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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • KeithFan2112
    Joined:
    Sure get stoned at night!

    The 30 trips Alligator from The Shrine in 67 is one of my favorite 30 trips moments, yet somehow I never fully engaged on the Caution. Probably my favorite Gator, not counting the one under the seats between rows Double EE & FF at the Academy of Music. I probably play the ladies and gentlemen version the most. I think it's time I hunted down that whole Fillmore East run in good quality. I have some of it, like the 26th with its Dark Star.

    And with regard to the Dead Hand in Hamburg anniversary today, I don't know where I was getting off not mentioning Big Boss Man. Probably my favorite short Pigpen Song from the tour. Hindsight is 50/50, but I think it would have been cool if pigpen have played a few less good Lovins, and mixed in some smokestack lightning and good morning little school girls. Not to mention an alligator or two.

    Jimbo, love the reference to The Blues Brothers. I just watched they're warm up set for the closing of winterland on YouTube. Lightning in a bottle. Also came across a picture of Donna sitting with Belushi. Good Times. Let's get that Wayback machine and get directly involved.

    Anybody get a shipping notice for Dave's Picks 30 yet?

  • JimInMD
    Joined:
    Re: Caution / Alvarhanso

    My absolute favorite moment from 30 trips.. and as I have written here several times, I blew out the speakers in my car on that one. For me, it was an epiphany moment.. I was left wordless and slack jawed.

    Nitecat.. except for the last song, your last five was entirely GD. Glad I am not the only one.

    Let the good times roll.. great topics on all things music.. We play both kinds.. Country and Western (aka Grateful Dead and everything else).

    Man. that caution. Wowwow stuff.

    Edit: Or perhaps it was The Other One where I blew my speakers.. no bother, that entire show was pure mayhem and simply wonderful (especially played very loud). Plus.. I blew out the rear speakers and dialed it back just so it was as loud as it could be without blowing out he fronts. What a great night and that show set the mood for the road trip. I think I was driving to visit my dad in the hospital if memory serves, six hours each way = 4 shows total. Blown speaker worthy? yes. It certainly eased the pain.

  • stoltzfus
    Joined:
    Forced to take a pallette cleanser

    Godflesh Merciless

    10/6/80 just wasnt happening :(

  • KeithFan2112
    Joined:
    Jimbo & Oroborous - great…

    Jimbo & Oroborous - great 1983 / mid-80s commentary. You guys had me flipping through 30 Trips '83 and DP 6 today on the way to the food store. The live Touch Of Grey led me to the great studio version, which I hadn't put on in quite some time. Nice memories.

    Alvarhanso - thanks for the Cautions, I'll check those out this week. Also glad I'm not the only one to notice how similar the BTW and JS intros are.

    Bobby T - great call on the TC Dark Star from the Fillmore East. I love 1971 Dark Stars, and TC brings his trademark organ part to this one. It's followed by my all time favorite St. Stephen (Bobby is exceptional on the outro jam). I like putting The Eleven from Two From the Vault after that Dark Star / St. Stephen combo. The drums go together almost seamlessly on the transition. I can't wait for that whole Fillmore run to be released. I really enjoy Ladies & Gentlemen, but I don't have great soundboards of the entire run.

    Nitecat - "I repeated the best stuff twice" - great quote, and the reason it's taking me so long to get through the E72 steamer trunk.

  • alvarhanso
    Joined:
    Caution!

    My favorite is the one from the Shrine 11/10/67. When I got the 30 Trips Box that was my immediate favorite show and has remained so with subsequent listening. The opening clang of Viola Lee sold me, but that Alligator> Caution cemented it. The Greek show from the next year has a great one, too, if brief (funny that we can describe an 11 minute song as brief), and goes into what is probably my favorite Feedback. Maybe it's just the stage announcer's blown mind that gets me on that. The one from Thelma DaP 10 12/10/69 is a good one. For some reason, as fantastically as they play through the Fillmore West shows, the 2 they played that run never blew me away. The bonus disc one is pretty damn fantastic, but you already mentioned that one KF.

    Funny you mention the BTW/JStraw intros; they used to get me every damn time, and still do occasionally. Odd how they had two intros so close together, especially given that Bob would sometimes apologize for playing another song in the the same key as the previous one "at the risk of being repetitive". Ironically, few people would likely have even noticed, though I'm sure playing BTW and JStraw back to back would have been confusing.

    Three more days, though I may be counting chickens early, no shipping notice as yet...

  • nitecat
    Joined:
    Last five

    DP 5 12/26/79: Great show, I was at this run of five nights at the Oakland Auditorium.
    Spring 1990 4/2/90: I'm almost done listening to these two boxes for the third time. What a tour!
    E72 4/26/72: T>Drums>TOO>Comes a Time> SM !! I've been listening show by show to the trunk for a few months now, so I didn't jump on the anniversary train and go back. The box that keeps on giving.
    DP 31 8/4,5,6/74: This collection took several evenings, I repeated the best stuff twice. Wow that 8/6 'filler' Eyes, Playin>Scarlet>Playin, UJB is a keeper.
    The Rascals Complete Singles collection: These guys dominated the airwaves in the late 60's-awesome songs and playing. People got to be free!

  • bob t
    Joined:
    4/28/71 Fillmore East Anniversary

    Tom Constanten joining in on Dark Star>St Stphen>NFA>GDTRFB>NFA...... Good Hard to Handle, Cryptical>Drums>Other One>Wharf Rat... Overshadowed by the next night, and the prior night you had the Beach Boys. (I am a big fan of Pet Sounds)

    Speaking of special guests, hard to top the Bangles 10/18/88 New Orleans joining on the encore of Aiko and Heaven's Door!!! Another rainy day in Rhode Island.... Bob t

  • daverock
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    Mid 80s-Oroborous

    Nice review of what it was like seeing The Dead in the mid 80's. There was so little coverage of the band in those years, in England, that I thought they'd split up ! Then in 1987 I saw a bootleg tape for sale in a music paper of a show from that year, and started digging around. And here I am.

  • Oroborous
    Joined:
    Ahh mid eighties...

    L.M.G.; be well brother, may the four winds be with you!

    Jim, astute analysis as usual. 83 was such a transitional year in many ways, some I don’t think many folks realize.
    Yes JG was starting to really show signs of “health” issues. Musically, it seamed like they were starting to get a little looser, perhaps a little weirder? So because of both variables there was inconsistency. But we liked that go for broke vibe, and occasionally stumble and falling added to the excitement. That’s what I don’t like about 77, it’s too dam tidy, it’s too professional, too clean, I know that sounds nuts, but too me that’s not what the dead were about....don’t get me wrong, I totally get why many consider this the Dead at their best.
    So Brent had meshed for four years at this point, so compared to say 80 or 81 where songs are more short and tight, it seamed to me like they were melting around the edges more.
    They also were going through huge technical changes that I think factor in way more than most would think about.
    Phil was using the new Modulus 6 string and new gear, Weir had new stuff, most importantly they now were using the mighty Ultra Sound Meyers PA and monitors full time.This was awesome but it was definetly a process getting a handle on all this. I think this is why 83 sometimes sounds so funky...they hadn’t used it all enough to 1) collect enough acoustical data from the different venues and 2) totally learned/adjusted technique for this ridiculous, amazing new system/technology. Add to that the whole cassette master thing, and well, yea, sometimes it’s not so hot. On the flip side there are also some awesome matrix tapes from this year....but as Jim says it’s all over the place in 83.
    They also were starting to use the new vari lights full time this year too, and they had switched sides on stage only a year earlier...so much was going on that year, like many of the transitional years, and it showed, for good or for ill.
    Hell, one could argue the whole long trip was a constant transition, with of course certain times being more pronounced I.e., personnel changes, but a whole new P.A. system and monitors cannot be overlooked!
    Like you state, this process seamed to continue, both the good changes and the ahem, bad, through 84 and into 85.
    I recall also feeling like the whole scene was changing too. Like it was all getting bigger and better, but crazy and almost out of control, like that train jumping the tracks....to me 85 was when it sorta peaked. All that process that started in full back in 83 seemed to come to fruition. They were breaking out more psychedelic stuff, and getting weirder. Anyone who was on that 85 summer tour hopefully can relate?
    We went from super laid back scene at10k hockey rinks and half empty sheds to the madness of 2 around the clock days at Toga, then Hershey and Merriweather. Too much of everything was just enough! By 86 they started playing more stadiums, and it all just kept growing. The band, us, the scene, it was nuts, but like all things of hubris and excess it went too far. Throw in a hit record and crowds of uninitiated and by 87 it was over. Not the whole deal but that little wave ala HST in fear in loathing., that to me peaked in 85.
    Yes they could be sloppy and sometimes Jer sounds pretty ruff, but didn’t they always when they were going for it, trying to find the edge? More HST; “you don’t really know the edge unless you go over”....
    And yes we all got too big, and perhaps sometimes outta hand, but wasn’t that part of it? “Too much of everything...”, I don’t know what I’m going for, but I’m gonna go for it for sure”....
    All I’m saying is it was a great time to be in your twenties, on the road, and high with the Dead!
    Until it wasn’t, but luckily they played through it and came out the other side even stronger and better as we all know how great 89 through 90, 91? perhaps into 92? was.
    Sorry to ramble, just in a mood this AM and Jim’s post brought out the old member berries and nostalgia of perhaps the greatest time in my life, sniff, sniff 😢 ok enough, Onward!

  • KeithFan2112
    Joined:
    Hamburg

    Mr Heartbreak, I'm pleased you picked up on that reference. Indeed, he deserves better than his ex bandmates have given him in the Press. I was sure Mind-Ledt-Body would get it!

    I'm on to 4/29/72.

    The opening Playing in the Band only has a four minute jam section. I know it took them some time to build up the jam on this one, but I guess I didn't realize how short the actual jam sections are. Well, the last few on the tour stretch out a bit longer. Then of course by '74, they went on for a half hour regularly, and Kreutzmann couldn't remember which huge jam song he was in the middle of (Long Strange Trip quote).

    I've decided I like they 1972 Sugarees best, even if 5/28/77 is my favorite (19 minute, huge solo); but generally speaking, '72 is the year for me on this one. Short and sweet. I think that's the theme on most early Grateful Dead songs for me. In 71 & 72, everybody was still playing guitars that I liked, and all the right backup vocalists we're involved at the right times.

    First UJB of the tour on this show. That's balls. Nine shows in before they play UJB. Then they only played it four more times in Europe. In hindsight I guess they always played this tune sparingly.

    First He's Gone to feature the middle 8 / winds don't blow so strange verse. I think I'll always enjoy Rockin the Rhein's performance the best, even without the middle 8. My dog has no nose... in any event, I think it took them until summer to really get that part well oiled. Right around Berkeley.

    Starting with the Dusseldorf show on 4/24, they changed up the intro to Black-Throated Wind, from a little drum roll thingy to a guitar strum thingy that sounds almost identical to Jack Straw. When I first got into the Dead, I couldn't tell the difference until Jerry either went into the BTW riff or the Jack Straw improv fill. And I used to think, man, how do they keep from getting mixed up when they're playing it live? The answer is they didn't. This is the one they mixed up. Jerry plays the Jack Straw fill and Bobby sings the BTW verse. Jerry doesn't play the BTW riff until the second verse. I always get a kick out of this, thinking they probably figured nobody would ever notice. Little did they know their legend would overtake their anonymity.

    And of course it's Dark Star night. Lots of cacophony on this one - Probably not one of my favorites. They hit the Feeling Groovey riff early, but leave it behind pretty quickly. They hit the main Dark Star theme at the halfway mark. Jerry throws in a little Caution riffing somewhere around 23 minutes. Keith is audible at times. How I would love to interview every last one of them while listening to these ancient Dark Stars.

    Caution does eventually appear for one of only five appearances, if my memory serves me. I'm trying to think if these are the only ones to feature Keith, before Pigpen died. In any case, I like the piano and organ duo, despite Keith's being mixed low or not at all. I lean towards the Europe 72 Cautions, but I admit I don't know the early ones nearly as well. Except for the 30 minute romp from the FW bonus disc. Any great Cautions you guys want to throw them away, I'll be sure to listen to them soon. Thank you. Bomp>Bomp>BOMMMB!

    China Rider - always welcome in a set list. They didn't play it quite as long on the Europe 72 tour, but it was about as tight as can be, and the Rider vocals we're stunning every time.

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Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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In reply to by stoltzfus

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Ha. I bet Phil is pissed at the "Their Lead Vocalist" comment.

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Fries, Nachos, “I need a hook”, “Wow, good for them”.

No you didn’t get dosed, but you should consider it!

Edit: I got buses & Fire Hydrants , but still not Kesey's bus...

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I think that she did get dosed by the blue Jell-O shot.

She’ll be back next tour and will know all the songs.

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The Victm>Foolish transition seemed quite interesting at the time.

Was in the front row the next night (my friend got them from mail order - thanks GDTS). The first night we were 2nd row off the floor in the back with my GDTS tix.

I’m curious why the SBDs from those shows aren’t in circulation.

Doubtful.. more likely select lines from Friend of the Devil, Touch of Grey and Truckin' which she will know doubt try to impress us with by staggering back and forth while standing on her chair, flicking a lighter and singly quite loudly, out of key, and one step out of time to two thirds of the lyrics of Friend of the Devil and Casey Jones.

I don't know.. Perhaps this sounds cranky.. but why do people with such limited exposure and understanding feel the need to write about it on a large platform and describe exactly what it's all about. On the bright side.. at least she wasn't talking the entire show while overconsuming makers mark and beer after beer while yelling JJERRRRYYYYYYY during each and every solo.

Ok.. I will get back to kicking hippies off my lawn. As you were. Deep breath, exhale, all better now. Anyone is welcome to walk across my front lawn.

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I don't know, seems like a sterile version of the original parking lot. It may be that my last show was 95'. She was brave though, taking some pill in this era. I'd rather keep the memories of old then take a chance at disappointment. At least that's my opinion.

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What year was that first Corrina. Curious.

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In reply to by carlo13

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....not entirely sure. Wanna say Vegas '92? That song was hit or miss for me. Better than Easy answers for sure. About tied with Eternity, which, when they did it right, was a pretty damn good time.

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That was the same kind of feeling I had with Corrina. Hit or miss.

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Check Your PM

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In reply to by Vguy72

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Could have been a decent song if it didn’t have any words.

Easy Answers = bathroom trip
Wave to the wind = bathroom trip
Vince = bathroom trip

If 2 or more of those came up in a show you were stuck listening to the one(s) that came after the bathroom trip.

Corinna could evolve into a good jam sometimes, but I was always disappointed to hear the opening chords.
First Corinna was 2-23-92.

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David Crosby - guitar, vocals
Jerry Garcia - lead guitar, vocals
Phil Lesh - bass
Mickey Hart - drums

This is a trip. Originally broadcast on KSAN, 12/15/70 from The Matrix, SF.

It really feels like a bootleg. Maybe some of you are familiar. It's loose and sloppy and I'm loving it.

Jerry is pretty "on."

From the five-disc box, "The 1970 Broadcasts."

Also a hoot, is the current Rolling Stone feature which has David Crosby answering readers questions about life, etc.

Crosby was a mess for decades, but as it goes, has become a wise old sage. God bless him.

\m/

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Oh yeah! What show are you jamming?

I was always a fan of their cover of the Stones' No Expectations.

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In reply to by Slow Dog Noodle

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....that's the name.
Mrs. Vguy likes them. A definite plus

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In reply to by Vguy72

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Eternity always fine by me

Wave to the Wind is an abomination

Easy answers....love ya Bob, but...

Vince tunes ok

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The itch for DaP 31 approaches.....currently listening to 11 26 72 DARK STAR. San Antonio! Anyone feeling a hint for what year DaP 31 will bring us? 1968, 1972...in the strangest of places....

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In reply to by stoltzfus

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Pink Floyd 71....insane and masterful

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I've always loved this tune. Ratdog has some very good renditions. Same with easy answers, I like the way Bob has been blending Easy answer with music never stopped.

Again, hard to believe we will looking at another seaside chat for Dave's 31 before we get the news on this year's box, but that appears to be the case.

Might be time for the first 79 release. Last 79 release was RT.3.1, which is outstanding!

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...a raise of hands please, who wants a 1969 box set?!
🙏❤️😎

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I sure hope you're not talking about the Woodstock box.

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Would love to see a Fall ‘91 Box. Mix of the MSG and Boston Garden runs. Have not had a Bruce/Vince box set yet.

The can name it “In and out of the Garden we go!”

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In reply to by Duece

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or 9/4,5,6/91 wpould make a nice 91....
Or
Something from 69, 79, and 89, number 9, number 9, number 9........
Didn’t Bolo say something about different years combined?

Edit: 79 you say? ....how’s bout 1/10/79 and 1/20/79? ......probably no tapes??

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The box will not be '66, '67 or '68; agreed? All short shows, not many in the vault, questionable sales appeal. Edit:(Okay, I'd personally dive on any such releases, esp. '67 and '68. Killing my own arguments at the get-go.)

They just handed us two excellent '70 shows and have to hold the few remaining '70 shows for the 50th pairings with Workingman's and American Beauty and some for future DaPs. The box will not be '73-'74; they did that last year. That leaves '69, '71, '72 and '89 and '91.

To me the decision has to be tied to the music, the vault and sales.

The music: what will broadly appeal to the die-hards AND general public?

The vault: what year is well-supplied with useful tapes, so that a box will not deplete it?

The sales: shows with broad appeal, and affordable. Affordable is pretty much an issue of how many shows/discs. (Answer: 4-6 shows, 10-20 discs.) I think they'll lean slimmer than last year's 6 shows/19 discs to make it more affordable. On the other hand, these ARE limited edition boxes, so maybe "broad appeal" only applies within the tuned-in Dead market -- meaning, at many post '95 shows by later incarnations of the GD, I tried talking to people about the vault output and they had NO IDEA about Dave's Picks, etc. A huge # of people are into the concert scene and not the archival releases, bless their pointy little heads.

1969 passes all these tests and has the anniversary thing going for it. Yet they just put out Aoxomoxoa with a January '69 live disc. (Get Shown the Light in 2017 was synched to an anniversary, but that's the exception so far. )

1971 passes all these tests for me, yet I'm not sure -- forensic doc's efforts not withstanding -- how broadly appealing '71 is to die-hard fans. Same question might be applied to '69.

Okay, now we come to my favorite dead horse, which I have flogged mercilessly: 1972. Consistently hot shows. Tons of fall '72 in the vault ("tons" = ~25-30?). Broad appeal, good buzz factor (same year as Euro '72). Surefire sales: who's going to turn down a '72 box? Who??

Finally, I think '89 and '91 are a bit obscure performance-wise and may divide the market; older heads might pass, and those who caught that era are now in their 50s (mere kids, "heh heh heh," in a creepy voice).

Yet, I have to wonder how sales would go with The Ark three-show box, Capitol Theater '71 or even my favored fall '72 (c'mon, that'd sell like laced hotcakes).

To re-formulate my usual lackluster quip: I'm usually wrong. And I'll be fascinated to see what they've got in the works. Now that I think of it, 1979 is precisely 40 years ago and holds many tapes (I choose to believe, with no knowledge whatsoever) and hot shows. Who knows? As with PNW, perhaps they choose a venue like Red Rocks for '79; only, just one of three August '79 shows was at the Rocks, the other two at McNichols, the old Denver shed.

Okay, now I'm rambling badly and posting it. I say a week from Monday (July 8) we'll know. Dead & Co. will be back home, patching their bones. GarciaLive v. 11 shipping notices will be out and DaP 31 not yet announced.

I'm calling fall '72 box, with a '91 or '79 for DaP 31...

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Only two shows in the vault from the first two months of the year... One is the Feb 17, 1979 Rock for Life Show, and I believe the other is 2/7/79 Carbondale..... I wonder what happened to those tapes??? Have a good weekend everyone.... Bob t

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Richfield 9/4-6/91

I was there. all three shows smoked. Highly recomended. The 1st and 3rd nights were A+ top grade perfromances. One of the best Scarlet>Fires, a Birdsong for the ages, the secondset sequence of 9/6 is executed with perfection.

The Giants Stadium shows recorded onto 48 track analogue would be an obvious 2 show box to coincide with the Meet Up.

I have to have this when it comes out. My life would not be complete without it.

Arc would be cool too. Anything '89 2 thumbs up.

These verify pics are hard to see. Hate that. Hassle.

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I remember in the 80's shows wishing jerry would whip out his banjo, even just for a few minutes to put my trip back in line.

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I only hear crickets.

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Crankin' TIFTOO. To bad we couldn't have a keg party over the net. That would be the greatest app. In the world.

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Carlo13 you cracked me up a bit with your Jerry banjo comment! Kinda brings me back to "them daze".

BTW, did anyone grab the vinyl AND cd of the Warfield? I have the cd and I think I'm digging it the most out of the latest releases, but wondered if the vinyl differed in any way from the cd (which has a complete dearth of liner notes, accompanying booklet, or photos of the band, etc.)

P.S. I finally picked up the Shrine '67 vinyl (mainly for the cover art which I like on my wall.

P.S.S. Great Calls on something from Brent Fall 1979 some of those tapes are really well recorded!

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Kind of strange that the interviewer called John belushi a nutball. Seemed like bill thought the same.

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Streaming tonight and tomorrow. I’m behind and just started the 2nd set.....strong show so far!

My daughter came down earlier to say goodnight, looked up at the TV and said that’s Bob Ross......Yes!!! I’m half-way to making her a Deadhead!!!

Happy Trees 🌲

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“Roll right through the night...”
SPACEBRO: “so glad you made it”...ditto Wilfred.....yasss, those Richfield shows go under the radar but where mighty tasty....believe that was the last or near last time I hung with my old amigo Lee Esdee...remember camping nearby sea world with previously mentioned, now 21 year old girl friend, me 28, and tent loving all night to the unbelievable sound of the whales.....whoooaaaa...

CARLO: yassss, use to space about why/what if JG threw down some badass BG....though not in the GD context but alas, perhaps lack of due to another side affect of the Jones etc? Fortunately we got at least the 90 Grisman et el stuff!
Virtual, cyber? Kegger, pssstttttt, that’s me opening the last growler of that tasty strawberry daze ale.....till next year!

JIMMD: “Ark You!”.......and of course I mean that in a good way 😀

LEDEAD: thanks for the awesome article! Had not seen that one! Nice long, candid one too. Love Billy K but sometimes.....not here though!
EDIT: interesting AB comments considering recent related posts here.....

DAVEROCK: will have to listen/analyze for the River/fingers correlation.....personally also thought L.R.R. and many of late era JG ballads were favs, if maybe a bit too many? Seemed to fit the vibe near the end days...perhaps just projecting my maturing? Moving on feelings/“growing up”.....ok, that’s too much thinking for this time and space???

C.J: and so it begins....! ; )

BobT: thanks! Glad to see ya...sorry, believe you told me/us this already....sorry for repeats Uncle! ; )

HF: eh, who you calling a kid ; )
and, ....ramble on baby!....I can’t speak for the rest of this ship of fools, but I dig your rambles!
I Like most of what you postulate, yasss, know I would truly dig any primal Dead, but your probably right about marketing/economics here....very interesting about your post GD observations vis a vis releases versus live. Perhaps a correlation with the younger gen/no stuff thing? Cool that kids are still pro live versuses memorex....perhaps we’re so rabid about releases due to the age/nostalgia bug and trying to relive etc, while the youngins are trying to actually live their own legacy, which is nice!
Think 69 might get more traction than you think? I know I’d dig that shite, ark, ark, ark! Woof! ......perhaps those that are neophytes would just bye and end up blown away?....
71? Know many here would love that spring stuff, not sure that would sell well with the casuals? (No offense to the Doc if yee lurkith?...miss ya boss!) Personally late 70 through pre Kieth 71 is not on my top wish lists, which is ironic cause skull fuck was sorta the final indoctrinating straw for moi. Sure I’d learn to love it like a red headed step child 😉
Your thoughts on fall 72 are not wrong....know I’d dig some big ass meaty Dark Stars etc ala previous releases....and agree 72 is pretty much money with this crowd. Also, been about time since 8/25 which was great in my minds eye, but perhaps not equal to some fall deep space 9 mojo? Imho.
Not disagreeing with your logic per 89-91, but perhaps the music is strong enough, and maybe overlooked enough, while having enough fans, especially with lack of inventory so far, that a small but solid 91 outing would trend well enough? Getting a 69 vibe myself, perhaps only in a dog sense kinda way, but hey, that shit has worked as much as logic and empiricism!

And in these days in GD history......spinning 6/27/85, which has a bit of slop/ occasional JG vocal mishaps, but imo is more than made up for with chutzpah, and shining diamond moments of psychedelic golden yummies, and a neat set list! Oye, the energy! Followed by 6/28/85 which is one of my favs; both @ and recording....again a bit of the first set “slop” but grows into a beast....remeber it was not a pleasant day. But the set up was awesome; like high school stadium, not too crowded, with PA in true stereo imaging set up, small delay towers on the ground behind the board, no cranes needed! But because of the elements they had plastic protection over everything; PA, stage gear etc until sometime in the 2nd...believe Estinmated into Terrapin? Eventually it cleared up with the stars out and they peeled off that plastic protection off, Healy started to crank it (which we were truanting him to do as we were hanging in front of soundboard per usual), and things started getting progressively better from there...started to warm up a bit too, which eventually led to moi overheating, but that’s another story that I shall only replay upon request.
Anywho, interesting first, followed by “continued singing in the rain” one of my fav Music Never Stopped”, my first Tom Thumbs, a solid Estimated, good Terrapin, great experientially, followed by one of my favorite spaces, complete with some serious 3D holographic, moving, Healy shit, woooooooooo, (recordings do not begin to capture this phenomena!), into a slamming Miracle, and perhaps my all time favorite Dew (very influenced by passing grandfather,) psychedelic, personal, cathartic variables, but to me still transcend all that even today....with a strong Stones/NFA, but unfortunately a bit of a let down with the Day Job encore....by then to my gang that one had kinda run its course. Dug it in like 83 etc, but eventually wore itself out...?
Followed all this off with first set of of 6/27/87 which is decent, tight 87ish, and now into the wee hours we’re bringing it all home with 6/25/88 mix of all of the first (“we don’t just let anyone sit in on accordion”) and the second first half mix of Victum, Blow Away, and Foolish, which were firsts for our gang...kinda of shitty conditions there though at the time..recall not feeling it so much then, but recording has remained a nice summer time fav.....
Tomorrow hopefully, finally, get to dig into PNW 6/24&26/73 shows....boo-yah!
So much Dead, so little time!....
And too all a goodnight!
Have a greatful weekend mi amigos!

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Thanks for tormenting me on the strawberry beer bro!! Now I am going out first thing tomorrow and find me some S. B. To quench my beer jones. I'll see if they have strawberry daze ale, if not I'll get any kind they have. I will let you know the results. It is funny that I have not bought a growler in ages. I think it's high time I start growling again. Peace!

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Had a wonderful evening with Bruce Hornsby and the Noisemakers in the mountains of North Carolina last Wednesday at the Salvage Station. Set list:
Great Divide
Stander on the Mountain
Fractals
I'll take you there
The way it is
Tango King
Pastures of Plenty
Up with People
Celestial Railroad
Green, Green rocky road
Every Little Kiss
Echolocation
Defenders of the Flag
Big Rock Candy Mountain>Candy Mountain Run
Little Sadie>White Wheeled Limo>Liberty Valance
Great jams especially the Candy Mountain Run, had the audience rocking and we all danced all night. 2.5 hr show with no breaks. Great Grateful Dead cover band on after the Bruce show who's opening song was Estimated Prophet, and they did an excellent job. Phunkle Sam is the name of the band and they are very well versed in Grateful Dead tunes.
If you get a chance, catch Bruce this time around, had a good time with some excellent tunes played along the river with fireflies dancing around us most of the evening, awesome. Check out Bruce's new lp also, it's worth a listen.
Box set, I'll take some 91 Bruce and Vince this time around, it's time to break these shows out, they were great.
Last 6:
Jules and the Polar Bears, Phonetics
Steppenwolf, Live
Cheech and Chong, Big Bambu
Mahogany Rush, Child of the Novelity
Bruce Hornsby, Absolute Zero
Stomu Yamashta, Go (with Steve Winwood and Michael Shrieve)

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...a show of hands please for a “Warfield Anniversary Boxset, October 1980, celebrating the Grateful Dead's 15th Anniversary.” A perfect blending of older cuts from the Dead's extensive repertoire with performances of the Dead’s acoustic sets & Electric ...🙏❤️😎

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