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    heatherlew
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    May 1977: Get Shown The Light (All Music Edition)

    WHAT'S INSIDE:
    Four Complete Shows on 11 discs
    Four folios housed in a slipcase
    5/5/77 Veterans Memorial Coliseum: New Haven, CT
    5/7/77 Boston Garden: Boston, MA
    5/8/77 Barton Hall, Cornell University: Ithaca, NY
    5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
    50-page book of liners and photographs
    Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
    Mastered in HDCD by Jeffrey Norman
    Artwork by Grammy-winning graphic artist Masaki Koike
    Release Date: May 5, 2017

    WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

    NEW HAVEN 5/5/77
    "Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

    BOSTON 5/7/77
    “The music they laid down brought me places I had not been before.”

    CORNELL 5/8/77
    “...the single best rock performance anywhere, anytime, by anyone.”

    “There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

    "This show is, was, and always will be Mecca.”

    BUFFALO 5/9/77
    "...an awesome display of the Dead’s captivating power"

    If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

    MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

    The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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  • mhammond12
    Joined:
    First Bootlegs
    Way back bootlegs were on albums. They were inside plain white album covers with the date stamped on the front and the vinyl was colored. This must be early to mid 70's. A head shop on Whittier Boulevard had a whole section. Great stuff. I remember a ton of Stones and Zeppelin but I only bought Dead. There were two "labels" that seemed to produce them, one was a real ugly pig and the other was a really ugly rhino. Wish I had kept them, along with my baseball cards and comic book collection. Jeez...my comic book collection...dresser drawers full...Marvel...DC...
  • wissinomingdeadhead
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    Joined:
    RIP
    Bill Paxton
  • Syracuse78
    Joined:
    If Anyone Needs "Garcia Plays Dylan" and Bonus Disc...
    PM me. Someone claimed my extra but then decided to steer their money to the new box set (perfectly understandable!). The two CD set is readily available, but the bonus disc is pretty rare. Thanks, and now back to "What was your first bootleg?" Mine might have been 12/5/71 Felt Forum. It certainly was one of the early ones. Good times! I had few enough boots back then that I could hear any segment from any tape and identify the show. How do I know? A girlfriend tried to stump me once with a Name That Tune type quiz.
  • nestamon
    Joined:
    kevjones-Yes I Remember that Filler Too!
    Everybody loves filler, still do as you never know what you're gonna get. Back in the late 70's one of my original TDK SA90s had as filler a quick interview with Jerry about comedians mocking the Dead. He referenced an "old" bit he thought was funny by the National Lampoon folks and they played it. A Jetsons like time period. Jerry and Phil sitting on a park bench as old men getting stoned reminiscing 'bout their old band and the days at the Filmore/Pigpen etc. They get paranoid and focus on the pigeons and the modern "pigs". It was pretty funny. I've been searching for it over the years, anyone have a copy or link? Never thought at the time Jerry wouldn't get to that stage in his life.
  • _
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    Joined:
    @ Memory Lane
    Boy, after reading these posts, reminds me, in 1990 got my first computer a Packard Bell 286-12 with Windows 3.0, had a Prodigy account , one thru AOL and then Compuserve, but that was expensive. Began finding little dead forums, and began trading XL2's, found a local head shop with a massive collection and struck up a deal with the owner. I sprang for a Sony dubbing deck, donated it to the shop, in exchange he let me use his collection as a library, where I could borrow, copy and return, still have a good 1000 or so shows in boxes in my basement, and the owner of the headship still has that dubbing deck. Went DAT but it was so expensive, and impractical....then CD-R. Life seemed so simple back then...it was. I still remember the first time I heard a complete show, 1977-09-03 Englishtown, believe it was a board or pre FM feed. My son still has that show in his van...why don't they still put cassette decks in cars? I'd still use one. Happy Sunday!
  • FloridaBobalooToo
    Joined:
    My first Brick
    they were Maxell UD XL II s But unlike most of Y'all I used mine with a Tascam Portastudio 424.
  • dantian's last…
    Joined:
    Speaking about NYC
    he said, "Sometimes it takes a lot of shit to grow a beautiful flower..."
  • dantian's last…
    Joined:
    My Zen Master
    enjoyed a beer or two after a hard day's work. And so did we. He said, and I quote from memory, verbatim, "But I never had a drink before the work was done!" This is a true story. RIP, Master.
  • kevjones
    Joined:
    My First Tapes
    First Grateful Dead I ever heard was 4/7/71 at the Boston Music Hall. It was left in the cassette player at my first job. I was totally blown away. Then I copied the Dark Star Jam from 4/8/71 and the second side of the tape had part of the Felt Forum from 12/5/71-Muddy Water was on it. My old friend Will hooked me up with this tape/ My collection grew slowly, I obtained a copy of the second set from 10/18/89 at the Spectrum, and 8/19/89 at the Greek Theater, and a tape from Troupers Hall in 1966, that had an amazing Mason's Children to start the tape, before the Troupers Hall show started. I'd still like to figure out where the Mason's Children is from. Side B was the BIG jam from 2/11/70. I needed to have more tapes, as I was rapidly getting hooked; so I used the old Web service-Prodigy-and got on a Grateful Dead forum-this was probably early 1993. I found a place in Washington State and called them up and asked them if they had certain shows. I mailed them a box of Maxell XL-IIs (my preferred tape when I could afford them, otherwise I went with the XL-II). I was making 4.25 an hour working at the mall. Anyway, it took a few weeks for the tapes to get back to me. I received 2/13/70, 12/31/78, 12/30/69, 2/9/73. These tapes are still in my collection and all have some really funny Grateful Dead related fillers on them. One is of an Old Jerry and Phil sitting on a park bench smoking a joint. I can't believe I remember all of this. It's pretty wild to think about it, but I guess it's good for the memory, as I haven't thought about this for years. Needless to say I was completely hooked. My parents wouldn't let me see the Dead until I was 18, and my first show was 6/18/93 at Soldier Field. I managed to catch 39 more including the last one on 7/9/95. My neighbors, Sean and Steve, wanted to take me to the Deer Creek show in the summer of 1989-they went to Purdue. My mom said "No Way" as I was only 14. Who knows what would have happened if I went back then. Thanks for the ramble down memory lane
  • icecrmcnkd
    Joined:
    My first tape was 7-14-85 set 1
    Someone gave it to me because I didn't know Cassidy. Then I got someone to make me a box of 10 tapes, used those to trade for 10 more, went to a different person and traded for 20 more, and it snowballed from there. I mostly used XL, sometimes XL-II, MX if set 2 needed 110 min. I had a limited budget and needed to focus on quantity. The switch to CD-R was huge because it was more affordable than DAT, and you could do it on a computer. Then came the shn vines....... I'm still burning CD-Rs to this day.....
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May 1977: Get Shown The Light (All Music Edition)

WHAT'S INSIDE:
Four Complete Shows on 11 discs
Four folios housed in a slipcase
5/5/77 Veterans Memorial Coliseum: New Haven, CT
5/7/77 Boston Garden: Boston, MA
5/8/77 Barton Hall, Cornell University: Ithaca, NY
5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
50-page book of liners and photographs
Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
Mastered in HDCD by Jeffrey Norman
Artwork by Grammy-winning graphic artist Masaki Koike
Release Date: May 5, 2017

WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

NEW HAVEN 5/5/77
"Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

BOSTON 5/7/77
“The music they laid down brought me places I had not been before.”

CORNELL 5/8/77
“...the single best rock performance anywhere, anytime, by anyone.”

“There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

"This show is, was, and always will be Mecca.”

BUFFALO 5/9/77
"...an awesome display of the Dead’s captivating power"

If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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i've seen two of your posts in one weekcomplaining about someone's negative comments-guess what, when someone has an opinion that is not aligned with your thoughts,even if it's about someone setting a price for something they selling or the band is slop before pigpen.its gonna be negative.it's their prerogative to say it's not worth it or no thanks.i think it's your emotional immaturity to anything negative or something you don't agree with.you could have left it to-"that's your opinion and i don't agree."instead you feel it's necessary to put someone down.earth without rain is a desert.
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7 years 1 month
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Hi all, A technical issue I'm hoping to resolve: Recently ordered this set, promptly downloaded the CDs to my iTunes collection. Getting 1-2 second pauses between most of the tracks which disturbs the flow of the music. Does anyone know what might be causing this, and how to fix it? Gareth
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9 years
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It’s most likely caused by a setting in iTunes. Go into the iTunes preferences and see what is listed for import settings, as well as for playback settings.If you still can’t fix it then google it, there should be instructions somewhere.
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7 years 1 month
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To icecrmcnkd, Thank you for your reply, much appreciated! If I may, I'd like to followup with a second question: it was only a year ago that I first discovered the Grateful Dead, and I'd love to hear recommendations from older fans about which live albums to listen to next? Thanks again, Gareth
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You know, Gareth, it really comes down to what you like about the Dead... When I put in the Dead, I rarely want to listen to songs, so to speak. I tend to go for the long, inspired jams. For this, I would suggest the Winterland 1973 boxed set as No. 1, so far... though in general, shows from the 1973-1974 will be your best bet for this... That said, there are gems of shows throughout the years, though I've never personally been impressed by anything later than 1977. May 1977: Get Shown the Light (All Music Edition) is a great collection from this year. I also really love One from the Vault, Sunshine Daydream, & Dick's Picks, Vol. 14... The Grateful Dead Movie Soundtrack is an all-too-looked-over gem, too. Finally, if you can afford it, I'd recommend getting a copy of the Pacific NW '73-'74 boxed set while it's still available on this site. When these sell out on dead.net, they price-inflate like crazy to 2x their original cost or more.
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7 years 9 months
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Get Shown the Light, the box with the book, was limited to 15,000 copies, I read somewhere.But I can’t find anything on the All Music Edition that’s still available. Can somebody tell me how many of those were printed?
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So, I'm totally showing my newbie-ness, but when the formats are digital, which is the best to download? I'm thinking about uploading to iphone for maximum bluetoothing. Also, is the first selection a CD collection of the four shows? I didn't see it listed behind the All Music Edition, so I figured it must be sold out.

16/44.1 is CD format, so you could convert to WAV or AIFF on a computer and burn CDs if you wanted to, as well as have the digital file on a music player.

The higher resolution files are for a computer or music player. If you wanted to burn CDs from those files you would lose the higher resolution that you paid more for.

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First time I've ever seen R.I.P. included in the name of a firm pushing you to go on holiday ! Maybe its a plug for euthanasia.

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17 years 5 months
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they thought they were going for dead people as a marketing niche. Dead heads, dead people, I'm so confused... Anyway, they're gone for the moment.
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17 years 5 months
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Hi there,

I downloaded the ALAC of this digital download but when I import into iTunes it is not recognizing the artist or songs and not creating an album. For the same ALAC download for Pacific Northwest ’73-’74: The Complete Recordings Boxed Set it worked perfectly in iTunes. Why does this download now import correctly? Thanks if anyone knows or can help.

You should ask on the Dave's Picks 30 thread…there's more people on there and very few if any on here…hope it helps.

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2 years 11 months
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Since they sold out of the regular box set with all the bells and whistles, and had a huge demand, Dead.Net is selling an All Music Edition that "...only includes the 11 CDs in four folios and a booklet of liners, housed in a simple slipcase."

So, still the four shows, just without the special packaging and the unpublished book. This time, the order went through. Nothing on the website about this also being a limited release -- it's not numbered, but they don't specify if it's another set amount.

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Hello,
I've purchased the fantastic Lyceum LPs more than a month ago and still nothing arrived.
I've searched for the tracking number done by the GD store on the DHL site but nothing appears.
I've yet written to the customer helpdesk, but I'm curious if somebody encountered my same problem.
Thanks a lot,
Fabianope

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Fabian, send me a PM and I'll see if the Doc can shed some light here.

Just to state the obvious, they are indeed fantastic records. I am half way through 5/25/72 at the moment - one that no-one really mentions. Probably because of the night after, which is a shame as it's a great show in it's own right. Curious "Good Lovin" - 14min 53 seconds, and no Pigpen rap - he just sings the opening the verses and the closing ones some 12 minutes later. In between we have spot on r'n'b jamming like no-one else.

product sku
081227934682
Product Magento URL
https://store.dead.net/music/boxed-sets/may-1977-get-shown-the-light-all-music-edition-1.html