer to 5' record players as Fugazi Turntables.

Edit: Source from above https://www.yourdictionary.com/fugazi

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