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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • #2241
    KeithFan2112
    Joined:
    Sure get stoned at night!

    The 30 trips Alligator from The Shrine in 67 is one of my favorite 30 trips moments, yet somehow I never fully engaged on the Caution. Probably my favorite Gator, not counting the one under the seats between rows Double EE & FF at the Academy of Music. I probably play the ladies and gentlemen version the most. I think it's time I hunted down that whole Fillmore East run in good quality. I have some of it, like the 26th with its Dark Star.

    And with regard to the Dead Hand in Hamburg anniversary today, I don't know where I was getting off not mentioning Big Boss Man. Probably my favorite short Pigpen Song from the tour. Hindsight is 50/50, but I think it would have been cool if pigpen have played a few less good Lovins, and mixed in some smokestack lightning and good morning little school girls. Not to mention an alligator or two.

    Jimbo, love the reference to The Blues Brothers. I just watched they're warm up set for the closing of winterland on YouTube. Lightning in a bottle. Also came across a picture of Donna sitting with Belushi. Good Times. Let's get that Wayback machine and get directly involved.

    Anybody get a shipping notice for Dave's Picks 30 yet?

  • #2242
    JimInMD
    Joined:
    Re: Caution / Alvarhanso

    My absolute favorite moment from 30 trips.. and as I have written here several times, I blew out the speakers in my car on that one. For me, it was an epiphany moment.. I was left wordless and slack jawed.

    Nitecat.. except for the last song, your last five was entirely GD. Glad I am not the only one.

    Let the good times roll.. great topics on all things music.. We play both kinds.. Country and Western (aka Grateful Dead and everything else).

    Man. that caution. Wowwow stuff.

    Edit: Or perhaps it was The Other One where I blew my speakers.. no bother, that entire show was pure mayhem and simply wonderful (especially played very loud). Plus.. I blew out the rear speakers and dialed it back just so it was as loud as it could be without blowing out he fronts. What a great night and that show set the mood for the road trip. I think I was driving to visit my dad in the hospital if memory serves, six hours each way = 4 shows total. Blown speaker worthy? yes. It certainly eased the pain.

  • #2243
    stoltzfus
    Joined:
    Forced to take a pallette cleanser

    Godflesh Merciless

    10/6/80 just wasnt happening :(

  • #2244
    KeithFan2112
    Joined:
    Jimbo & Oroborous - great…

    Jimbo & Oroborous - great 1983 / mid-80s commentary. You guys had me flipping through 30 Trips '83 and DP 6 today on the way to the food store. The live Touch Of Grey led me to the great studio version, which I hadn't put on in quite some time. Nice memories.

    Alvarhanso - thanks for the Cautions, I'll check those out this week. Also glad I'm not the only one to notice how similar the BTW and JS intros are.

    Bobby T - great call on the TC Dark Star from the Fillmore East. I love 1971 Dark Stars, and TC brings his trademark organ part to this one. It's followed by my all time favorite St. Stephen (Bobby is exceptional on the outro jam). I like putting The Eleven from Two From the Vault after that Dark Star / St. Stephen combo. The drums go together almost seamlessly on the transition. I can't wait for that whole Fillmore run to be released. I really enjoy Ladies & Gentlemen, but I don't have great soundboards of the entire run.

    Nitecat - "I repeated the best stuff twice" - great quote, and the reason it's taking me so long to get through the E72 steamer trunk.

  • #2245
    alvarhanso
    Joined:
    Caution!

    My favorite is the one from the Shrine 11/10/67. When I got the 30 Trips Box that was my immediate favorite show and has remained so with subsequent listening. The opening clang of Viola Lee sold me, but that Alligator> Caution cemented it. The Greek show from the next year has a great one, too, if brief (funny that we can describe an 11 minute song as brief), and goes into what is probably my favorite Feedback. Maybe it's just the stage announcer's blown mind that gets me on that. The one from Thelma DaP 10 12/10/69 is a good one. For some reason, as fantastically as they play through the Fillmore West shows, the 2 they played that run never blew me away. The bonus disc one is pretty damn fantastic, but you already mentioned that one KF.

    Funny you mention the BTW/JStraw intros; they used to get me every damn time, and still do occasionally. Odd how they had two intros so close together, especially given that Bob would sometimes apologize for playing another song in the the same key as the previous one "at the risk of being repetitive". Ironically, few people would likely have even noticed, though I'm sure playing BTW and JStraw back to back would have been confusing.

    Three more days, though I may be counting chickens early, no shipping notice as yet...

  • #2246
    nitecat
    Joined:
    Last five

    DP 5 12/26/79: Great show, I was at this run of five nights at the Oakland Auditorium.
    Spring 1990 4/2/90: I'm almost done listening to these two boxes for the third time. What a tour!
    E72 4/26/72: T>Drums>TOO>Comes a Time> SM !! I've been listening show by show to the trunk for a few months now, so I didn't jump on the anniversary train and go back. The box that keeps on giving.
    DP 31 8/4,5,6/74: This collection took several evenings, I repeated the best stuff twice. Wow that 8/6 'filler' Eyes, Playin>Scarlet>Playin, UJB is a keeper.
    The Rascals Complete Singles collection: These guys dominated the airwaves in the late 60's-awesome songs and playing. People got to be free!

  • #2247
    bob t
    Joined:
    4/28/71 Fillmore East Anniversary

    Tom Constanten joining in on Dark Star>St Stphen>NFA>GDTRFB>NFA...... Good Hard to Handle, Cryptical>Drums>Other One>Wharf Rat... Overshadowed by the next night, and the prior night you had the Beach Boys. (I am a big fan of Pet Sounds)

    Speaking of special guests, hard to top the Bangles 10/18/88 New Orleans joining on the encore of Aiko and Heaven's Door!!! Another rainy day in Rhode Island.... Bob t

  • #2248
    daverock
    Joined:
    Mid 80s-Oroborous

    Nice review of what it was like seeing The Dead in the mid 80's. There was so little coverage of the band in those years, in England, that I thought they'd split up ! Then in 1987 I saw a bootleg tape for sale in a music paper of a show from that year, and started digging around. And here I am.

  • #2249
    Oroborous
    Joined:
    Ahh mid eighties...

    L.M.G.; be well brother, may the four winds be with you!

    Jim, astute analysis as usual. 83 was such a transitional year in many ways, some I don’t think many folks realize.
    Yes JG was starting to really show signs of “health” issues. Musically, it seamed like they were starting to get a little looser, perhaps a little weirder? So because of both variables there was inconsistency. But we liked that go for broke vibe, and occasionally stumble and falling added to the excitement. That’s what I don’t like about 77, it’s too dam tidy, it’s too professional, too clean, I know that sounds nuts, but too me that’s not what the dead were about....don’t get me wrong, I totally get why many consider this the Dead at their best.
    So Brent had meshed for four years at this point, so compared to say 80 or 81 where songs are more short and tight, it seamed to me like they were melting around the edges more.
    They also were going through huge technical changes that I think factor in way more than most would think about.
    Phil was using the new Modulus 6 string and new gear, Weir had new stuff, most importantly they now were using the mighty Ultra Sound Meyers PA and monitors full time.This was awesome but it was definetly a process getting a handle on all this. I think this is why 83 sometimes sounds so funky...they hadn’t used it all enough to 1) collect enough acoustical data from the different venues and 2) totally learned/adjusted technique for this ridiculous, amazing new system/technology. Add to that the whole cassette master thing, and well, yea, sometimes it’s not so hot. On the flip side there are also some awesome matrix tapes from this year....but as Jim says it’s all over the place in 83.
    They also were starting to use the new vari lights full time this year too, and they had switched sides on stage only a year earlier...so much was going on that year, like many of the transitional years, and it showed, for good or for ill.
    Hell, one could argue the whole long trip was a constant transition, with of course certain times being more pronounced I.e., personnel changes, but a whole new P.A. system and monitors cannot be overlooked!
    Like you state, this process seamed to continue, both the good changes and the ahem, bad, through 84 and into 85.
    I recall also feeling like the whole scene was changing too. Like it was all getting bigger and better, but crazy and almost out of control, like that train jumping the tracks....to me 85 was when it sorta peaked. All that process that started in full back in 83 seemed to come to fruition. They were breaking out more psychedelic stuff, and getting weirder. Anyone who was on that 85 summer tour hopefully can relate?
    We went from super laid back scene at10k hockey rinks and half empty sheds to the madness of 2 around the clock days at Toga, then Hershey and Merriweather. Too much of everything was just enough! By 86 they started playing more stadiums, and it all just kept growing. The band, us, the scene, it was nuts, but like all things of hubris and excess it went too far. Throw in a hit record and crowds of uninitiated and by 87 it was over. Not the whole deal but that little wave ala HST in fear in loathing., that to me peaked in 85.
    Yes they could be sloppy and sometimes Jer sounds pretty ruff, but didn’t they always when they were going for it, trying to find the edge? More HST; “you don’t really know the edge unless you go over”....
    And yes we all got too big, and perhaps sometimes outta hand, but wasn’t that part of it? “Too much of everything...”, I don’t know what I’m going for, but I’m gonna go for it for sure”....
    All I’m saying is it was a great time to be in your twenties, on the road, and high with the Dead!
    Until it wasn’t, but luckily they played through it and came out the other side even stronger and better as we all know how great 89 through 90, 91? perhaps into 92? was.
    Sorry to ramble, just in a mood this AM and Jim’s post brought out the old member berries and nostalgia of perhaps the greatest time in my life, sniff, sniff 😢 ok enough, Onward!

  • #2250
    KeithFan2112
    Joined:
    Hamburg

    Mr Heartbreak, I'm pleased you picked up on that reference. Indeed, he deserves better than his ex bandmates have given him in the Press. I was sure Mind-Ledt-Body would get it!

    I'm on to 4/29/72.

    The opening Playing in the Band only has a four minute jam section. I know it took them some time to build up the jam on this one, but I guess I didn't realize how short the actual jam sections are. Well, the last few on the tour stretch out a bit longer. Then of course by '74, they went on for a half hour regularly, and Kreutzmann couldn't remember which huge jam song he was in the middle of (Long Strange Trip quote).

    I've decided I like they 1972 Sugarees best, even if 5/28/77 is my favorite (19 minute, huge solo); but generally speaking, '72 is the year for me on this one. Short and sweet. I think that's the theme on most early Grateful Dead songs for me. In 71 & 72, everybody was still playing guitars that I liked, and all the right backup vocalists we're involved at the right times.

    First UJB of the tour on this show. That's balls. Nine shows in before they play UJB. Then they only played it four more times in Europe. In hindsight I guess they always played this tune sparingly.

    First He's Gone to feature the middle 8 / winds don't blow so strange verse. I think I'll always enjoy Rockin the Rhein's performance the best, even without the middle 8. My dog has no nose... in any event, I think it took them until summer to really get that part well oiled. Right around Berkeley.

    Starting with the Dusseldorf show on 4/24, they changed up the intro to Black-Throated Wind, from a little drum roll thingy to a guitar strum thingy that sounds almost identical to Jack Straw. When I first got into the Dead, I couldn't tell the difference until Jerry either went into the BTW riff or the Jack Straw improv fill. And I used to think, man, how do they keep from getting mixed up when they're playing it live? The answer is they didn't. This is the one they mixed up. Jerry plays the Jack Straw fill and Bobby sings the BTW verse. Jerry doesn't play the BTW riff until the second verse. I always get a kick out of this, thinking they probably figured nobody would ever notice. Little did they know their legend would overtake their anonymity.

    And of course it's Dark Star night. Lots of cacophony on this one - Probably not one of my favorites. They hit the Feeling Groovey riff early, but leave it behind pretty quickly. They hit the main Dark Star theme at the halfway mark. Jerry throws in a little Caution riffing somewhere around 23 minutes. Keith is audible at times. How I would love to interview every last one of them while listening to these ancient Dark Stars.

    Caution does eventually appear for one of only five appearances, if my memory serves me. I'm trying to think if these are the only ones to feature Keith, before Pigpen died. In any case, I like the piano and organ duo, despite Keith's being mixed low or not at all. I lean towards the Europe 72 Cautions, but I admit I don't know the early ones nearly as well. Except for the 30 minute romp from the FW bonus disc. Any great Cautions you guys want to throw them away, I'll be sure to listen to them soon. Thank you. Bomp>Bomp>BOMMMB!

    China Rider - always welcome in a set list. They didn't play it quite as long on the Europe 72 tour, but it was about as tight as can be, and the Rider vocals we're stunning every time.

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Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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Submitted by Elbow49 on Thu, 05/02/2019 - 18:29

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The next box set will be announced next Tuesday, May 7, 2019 at approximately 1:00PM EST. The box set will contain the 6 shows played at The Capitol Theater in February 1971 or maybe every show played at The Capitol Theater.

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Submitted by Vguy72 on Thu, 05/02/2019 - 18:37

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....if true. Three From The Vault is already an official release of one of that run, so I'm skeptical.

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Submitted by jrf68@hotmail.com on Thu, 05/02/2019 - 19:10

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How about a box that's got all the different piano & keys players representing all the band configurations through the years?
Pig, TC, Keith, Brent, Vinnie & Bruce.
That would be something...

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Submitted by alvarhanso on Thu, 05/02/2019 - 19:22

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Would love that! So many debuts, the ESP experiment and the Dark Star> Wharf Rat (debut)> Beautiful Jam> Dark Star would be on the 3 cd compilation for sure. Amazing that they only ever did Wharf Rat in the middle of Dark Star once. One of my bands does Wharf Rat quite a bit, and it's hard to avoid doing Dark Star teases in it. I've even labeled some of them Wharf Star jams as we'll go back and forth. We also like to throw The Other One jams into Wharf Rat at the bridge when it crashes into E, or other songs in E scales, like Phish's Carini, but I digress... I'm not expecting the Capitol Box this time around, but they have to at some point since the Bettys came back, and they were among the most sought after. If they indeed do announce it, I'll definitely be on board. It would be odd to release the already released show as part of it. If they did, I would hope it would sort of be a buy 6 get one free type deal to keep it the same price range as the PacNW box, which was $50 more than July '78's 5 shows.

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Submitted by Vguy72 on Thu, 05/02/2019 - 19:37

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....and I'm sticking to it. Dude was the showman of showmen. I have a couple of aunts that approve. And one uncle. Eating flaming hot Cheetos as I type this....phone getting orange. Gonna go there.... Liberace was gay. Flaming is a term for gay. 🤔 that one out.

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Submitted by icecrmcnkd on Thu, 05/02/2019 - 19:40

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Really, where to start....

That’s why we need more than one per year.

Mini-Boxes: Pigpen/TC, Keith, Brent, Vince/Bruce.

That way people can choose their era, and for those whose era spans 65-95, they really score.

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Submitted by icecrmcnkd on Thu, 05/02/2019 - 19:49

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Moved to the second hockey game (muted), now spinning 5-19-74 vinyl.

Vinyl sounds awesome with the volume turned up.
Starting to think that the return of vinyl in 180g form was a good idea by those people who keep coming up with ways to get me to send them money.

Little known fact.. In his later years, he covered a mean version of Day Job.

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Submitted by kevinbrandon on Thu, 05/02/2019 - 20:06

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"Are anyone of you Homosexuals......Like Flaming......No but we are willing to try"

Sorry VGUY I couldn't resist everytime I here that word I think of this very famous 1981 (big Hint) Movie

Any takers

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Submitted by kevinbrandon on Thu, 05/02/2019 - 20:28

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Ding Ding Ding you are correct sir.....Give that man a Cigar ( Quote from another classic 1982 movie) Did not mean that it just came out..

KeithFan after I wrote that I saw your Stripes quote....."A foot without a big toe" LOL....

I wanna party with you Cowboy.....

....John Candy. "is there a good movie on this flight?" Yessir. Early 80's is my wheelhouse.

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Submitted by JimInMD on Thu, 05/02/2019 - 20:46

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Don't call me Francis. And don't none of you homos touch my stuff. Or I will kill ya.

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Submitted by Vguy72 on Thu, 05/02/2019 - 21:40

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.... savoring the '67 Boxilla gig. I love Alligator. This take pulls Jerry and Phil into the ether. Don't look at me! It's not my fault....

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Submitted by Charlie3 on Thu, 05/02/2019 - 21:47

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The title to Bolo's post is reminiscent of some of the opening lines of the song In the Beginning by the Moody Blues from their 1969 album Threshold of a Dream. Another clue for a 1969 show, or was he just paraphrasing Descartes?

Fugazi always meant fake when I heard it used and that seems consistent with the context in which Bolo used the word.

Bolo's reference to the captcha thingy showing stages of his life - does this mean shows spread over different years or decades, or is it just a fugazi clue?

Chrono-synclastic infundibulum? Gotta say never heard of this before and had to look it up to see what it meant. As I understand it now a person who has entered a chrono-synclastic infundibulum exists at multiple points and lines in space time. I like ShaggyFraggle's thoughts on this and his pointing out that it is from a Kurt Vonnegut's book Sirens of Titan. So are we getting shows from different points in space and time throughout the dead's career? Or did Bolo just want use the phrase chrono-synclastic infundibulum in a post?

So many questions...

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Submitted by JimInMD on Thu, 05/02/2019 - 22:10

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We will be getting a box announcement soon.. It's not going to be 73/74, thinking earlier. Ark or the Capitol?

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Submitted by Charlie3 on Thu, 05/02/2019 - 22:12

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McArthur Court, August 16, 1981, Eugene Oregon, Grateful Dead with Ken Kesey, Zane Kesey, Ken Babbs and the Thunder Machine.
Hmmm...
Looks like Kesey and his Thunder Machine also made an appearance at some other shows as well, including maybe 6/25/78 Eugene, Oregon, 5/8/84 Silva Hall, Eugene, Oregon and 6/23/90 Eugene, Oregon. I think I see a pattern here.
Making me think maybe it will be a series of shows from Eugene, Oregon with appearances by the Thunder Machine.

....'cause, you know, that's how it works.
8.16.81 is fine. Gotta give kudos to a Stranger 2nd set opener. Right?
edit.... Scarlet is fast. Fasten your seatbelts.

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Submitted by Charlie3 on Thu, 05/02/2019 - 23:00

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After checking to see at which shows Kesey's Thunder Machine made an appearance, and all of the ones that I was able to find looked pretty hot based on the comments that I found with the shows. Looks like the Thunder Machine also made an appearance at the closing of Winterland show on 12/31/78, but that has already been released. If that is what the box will be, a series of shows with the Thunder Machine, I'll be a happy camper, and if not I am guessing whatever it is will make me smile.

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Submitted by Lovemygirl on Fri, 05/03/2019 - 02:59

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...a grateful morning to all my brothers and sisters in Dead Land...drinking my coffee with the Grateful Dead Road Trips Vol. 4 Number 1
“Big Rock Pow Wow” May 23rd-24th 1969!!! Playing in the background while I prepare myself for another day of love, laughter and joy! Everyone enjoy your parcels today of Daves Picks #30 / Plus this years Bonus Disc!
Sit back and get transported to a time long long ago in a galaxy far far away thru the space continueum transporter... peace be with all. Smile Smile Smile my friends, guaranteed to make you feel better than good; great! Lol ha ha . Take care and Rock On! 🙏❤️😎

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Submitted by Roguedeadguy on Fri, 05/03/2019 - 03:49

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weekend plans confirmed. Although I will have to mix it up with some of the New Orleans Jazz Festival broadcasts on WWOZ.

I gotta say the Bolo clue sleuthing seems really on point. If the box doesn't turn out to be a collection of shows from different eras; then he has to admit he's just f*ing with us :)

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Submitted by fourwindsblow on Fri, 05/03/2019 - 04:33

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"My trip back here to this site has been long and strange. Hmmm...that sounds oddly familiar. I was trapped in a chrono-synclastic infundibulum a couple parsecs from Earth for what seemed like a decade, and only made it back here by the grace of God and my life-sustaining supply of flamin' hot Cheetos®".

I'm going with a box of Greek shows. One from each run of shows for the entire 1980's decade.

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Submitted by Forensicdoceleven on Fri, 05/03/2019 - 04:48

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Yo!! Rockers!!!!

It has been a year since I had my stroke. To all those who sent thoughts & prayers, good kharma, and general encouragement, I am eternally grateful. I am feeling fine, doing well, life is good!!!

In honor of this auspicious occasion, anybody who needs/wants any 71s, you know where to find me...………

Rock on!!!!!

Doc

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Submitted by stoltzfus on Fri, 05/03/2019 - 06:11

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if there are Greek shows on the way...

:)))

to buy, or not to buy? that is the question.

got a "few" discs here at home, plus a change of abode coming up, plus other expenses.

just gotta wait and see. "now let's go wait and see, wait and see, wait and see....."

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Submitted by stoltzfus on Fri, 05/03/2019 - 06:29

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claim to fame: Chewbacca actor.

RRRRRRRRR!!!!

it was funny at the time: my kids (as teens) and I used to joke that Wookies sound like they do because they are wasted drunk.

Chewie forever; thank you PM.

What did you think of DaP 26? I'm sure you had 12/14/71, but nobody had the SBD of 11/17/71 and just curious, in your 71 expertise, where did that improved sound land that one in your books? Glad to hear you're well!

May everybody get their 1970 fix today!

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Submitted by Lovemygirl on Fri, 05/03/2019 - 07:21

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*Bonus Disc: January 3rd 1970
Cold Rain and Snow, Alligator >, Drums >, Alligator >, Feedback, Casey Jones, Mason's Children, That's It For The Other One >, Cosmic Charlie, Uncle John's Band.

...I might of wrote it down wrong, I’ll check when I get back home. Driving home from the doctors. 🙏

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Submitted by alvarhanso on Fri, 05/03/2019 - 07:40

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Well, my guess was off, surprised the UJB> Black Peter segue is cut (Dave seems to love Black Peter) and at the cut of Cumberland and especially Dire Wolf given the cover art, but no complaints. Didn't realize CR&S was public domain, but I love any disc that opens with that.

2 weeks ago I predicted:
Only clue given was Alligator, and they very wisely used the key covers as filler on disc 2, and the rule about originals or public domain leads me to think the bonus disc will look thus:
Cumberland Blues, Alligator> Drums> Alligator> (Caution Jam tracked?) Feedback, Mason's Children, That's It For The Other One> Cosmic Charlie, Uncle John's Band> Black Peter, Dire Wolf

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Submitted by deadegad on Fri, 05/03/2019 - 07:47

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#952 has landed in N.Y.C. via UPS just one minute ago! Wow! Usually we are late in receiving a Dave's compared to the rest of the country but not this time. What a complete surprise. Having said, and to our European friends, my heart goes out to you for those long waits and #$%^& damned tax/postal fee collectors who 'Shake You Down' for extra money to get a cd in the mail. I got lucky this time.

It looks beautiful on an unseasonably cold May 3rd. Smiling on a Cloudy Day!?!

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Submitted by hbob1995 on Fri, 05/03/2019 - 07:49

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Two things here:
1 - The confirmed ship date for DaP30 was April 26th. Now we hear that Dead.net / Rhino is moving to a different warehouse and shipments will be delayed!! Why was this move not done on Feb. 2, right after DaP29 went out? C'mon Doc! We are dying out here! 3 months was bad enough. This is just insult to injury!
2 - Most of us call for "complete" shows. While DaP30 may include the complete show from Jan. 2, looking at my Deadbase it appears that this release has completely reconfigured the set list of the show and they have changed the flow. Not cool. It may be complete, but it is not the way the boys offered it up that night.

Rock on

It’s friday, the snows gone for now, it’s a bright sunny Friday in the high country, new Dead showing up everywhere, Bolos got this place jumpin’ , new box on the horizon, and if that ain’t Enough,, WELCOME BACK DOC!

Edit: oh yea, and the AVs came to play last night too!

Doesn't look like I'm getting it until next week which is fine since I do a lot of quality listening driving to/from work...

Doc - very happy to see you here. Every time I think of April 71, I think of all the great shows you have sent my way over the years. Glad you are well!

and of course, keeping with tradition, now that the release is starting to hit everyone's mailbox it's time to guess the next one. I say Dec 79!

They have done this before.. I think someone, perhaps KeithFan?? has a handle on re-ordering them using some software package.

Agree it's not ideal, but first world problems. I am more interested in getting the music. Got my shipping order last night, the arrival date is not yet in the system. 1970, what a pivotal year.. Bring it! I think one day we will get 9/19 and 9/20.

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Submitted by CaseyJanes on Fri, 05/03/2019 - 08:17

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Grate to hear from you Doc and glad to hear you are doing well. I will have to scan the 71 catalogue for gaps...are there any recent upgrades from 71 that you are aware of?

Bolo...glad to see you are back from your interstellar galactic travels and as cryptic as ever. Maybe you could at least tell us where to find one of those chrono synclastic infundibulum things you’ve been riding around in/on. I spent the whole morning searching Amazon, eBay and Craigslist...cant even find a used one...WTF?!?!

Anyways, finally got my shipping notice today and was saddened to learn that without the infundibulum thing, I will probably have to wait until tomorrow for my subscription copy of Daves 30...I have stalled out on Europe 72 for now. Stuck back on 04/26...but I did give a listen last night to 04/27/85 that Sixtus called out the other day...fun show with lots of 80s energy, and a cool setlist. Also busted out 05/05/77 New Haven...love the Sugaree in this one, but the highlight for me is Peggy-O...Phil’s base seems to be especially Grate in this one as well.

Peace all...please play it loud today...maybe I’ll catch a tune!

KCJ

Edit: Bonus Disc problems. I was hoping for the Morning Dew, but not surprised. Am surprised about possible reordering?....seems odd
Double edit: never mind on the Dew...found it...track listing on my phone has it in the same line as The Monkey and the Engineer so I missed it...:

Daves 31 guess: would love some 79...think it’s been a while? would also like to see some 82 or 85. Also think we are due for something from the 90s.

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Submitted by Slow Dog Noodle on Fri, 05/03/2019 - 08:43

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As we wait for these Fillmore shows...

The 30 trips 1986 show is from this date at the Cal Expo center. I love the eclectic set-list on this one.

And check out 5-3-87 at the Frost: https://archive.org/details/gd87-05-03.sbd.hinko.18848.sbeok.shnf/gd198…

The soundboard is really clear and there are a couple cool moments in the first set. Brent preforms a rousing version of Little Bunny Foo Foo as Bob is plagued by technical issues. looking forward to jamming the second set at work and hoping Dave's 30 hits the mailbox this weekend.

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Submitted by Carry On Grate… on Fri, 05/03/2019 - 09:03

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Blimely that was quick!

I have received mine in the UK today. It usually takes at least a couple of weeks to arrive here.

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Submitted by icecrmcnkd on Fri, 05/03/2019 - 09:17

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Thats how a DaP30 got to the UK so fast.

My shipping notice didn’t have a tracking number, but UPS sent me an email saying that I have a package coming tomorrow.

Song reordering?
Same thing a year ago. Took me quite a while to undo the damage. It’s not as simple as reordering the songs on the computer because, at least on last year’s release, tuning for the next song was appended to the end of the previous track, and so has to be edited. Very annoying.
Hope they didn’t screw that up again this year.

What’s up Doc?
Glad you’re doing well.

Great news for you that you got the latest installment in the Dave's series so quickly. I would have to agree with the "leave the setlist flow as originally played alone" criticism. That is as they say: A No Brainer.

Stoltzy - I'm here with you my man. Pouring one out for Ole' Chewbacca - RIP Peter Mayhew.

Heya Doc. Glad to see you are good.

I am happy with the Bonus disc, but I am feeling VGuy's displeasure for No Cumberland....pouring one out for you too, homey.

Sixtus

I hear you icecreamkid on the DaP 26 bonus reordering, I normally would have edited out all the tuning and teases, but just stuck ordering it correctly and trying to ignore when that Tennessee Jed tease goes somewhere else (I think that was the most prominent one) but I honestly don't listen to the 12/14 part of that Pick as much. Not because of that, but because the 11/17 portion is sooooooo much better to me, and the setlists are so very similar, so I can't get myself to listen to those back to back again like I did when it first arrived, and I usually listen to 11/17 then move on to another era. Since I mainly listen on a USB drive in the car, I'll reorder 1/2 and 1/3 accordingly, but I may take the time to do those edits this time around, because I think this one will get more consistent play of both shows. Or all 4 shows, however you wanna look at it.

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