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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • #2241
    KeithFan2112
    Joined:
    Sure get stoned at night!

    The 30 trips Alligator from The Shrine in 67 is one of my favorite 30 trips moments, yet somehow I never fully engaged on the Caution. Probably my favorite Gator, not counting the one under the seats between rows Double EE & FF at the Academy of Music. I probably play the ladies and gentlemen version the most. I think it's time I hunted down that whole Fillmore East run in good quality. I have some of it, like the 26th with its Dark Star.

    And with regard to the Dead Hand in Hamburg anniversary today, I don't know where I was getting off not mentioning Big Boss Man. Probably my favorite short Pigpen Song from the tour. Hindsight is 50/50, but I think it would have been cool if pigpen have played a few less good Lovins, and mixed in some smokestack lightning and good morning little school girls. Not to mention an alligator or two.

    Jimbo, love the reference to The Blues Brothers. I just watched they're warm up set for the closing of winterland on YouTube. Lightning in a bottle. Also came across a picture of Donna sitting with Belushi. Good Times. Let's get that Wayback machine and get directly involved.

    Anybody get a shipping notice for Dave's Picks 30 yet?

  • #2242
    JimInMD
    Joined:
    Re: Caution / Alvarhanso

    My absolute favorite moment from 30 trips.. and as I have written here several times, I blew out the speakers in my car on that one. For me, it was an epiphany moment.. I was left wordless and slack jawed.

    Nitecat.. except for the last song, your last five was entirely GD. Glad I am not the only one.

    Let the good times roll.. great topics on all things music.. We play both kinds.. Country and Western (aka Grateful Dead and everything else).

    Man. that caution. Wowwow stuff.

    Edit: Or perhaps it was The Other One where I blew my speakers.. no bother, that entire show was pure mayhem and simply wonderful (especially played very loud). Plus.. I blew out the rear speakers and dialed it back just so it was as loud as it could be without blowing out he fronts. What a great night and that show set the mood for the road trip. I think I was driving to visit my dad in the hospital if memory serves, six hours each way = 4 shows total. Blown speaker worthy? yes. It certainly eased the pain.

  • #2243
    stoltzfus
    Joined:
    Forced to take a pallette cleanser

    Godflesh Merciless

    10/6/80 just wasnt happening :(

  • #2244
    KeithFan2112
    Joined:
    Jimbo & Oroborous - great…

    Jimbo & Oroborous - great 1983 / mid-80s commentary. You guys had me flipping through 30 Trips '83 and DP 6 today on the way to the food store. The live Touch Of Grey led me to the great studio version, which I hadn't put on in quite some time. Nice memories.

    Alvarhanso - thanks for the Cautions, I'll check those out this week. Also glad I'm not the only one to notice how similar the BTW and JS intros are.

    Bobby T - great call on the TC Dark Star from the Fillmore East. I love 1971 Dark Stars, and TC brings his trademark organ part to this one. It's followed by my all time favorite St. Stephen (Bobby is exceptional on the outro jam). I like putting The Eleven from Two From the Vault after that Dark Star / St. Stephen combo. The drums go together almost seamlessly on the transition. I can't wait for that whole Fillmore run to be released. I really enjoy Ladies & Gentlemen, but I don't have great soundboards of the entire run.

    Nitecat - "I repeated the best stuff twice" - great quote, and the reason it's taking me so long to get through the E72 steamer trunk.

  • #2245
    alvarhanso
    Joined:
    Caution!

    My favorite is the one from the Shrine 11/10/67. When I got the 30 Trips Box that was my immediate favorite show and has remained so with subsequent listening. The opening clang of Viola Lee sold me, but that Alligator> Caution cemented it. The Greek show from the next year has a great one, too, if brief (funny that we can describe an 11 minute song as brief), and goes into what is probably my favorite Feedback. Maybe it's just the stage announcer's blown mind that gets me on that. The one from Thelma DaP 10 12/10/69 is a good one. For some reason, as fantastically as they play through the Fillmore West shows, the 2 they played that run never blew me away. The bonus disc one is pretty damn fantastic, but you already mentioned that one KF.

    Funny you mention the BTW/JStraw intros; they used to get me every damn time, and still do occasionally. Odd how they had two intros so close together, especially given that Bob would sometimes apologize for playing another song in the the same key as the previous one "at the risk of being repetitive". Ironically, few people would likely have even noticed, though I'm sure playing BTW and JStraw back to back would have been confusing.

    Three more days, though I may be counting chickens early, no shipping notice as yet...

  • #2246
    nitecat
    Joined:
    Last five

    DP 5 12/26/79: Great show, I was at this run of five nights at the Oakland Auditorium.
    Spring 1990 4/2/90: I'm almost done listening to these two boxes for the third time. What a tour!
    E72 4/26/72: T>Drums>TOO>Comes a Time> SM !! I've been listening show by show to the trunk for a few months now, so I didn't jump on the anniversary train and go back. The box that keeps on giving.
    DP 31 8/4,5,6/74: This collection took several evenings, I repeated the best stuff twice. Wow that 8/6 'filler' Eyes, Playin>Scarlet>Playin, UJB is a keeper.
    The Rascals Complete Singles collection: These guys dominated the airwaves in the late 60's-awesome songs and playing. People got to be free!

  • #2247
    bob t
    Joined:
    4/28/71 Fillmore East Anniversary

    Tom Constanten joining in on Dark Star>St Stphen>NFA>GDTRFB>NFA...... Good Hard to Handle, Cryptical>Drums>Other One>Wharf Rat... Overshadowed by the next night, and the prior night you had the Beach Boys. (I am a big fan of Pet Sounds)

    Speaking of special guests, hard to top the Bangles 10/18/88 New Orleans joining on the encore of Aiko and Heaven's Door!!! Another rainy day in Rhode Island.... Bob t

  • #2248
    daverock
    Joined:
    Mid 80s-Oroborous

    Nice review of what it was like seeing The Dead in the mid 80's. There was so little coverage of the band in those years, in England, that I thought they'd split up ! Then in 1987 I saw a bootleg tape for sale in a music paper of a show from that year, and started digging around. And here I am.

  • #2249
    Oroborous
    Joined:
    Ahh mid eighties...

    L.M.G.; be well brother, may the four winds be with you!

    Jim, astute analysis as usual. 83 was such a transitional year in many ways, some I don’t think many folks realize.
    Yes JG was starting to really show signs of “health” issues. Musically, it seamed like they were starting to get a little looser, perhaps a little weirder? So because of both variables there was inconsistency. But we liked that go for broke vibe, and occasionally stumble and falling added to the excitement. That’s what I don’t like about 77, it’s too dam tidy, it’s too professional, too clean, I know that sounds nuts, but too me that’s not what the dead were about....don’t get me wrong, I totally get why many consider this the Dead at their best.
    So Brent had meshed for four years at this point, so compared to say 80 or 81 where songs are more short and tight, it seamed to me like they were melting around the edges more.
    They also were going through huge technical changes that I think factor in way more than most would think about.
    Phil was using the new Modulus 6 string and new gear, Weir had new stuff, most importantly they now were using the mighty Ultra Sound Meyers PA and monitors full time.This was awesome but it was definetly a process getting a handle on all this. I think this is why 83 sometimes sounds so funky...they hadn’t used it all enough to 1) collect enough acoustical data from the different venues and 2) totally learned/adjusted technique for this ridiculous, amazing new system/technology. Add to that the whole cassette master thing, and well, yea, sometimes it’s not so hot. On the flip side there are also some awesome matrix tapes from this year....but as Jim says it’s all over the place in 83.
    They also were starting to use the new vari lights full time this year too, and they had switched sides on stage only a year earlier...so much was going on that year, like many of the transitional years, and it showed, for good or for ill.
    Hell, one could argue the whole long trip was a constant transition, with of course certain times being more pronounced I.e., personnel changes, but a whole new P.A. system and monitors cannot be overlooked!
    Like you state, this process seamed to continue, both the good changes and the ahem, bad, through 84 and into 85.
    I recall also feeling like the whole scene was changing too. Like it was all getting bigger and better, but crazy and almost out of control, like that train jumping the tracks....to me 85 was when it sorta peaked. All that process that started in full back in 83 seemed to come to fruition. They were breaking out more psychedelic stuff, and getting weirder. Anyone who was on that 85 summer tour hopefully can relate?
    We went from super laid back scene at10k hockey rinks and half empty sheds to the madness of 2 around the clock days at Toga, then Hershey and Merriweather. Too much of everything was just enough! By 86 they started playing more stadiums, and it all just kept growing. The band, us, the scene, it was nuts, but like all things of hubris and excess it went too far. Throw in a hit record and crowds of uninitiated and by 87 it was over. Not the whole deal but that little wave ala HST in fear in loathing., that to me peaked in 85.
    Yes they could be sloppy and sometimes Jer sounds pretty ruff, but didn’t they always when they were going for it, trying to find the edge? More HST; “you don’t really know the edge unless you go over”....
    And yes we all got too big, and perhaps sometimes outta hand, but wasn’t that part of it? “Too much of everything...”, I don’t know what I’m going for, but I’m gonna go for it for sure”....
    All I’m saying is it was a great time to be in your twenties, on the road, and high with the Dead!
    Until it wasn’t, but luckily they played through it and came out the other side even stronger and better as we all know how great 89 through 90, 91? perhaps into 92? was.
    Sorry to ramble, just in a mood this AM and Jim’s post brought out the old member berries and nostalgia of perhaps the greatest time in my life, sniff, sniff 😢 ok enough, Onward!

  • #2250
    KeithFan2112
    Joined:
    Hamburg

    Mr Heartbreak, I'm pleased you picked up on that reference. Indeed, he deserves better than his ex bandmates have given him in the Press. I was sure Mind-Ledt-Body would get it!

    I'm on to 4/29/72.

    The opening Playing in the Band only has a four minute jam section. I know it took them some time to build up the jam on this one, but I guess I didn't realize how short the actual jam sections are. Well, the last few on the tour stretch out a bit longer. Then of course by '74, they went on for a half hour regularly, and Kreutzmann couldn't remember which huge jam song he was in the middle of (Long Strange Trip quote).

    I've decided I like they 1972 Sugarees best, even if 5/28/77 is my favorite (19 minute, huge solo); but generally speaking, '72 is the year for me on this one. Short and sweet. I think that's the theme on most early Grateful Dead songs for me. In 71 & 72, everybody was still playing guitars that I liked, and all the right backup vocalists we're involved at the right times.

    First UJB of the tour on this show. That's balls. Nine shows in before they play UJB. Then they only played it four more times in Europe. In hindsight I guess they always played this tune sparingly.

    First He's Gone to feature the middle 8 / winds don't blow so strange verse. I think I'll always enjoy Rockin the Rhein's performance the best, even without the middle 8. My dog has no nose... in any event, I think it took them until summer to really get that part well oiled. Right around Berkeley.

    Starting with the Dusseldorf show on 4/24, they changed up the intro to Black-Throated Wind, from a little drum roll thingy to a guitar strum thingy that sounds almost identical to Jack Straw. When I first got into the Dead, I couldn't tell the difference until Jerry either went into the BTW riff or the Jack Straw improv fill. And I used to think, man, how do they keep from getting mixed up when they're playing it live? The answer is they didn't. This is the one they mixed up. Jerry plays the Jack Straw fill and Bobby sings the BTW verse. Jerry doesn't play the BTW riff until the second verse. I always get a kick out of this, thinking they probably figured nobody would ever notice. Little did they know their legend would overtake their anonymity.

    And of course it's Dark Star night. Lots of cacophony on this one - Probably not one of my favorites. They hit the Feeling Groovey riff early, but leave it behind pretty quickly. They hit the main Dark Star theme at the halfway mark. Jerry throws in a little Caution riffing somewhere around 23 minutes. Keith is audible at times. How I would love to interview every last one of them while listening to these ancient Dark Stars.

    Caution does eventually appear for one of only five appearances, if my memory serves me. I'm trying to think if these are the only ones to feature Keith, before Pigpen died. In any case, I like the piano and organ duo, despite Keith's being mixed low or not at all. I lean towards the Europe 72 Cautions, but I admit I don't know the early ones nearly as well. Except for the 30 minute romp from the FW bonus disc. Any great Cautions you guys want to throw them away, I'll be sure to listen to them soon. Thank you. Bomp>Bomp>BOMMMB!

    China Rider - always welcome in a set list. They didn't play it quite as long on the Europe 72 tour, but it was about as tight as can be, and the Rider vocals we're stunning every time.

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Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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Submitted by Vguy72 on Mon, 05/06/2019 - 14:54

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....let's see how long it takes Vguy to preach Cumberland.
The 3:20 to 3:50 section is unlike any I've ever heard. Someone earlier (sorry. too lazy to go back) said that Jerry twists several themes into his jams on this one. That is an understatement.
🌟 🌟 🌟 🌟 🌟's out of four.
Just when I thought I couldn't love this song any more....I bet the next nights version sucked. Never know.
Could've swapped Mason's for that Cumberland and would have been all in.

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Submitted by digsdirt on Mon, 05/06/2019 - 15:05

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Just got some much anticipated mailbox love in the form of my latest installment subscription to Dave's Picks V 30 @ Fillmore East. Cannot wait to finish ripping this puppy to my NAS and then streaming it. Just devoured the liner notes- those used to be what I read while cleaning dope...er ... listening to side 1. Looks like my kinda Dead show, which is basically ANY Dead show. Enjoy... DigsDirt

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Submitted by Gratefulhan on Mon, 05/06/2019 - 15:16

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HI All, just got my DaP 30 today, well sort of. I have all of my packages delivered to work due to some thieves in my apartment building. My copy arrived this past Friday but I was off work in early observance of Star Wars Day. So I am now home from work and I am spinning this for the first time - really. I have never heard these shows so this is the first time for me all around. Of course the sound is great so thanks to Bear and Mr. Norman. Musically, I think others have captured this well, but it is true transitional Grateful Dead, 1969 plus so to speak. Obviously this show takes place only mere 24 hours or so into the decade of the 70s but the LIve Dead psychedelic jamming is there especially with TC still being on board. But yes the shorter/newer songs are definitely getting worked on. These songs are a ways away from the that refined bar band sound of 1971 all except for Mason’ Children. Since Mason’s never evolved as it was dropped in 1970, it sounds as it should, at least to me. I haven't heard all of the discs yet, but I am favoring the jam songs and sequences a little more simply due to the shorter song in-development that was going on. Still the shorter songs aren’t bad and of course any Pigpen tune is always a treat. From what I have heard these are just a great couple of shows and I am really happy these got released.

I do think it is interesting that the touring schedule of late 1969 through a large portion of 1970 was as vast as it was as DL as mentioned. Even more so looking at the venue of the Fillmore East, after playing these shows in January 1970, the band returned again in February, May, July and September. Now I have a lot of familiarity with the February and May shows due to having the tapes and downloaded SBDs of them the prior to their official releases. Of course the standouts in those shows are not only the jams but the shorter songs are more worked out. Now this is not only true for the acoustic songs which adds something special to those shows , but it is clear the boys had more rehearsal time allbet much of it live, with the songs. Yet it is just amazing to me that they could for example unleash a monster Dark Star at the venue in January only to return at a little over a month later and unleash another one even greater magnitude. Same with with Other Ones and Lovelights. No wonder why the Fillmore East had to close, it took too many supernova Dark Stars and Other Ones in such short time it couldn’t handle anymore. If the 1972 version of the Dead got in there, they could have collapsed that place in at that point.

Finally to Mr. Mayhew - May the Four Winds Blow You Safely Home.

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Submitted by Vguy72 on Mon, 05/06/2019 - 15:22

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....Everytime Chewbacca was on screen, my son and I did one of these 😔. Saw it twice in the theatres in 1977. First time I ever saw a movie at a theater twice. I was nine. You could say it left a lasting impression. Now Disney is fucking it all up, but I digress.

I like all the new Star Wars stuff. I like that they're stretching out from the original storyline with side-movies(?).
Lightyears better than Episodes I, II & III that Lucas himself completely fucked-up. Now that shit was terrible...

I was 9 too when I saw it in the theater. What an experience. I think I saw it like 3 or 4 times. First movie I'd ever done that with too.
:O)
I am not a robot, but if I was I hope I'd be like R2D2...can robots get dosed?

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Submitted by Vguy72 on Mon, 05/06/2019 - 16:14

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....I will say that with the utmost confidence.

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Submitted by stoltzfus on Mon, 05/06/2019 - 16:47

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but overall, I am Star Wars'd out. The chillun watched it (and Clone Wars) A LOT.

yes, robots can get dosed, and sunshine daydream of electric sheep.

quick! name that reference!

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Submitted by muleskinner_blues on Mon, 05/06/2019 - 17:01

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Oh I don't think so.

Dennis: Hope you dig the RTR box, definitely looking forward. My favorite tour, Bootleg Series Vol. 5 was the first one I bought when I started to get into Dylan beyond the Greatest Hits.

...."You're breaking my heart." Anywho. We can argue this all day. However, I replayed the 1.2.70 China->Rider twice. Broke my heart.
You know what else breaks my heart? Monkey & The Engineer being a tune up song. Forever known now as Broken String Blues. Missed an entire verse btw. Frozen Logger anyone?
....is that a Dark Star approaching?

..and what do I notice first? Extensive liner notes by none other than regular poster Strider88. How cool is that?

Edit: For what it's worth.. there are more than a few frequent listeners and posters here that freely comment on experiences from some of these older shows.. and how cool is that. Honest, usually coherent tales and stories (...though incoherent is fine with me).. stuff from the formative years. SimonRob, Ziffle, Strider, Nappy, mhammond, Hendrix, Oroboros (and his evil twin Oroborous) and so many others.. I can't be held to task to recall them all. It's what makes this site work and what makes it worth reading.

A tip of the hat to all those that push the conversations forward.

....I love AMA's. Reddit > Facebook. Facebook is poison. Might have to take a vacation day for a CM AMA. So many questions....thanks Marye.
....tbh. I've never seen Charlie Miller's face. It was just as I expected. Not all heroes wear capes.

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Submitted by bluecrow on Mon, 05/06/2019 - 19:11

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thanks Strider - great read : )

#4866 in SE OOtah - holy guacamole!!!!

Mr. Miller did more to push the conversation forward than perhaps most put together. Wow.. what talent.

..back to our regularly scheduled drums and space.

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Submitted by jrf68@hotmail.com on Mon, 05/06/2019 - 20:26

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5-6-70 Kresge Plaza,M.I.T.
It's got a very nice Dancin' that stands a little apart from some others.
Free show~nationwide campus strikes to protest Kent State killings...

another Smokestack...12-28-70

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Submitted by stoltzfus on Tue, 05/07/2019 - 06:17

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:)))

kudos to tptb

thank you for churning out these documents of awesomeness

you keep makin' 'em
I'll keep buyin' 'em

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Submitted by KeithFan2112 on Tue, 05/07/2019 - 07:33

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Talk about a shady deal.

As expected, DaP 30 has driven the E72 fest straight off the rails.

I love the this release, I'm just not sure how much yet. These things take time.

You get one of the first performances of Uncle John's Band and one of the last performances of The Eleven.

Jerry declares White Rabbit before a half hour Dark Star that features 10 minutes of Feeling Groovey => Tighten Up.

Bear captures Pigpen's audience-facing charisma like never before during Lovelight; ahhh, THAT'S what they were all talking about when they said Pigpen was the only authentic frontman they ever had. I had understood it intellectually, and you can frequently gage his high level of energy in other releases, but this recording is something that captures some of that lightning and makes it palpable.

T. C. is higher in the mix than I've ever heard him - in fact he has this solo in Easy Wind that makes you wonder what exactly it was about him that "didn't fit".

The setlist is exactly what I've been craving from this period - a nice long mix of the old and the new. A while back I posted that I was hoping for something in the vein of Dick's Picks 16. I think I got it.

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Submitted by Lovemygirl on Tue, 05/07/2019 - 08:47

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...after enjoying Daves 30 Pick for a few days I’m jumping to warp speed to 4/3/90, The Omni, Atlanta GA. What a primo release to enjoy on this late morning sunshine’s daydream! Beautiful Mix, excellent Spring Tour 90’ performance on multi track, it can’t get better...have a grateful day everyone, enjoy Daves Picks 30 with all it’s open mindedness and evolving sound that defines The Grateful Dead!, rock on my brothers & sisters! 🙏❤️🤠

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Submitted by Oroborous on Tue, 05/07/2019 - 09:28

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First, thanks to Mary for the CM info, should be interesting, hope I remember 😉

Then: GO AVs GO!
Bastids showed up last night. Game 7 outta be a doozy for good or for ill....many excellent series this year, weird sweeps, Double OTs, several game 7s......https://www.google.com/search?q=good+old+hockey+game+song&ie=UTF-8&oe=U… .....
....sorry, gramps can’t figure out how to add link, Hockey geeks google The Good Old Hockey Game song.....
EDIT: or maybe I did!

DAVES 30; well finally received last night. Got er ripped and was able to some what check out all the 1/2 stuff, not sure when I’ll get to 1/3....so much Dead, so little time! Was hoping to go with 5/7/72 tomorrow evening but now I have to choose oy! Still trying to get over 5/4/72 Dark Star etc....Such problems 😉
Anywho, was sorta disappointed at first, perhaps too much anticipation? Yes it was a very transitional time etc, but don’t recall Dicks 16 being that sloppy....will have to revisit that one soon......and recently got DaP 19 which seemed a bit tighter? Like usual though, once I settled in and they settled in, the ole magic feeling started to come round again. And of course the more familiar psychedelic stuff was smoking. Although you could say even the TOO etc from the first show was perhaps a tad underwhelming? Meaning that suite usually kicks such ass that.....well, it was the early show and all that, and don’t get me wrong it still rocks! I’m sure the whole thing will grow on me like a weird fungus eventually...
Now the Live Dead sequence from the second show was amazing.....perhaps slightly less polished than Live Dead, but that’s nick picking.....Going to have to find more time for that disc fo sure!
Speaking of D.S.: sorry, have to ask, was misses Vguy feeling weird because of the Dark Star, or something else.....you said you waited 49 years for this......meaning that Dark Star or for her to?..........like she finally hopped on the bus and the combo of excessive G forces and Dark Star anti gravitational forces were a tab, er uh, I meant tad too much for her lol.....hope she’s all good, don’t mean to make fun of if she was not feeling well?

Keithfan, you must really have connections, or maybe you really were at Woodstock in some form or via the John Deere and made some kind of influence on the time/space continuum that caused the song to be renamed, but didn’t happen due to some kind of phase lag, until now? Dammit where’s Bolo, he’d know!

Rock on peeps and hopefully all y’all will get your discs sooner than later (and they’ll have no defects)
Haven’t heard anyone complain yet, hopefully they rectified those manufacturing idiosyncrasies?
Ok, I should go figure out how we’re going to mount this 98” TV that weighs like 270!

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Submitted by JimInMD on Tue, 05/07/2019 - 10:18

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A 98" TV? Holy Shit!

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Submitted by Vguy72 on Tue, 05/07/2019 - 10:23

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....likes the Dead. Doesn't love them, but likes them. Not the spacy stuff though. We were making dinner during the second disc. Then Dark Star appeared. The gave me the ole side eye and said, "Oh no Vinny. They're gonna get wierd now. Turn it off please."
Now I'm not one to argue with logic, or with her, so I stopped it. Waiting forty-nine years was in reference to the age of the show.
....she's out of the house now, so it's getting wierd. My son has a lot of her in him, so I'm sure he'll be chiming in soon.

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Submitted by Oroborous on Tue, 05/07/2019 - 10:38

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Vguy, too funny! My wife is not really a fan, though she’s been getting into some of the later JGB stuff.
Generally she likes Jerry, but that “Bob Weird” and his weird “vocal phrasing” is definetly not a mood enhancer in our house LOL. There’s hope though as she lately has liked some of the old primal blues and hard rock stuff I.e., pigpen etc

Re Jim: yea 98” planar, only about 20K, not too bad as far as really big panels go, did a 98” Sony master series at Xmas, only $60K! but hey, some folks just have too much money. We installed one of the planers at the ritz that has quad view so you can watch four things at the same time....so you could watch Alpine 89, Winterland 74, Sunshine Daydream and say vault view 87 all at same time! Kinda like we used to listen to 2 music sources while driving ala HST back in the day.

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Submitted by Oroborous on Tue, 05/07/2019 - 11:05

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LOL, Vguy, I’d love to hang or watch hockey with you, but only have a 65” 😟 this is for work. I’m a custom AV installer for the rich and sometimes famous.....though we do get a lot of nice freebies when folks replace/upgrade so I’m hoping to get a 120” screen and projector I obtained going by next season!

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Submitted by Vguy72 on Tue, 05/07/2019 - 11:09

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.... thinking Ben Bishop is gonna be a stone wall myself. Took a slapper to the collarbone last game, but says he's good to go.

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Submitted by Thin on Tue, 05/07/2019 - 12:07

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Mine arrived today, but without a bonus disc. yes I subscribe. For those who received with Bonus, were they send in the same package? Were they attached?

First time I have ever had any issue with dead.net.

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Submitted by Vguy72 on Tue, 05/07/2019 - 12:14

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....as they always have.
First concern I've seen posted. I'm sure it will be rectified Thin. No Skipping Disc Blues yet. Knock on my head.
The Dancing In The Street is definitely dancing.

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10 years 6 months

Submitted by JeffSmith on Tue, 05/07/2019 - 12:20

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After all the great comments, I've really been looking forward to Dave's 30. Sadly, after getting within 3 hours of me yesterday, my Dave's is apparently now about 14 hours away in North Houston. Today was the estimated delivery date. Now, who knows? Anyway, several have asked about higher-res scans of the covers. If it doesn't arrive tomorrow, I'll be out of town until Monday night, but whatever, I'll have a link here as soon as I can. Now Thin's got me wondering if my Bonus CD will be there. Gonna be fine listening one of these days. A Sugar Mag precursor tease in 1/3's Dark Star? . . . Onward.

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Submitted by Mind-Left-Body on Tue, 05/07/2019 - 12:42

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Sorry to hear you didnt get yours, but maybe a good thing. Ironically, it actually does depict Skeletons surrounding the venue, right outside where the dog ais located. I say it's ironic because of the joke made after you cheered fthat the skeletons are probably surrounding the dog just out of sight on the main cover.

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Submitted by stoltzfus on Tue, 05/07/2019 - 12:56

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no hope of my wife ever liking any of my music. ever.

I learned long ago just to keep it turned off.

TVs: TVs are the portal to the "electronic wasteland" in my book. Jeopardy! and about two other things maintain my attention. Not a TV snob, just...so little rewarding material on that box. to ME.

itching like you wouldn't believe to check out the new Daves.

"Some people like to go out dancing
And other people, they gotta work"

just a few more hours...and I'll be right home to Daves

I read this too.. the ballot initiative is to decriminalize, prohibiting the city from spending resources to impose criminal penalties.

The times they are a changing.

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Submitted by Vguy72 on Tue, 05/07/2019 - 13:29

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....aka boomers from my youth.
A fetal Sugar Mags. Is that what I heard? Couldn't put my finger on it, but yea.
Definitely some UJB stuff going on around the 21 minute mark. Baby Sugar Mags at 22:30 back into baby UJB.
So much stuff going on in the last ten minutes of this Dark Star, it's scary.

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6 years 1 month

Submitted by fatmanmelts on Tue, 05/07/2019 - 13:32

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anyone else not receiving #30? email from dead says shipped 1 May, tracking info states "not available, package not at usps". Emailed cust service and get "replies may take up to two days" lol.

....to be able to pinpoint and focus on the nuances of this band. It's like I'm Professor X with my own personal Dead Cerebro! Bro.
Btw. My copy came with a lame sticker. States, "Thank you from purchasing from the Grateful Dead store. If you have any questions or issues with your order, blah, blah, blah."
Missed opportunity.

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Submitted by unkle sam on Tue, 05/07/2019 - 13:47

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Happy Birthday, you really do swing man.

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Submitted by stoltzfus on Tue, 05/07/2019 - 13:57

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so enjoy, whether you want to or not

"Daves I hear you calling
but I can't come home right now
Jer and the boys are playin'
but I just can't hear the sound
just a few more hours
and I'll be right home to you
I want to hear that Dark Star

Daves what can I do
Daves what can I do"

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10 years 3 months

Submitted by daverock on Tue, 05/07/2019 - 14:26

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Dave's Picks arrived with unprecedented speed at my humble abode this morning. Sods law, I have been unable to devote any time to it - distractions of life- but the first few songs sound okay, and the notes in the book, by both writers are great. They seem to capture what it was like to see a Dead show and be into them, before the Deadhead culture developed. I can identify with the writers 15 years old selves, for whom following the band wouldn't have been an option-or a consideration-but who recognised something special going on straight away.

They also make reference to the fact that the first half of the show was radically different from the records they had bought prior to seeing the band. It always seems to me that it must have been quite a shock to the system, being confronted with the unreleased Working Mans Dead songs, and other songs of that ilk, if you had bought Live Dead and Anthem, which would lead you to expect full on jamming from the first note.

Anyway-Hard to Handle-I think its about to get good..

product sku
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https://store.dead.net/special-edition-shops/dave-s-picks-store/dave-s-picks-vol-30-1.html